mick laBriola

Freddie Redd (born May 29, 1928) is an American hard-bop pianist and composer. He is probably best known for writing music to accompany The Connection (1959), a play by Jack Gelber.

Redd was born and grew up in New York City; after losing his father at the age of one, he was raised by his mother, who moved around Harlem, Brooklyn and other neighborhoods. An autodidact, he began playing the piano at a young age and took to studying jazz seriously upon hearing Charlie Parker during his military service in Korea in the mid-1940s.

Upon discharge from the Army in 1949, he worked with drummer Johnny Mills, and then in New York played with Tiny Grimes, Cootie Williams, Oscar Pettiford and the Jive Bombers. In 1954, he was playing with Art Blakey. Redd toured Sweden in 1956 with Ernestine Anderson and Rolf Ericson.

Redd’s greatest success came in the late 1950s when he was invited to compose the music for The Living Theatre‘s New York stage production of The Connection, which was also used in the subsequent 1961 film. In both play and film he performed as an actor and musician. The theater production enjoyed a modest success and the troupe toured the United States and Europe, performing in New York City, London, and Paris. Redd also led a Blue Note album of his music for the play, which featured Jackie McLean on alto sax. Redd’s success in the theater production, however, did not advance his career in the United States, and shortly afterwards he moved to Europe, spending time in Denmark and France.

He returned to the United States in 1974 and resettled on the West Coast; he became a regular on the San Francisco scene and recorded intermittently until 1990. In 2011, he resettled in Baltimore, where he currently resides.

Carl Story (May 29, 1916 – March 31, 1995) was an influential bluegrass musician and leader of his band the “Rambling Mountaineers”. He was dubbed “The Father of Bluegrass Gospel Music” by the governor of Oklahoma.

Story was born in Lenoir, North Carolina into a musically inclined family. His father played the fiddle and his mother played the guitar and Story learned to master both fiddle, guitar and clawhammer banjo. In the early 1930s, after winning a fiddle contest, he joined “J. E. Clark and the Lonesome Mountaineers” performing at WLVA in Lynchburg, Virginia. In 1934, he formed the “Rambling Mountaineers” together with banjo player Johnny Whisnant and guitarists Dudley Watson and Ed McMahan. Within a year they played over radio station WHKY in Hickory, North Carolina. It later led to performances at WSPA in Spartanburg, South Carolina and WWNC in Asheville, North Carolina. They recorded for ARC in 1939 and Okeh Records in 1940; however, these recordings were never issued. Story played with Bill Monroe in 1942 as a fiddler – replacing Howdy Forrester who had been drafted – but eventually he was drafted too in October 1943.

After his discharge from the Navy in 1945, he began performing with his “Rambling Mountaineers” on the “Mid-Day Merry-Go-Round” show at WNOX in Knoxville, Tennessee. In 1947, he recorded for the Mercury label. At the recording sessions of 1947, Story temporarily labelled his band the “Melody Four Quartet”. During the 1950s, Carl Story’s “Rambling Mountaineers” performed on the “Farm and Fun Time Show” at WCYB in Bristol, Virginia and on the “Cas Walker Show” over WBIR-TV in Knoxville, Tennessee. His “Mountaineers” also appeared on radio stations WAYS in Charlotte, North Carolina, WEAS in Decatur, Georgia, and WLOS in Asheville, North Carolina. He had a new recording contract on Columbia Records in 1953. Two years later he was back to Mercury Records. In 1957, he switched label to Starday Records where he stayed for eighteen years. In 1960, Story began working as a deejay for WFLW in Monticello, Kentucky. Beginning in the 1960s, and for the next twenty years, Story toured extensively throughout the US and Europe. He signed another recording contract with CMH Records in the mid-1970s. He settled down in Greer, South Carolina working as a deejay over WCKI in Greer.

Eugene Joseph Wright (born May 29, 1923) is an American jazz bassist who was a member of the Dave Brubeck Quartet.

Wright played with the Lonnie Simmons group and led his own band, the Dukes of Swing, but his biggest opportunity came when he was hired by Brubeck. He has worked with Monty Alexander, Gene Ammons, Count Basie, Charlie Parker, Billie Holiday, Carmen McRae, Buddy DeFranco, Cal Tjader, Kai Winding, Sonny Stitt, Dottie Dodgion, Lee Shaw, and Dorothy Donegan. With the death of Brubeck on December 5, 2012, Wright became the last surviving member of the quartet.

The giant molecular cloud known as W51 is one of the closest to Earth at a distance of about 17,000 light years. Because of its relative proximity, W51 provides astronomers with an excellent opportunity to study how stars are forming in our Milky Way galaxy. A new composite image of W51 shows the high-energy output from this stellar nursery, where X-rays from Chandra are colored blue. In about 20 hours of Chandra exposure time, over 600 young stars were detected as point-like X-ray sources, and diffuse X-ray emission from interstellar gas with a temperature of a million degrees or more was also observed. Infrared light observed with NASA’s Spitzer Space Telescope appears orange and yellow-green and shows cool gas and stars surrounded by disks of cool material. W51 contains multiple clusters of young stars. The Chandra data show that the X-ray sources in the field are found in small clumps, with a clear concentration of more than 100 sources in the central cluster, called G49.5−0.4 (pan over the image to find this source.)

John Cameron Fogerty (born May 28, 1945) is an American musician, singer, and songwriter. Together with Doug Clifford, Stu Cook, and his brother Tom Fogerty, he founded the band Creedence Clearwater Revival (“CCR”), for which he was the lead singer, lead guitarist, and principal songwriter. The group had nine top-10 singles and eight gold albums between 1968 and 1972, and was inducted into the Rock and Roll Hall of Fame in 1993.

Since CCR parted ways in 1972, Fogerty has had a successful solo career, which continues to the present. He was listed on Rolling Stonemagazine’s list of 100 Greatest Songwriters (at number 40) and the list of 100 Greatest Singers (at number 72). His songs include “Proud Mary“, “Down on the Corner“, “Who’ll Stop the Rain“, “Centerfield“, “Bad Moon Rising“, “Green River“, and “Fortunate Son“.

Fogerty was born in Berkeley, California, and grew up in El Cerrito, California, one of five sons born to Galen Robert and Edith Lucile Fogerty. His father was a native of South Dakota, and worked as a Linotype operator for the Berkeley Gazette in California. Lucile Fogerty was from Great Falls, Montana. When John was two years old, his parents converted to Catholicism. He first attended a Catholic school, the School of the Madeleine, in Berkeley California. In his memoir, Fortunate Son, Fogerty was critical of the school, saying when in class he was not permitted to go to the bathroom when he asked, and frequently wet himself and was forced to sit in his wet clothing.

Leland Bruce Sklar (born May 28, 1947) is an American electric bass guitarist and session musician. He is a member of the Los Angeles-based instrumental group The Section, who served as the de facto house band of Asylum Records and were one of the progenitors of the soft rock sound prevalent on top-40 radio in the 1970s and 1980s. Besides appearing as the backing band on numerous recordings by artists such as Jackson Browne, Carole King, Phil Collins, and James Taylor, the Section also released three solo albums of instrumental rock. Both in The Section and separately, Sklar has contributed to over 2,000 albums as a session musician. He also has toured with James Taylor, Toto, Phil Collins and other major rock and pop acts, and recorded many soundtracks to films and television shows.

Sklar studied at California State University, Northridge. It was during that time he met James Taylor, who invited him to play bass at some venues. They both thought that the work would be short-term, but soon Taylor’s career took off with his first hit records, and Sklar came into the limelight and was asked to record with other artists. In the late 60’s he was briefly the Bass player of the band Wolfgang, which featured Ricky Lancelotti as their Vocalist. However they only ever recorded unreleased demo tracks. In the 1970s, Sklar worked so frequently with drummer Russ Kunkel, guitarist Danny Kortchmar, and keyboardist Craig Doerge that they eventually became known as “The Section” and recorded three albums under that name between 1972 and 1977.

Russell Donald Freeman (May 28, 1926 – June 27, 2002) was a bebop and cool jazz pianist and composer.

Initially, Freeman was classically trained. His reputation as a jazz pianist grew in the 1940s after working with Art Pepper and Shorty Rogers. He played with Charlie Parker on the 1947 “Home Cooking” jazz session. Numerous collaborations followed in the 1950s with Chet Baker, Shelly Manne, and Art Pepper. These collaborations included the Jazz Immortal CD recorded with Russ Freeman and jazz trumpeter Clifford Brown in 1954, which included leading musicians Brown and Zoot Sims. On the Jazz Immortal CD, Russ Freeman was able to play in a combo that recorded many Clifford Brown compositions.

In 1957, he collaborated with André Previn on the album Double Play!, where they both played piano, accompanied only by Manne on drums.

In 1988, Keith Jarrett performed a version of Freeman’s “The Wind” in a solo concert in Paris, which is featured on his album Paris Concert. In 1991, Mariah Carey wrote her own lyrics to “The Wind” for her album Emotions. Freeman had written “The Wind” with original lyrics by Jerry Gladstone; it had been performed as an instrumental piece during the 1950s and 1960s by the likes of Baker, Leo Wright, and Stan Getz, and had been sung by vocalist June Christy (on The Misty Miss Christy). Freeman’s piano is featured on Baker’s 1954 recording of “The Wind” (featured on Chet Baker & Strings). Freeman remained busy in music throughout his life, transitioning from jazz pianist to film scoring and composition before his death in Las Vegas in 2002.

Freeman was married three times, and he had one daughter, Paula Kenley Freeman, from his second marriage. He had no grandchildren. His daughter moved from Seattle to live in the Netherlands in 2009, and an interview about her relationship with her father appeared in the May 2009 issue of the European magazine, PianoWereld.

Cecil Bustamente Campbell OD (24 May 1938 – 8 September 2016), known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists.

Cecil Bustamente Campbell was born in Orange Street in Kingston, Jamaica, on 24 May 1938. His middle name was given to him by his family in honour of the Labour activist and first post-Independence Prime Minister William Alexander Clarke Bustamante. In the early 1940s Campbell was sent to live with his grandmother in rural Jamaica where his family’s commitment to the Christian faith gave him his earliest musical experiences in the form of church singing as well as private family prayer and hymn meetings. Returning to live at Orange Street while still a young boy, Campbell attended the Central Branch School and St. Anne’s School.

While at school Campbell performed three or four times a week at the Glass Bucket Club, as part of Frankie Lymon‘s Sing and Dance Troupe; rock ‘n’ roll-themed shows were popular during the 1950s, with the Glass Bucket Club establishing a reputation as the premier music venue and social club for Jamaican teenagers at that time. Upon leaving school he found himself drawn to the ranks of followers that supported the sound system of Tom the Great Sebastian. Jamaican sound systems at that time were playing American rhythm ‘n’ blues and Campbell credits Tom the Great Sebastian with his first introduction to the songs and artists that would later influence his own music: The Clovers‘ “Middle of the Night”, Fats Domino‘s “Mardi Gras in New Orleans”, the Griffin Brothers featuring Margie Day, and Shirley & Lee.

John Henry Creach (May 28, 1917 – February 22, 1994), better known as Papa John Creach, was an American blues violinist, who has also played classical, jazz, be-bop, R&B, pop and acid rock music. Early in his career, he performed as a journeyman musician with such luminaries as Louis Armstrong, Fats Waller, Stuff Smith, Charlie Christian, Big Joe Turner, T-Bone Walker, Nat King Cole and Roy Milton.

Following his rediscovery by drummer Joey Covington in 1967, he fronted a variety of bands (including Zulu and Midnight Sun) in addition to playing with Jefferson Airplane, Hot Tuna, Jefferson Starship, the San Francisco All-Stars (1979–1984), The Dinosaurs (1982–1989) and Steve Taylor.

Creach recorded a number of solo albums and guested at several Grateful Dead and Charlie Daniels Band concerts. He was a regular guest at the early annual Volunteer Jams, hosted by Charlie Daniels, which exposed him to a new audience that was receptive to fiddle players.

Creach was born at Beaver Falls, Pennsylvania. As a child, he was introduced to the violin by an uncle, and he received both tutoring in the instrument and conservatory training. He began playing violin in Chicago bars after his family moved there in 1935, and also did some symphonic work when he was in his early 20s, which was unusual for a black musician at the time. At one point, he joined a local cabaret trio called the Chocolate Music Bars, and toured the Midwest with them.

Aaron Thibeaux “T-Bone” Walker (May 28, 1910 – March 16, 1975) was an American blues guitarist, singer, songwriter and multi-instrumentalist, who was a pioneer and innovator of the jump blues and electric blues sound. In 2018 Rolling Stone magazine ranked him number 37 on its list of “The 100 Greatest Guitarists of All Time”.

Aaron Thibeaux Walker was born in Linden, Texas, of African-American and Cherokee descent. His parents, Movelia Jimerson and Rance Walker, were both musicians. His stepfather, Marco Washington, taught him to play the guitar, ukulele, banjo, violin, mandolin, and piano.

Walker began his career as a teenager in Dallas in the 1920s. His mother and stepfather (a member of the Dallas String Band) were musicians, and Blind Lemon Jefferson, a family friend, sometimes came over for dinner. Walker left school at the age of 10, and by 15 he was a professional performer on the blues circuit. Initially, he was Jefferson’s protégé and would guide him around town for his gigs. In 1929, Walker made his recording debut with Columbia Records, billed as Oak Cliff T-Bone, releasing the single “Wichita Falls Blues” backed with “Trinity River Blues”. Oak Cliff is the community in which he lived at the time, and T-Bone is a corruption of his middle name. The pianist Douglas Fernell played accompaniment on the record.

Messier 106 (also known as NGC 4258) is a spiral galaxy in the constellation Canes Venatici. It was discovered by Pierre Méchain in 1781. M106 is at a distance of about 22 to 25 million light-years away from Earth.

Dee Dee Bridgewater (née Denise Garrett, May 27, 1950) is an American jazz singer. She is a three-time Grammy Award-winning singer-songwriter, as well as a Tony Award-winning stage actress. For 23 years, she was the host of National Public Radio’s syndicated radio show JazzSet with Dee Dee Bridgewater. She is a United Nations Goodwill Ambassador for the Food and Agriculture Organization.

Born Denise Eileen Garrett in Memphis, Tennessee, she was raised Catholic in Flint, Michigan. Her father, Matthew Garrett, was a jazz trumpeter and teacher at Manassas High School, and through his playing, she was exposed to jazz early on. At the age of sixteen, she was a member of a Rock and R&B trio, singing in clubs in Michigan. At 18, she studied at Michigan State University before she went to the University of Illinois at Urbana-Champaign. With the school’s jazz band, she toured the Soviet Union in 1969.

The next year, she met trumpeter Cecil Bridgewater, and after their marriage, they moved to New York City, where Cecil played in Horace Silver‘s band. In the early 1970s, Bridgewater joined the Thad Jones-Mel Lewis Jazz Orchestra as lead vocalist. This marked the beginning of her jazz career, and she performed with many of the great jazz musicians of the time, such as Sonny Rollins, Dizzy Gillespie, Dexter Gordon, Max Roach, Rahsaan Roland Kirk, Wayne Garfield, and others. She performed at the Monterey Jazz Festival in 1973. In 1974, her first solo album, entitled Afro Blue, appeared, and she performed on Broadway in the musical The Wiz. For her role as Glinda the Good Witch she won a Tony Award in 1975 as “Best Featured Actress”, and the musical also won the 1976 Grammy Award for Best Musical Show Album.

Niels-Henning Ørsted Pedersen (Danish pronunciation: [ne̝lsˈhene̝ŋ ˈɶɐ̯steð ˈpʰeðɐsn̩], 27 May 1946 – 19 April 2005), was a Danish jazz double bassist.

Ørsted Pedersen was born in Osted, near Roskilde, on the Danish island of Zealand, the son of a church organist. As a child, Ørsted Pedersen played piano, but from the age of 13, he started learning to play upright bass and at the age of 14, while studying, he began his professional jazz career in Denmark with his first band, Jazzkvintet 60 (Danish for Jazz Quintet 60). By the age of fifteen, he had the ability to accompany leading musicians at nightclubs, working regularly at Copenhagen’s Jazzhus Montmartre, after his debut there on New Year’s Eve 1961, when he was only 15. When seventeen, he had already turned down an offer to join the Count Basie orchestra, mainly because he was too young to get legal permission to live and work as a musician in the United States.

The Montmartre was a regular stop-off for touring American Jazz stars, and as a member of the house band, the young Ørsted Pedersen performed with saxophonists such as Sonny Rollins, Dexter Gordon, Rahsaan Roland Kirk and Stan Getz, and pianist Bill Evans, with whom he toured in Europe in 1965. During the 1960s, Ørsted Pedersen played with a series of other important American jazzmen who were touring or resident in Denmark, including Ben Webster, Brew Moore, Bud Powell, Count Basie, Roy Eldridge, Dizzy Gillespie, Jackie McLean, and vocalist Ella Fitzgerald. He also played with Jean-Luc Ponty, and became the bassist of choice whenever a big-name musician was touring Copenhagen.

He was awarded Best Bass Player of the Year by Downbeat Critics’ Poll in 1981.

Ramsey Emmanuel Lewis Jr. (born May 27, 1935) is an American jazz composer, pianist and radio personality. Ramsey Lewis has recorded over 80 albums and has received five gold records and three Grammy Awards so far in his career.

Ramsey Lewis was born in Chicago, Illinois, to Ramsey Lewis Sr. and Pauline Lewis. He began taking piano lessons at the age of four. Lewis would eventually join a jazz group called the clefs. He later formed the Ramsey Lewis Trio with drummer Isaac “Red” Holt and bassist Eldee Young. They eventually joined up with Chess Records.

During 1956 the trio issued their debut album, Ramsey Lewis and his Gentle-men of Swing. Following their 1965 hit “The In Crowd” (the single reached No. 5 on the pop charts, and the album No. 2) they concentrated more on pop material. Young and Holt left in 1966 to form Young-Holt Unlimited and were replaced by Cleveland Eaton and Maurice White. White left to form Earth, Wind & Fire and was replaced by Morris Jennings in 1970. Later, Frankie Donaldson and Bill Dickens replaced Jennings and Eaton; Felton Crews also appeared on many 1980’s releases.

By 1966, Lewis was one of the nation’s most successful jazz pianists, topping the charts with “The In Crowd“, “Hang On Sloopy“, and “Wade in the Water“. All three singles each sold over one million copies, and were awarded gold discs. Many of his recordings attracted a large non-jazz audience. In the 1970s, Lewis often played electric piano, although by later in the decade he was sticking to acoustic and using an additional keyboardist in his groups.

In 1994, Lewis appeared on the Red Hot Organization‘s compilation album, Stolen Moments: Red Hot + Cool, alongside other prominent jazz artists Herbie Hancock and Roy Ayers. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African American community, was heralded as “Album of the Year” by TIME magazine.

https://www.youtube.com/watch?v=vgWQvdOE5tM

Kenny Dennis (born May 27, 1930) is a Philadelphia-born American jazz drummer. He has played on albums for such artists as Nancy Wilson, Sonny Stitt, Sonny Rollins, Johnny Griffin, Oscar Brown Jr., Charles Mingus, Billy Taylor, and Mal Waldron, among others.

Dennis began his musical career in the United States Army Band, playing drums in three bands from 1948-1952. After being discharged, he connected with junior high school mate, pianist Ray Bryant and became part of The Ray Bryant Trio along with Jimmy Rowser on bass. They became the house trio at the North Philadelphia Jazz Club, Blue Note where they played for such jazz artists as Kai Winding, Chris Connor and Sonny Stitt. His career next took him to New York, where he worked with artists including Miles Davis, Phineas Newborn, Jr., Billy Taylor, Erroll Garner, Charles Mingus and Sonny Rollins.

In 1957, Dennis performed in Sonny Rollins’s Trio with bassist Wendell Marshall at Carnegie Hall—a historic performance that was commemorated in 2007 with a 50th anniversary concert. Dennis moved to California, when Miles Davis recommended him to Lena Horne. Recording credits include recordings with such artists as Michel Legrand, Miles Davis, Charlie Mingus, Nancy Wilson, Gerald Wilson and poet Langston Hughes.