mick laBriola

Bernard John Taupin (born 22 May 1950) is an English lyricist, poet, singer and artist. He is best known for his long-term collaboration with Elton John, having written the lyrics for most of John’s songs.

In 1967, Taupin answered an advertisement placed in the UK music paper New Musical Express by Liberty Records, a company that was seeking new songwriters. John responded to the same advertisement and they were brought together, collaborating on many projects since. Taupin and John were inducted into the Songwriters Hall of Fame in 1992.

Richard Alan “Dick” Berk (May 22, 1939 – February 8, 2014) was an American jazz drummer and bandleader.^[1]

Berk was born in San Francisco, California. He studied at the Berklee College of Music and played in the Boston area early in the 1960s. In 1962 he moved to New York City and played there with Ted Curson and Bill Barron in a quintet from 1962 to 1964. Following this he played with Charles Mingus, Mose Allison, Freddie Hubbard, and Walter Bishop, Jr., among others. He moved to Los Angeles late in the 1960s, where he played with Milt Jackson, George Duke, Cal Tjader, Jean-Luc Ponty, and Blue Mitchell. He founded the Jazz Adoption Agency in the early 1980s, playing into the 2000s; among this group’s alumni are Andy Martin, Mike Fahn, Nick Brignola, Jon Nagorney, Keith Saunders, Tad Weed, and John Patitucci.

He died in 2014, aged 74.

Giuseppi Logan (May 22, 1935 – April 17, 2020) was a jazz musician, originally from Philadelphia, Pennsylvania, who taught himself to play piano and drums before switching to reeds at the age of 12. At the age of 15 he began playing with Earl Bostic and later studied at the New England Conservatory. In 1964 he relocated to New York and became active in the free jazz scene.

Logan played alto and tenor saxophone, bass clarinet, flute, piano and oboe. He collaborated with Archie Shepp, Pharoah Sanders and Bill Dixonbefore forming his own quartet made up of pianist Don Pullen, bassist Eddie Gómez and percussionist Milford Graves. After Pullen’s departure, pianist Dave Burrell joined the group. Logan was a member of Byard Lancaster‘s band and toured with and appeared on records by Patty Waters. He recorded two albums for the ESP-Disk record label and later appeared on an album by Roswell Rudd on the Impulse! label. A 1965 press release from ESP-Disk indicates that a third album was planned, but never released, possibly due to Logan’s increasingly erratic behavior. This title was supposed to have been ESP-1018, The Giuseppi Logan Chamber Ensemble in Concert, but this catalogue number was eventually assigned to an album by The Fugs.

Le Sony’r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, “cosmic” philosophy, prolific output, and theatrical performances. For much of his career, Ra led “The Arkestra”, an ensemble with an ever-changing name and flexible line-up.

Born and raised in Alabama, Blount became involved in the Chicago jazz scene during the late 1940s. He soon abandoned his birth name, taking the name Le Sony’r Ra, shortened to Sun Ra (after Ra, the Egyptian God of the Sun). Claiming to be an alien from Saturn on a mission to preach peace, he developed a mythical persona and an idiosyncratic credo that made him a pioneer of Afrofuturism. Throughout his life he publicly denied ties to his prior identity.

His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and early New Orleans hot jazz, to swing music, bebop, free jazz and fusion. His compositions ranged from keyboard solos to works for big bands of over 30 musicians, along with electronic excursions, songs, chants, percussion pieces, and anthems. From the mid-1950s until his death, Ra led the musical collective The Arkestra (which featured artists such as Marshall Allen, John Gilmore and June Tyson throughout its various iterations). Its performances often included dancers and musicians dressed in elaborate, futuristic costumes inspired by ancient Egyptian attire and the Space Age. (Following Ra’s illness-forced retirement in 1992, the band remained active as The Sun Ra Arkestra, and, as of 2018, continues performing under the leadership of veteran Ra sideman Marshall Allen.)

Though his mainstream success was limited, Sun Ra was a prolific recording artist and frequent live performer, and remained influential throughout his life for his music and persona. He is now widely considered an innovator; among his distinctions are his pioneering work in free improvisation and modal jazz and his early use of electronic keyboards and synthesizers. Over the course of his career, he recorded dozens of singles and over one hundred full-length albums, comprising well over 1,000 songs, making him one of the most prolific recording artists of the 20th century.

He was born Herman Blount on May 22, 1914, in Birmingham, Alabama, as discovered by his biographer, John F. Szwed, and published in his 1998 book. He was named after the popular vaudeville stage magician Black Herman, who had deeply impressed his mother. He was nicknamed “Sonny” from his childhood, had an older sister and half-brother, and was doted upon by his mother and grandmother.

For decades, very little was known about Sun Ra’s early life, and he contributed to its mystique. As a self-invented person, he routinely gave evasive, contradictory or seemingly nonsensical answers to personal questions, and denied his birth name. He speculated, only half in jest, that he was distantly related to Elijah Poole, later known as Elijah Muhammad, leader of the Nation of Islam. His birthday for years remained unknown, as his claims ranged from 1910 to 1918. Only a few years before his death, the date of Sun Ra’s birth was still a mystery. Jim Macnie’s notes for Blue Delight (1989) said that Sun Ra was believed to be about 75 years old. But Szwed was able to uncover a wealth of information about his early life and confirmed a birth date of May 22, 1914.

Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation: [ˈrumba]), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in Andalusia, southern Spain, where Cuban music first reached the country.

Colorful stars sparkle across a sea of cosmic dust and gas in this new view of Gum 26, a star-forming region in the Milky Way galaxy. Located 20,000 light-years from Earth in the constellation of Vela, the sails, Gum 26 is a hydrogen-rich emission nebula, also known as an H II region, where collapsing clumps of dust and gas are actively forming new stars. This new image of the stellar nursery was captured by the European Southern Observatory’s Very Large Telescope in Chile.

Leo Sayer (born Gerard Hugh Sayer, 21 May 1948) is an English-Australian singer-songwriter musician and entertainer whose singing career has spanned four decades. He is now an Australian citizen and resident.

Sayer launched his career in the United Kingdom in the early 1970s, and became a top singles and album act on both sides of the Atlantic in the 1970s. His first seven hit singles in the United Kingdom all reached the Top 10 – a feat first registered by his first manager, Adam Faith. His songs have been sung by other notable artists, including Cliff Richard (“Dreaming“).

Larance Norman Marable (May 21, 1929 – July 4, 2012) was a jazz drummer from Los Angeles, California.

Marable was born in Los Angeles on May 21, 1929. His family was musical, but he was largely self-taught.

In the 1950s, Marable played with musicians who were visiting Los Angeles; these included Dexter Gordon, Charlie Parker, and Zoot Sims. Marable recorded as a leader in 1956.He also recorded with George Shearing, Chet Baker, Milt Jackson, and other well-known musicians.

Drug problems led to Marable stopping playing in the 1960s. His career resumed in the mid-1970s, after he had ended his drug addiction. He toured with Supersax and Bobby Hutcherson in the 1970s, and was a member of Charlie Haden‘s Quartet West in the 1980s and 1990s. Marable had a stroke in the 2000s and lived in a health care facility.He died in Manhattan on July 4, 2012.

https://www.youtube.com/watch?v=QFDYe4oYGyI

May 21, 1920-June 20, 1991

Some folks called Chicago harpist Little Willie Anderson “Little Walter Jr.,” so faithfully did Anderson‘s style follow that of the legendary harp wizard. But Anderson was already quite familiar with the rudiments of the harmonica before he ever hit the Windy City, having heard Sonny Boy Williamson, Robert Nighthawk, and Robert Jr. Lockwood around West Memphis.

Anderson came to Chicago in 1939, eventually turning pro as a sideman with Johnny Young. Anderson served as Walter‘s valet, chauffeur, and pal during the latter’s heyday, but his slavish imitations probably doomed any recording possibilities for Anderson — until 1979, that is, when Blues On Blues label boss Bob Corritore escorted him into a Chicago studio and emerged with what amounts to Anderson‘s entire recorded legacy.

Thomas Wright “Fats” Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid the groundwork for modern jazz piano. His best-known compositions, “Ain’t Misbehavin’” and “Honeysuckle Rose“, were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as “the soul of melody… a man who made the piano sing… both big in body and in mind… known for his generosity… a bubbling bundle of joy”. It’s possible he composed many more popular songs and sold them to other performers when times were tough.

Waller started playing the piano at the age of six, and became a professional organist aged 15. By the age of 18 he was a recording artist. Waller’s first recordings, “Muscle Shoals Blues” and “Birmingham Blues”, were made in October 1922 for Okeh Records. That year, he also made his first player piano roll, “Got to Cool My Doggies Now”.Waller’s first published composition, “Squeeze Me”, was published in 1924. He became one of the most popular performers of his era, touring internationally and achieving critical and commercial success in the United States and Europe. He died from pneumonia, aged 39.

Waller was the seventh child of 11 (five of whom survived childhood) born to Adeline Locket Waller, a musician, and Reverend Edward Martin Waller, a trucker and pastor in New York City. He started playing the piano when he was six and graduated to playing the organ at his father’s church four years later. His mother instructed him in his youth, and he attended other music lessons, paying for them by working in a grocery store. Waller attended DeWitt Clinton High School for one semester, but left school at 15 to work as an organist at the Lincoln Theater in Harlem, where he earned $32 a week. Within 12 months he had composed his first rag. He was the prize pupil and later the friend and colleague of the stride pianist James P. Johnson. His mother died on November 10, 1920 from a stroke due to diabetes

This new image from the Hubble Space Telescope features the barred spiral galaxy NGC 3583. Located some 98 million light-years away from Earth in the constellation Ursa Major, NGC 3583 is about three-quarters the size of our Milky Way galaxy. But while the Milky Way has four distinct spiral arms that wrap around its galactic core, NGC 3583 has two long arms that twist out into the universe. Astronomers have observed two supernova explosions in this galaxy, one in 1975 and then again in 2015. — Hanneke Weitering

Israel Kaʻanoʻi Kamakawiwoʻole (Hawaiian: pronounced [kəˌmɐkəˌvivoˈʔole]; Hawaiian for ‘”the fearless eye, the bold face”‘; May 20, 1959 – June 26, 1997), also called Bruddah Iz or IZ, was a Native Hawaiian singer-lyricist, musician, and Hawaiian sovereignty activist.

He achieved commercial success outside Hawaii when his album Facing Future was released in 1993. His medley of “Somewhere Over the Rainbow/What a Wonderful World” was released on his albums Ka ʻAnoʻi and Facing Future. It was subsequently featured in several films, television programs, and television commercials.

Along with his ukulele playing and incorporation of other genres, such as jazz and reggae, Kamakawiwoʻole remains influential in Hawaiian music.

Kamakawiwoʻole was born at Kuakini Medical Center in Honolulu to Henry “Hank” Kaleialoha Naniwa Kamakawiwoʻole Jr. and Evangeline “Angie” Leinani Kamakawiwoʻole. The notable Hawaiian musician Moe Keale was his uncle and a major musical influence. He was raised in the community of Kaimuki, where his parents had met and married. He began playing music with his older brother Skippy and cousin Allen Thornton at the age of 11, being exposed to the music of Hawaiian entertainers of the time such as Peter Moon, Palani Vaughn and Don Ho, who frequented the establishment where Kamakawiwoʻole’s parents worked. Hawaiian musician Del Beazley spoke of the first time he heard Kamakawiwoʻole perform, when, while playing for a graduation party, the whole room fell silent on hearing him sing. Kamakawiwoʻole continued his path as his brother Skippy entered the Army in 1971 and his cousin Allen left in 1976 for the mainland.

John Robert “Joe” Cocker OBE (20 May 1944 – 22 December 2014) was an English singer known for his gritty voice, spasmodic body movement in performance, and distinctive versions of popular songs of varying genres.

Cocker’s recording of the Beatles‘ “With a Little Help from My Friends” reached number one in the UK in 1968. He performed the song live at Woodstock in 1969 and performed the same year at the Isle of Wight Festival, and at the Party at the Palace concert in 2002 for the Golden Jubilee of Queen Elizabeth II. His version also became the theme song for the TV series The Wonder Years. His 1974 cover of “You Are So Beautiful” reached number five in the US. Cocker was the recipient of several awards, including a 1983 Grammy Award for his US number one “Up Where We Belong“, a duet with Jennifer Warnes.

In 1993, Cocker was nominated for the Brit Award for Best British Male, in 2007 was awarded a bronze Sheffield Legends plaque in his hometown and in 2008 he received an OBE at Buckingham Palace for services to music.^[2][3] Cocker was ranked number 97 on Rolling Stone‘s 100 greatest singers list.

Charles Davis (May 20, 1933 – July 15, 2016) was an American jazz saxophonist and composer. Davis played alto, tenor and baritone saxophone, and performed extensively with Archie Shepp and Sun Ra.

Born in Goodman, Mississippi, Davis was raised in Chicago. He graduated from DuSable High School before studying at the Chicago School of Music. Davis also studied privately with John Hauser. During the 1950s, he played with Billie Holiday, Ben Webster, Sun Ra and Dinah Washington. Davis also performed and recorded with Kenny Dorham, with whom he associated musically for many years.

During the 1960s, he performed and recorded with Elvin Jones, Jimmy Garrison, Illinois Jacquet, Freddie Hubbard, Johnny Griffin, Steve Lacy and Ahmad Jamal, also working with Blue Mitchell, Erskine Hawkins, John Coltrane and Clifford Jordan. In 1964, Davis topped Downbeat Magazine‘s International Jazz Critics Poll for baritone saxophone. He performed in the musical The Philosophy of The Spiritual – A Masque of the Black with Willie Jones, produced by Nadi Qamar. Davis taught at PS 179 in Brooklyn and was musical director of the Turntable, a nightclub owned by Lloyd Price.

During the 1970s, Davis was a member of the cooperative Artistry in Music with Hank Mobley, Cedar Walton, Sam Jones and Billy Higgins. He co-led, composed and arranged for the Baritone Saxophone Retinue, a six-baritone-saxophone group. Davis toured Europe, playing major jazz festivals and concerts with the Clark Terry Orchestra, and toured the United States with Duke Ellington’s Orchestra under the direction of Mercer Ellington. As musical director of the Home of the Id nightclub, he presented Gene Ammons, Randy Weston and Max Roach. As producer of the Monday Night Boat Ride Up The Hudson, Davis presented Art Blakey, George Benson and Etta Jones. He appeared on television with Archie Shepp, Lucky Thompson, Ossie Davis and Ruby Dee.

Edward Louis Smith (May 20, 1931 – August 20, 2016) was an American jazz trumpeter from Memphis, Tennessee.

After graduating from Tennessee State University he attended graduate school at the University of Michigan. While studying at the University of Michigan, he played with visiting musicians such as Dizzy Gillespie, Miles Davis, Thad Jones and Billy Mitchell, before going on to play with Sonny Stitt, Count Basie and Al McKibbon, Cannonball Adderley, Percy Heath, Philly Joe Jones, Lou Donaldson, Donald Byrd, Kenny Dorham and Zoot Sims.^[1] Smith decided to forgo being a full-time musician to take a job a director of Atlanta’s Booker T. Washington High School. There he recorded two albums for Blue Note.

The first, Here Comes Louis Smith, originally recorded for the Boston-based Transition Records, featured Cannonball Adderley (then under contract to Mercury) playing under the pseudonym “Buckshot La Funke”, Tommy Flanagan, Duke Jordan, Art Taylor and Doug Watkins. He also replaced Donald Byrd for Horace Silver’s Live at the Newport 1958 set. His playing on the set was one of his best efforts and was described by one critic as “monstrous”. He was a prolific composer and successful band director leaving Booker T. Washington to become director of the Jazz Ensemble at the University of Michigan and a teacher in Ann Arbor’s public school system. He later recorded for the SteepleChase label.

Smith suffered a stroke in 2006, and was seen occasionally enjoying live jazz in the Detroit/Ann Arbor area, but did not return to performing. His cousin Booker Little was also a trumpeter. Smith died on August 20, 2016, at age 85.