mick laBriola

This new image from the Hubble Space Telescope features the barred spiral galaxy NGC 3583. Located some 98 million light-years away from Earth in the constellation Ursa Major, NGC 3583 is about three-quarters the size of our Milky Way galaxy. But while the Milky Way has four distinct spiral arms that wrap around its galactic core, NGC 3583 has two long arms that twist out into the universe. Astronomers have observed two supernova explosions in this galaxy, one in 1975 and then again in 2015. — Hanneke Weitering

Israel Kaʻanoʻi Kamakawiwoʻole (Hawaiian: pronounced [kəˌmɐkəˌvivoˈʔole]; Hawaiian for ‘”the fearless eye, the bold face”‘; May 20, 1959 – June 26, 1997), also called Bruddah Iz or IZ, was a Native Hawaiian singer-lyricist, musician, and Hawaiian sovereignty activist.

He achieved commercial success outside Hawaii when his album Facing Future was released in 1993. His medley of “Somewhere Over the Rainbow/What a Wonderful World” was released on his albums Ka ʻAnoʻi and Facing Future. It was subsequently featured in several films, television programs, and television commercials.

Along with his ukulele playing and incorporation of other genres, such as jazz and reggae, Kamakawiwoʻole remains influential in Hawaiian music.

Kamakawiwoʻole was born at Kuakini Medical Center in Honolulu to Henry “Hank” Kaleialoha Naniwa Kamakawiwoʻole Jr. and Evangeline “Angie” Leinani Kamakawiwoʻole. The notable Hawaiian musician Moe Keale was his uncle and a major musical influence. He was raised in the community of Kaimuki, where his parents had met and married. He began playing music with his older brother Skippy and cousin Allen Thornton at the age of 11, being exposed to the music of Hawaiian entertainers of the time such as Peter Moon, Palani Vaughn and Don Ho, who frequented the establishment where Kamakawiwoʻole’s parents worked. Hawaiian musician Del Beazley spoke of the first time he heard Kamakawiwoʻole perform, when, while playing for a graduation party, the whole room fell silent on hearing him sing. Kamakawiwoʻole continued his path as his brother Skippy entered the Army in 1971 and his cousin Allen left in 1976 for the mainland.

John Robert “Joe” Cocker OBE (20 May 1944 – 22 December 2014) was an English singer known for his gritty voice, spasmodic body movement in performance, and distinctive versions of popular songs of varying genres.

Cocker’s recording of the Beatles‘ “With a Little Help from My Friends” reached number one in the UK in 1968. He performed the song live at Woodstock in 1969 and performed the same year at the Isle of Wight Festival, and at the Party at the Palace concert in 2002 for the Golden Jubilee of Queen Elizabeth II. His version also became the theme song for the TV series The Wonder Years. His 1974 cover of “You Are So Beautiful” reached number five in the US. Cocker was the recipient of several awards, including a 1983 Grammy Award for his US number one “Up Where We Belong“, a duet with Jennifer Warnes.

In 1993, Cocker was nominated for the Brit Award for Best British Male, in 2007 was awarded a bronze Sheffield Legends plaque in his hometown and in 2008 he received an OBE at Buckingham Palace for services to music.^[2][3] Cocker was ranked number 97 on Rolling Stone‘s 100 greatest singers list.

Charles Davis (May 20, 1933 – July 15, 2016) was an American jazz saxophonist and composer. Davis played alto, tenor and baritone saxophone, and performed extensively with Archie Shepp and Sun Ra.

Born in Goodman, Mississippi, Davis was raised in Chicago. He graduated from DuSable High School before studying at the Chicago School of Music. Davis also studied privately with John Hauser. During the 1950s, he played with Billie Holiday, Ben Webster, Sun Ra and Dinah Washington. Davis also performed and recorded with Kenny Dorham, with whom he associated musically for many years.

During the 1960s, he performed and recorded with Elvin Jones, Jimmy Garrison, Illinois Jacquet, Freddie Hubbard, Johnny Griffin, Steve Lacy and Ahmad Jamal, also working with Blue Mitchell, Erskine Hawkins, John Coltrane and Clifford Jordan. In 1964, Davis topped Downbeat Magazine‘s International Jazz Critics Poll for baritone saxophone. He performed in the musical The Philosophy of The Spiritual – A Masque of the Black with Willie Jones, produced by Nadi Qamar. Davis taught at PS 179 in Brooklyn and was musical director of the Turntable, a nightclub owned by Lloyd Price.

During the 1970s, Davis was a member of the cooperative Artistry in Music with Hank Mobley, Cedar Walton, Sam Jones and Billy Higgins. He co-led, composed and arranged for the Baritone Saxophone Retinue, a six-baritone-saxophone group. Davis toured Europe, playing major jazz festivals and concerts with the Clark Terry Orchestra, and toured the United States with Duke Ellington’s Orchestra under the direction of Mercer Ellington. As musical director of the Home of the Id nightclub, he presented Gene Ammons, Randy Weston and Max Roach. As producer of the Monday Night Boat Ride Up The Hudson, Davis presented Art Blakey, George Benson and Etta Jones. He appeared on television with Archie Shepp, Lucky Thompson, Ossie Davis and Ruby Dee.

Edward Louis Smith (May 20, 1931 – August 20, 2016) was an American jazz trumpeter from Memphis, Tennessee.

After graduating from Tennessee State University he attended graduate school at the University of Michigan. While studying at the University of Michigan, he played with visiting musicians such as Dizzy Gillespie, Miles Davis, Thad Jones and Billy Mitchell, before going on to play with Sonny Stitt, Count Basie and Al McKibbon, Cannonball Adderley, Percy Heath, Philly Joe Jones, Lou Donaldson, Donald Byrd, Kenny Dorham and Zoot Sims.^[1] Smith decided to forgo being a full-time musician to take a job a director of Atlanta’s Booker T. Washington High School. There he recorded two albums for Blue Note.

The first, Here Comes Louis Smith, originally recorded for the Boston-based Transition Records, featured Cannonball Adderley (then under contract to Mercury) playing under the pseudonym “Buckshot La Funke”, Tommy Flanagan, Duke Jordan, Art Taylor and Doug Watkins. He also replaced Donald Byrd for Horace Silver’s Live at the Newport 1958 set. His playing on the set was one of his best efforts and was described by one critic as “monstrous”. He was a prolific composer and successful band director leaving Booker T. Washington to become director of the Jazz Ensemble at the University of Michigan and a teacher in Ann Arbor’s public school system. He later recorded for the SteepleChase label.

Smith suffered a stroke in 2006, and was seen occasionally enjoying live jazz in the Detroit/Ann Arbor area, but did not return to performing. His cousin Booker Little was also a trumpeter. Smith died on August 20, 2016, at age 85.

Astronomers have discovered a special kind of neutron star for the first time outside of the Milky Way galaxy, using data from NASA’s Chandra X-ray Observatory and the European Southern Observatory’s Very Large Telescope (VLT) in Chile.

Neutron stars are the ultra dense cores of massive stars that collapse and undergo a supernova explosion. This newly identified neutron star is a rare variety that has both a low magnetic field and no stellar companion.

The neutron star is located within the remains of a supernova — known as 1E 0102.2-7219 (E0102 for short) — in the Small Magellanic Cloud, located 200,000 light years from Earth.

This new composite image of E0102 allows astronomers to learn new details about this object that was discovered more than three decades ago. In this image, X-raysfrom Chandra are blue and purple, and visible light data from VLT’s Multi Unit Spectroscopic Explorer (MUSE) instrument are bright red. Additional data from the Hubble Space Telescope are dark red and green.

Oxygen-rich supernova remnants like E0102 are important for understanding how massive stars fuse lighter elements into heavier ones before they explode. Seen up to a few thousand years after the original explosion, oxygen-rich remnants contain the debris ejected from the dead star’s interior. This debris (visible as a green filamentary structure in the combined image) is observed today hurtling through space after being expelled at millions of miles per hour.

Chandra observations of E0102 show that the supernova remnant is dominated by a large ring-shaped structure in X-rays, associated with the blast wave of the supernova. The new MUSE data revealed a smaller ring of gas (in bright red) that is expanding more slowly than the blast wave. At the center of this ring is a blue point-like source of X-rays. Together, the small ring and point source act like a celestial bull’s eye.

A composite image of the supernova 1E0102.2-7219 contains X-rays from Chandra (blue and purple), visible light data from VLT’s MUSE instrument (bright red), and additional data from Hubble (dark red and green). A neutron star, the ultra dense core of a massive star that collapses and undergoes a supernova explosion, is found at its center.

Thomas Wright Scott (born May 19, 1948) is an American saxophonist, composer, and arranger. He was a member of The Blues Brothers and led the jazz fusion group L.A. Express.

Scott was born in Los Angeles, California. He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including the theme songs for Dragnet and Lassie.

His professional career began as a teenager as leader of the jazz ensemble Neoteric Trio. After that, he worked as a session musician. He wrote the theme songs for the television shows Starsky and Hutch and The Streets of San Francisco. He played the soprano saxophone solo on the No. 1 hit single “Listen to What the Man Said” by the band Wings. In 1976 he played the theme “I Still Can’t Sleep” in Taxi Driver. In 1982, he collaborated with Johnny Mathis on “Without Us”, the theme to the 1980s sitcom Family Ties. He also played the lyricon, an electronic wind instrument on Michael Jackson‘s Billie Jean.

Scott was a founding member of the Blues Brothers Band, despite his absence in the two films, The Blues Brothers and Blues Brothers 2000. According to Bob Woodward’s account in Wired, a biography of John Belushi, Scott left the band after their 1980 tour over a salary dispute. However, he reunited with Dan Aykroyd and the Blues Brothers Band in 1988 to record a few tracks for The Great Outdoors.

Scott led the house band on two short-lived late night talk shows: The Pat Sajak Show and The Chevy Chase Show. He was music director for the 68th Academy Awards in 1996, several Emmy Awards telecasts from 1996 to 2007, Ebony‘s 50th Birthday Celebration, and the People’s Choice Awards telecasts.

He has dozens of solo recordings for which he collected thirteen Grammy nominations (three of which he won). He has numerous film and television scoring credits, including composing and conducting the score for the movie Conquest of the Planet of the Apes, and appeared on records by the Beach Boys, Blondie (“Rapture“), Grateful Dead, George Harrison, Whitney Houston(“Saving All My Love for You“), Quincy Jones, Carole King, Richard Marx (“Children of the Night“), Paul McCartney, Joni Mitchell, Eddie Money, Olivia Newton-John, Pink Floyd, Helen Reddy, Frank Sinatra, Steely Dan (“Black Cow“), Steppenwolf, Rod Stewart (“Da Ya Think I’m Sexy?“) Steely Dan, Aja.

Peter “Pete” Dennis Blandford Townshend (born 19 May 1945) is an English multi-instrumentalist, singer and songwriter. He is best known for his more than 50-year association with the rock band The Who, as co-founder and leader, principal songwriter, guitarist and secondary lead vocalist. The Who is considered to be one of the most important and influential rock bands of the 20th century.

Townshend has written more than 100 songs for 12 The Who studio albums. These include concept albums, the rock operas Tommy and Quadrophenia, plus popular rock radio staples such as Who’s Next; as well as dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilations such as Odds & Sods (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs.

As an instrumentalist, although known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums. He is self-taught on all of these instruments. He plays on his own solo albums, several The Who albums, and as a guest contributor to an array of other artists’ recordings.

Townshend has also contributed to and authored many newspaper and magazine articles, book reviews, essays, books, and scripts, and he has collaborated as a lyricist and composer for many other musical acts. Due to his aggressive playing style and innovative songwriting techniques, Townshend’s works with The Who and in other projects have earned him critical acclaim.

In 1983, Townshend received the Brit Award for Lifetime Achievement and in 1990 he was inducted into the Rock and Roll Hall of Fame as a member of the Who. Townshend was ranked No. 3 in Dave Marsh‘s 1994 list of Best Guitarists in The New Book of Rock Lists. In 2001, he received a Grammy Lifetime Achievement Award as a member of the Who; and in 2008 he received Kennedy Center Honors. He was ranked No. 10 in Gibson.com’s 2011 list of the top 50 guitarists, and No. 10 in Rolling Stone‘s updated 2011 list of the 100 greatest guitarists of all time. He and Roger Daltrey received The George and Ira Gershwin Award for Lifetime Musical Achievement at UCLA on 21 May 2016.

Cornelius “Sonny” Fortune (May 19, 1939 – October 25, 2018) was an American jazz saxophonist. Fortune played soprano, alto, tenor, and baritone saxophones, clarinet, and flute.

After moving to New York City in 1967, Fortune recorded and appeared live with drummer Elvin Jones‘s group. In 1968 he was a member of Mongo Santamaría‘s band. He performed with singer Leon Thomas, and with pianist McCoy Tyner (1971–73). In 1974 Fortune replaced Dave Liebman in Miles Davis‘s ensemble, remaining until spring 1975, when he was succeeded by Sam Morrison. Fortune can be heard on the albums Big Fun, Get Up With It, Agharta, and Pangaea, the last two recorded live in Japan.

Fortune joined Nat Adderley after his brief tenure with Davis, then formed his own group in June 1975, recording two albums for the Horizon Records. During the 1990s, he recorded several albums for Blue Note. He has also performed with Roy Brooks, Buddy Rich, George Benson, Rabih Abou Khalil, Roy Ayers, Oliver Nelson, Gary Bartz, Rashied Ali, and Pharoah Sanders, as well as appearing on the live album The Atlantic Family Live at Montreux (1977). Fortune died at the age of 79 in October 2018.

https://www.youtube.com/watch?v=dB1PH9mLswA

Cecil McBee (born May 19, 1935) is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums.

McBee was born in Tulsa, Oklahoma, on May 19, 1935. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, he spent two years in the army, during which time he conducted the band at Fort Knox. In 1959 he played with Dinah Washington, and in 1962 he moved to Detroit, where he worked with Paul Winter‘s folk-rock ensemble in 1963–64.

His jazz career began to take off in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965–66), Charles Lloyd (1966), Yusef Lateef(1967–69), Keith Jarrett, Freddie Hubbard and Woody Shaw (1986), and Alice Coltrane (1969–72). In the 2000s, McBee unsuccessfully sued a Japanese company that opened a chain of stores under his name.

He was an artist in residence at Harvard from 2010 to 2011. He teaches at the New England Conservatory in Boston, Massachusetts.

The nebular cloud NGC 2014 appear to some like an ocean reef that resides in the sky, specifically in the LMC, the largest satellite galaxy of our Milky Way Galaxy. A detailed image of this distant nebula was taken by the Hubble Space Telescope to help commemorate 30 years of investigating the cosmos. Data and images of this cosmic reef have been combined into the three-dimensional model flown through in the featured video. The computer animated sequence first takes you past a star cluster highlighted by bright blue stars, below pillars of gas and dust slowly being destroyed by the energetic light and winds emitted by these massive stars. Filaments of gas and dust are everywhere, glowing in the red light of hydrogen and nitrogen. The animation next takes you to the blue-colored nebula NGC 2020, glowing in light emitted by oxygen and surrounding a Wolf-Rayet star about 200,000 times brighter than our Sun — a nebula thought to be the ejected outer atmosphere of this stellar monster. As the animation concludes, the virtual camera pivots to show that NGC 2020 has a familiar hourglass shape when viewed from the side.

Richard Christopher Wakeman (born 18 May 1949) is an English keyboardist, songwriter, producer, television and radio presenter, and author. He is best known for being in the progressive rock band Yes across five tenures between 1971 and 2004 and for his solo albums released in the 1970s. He is a current member of Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman.

Born and raised in West London, Wakeman intended to be a concert pianist but quit his studies at the Royal College of Music in 1969 to become a full-time session musician. His early sessions included playing on “Space Oddity“, among others, for David Bowie, and songs by Junior’s Eyes, T. Rex, Elton John, and Cat Stevens. Wakeman became a member of Strawbs in 1970 before joining Yes a year later, playing on some of their most successful albums across two stints until 1980. Wakeman began his solo career in 1973; his most successful albums are his first three: The Six Wives of Henry VIII (1973), Journey to the Centre of the Earth (1974), and The Myths and Legends of King Arthur and the Knights of the Round Table (1975), all concept albums. He formed his rock band, The English Rock Ensemble, in 1974, with which he continues to perform, and scored his first film, Lisztomania (1975).

Wakeman pursued solo projects in the 1980s that varied in levels of success; his most successful album was 1984, released in 1981, which was followed by his minor pop hit single, “Glory Boys”, from Silent Nights (1985). He hosted the television show Gastank, and recorded his first of several New-age, ambient, and Christian music albums with Country Airs (1986) and The Gospels (1987), respectively. From 1988 to 1990 he was a member of Anderson Bruford Wakeman Howe which led to his third Yes stint until 1992. He returned twice more between 1995 and 2004, during which he completed several more solo projects and tours, including his most significant of the decade, Return to the Centre of the Earth (1999). Wakeman continues to record albums and perform concerts worldwide in various capacities; his most recent album is Christmas Portraits (2019).

Wakeman’s discography includes over 90 solo albums^[1] that range from several musical styles. He has made many television and radio appearances; in recent years he became known for his contributions to the BBC comedy series Grumpy Old Men, Watchdog and his radio show on Planet Rock that aired from 2005 to 2010. Wakeman has written three books; an autobiography and two memoirs. In 2017, Wakeman was inducted into the Rock and Roll Hall of Fame as a member of Yes.

Joseph Vernon “Big Joe” Turner Jr. (May 18, 1911 – November 24, 1985) was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, “Rock and roll would have never happened without him.” His greatest fame was due to his rock-and-roll recordings in the 1950s, particularly “Shake, Rattle and Roll“, but his career as a performer endured from the 1920s into the 1980s.

Turner was inducted into the Rock and Roll Hall of Fame in 1987, with the Hall lauding him as “the brawny voiced ‘Boss of the Blues'”.

Turner was born May 18, 1911 in Kansas City, Missouri, United States. His father was killed in a train accident when Turner was four years old. He sang in his church, and on street corners for money. He left school at age fourteen to work in Kansas City’s nightclubs, first as a cook and later as a singing bartender. He became known as “The Singing Barman”, and worked in such venues as the Kingfish Club and the Sunset, where he and his partner, the boogie-woogie pianist Pete Johnson, became resident performers. The Sunset was managed by Piney Brown. It featured “separate but equal” facilities for white patrons. Turner wrote “Piney Brown Blues” in his honor and sang it throughout his career.