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Cecil McBee (born May 19, 1935) is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums.

McBee was born in Tulsa, Oklahoma, on May 19, 1935. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, he spent two years in the army, during which time he conducted the band at Fort Knox. In 1959 he played with Dinah Washington, and in 1962 he moved to Detroit, where he worked with Paul Winter‘s folk-rock ensemble in 1963–64.

His jazz career began to take off in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965–66), Charles Lloyd (1966), Yusef Lateef(1967–69), Keith Jarrett, Freddie Hubbard and Woody Shaw (1986), and Alice Coltrane (1969–72). In the 2000s, McBee unsuccessfully sued a Japanese company that opened a chain of stores under his name.

He was an artist in residence at Harvard from 2010 to 2011. He teaches at the New England Conservatory in Boston, Massachusetts.

The nebular cloud NGC 2014 appear to some like an ocean reef that resides in the sky, specifically in the LMC, the largest satellite galaxy of our Milky Way Galaxy. A detailed image of this distant nebula was taken by the Hubble Space Telescope to help commemorate 30 years of investigating the cosmos. Data and images of this cosmic reef have been combined into the three-dimensional model flown through in the featured video. The computer animated sequence first takes you past a star cluster highlighted by bright blue stars, below pillars of gas and dust slowly being destroyed by the energetic light and winds emitted by these massive stars. Filaments of gas and dust are everywhere, glowing in the red light of hydrogen and nitrogen. The animation next takes you to the blue-colored nebula NGC 2020, glowing in light emitted by oxygen and surrounding a Wolf-Rayet star about 200,000 times brighter than our Sun — a nebula thought to be the ejected outer atmosphere of this stellar monster. As the animation concludes, the virtual camera pivots to show that NGC 2020 has a familiar hourglass shape when viewed from the side.

Richard Christopher Wakeman (born 18 May 1949) is an English keyboardist, songwriter, producer, television and radio presenter, and author. He is best known for being in the progressive rock band Yes across five tenures between 1971 and 2004 and for his solo albums released in the 1970s. He is a current member of Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman.

Born and raised in West London, Wakeman intended to be a concert pianist but quit his studies at the Royal College of Music in 1969 to become a full-time session musician. His early sessions included playing on “Space Oddity“, among others, for David Bowie, and songs by Junior’s Eyes, T. Rex, Elton John, and Cat Stevens. Wakeman became a member of Strawbs in 1970 before joining Yes a year later, playing on some of their most successful albums across two stints until 1980. Wakeman began his solo career in 1973; his most successful albums are his first three: The Six Wives of Henry VIII (1973), Journey to the Centre of the Earth (1974), and The Myths and Legends of King Arthur and the Knights of the Round Table (1975), all concept albums. He formed his rock band, The English Rock Ensemble, in 1974, with which he continues to perform, and scored his first film, Lisztomania (1975).

Wakeman pursued solo projects in the 1980s that varied in levels of success; his most successful album was 1984, released in 1981, which was followed by his minor pop hit single, “Glory Boys”, from Silent Nights (1985). He hosted the television show Gastank, and recorded his first of several New-age, ambient, and Christian music albums with Country Airs (1986) and The Gospels (1987), respectively. From 1988 to 1990 he was a member of Anderson Bruford Wakeman Howe which led to his third Yes stint until 1992. He returned twice more between 1995 and 2004, during which he completed several more solo projects and tours, including his most significant of the decade, Return to the Centre of the Earth (1999). Wakeman continues to record albums and perform concerts worldwide in various capacities; his most recent album is Christmas Portraits (2019).

Wakeman’s discography includes over 90 solo albums^[1] that range from several musical styles. He has made many television and radio appearances; in recent years he became known for his contributions to the BBC comedy series Grumpy Old Men, Watchdog and his radio show on Planet Rock that aired from 2005 to 2010. Wakeman has written three books; an autobiography and two memoirs. In 2017, Wakeman was inducted into the Rock and Roll Hall of Fame as a member of Yes.

Joseph Vernon “Big Joe” Turner Jr. (May 18, 1911 – November 24, 1985) was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, “Rock and roll would have never happened without him.” His greatest fame was due to his rock-and-roll recordings in the 1950s, particularly “Shake, Rattle and Roll“, but his career as a performer endured from the 1920s into the 1980s.

Turner was inducted into the Rock and Roll Hall of Fame in 1987, with the Hall lauding him as “the brawny voiced ‘Boss of the Blues'”.

Turner was born May 18, 1911 in Kansas City, Missouri, United States. His father was killed in a train accident when Turner was four years old. He sang in his church, and on street corners for money. He left school at age fourteen to work in Kansas City’s nightclubs, first as a cook and later as a singing bartender. He became known as “The Singing Barman”, and worked in such venues as the Kingfish Club and the Sunset, where he and his partner, the boogie-woogie pianist Pete Johnson, became resident performers. The Sunset was managed by Piney Brown. It featured “separate but equal” facilities for white patrons. Turner wrote “Piney Brown Blues” in his honor and sang it throughout his career.

George Murphy “Pops” Foster (May 19, 1892 – October 29, 1969) was a jazz musician best known for his vigorous slap bass playing of the string bass. He also played the tuba and trumpet professionally.

Foster was born to Charley and Annie Foster, who “was nearly fullblooded Cherokee,” on a plantation near McCall in Ascension Parish near Donaldsonville in south Louisiana. His family moved to New Orleans when he was about 10 years of age. His older brother, Willard Foster, began playing banjo and guitar; George started out on a cello then switched to string bass. Foster married twice: to Bertha Foster in 1912 and Alma Foster in 1936. Pops Foster was playing professionally by 1907 and worked with Jack Carey, Kid Ory, Armand Piron, King Oliver and other prominent hot bands of the era.

In 1921 he moved to St. Louis to play with the Charlie Creath and Dewey Jackson bands, in which he would be active for much of the decade. He also joined Ory in Los Angeles. He acquired the nickname “Pops” because he was far older than any of the other players in the band.

In 1929 Foster moved to New York City, where he played with the bands of Luis Russell and Louis Armstrongthrough 1940. He gigged with various New York-based bands through the 1940s, including those of Sidney Bechet, Art Hodes, and regular broadcasts on the national This Is Jazz radio program. He also recorded for the Mezzrow-Bechet Quintet (Bechet, Mezz Mezzrow, Fitz Weston, and Kaiser Marshall) and Septet (on two consecutive dates in 1945, with Hot Lips Page (as Pappa Snow White), Sammy Price (as Jimmy Blythe Jr.), Danny Barker and Sid Catlett, and on the second session with Pleasant Joe on vocals).

In the late 1940s he began touring more widely and played in many countries in Europe, especially in France, and throughout the United States including returns to New Orleans and California.

In 1952, Foster toured Europe with Jimmy Archey‘s Band. He played regularly at Central Plaza in New York and briefly in New Orleans with Papa Celestin in 1954.

In the late 1950s and early 1960s, he played with Earl Hines‘ Small Band. In 1966, he toured Europe with the New Orleans All-Stars but remained based in San Francisco, where he died.

The Autobiography of Pops Foster was published in 1971, with a new edition in 2005. Foster is quoted, “Some of the books are fouled up on” the times in New Orleans”, “and some of the guys weren’t telling the truth.” “The critics and guys who write about jazz think they know more about what went on in New Orleans than the guys that were there.”

Eithne Pádraigín Ní Bhraonáin (anglicised as Enya Patricia Brennan (/ˈɛnjə/); born 17 May 1961), known professionally as Enya, is an Irish singer, songwriter, record producer and musician. Born into a musical family and raised in the Irish-speaking area of Gweedore in County Donegal, Enya began her music career when she joined her family’s Celtic band Clannad in 1980 on keyboards and backing vocals. She left in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan’s wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, and folk music. She has sung in ten languages.

Enya’s first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the international top-10 hit single “Orinoco Flow“. This was followed by the multi-million selling albums Shepherd Moons (1991), The Memory of Trees (1995) and A Day Without Rain (2000). Sales of the latter and its lead single, “Only Time“, surged in the United States following its use in the media coverage of the 11 September attacks. Following Amarantine (2005) and And Winter Came… (2008), Enya took an extended break from music; she returned in 2012 and released Dark Sky Island (2015).

She is Ireland’s bestselling solo artist and second-bestselling artist behind U2, with a discography that has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time.^[5] A Day Without Rain(2000) remains the bestselling new-age album, with an estimated 16 million copies sold worldwide.^[6] Enya has won awards including seven World Music Awards, four Grammy Awards for Best New Age Album,^[7] and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for “May It Be“, written for The Lord of the Rings: The Fellowship of the Ring (2001).

William Scott Bruford (born 17 May 1949) is an English former drummer, percussionist, songwriter, producer, and record label owner who first gained prominence as a founding member of the progressive rock band Yes. After his departure from Yes, Bruford spent the rest of the 1970s playing in King Crimson, touring with Genesis and U.K., and eventually forming his own group, Bruford.

In the 1980s, Bruford returned to King Crimson for three years, collaborated with several artists including the Roches, Patrick Moraz, and David Torn, and formed his jazz band Earthworks in 1986. He then played in Anderson Bruford Wakeman Howe, which eventually led to his second stint in Yes. Bruford played in King Crimson for his third and final tenure between 1994 and 1997, after which he continued with Earthworks and further collaborations.

On 1 January 2009, Bruford retired from public performance, barring one private gig in 2011. He released his autobiography, and continues to speak and write about music. He operates his record labels, Summerfold and Winterfold Records. In 2016, after four-and-a-half years of study, Bruford earned a PhD in Music at the University of Surrey, in the same year Rolling Stone magazine ranked Bruford No. 16 in its list of the “100 Greatest Drummers of All Time”. He was inducted into the Rock and Roll Hall of Fame as a member of Yes in 2017

Henry Saint Clair Fredericks (born May 17, 1942), who uses the stage name Taj Mahal, is an American blues musician, a singer-songwriter and film composer who plays the guitar, piano, banjo, harmonica, and many other instruments. He often incorporates elements of world music into his works and has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, and the South Pacific.

Born Henry Saint Clair Fredericks, Jr. on May 17, 1942, in Harlem, New York, Mahal grew up in Springfield, Massachusetts. He was raised in a musical environment; his mother was a member of a local gospel choir and his father was an Afro-Caribbean jazz arranger and piano player. His family owned a shortwave radio which received music broadcasts from around the world, exposing him at an early age to world music. Early in childhood he recognized the stark differences between the popular music of his day and the music that was played in his home. He also became interested in jazz, enjoying the works of musicians such as Charles Mingus, Thelonious Monk and Milt Jackson. His parents came of age during the Harlem Renaissance, instilling in their son a sense of pride in his Caribbean and African ancestry through their stories.

John Lenwood “Jackie” McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.

McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw‘s orchestra. After his father’s death in 1939, Jackie’s musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school McLean played in a band with Kenny Drew, Sonny Rollins, and Captain Kirk (the tenor saxophonist son of Andy Kirk).

Along with Rollins, McLean played on Miles Davis‘ Dig album, when he was 20 years old. As a young man he also recorded with Gene Ammons, Charles Mingus (for Pithecanthropus Erectus), George Wallington, and as a member of Art Blakey‘s Jazz Messengers. McLean joined Blakey after reportedly being punched by Mingus. Fearing for his life, McLean pulled out a knife and contemplated using it against Mingus in self-defense, but later stated that he was grateful that he had not stabbed the bassist.

McLean’s early recordings as leader were in the hard bop school. He later became an exponent of modal jazz without abandoning his foundation in hard bop. Throughout his career he was known for a distinctive tone, akin to the tenor saxophone and often described with such adjectives as “bitter-sweet”, “piercing”, or “searing”, a slightly sharp pitch, and a strong foundation in the blues.

Walter Dewey Redman (May 17, 1931 – September 2, 2006) was an American saxophonist who performed free jazz as a bandleader and with Ornette Coleman and Keith Jarrett. Redman played tenor saxophone, though he occasionally played alto saxophone, the Chinese suona (which he called a musette), and clarinet. His son is saxophonist Joshua Redman.