mick laBriola

A dark river seems to flow through this sky from the horizon toward colorful clouds near red giant star Antares. Murky looking, the dark river is a dusty nebula obscuring background starlight near the central Milky Way, although the dark dust nebula contains mostly hydrogen molecular gas. Dust scattering starlight around Antares, alpha star of Scorpius, creates the unusual yellow-hued reflection nebula. Above it, bright blue double star Rho Ophiuchi is embedded in more typical dusty bluish reflection nebulae, with red emission nebulae also scattered through the interstellar space. Globular star cluster M4 looks almost like a bright star just above and right of Antares, though it lies far behind the colorful clouds, at a distance of some 7,000 light-years. The dark river itself is about 500 light years away. To create the startling night sky view, all background and foreground exposures were made back to back with the same camera and telephoto lens on the same night from the same location. In combination they produce a stunning image that reveals a range of brightness and color that your eye can’t quite perceive. Recorded in the early hours of January 31, the composite also captures Mars still near the eastern horizon and rising to join rival Antares on the celestial stage. Bright Mars and its watery reflection are left of a lonely tree in the Bosque del Apache National Wildlife Refuge, New Mexico, planet Earth.

Robert Fripp (born 16 May 1946) is an English musician, songwriter, and record producer, best known as the guitarist, founder and longest lasting member of the progressive rock band King Crimson. He has also worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, and David Sylvian. He has also contributed sounds to the Windows Vista operating system. His discography includes contributions to over 700 official releases.

He is ranked 62nd on Rolling Stone magazine’s 2011 list of the 100 Greatest Guitarists of All Time after having been ranked by David Fricke 42nd on its 2003 list. Tied with Andrés Segovia, he also is ranked 47th on Gibson’s Top 50 guitarists of all time. His compositions often feature unusual time signatures, which have been influenced by classical and folk traditions. His innovations include Frippertronics, “soundscapes”, and new standard tuning.

William Emanuel Cobham Jr. (born May 16, 1944) is a Panamanian-American jazz drummer who came to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with the Mahavishnu Orchestra. According to AllMusic‘s reviewer, Cobham is “generally acclaimed as fusion’s greatest drummer”. He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013. Born in Colón, Panama, Cobham moved with his family to Brooklyn, New York, when he was three. His father, Manuel, worked as a hospital statistician during the week and played piano on weekends. Cobham started playing drums at age four and joined his father four years later. When he was fourteen, he got his first drum kit as a gift after being accepted to The High School of Music & Art in New York City. He was drafted in 1965, and for the next three years he played with a U.S. Army band.

After his discharge, he became a member of Horace Silver‘s quintet. He played an early model electric drum kit given to him by Tama Drums. He was a house drummer for Atlantic Records and a session musician for CTI and Kudu, appearing on the albums White Rabbit by George Benson, Sunflower by Milt Jackson, and Soul Box by Grover Washington Jr.

Cobham started the jazz rock group Dreams with Michael Brecker, Randy Brecker, Barry Rogers, and John Abercrombie. He moved further into jazz fusion when he toured with Miles Davis and recorded Davis’s albums Bitches Brew and A Tribute to Jack Johnson. In 1971, he and guitarist John McLaughlin left Davis to start the Mahavishnu Orchestra, another group that fused rock, funk, and jazz. Cobham toured extensively from 1971 to 1973 with the Mahavishnu Orchestra, which released two studio albums, The Inner Mounting Flame (1971) and Birds of Fire (1973), and one live album, Between Nothingness & Eternity (1973). The studio versions of songs on the live album were released on The Lost Trident Sessions (1999).

https://www.youtube.com/watch?v=Om58HGf79Nk

Isaac “Redd” Holt (or “Red” Holt) (born May 16, 1932, Rosedale, Mississippi) is an American jazz and soul music drummer.

Holt began playing drums as a teenager while living in Chicago, where he played in an ensemble with future collaborators Ramsey Lewis and Eldee Young. He enlisted in the United States Army in 1955 and was stationed in Germany, where he played with a military band, and upon his return worked with Lewis, alongside Young, from 1956-1966, in addition to recording with Earl Bostic and James Moody near the end of the 1950s. In 1966 Young and Holt split with Lewis and formed their own group, Young-Holt Unlimited, which went on to achieve commercial success as an instrumental soul band. After the group’s dissolution in 1974 Holt continued on as Redd Holt Unlimited, playing under this name into the 1990s, and worked in jazz education in Illinois. He founded the Gumption Artist Workshop, which was active from 1980 to 1985, and played internationally, including at the 1988 Montreux Jazz Festival and in Singapore in the late 1980s and early 1990s. In January and March 2018 at the age of 85 years, Redd did studio recording sessions at Treehouse Records in Chicago, ILLinois with Redd Holt on drums, Ken Haebich on bass and Jim Ryan on piano. This trio has been playing a gig every Friday night at the East Bank Club in Chicago for the last 15 years. The studio sessions produced a vinyl LP named, It’s A Take! on the Treehouse Record label with 8 full length jazz standards on it. Redd Holt at 87 years of age is still belting out the tunes when his sticks hit the skins!

https://www.youtube.com/watch?v=j8hUvpazxD0&t=456s

Betty Carter (born Lillie Mae Jones; May 19, 1929 – September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies.Vocalist Carmen McRae once remarked: “There’s really only one jazz singer—only one: Betty Carter.” Carter was born in Flint, Michigan, and grew up in Detroit, where her father, James Jones, was the musical director of a Detroit church and her mother, Bessie, was a housewife.

Even at a young age, Carter was able to bring a new vocal style to jazz. The breathiness of her voice was a characteristic seldom heard before her appearance on the music scene. She also was well known for her passion for scat singing and her strong belief that the throwaway attitude that most jazz musicians approached it with was inappropriate and wasteful due to its spontaneity and basic inventiveness, seldom seen elsewhere.

Detroit, where Carter grew up, was a hotbed of jazz growth. After signing with a talent agent after her win at amateur night, Carter had opportunities to perform with famous jazz artists such as Dizzy Gillespie, who visited Detroit for an extensive amount of time. Gillespie is often considered responsible for her strong passion for scatting. In earlier recordings, it is apparent that her scatting had similarities to the qualities of Gillespie’s.

At the time of Gillespie’s visit, Charlie Parker was receiving treatment in a psychiatric hospital, delaying her encounter with him. However, Carter eventually performed with Parker, as well as with his band consisting of Tommy Potter, Max Roach, and Miles Davis. After receiving praise from both Gillespie and Parker for her vocal prowess, Carter felt an upsurge in confidence and knew that she could make it in the business with perseverance.

These two galaxies are far far away, 12 million light-years distant toward the northern constellation of the Great Bear. On the left, with grand spiral arms and bright yellow core is spiral galaxy M81, some 100,000 light-years across. On the right marked by red gas and dust clouds, is irregular galaxy M82. The pair have been locked in gravitational combat for a billion years. Gravity from each galaxy has profoundly affected the other during a series of cosmic close encounters. Their last go-round lasted about 100 million years and likely raised density waves rippling around M81, resulting in the richness of M81‘s spiral arms. M82 was left with violent star forming regions and colliding gas clouds so energetic the galaxy glows in X-rays. In the next few billion years, their continuing gravitational encounters will result in a merger, and a single galaxy will remain.

Assala Mostafa Hatem Nasri (Arabic: أصالة مصطفى حاتم نصري‎; born 15 May 1969), commonly known as Assala Nasri (Arabic: أصالة نصري‎) and by the mononym Assala (Arabic: أصالة‎), is a Syrian musical artist.

Assala was born in Damascus, Syria to a middle class couple. Mostafa Nasri, Assala’s father, was a revered composer and singer. Assala began her musical career by performing patriotic, religious, and children’s songs when she was four years old. She sang the theme song “Qessas Al Sho’oub” (قصص الشعوب), of the cartoon show, Hekayat Alamiyah (حكايات عالمية). In 1984, Mostafa Nasri died after suffering from internal bleeding caused by a car accident. Aged 15 she helped to take care of her siblings Aman, Ayham, Reem and Anas with her mother Aziza Al-Babelli.

Assala’s commercial musical career debuted in 1991 with the Egyptian song hit Law Ta’rafou (Egyptian Arabic: لو تعرفو). The album had 4 Egyptian songs in the oriental operatic Classic Egyptian tarab style. The album was an instant hit in Egypt back at that time with heartbreaking songs like “Ya Sabra Yana” and “Samehtak Ketir”. She quickly cemented her presence in the Arabic world a growing industry brimming with singers like Angham, Najwa Karam, Latifa, and Abdelmajeed Abdullah.

Michael Gordon Oldfield (born 15 May 1953) is an English multi-instrumentalist and composer. His work blends progressive rock with world, folk, classical, electronic, ambient, and new-age music. His biggest commercial success is the 1973 album Tubular Bells – which launched Virgin Records and became a hit in America after its opening was used as the theme for the horror film The Exorcist. He recorded the 1983 hit single “Moonlight Shadow“ and a rendition of the Christmas piece “In Dulci Jubilo“.

Oldfield has released 26 albums, most recently a sequel to his 1975 album Ommadawn titled Return to Ommadawn, on 20 January 2017.

Brian Peter George St John le Baptiste de la Salle Eno, RDI (/ˈiːnoʊ/; born Brian Peter George Eno, 15 May 1948) is an English musician, record producer, visual artist, and theorist best known for his pioneering work in ambient music and contributions to rock, pop and electronica. A self-described “non-musician”, Eno has helped introduce unique conceptual approaches and recording techniques to contemporary music. He has been described as one of popular music‘s most influential and innovative figures.

Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid 1960s, and then at Winchester School of Art. He joined glam rock group Roxy Music as synthesizer player in 1971, recording two albums with the group but departing in 1973 amidst tensions with Roxy frontman Bryan Ferry. Eno went on to record a number of solo albums beginning with Here Come the Warm Jets (1974). In the mid-1970s, he began exploring a minimalist direction on releases such as Discreet Music (1975) and Ambient 1: Music for Airports (1978), coining the term “ambient music” with the latter.

Alongside his solo work, Eno collaborated frequently with other musicians in the 1970s, including Robert Fripp, Harmonia, Cluster, Harold Budd, David Bowie, and David Byrne. He also established himself as a sought-after producer, working on albums by John Cale, Jon Hassell, Laraaji, Talking Heads, Ultravox, and Devo, as well as the no wave compilation No New York (1978). In subsequent decades, Eno continued to record solo albums and produce for other artists, mostly prominently U2 and Coldplay, alongside work with artists such as Daniel Lanois, Laurie Anderson, Grace Jones, Slowdive, James Blake, Karl Hyde, Kevin Shields, and Damon Albarn.

Dating back to his time as a student, Eno has also worked in other media, including sound installations, film, and writing. In the mid-1970s, he co-developed Oblique Strategies, a deck of cards featuring aphorisms intended to spur creative thinking. From the 1970s onwards, Eno’s installations have included the sails of the Sydney Opera House in 2009 and the Lovell Telescope at Jodrell Bank in 2016. An advocate of a range of humanitarian causes, Eno writes on a variety of subjects and is a founding member of the Long Now Foundation. In 2019, Eno was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.

Ellis Larkins (May 15, 1923 – September 30, 2002) was an American jazz pianist born in Baltimore, Maryland, perhaps best known for his two recordings with Ella Fitzgerald: the albums Ella Sings Gershwin (1950) and Songs in a Mellow Mood (1954). He was also the leader in the first solo sides by singer Chris Connor on her album Chris (1954).

Larkins was the first African American to attend the Peabody Conservatory of Music, a well-known institute in Baltimore. He began his professional playing career in New York City after moving there to attend the Juilliard School. Following school Larkins performed jazz piano with Billy Moore and Edmond Hall. He recorded with Coleman Hawkins, Mildred Bailey, and Dicky Wells in the 1940s. In the 1950s he recorded with Ella Fitzgerald, Ruby Braff, and Beverly Kenney. His 1960s work included recordings or performances with Eartha Kitt, Joe Williams, Helen Humes, Georgia Gibbs and Harry Belafonte.

Alegrías (Spanish pronunciation: [aleˈɣɾi.as]) is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 [3] 4 5 [6] 7 [8]9 [10] 11 [12]. Alegrías originated in Cádiz. Alegrías belongs to the group of palos called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone.

One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (Literally “a tap of the foot”) and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas.

Three Black Holes with two at only 650 light-years apart, the pair is the closest supermassive black hole duo known. The existence of the third black hole means this cosmic collision may proceed faster than previously thought, in a few million (rather than a few hundred million) years.

By measuring the speeds of stars whirling around each black hole, Kollatschny’s team estimates that the northern black hole has 400 million Suns’ worth of mass; the southern duo has 700 million and 90 million solar masses, respectively. The whole trio is contained within a volume less than 3,000 light-years across.

“Such a concentration of three supermassive black holes has so far never been discovered in the universe,” says coauthor Peter Weilbacher (Leibniz Institute for Astrophysics Potsdam, Germany).

NGC 6240’s fluffy appearance has long been assumed to come from the collision of multiple galaxies, but the existence of a third supermassive black hole in its center suggests it was three galaxies that came together. Light from the galactic collision took 340 million years to travel to Earth so, astronomically speaking, it’s relatively nearby. Kollatschny and colleagues note that there are very few other galactic crashes at this stage of evolution, and theoretical calculations have shown that such multiple mergers should be rare in the present-day universe. 400Mly

David Byrne (/bɜːrn/; born 14 May 1952) is a British-American singer, songwriter, musician, record producer, artist, actor, writer, music theorist, and filmmaker who is a founding member and the principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads.

Byrne has released solo recordings and worked with various media including film, photography, opera, fiction, and non-fiction. He has received Academy, Grammy, and Golden Globe Awards, and he is an inductee to the Rock and Roll Hall of Fame.

David Byrne (/bɜːrn/; born 14 May 1952) is a British-American singer, songwriter, musician, record producer, artist, actor, writer, music theorist, and filmmaker who is a founding member and the principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads.

Byrne has released solo recordings and worked with various media including film, photography, opera, fiction, and non-fiction. He has received Academy, Grammy, and Golden Globe Awards, and he is an inductee to the Rock and Roll Hall of Fame.

John Symon Asher Bruce (14 May 1943 – 25 October 2014), known professionally as Jack Bruce, was a Scottish singer-songwriter, musician and composer. He gained popularity as the lead vocalist and bass guitarist of British rock band Cream. After the group disbanded in 1968, he pursued a solo career and also played with several bands.

In the early 1960s Bruce joined the Graham Bond Organisation, where he met his future bandmate Ginger Baker. After leaving the Graham Bond Organisation, he joined with John Mayall & the Bluesbreakers, where he met Eric Clapton, who also was his future bandmate. His time with the band was brief. In 1966, he formed Cream with lead guitarist Clapton and drummer Baker; he co-wrote some of their hits (including “Sunshine of Your Love“, “White Room” and “I Feel Free“) with songwriter Pete Brown. After the group disbanded Bruce formed his own blues-rock band West, Bruce and Laing in 1972, with guitarist Leslie West and drummer Corky Laing. In the late 1960s he began recording solo albums. His first solo album, Songs for a Tailor, released in 1969, was a worldwide hit. His solo career spanned several decades. From the 1970s to the 1990s he played with several groups as a touring member. He reunited with Cream in 2005 for concerts at the Royal Albert Hall and at Madison Square Garden in New York.

Bruce is considered to be one of the most important and influential bass guitarists of all time. Rolling Stone magazine readers ranked him number eight on their list of “10 Greatest Bass Guitarist Of All Time”. He was inducted in the Rock and Roll Hall of Fame in 1993, and was awarded the Grammy Lifetime Achievement Award in 2006, both as a member of Cream.

His first marriage was with Janet Godfrey in 1964, with whom he had two sons, Jonas and Malcolm. Their marriage ended in divorce in 1981. His second marriage was with Margret Seyfer in 1982, with whom he had two daughters Natascha, Kyla and a son named Corin. He died of liver disease on 25 October 2014 in England, aged 71. At the time of his death he had a net worth of 20 million dollars.

Warren Smith (born May 14, 1934) is an American jazz drummer and percussionist, known as a contributor to Max Roach‘s M’boom ensemble and leader of the Composer’s Workshop Ensemble (Strata-East).

Smith was born May 14, 1934, in Chicago, Illinois, to a musical family. His father played saxophone and clarinet with Noble Sissle and Jimmie Noone, and his mother was a harpist and pianist. At the age of four Smith studied clarinet with his father. He graduated from the University of Illinois in 1957, then received a master’s degree in percussion from the Manhattan School of Music in 1958.

One of his earliest major recording dates was with Miles Davis as a vibraphonist in 1957. He found work in Broadway pit bands in 1958, and also played with Gil Evans that year. In 1961 he co-founded the Composers Workshop Ensemble. In the 1960s Smith accompanied Aretha Franklin, Nina Simone, Lloyd Price, and Nat King Cole; he worked with Sam Rivers from 1964–76 and with Gil Evans again from 1968 to 1976. In 1969 he played with Janis Joplin and in 1971 with King Curtis and Tony Williams. He was also a founding member of Max Roach‘s percussion ensemble, M’Boom, in 1970.

In the 1970s and 1980s Smith had a loft called Studio Wis that acted as a performing and recording space for many young New York jazz musicians, such as Wadada Leo Smith and Oliver Lake. Through the 1970s Smith played with Andrew White, Julius Hemphill, Muhal Richard Abrams, Nancy Wilson, Quincy Jones, Count Basie, and Carmen McRae. Other credits include extensive work with rock and pop musicians and time spent with Anthony Braxton, Charles Mingus, Henry Threadgill, Van Morrison, and Joe Zawinul. He continued to work on Broadway into the 1990s, and has performed with a number of classical ensembles.