mick laBriola

This wide-field image shows a spectacular area of dark and bright clouds that are part of a region of star formation in the great constellation Ophiuchus (the Serpent Bearer).

Peter Kenneth Frampton (born 22 April 1950) is an English-American rock musician, singer, songwriter, producer, and guitarist. He was previously associated with the bands Humble Pie and the Herd. After the end of his ‘group’ career, as a solo artist, Frampton released several albums including his international breakthrough album, the live release Frampton Comes Alive!. The album sold more than 8 million copies in the United States and spawned several hit singles. Since then he has released several other albums. He has also worked with Ringo Starr, the Who‘s John Entwistle, David Bowie and both Matt Cameron and Mike McCready from Pearl Jam, among others.

Frampton is best known for such hits as “Breaking All the Rules”, “Show Me the Way“, “Baby, I Love Your Way“, “Do You Feel Like We Do“, and “I’m in You“, which remain staples on classic rock radio. He has also appeared as himself in television shows such as The Simpsons, Family Guy, and Madam Secretary. Frampton is known for his work as a guitar player, particularly with a talk box and his voice.

https://www.youtube.com/watch?v=zLgeTtYwQ7o

Bernard Alfred Nitzsche (April 22, 1937 – August 25, 2000), known professionally as Jack Nitzsche, was an American musician, arranger, songwriter, composer and record producer. He first came to prominence in the late 1950s as the right-hand-man of producer Phil Spector and went on to work with the Rolling Stones and Neil Young, among others. He also worked extensively in film scores, notably for films such as Performance, The Exorcist and One Flew Over the Cuckoo’s Nest. In 1983, he won the Academy Award for Best Original Song for co-writing “Up Where We Belong“.

Born in Chicago, Illinois, United States, and raised on a farm in Newaygo, Michigan, Nitzsche moved to Los Angeles in 1955 with ambitions of becoming a jazz saxophonist. He was hired by Sonny Bono, who was at the time an A&R (artists and repertory) executive at Specialty Records, as a music copyist. While there Nitzshe wrote a novelty hit called Bongo Bongo Bongo Nitsche wrote with Bono the song “Needles and Pins” for Jackie DeShannon, later recorded by the SearchersHis instrumental composition “The Lonely Surfer”, entered Cash Box on August 3, 1963 and reached No. 37.

He became arranger and conductor for producer Phil Spector, and orchestrated the Wall of Sound for the song “River Deep, Mountain High” by Ike and Tina Turner. Nitzsche worked with Earl Palmer, Leon Russell, Roy Caton, Glen Campbell, Carol Kaye and Hal Blaine in The Wrecking Crew, the backing band for many pop acts such as the Beach Boys and the Monkees. Nitzsche arranged the title song of Doris Day‘s Move Over, Darling that was a successful single on the pop charts of the time.

While organizing the music for the T.A.M.I. Show television special in 1964, he met the Rolling Stones and went on to play keyboards on their albums The Rolling Stones, Now! (The Rolling Stones No. 2 in the UK), Out of Our Heads, Aftermath and Between the Buttons as well as on their hit singles “Paint It, Black” and “Let’s Spend the Night Together“; he also wrote the choral arrangements for “You Can’t Always Get What You Want“. In 1968 he introduced the band to slide guitarist Ry Cooder, a seminal influence on the band’s 1969–1973 style.

https://www.youtube.com/watch?v=oCAO4ib-YVI

Paul Laurence Dunbar Chambers, Jr. (April 22, 1935 – January 4, 1969) was a jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the extent of his work in this short period, but also by his impeccable timekeeping and intonation, and virtuosic improvisations. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and as a sideman, notably as the anchor of trumpeter Miles Davis‘s “first great quintet” (1955–63) and with pianist Wynton Kelly (1963–68).

Born in Pittsburgh, Pennsylvania on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was brought up in Detroit, Michigan following the death of his mother.He began playing music with several of his schoolmates on the baritone horn. Later he took up the tuba. “I got along pretty well, but it’s quite a job to carry it around in those long parades, and I didn’t like the instrument that much”.

Chambers became a string bassist around 1949. His formal bass training began in earnest in 1952, when he began taking lessons with a bassist of the Detroit Symphony Orchestra. Chambers did some classical playing himself, with a rehearsal group called the Detroit String Band. He studied at Cass Technical High School intermittently from 1952 to 1955, and played in Cass’ symphony, and in various other student groups, in one of which he played baritone saxophone.

When he left for New York City at the invitation of tenor saxophonist Paul Quinichette, he had a working knowledge of many instruments. Jazz bass players were largely limited to timekeeping with drums, until Duke Ellington‘s bassist Jimmy Blanton began a transformation in the instrument’s role at the end of the 1930s. Chambers was about 15 years old when he started to listen to Charlie Parker and Bud Powell, his first jazz influences. Oscar Pettiford and Ray Brown were the first bassists he admired, and these were followed by Percy Heath, Milt Hinton and Wendell Marshall for their rhythm section work, and Charles Mingus and George Duvivier for their technical prowess and for their efforts in broadening the scope of jazz bass. Blanton was his all-time favorite.

https://www.youtube.com/watch?v=kSM6t8d1jXU

Lorenzo Aitken (22 April 1927 – 17 July 2005), better known by the stage name Laurel Aitken, was an influential Caribbean singer and one of the pioneers of Jamaican ska music. He is often referred to as the “Godfather of Ska”. Born in Cuba of mixed Cuban and Jamaican descent, Aitken and his family settled in Jamaica in 1938.^[1] After an early career working for the Jamaican Tourist Board singing mento songs for visitors arriving at Kingston Harbour, he became a popular nightclub entertainer. His first recordings in the late 1950s were mento tunes such as “Nebuchnezer”, “Sweet Chariot” (aka the gospel classic “Swing Low, Sweet Chariot”) and “Baba Kill Me Goat”.Aitken’s 1958 single “Boogie in My Bones”/”Little Sheila” was one of the first records produced by Chris Blackwell and the first Jamaican popular music record to be released in the United Kingdom. Other more Jamaican rhythm and blues orientated singles from this period include “Low Down Dirty Girl” and “More Whisky” both produced by Duke Reid.

Aitken moved to Brixton, London, in 1960 and recorded for the Blue Beat label, releasing fifteen singles before returning to Jamaica in 1963. He recorded for Duke Reid, with backing from the Skatalites on tracks such as “Zion” and “Weary Wanderer”, before returning to the UK, where he began working with Pama Records. He recorded hits such as “Fire in Mi Wire” and “Landlord and Tenants”, which led to a wider recognition outside of Jamaica and the UK. This cemented his position as one of ska’s leading artists and earned him the nicknames The Godfather of Ska,and later Boss Skinhead. He gained a loyal following not only among the West Indian community, but also among mods, skinheads and other ska fans. He had hit records in the United Kingdom and other countries in the 1950s through to the 1970s on labels such as Blue Beat, Pama, Trojan, Rio, Dr. Bird, Nu-Beat, Ska-Beat, Hot Lead and Dice. Some of his singles featured B-sides credited to his brother, guitarist Bobby Aitken. Aitken also recorded a few talk-over/deejay tracks under the guise of ‘King Horror’, such as “Loch Ness Monster”, “Dracula, Prince of Darkness” and “The Hole”. Aitken settled in Leicester with his wife in 1970. His output slowed in the 1970s and during this period he worked as an entertainer in nightclubs and restaurants in the area including the popular ‘Costa Brava Restaurant’ in Leicester under his real name Lorenzo. In 1980, with ska enjoying a resurgence in the wake of the 2 Tone movement, Aitken had his only success in the UK Singles Chart with “Rudi Got Married” (No. 60) released on I-Spy Records (the label created and managed by Secret Affair. Aitken’s career took in mento/calypso, R&B, ska, rock steady, and reggae, and in the 1990s he even turned his talents to dancehall. He performed occasional concerts almost until his death from a heart attack in 2005. After a long campaign, a blue plaque in his honour was put up at his Leicester home in 2007. Punk band Rancid cover Aitken’s “Everybody Suffering” on their 2014 LP Honor Is All We Know.

Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz double bassist, pianist, composer and bandleader. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history, with a career spanning three decades and collaborations with other jazz legends such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, Dannie Richmond, and Herbie Hancock.

Mingus’ compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus’s collected papers—including scores, sound recordings, correspondence and photos—in what they described as “the most important acquisition of a manuscript collection relating to jazz in the Library’s history”.

Charles Mingus was born in Nogales, Arizona. His father, Charles Mingus Sr., was a sergeant in the U.S. Army. Mingus was largely raised in the Watts area of Los Angeles. His maternal grandfather was a Chinese British subject from Hong Kong, and his maternal grandmother was an African-American from the southern United States. Mingus was the third great-grandson of the family’s founding patriarch who was, by most accounts, a German immigrant. His ancestors included German American, African American, and Native American.

In Mingus’s autobiography Beneath the Underdog his mother was described as “the daughter of an English/Chinese man and a South-American woman”, and his father was the son “of a black farm worker and a Swedish woman”. Charles Mingus Sr. claims to have been raised by his mother and her husband as a white person until he was fourteen, when his mother revealed to her family that the child’s true father was a black slave, after which he had to run away from his family and live on his own. The autobiography doesn’t confirm whether Charles Mingus Sr. or Mingus himself believed this story was true, or whether it was merely an embellished version of the Mingus family’s lineage.

April 21st 2020Never forget this artocity!

ESO’s Very Large Telescope (VLT) has captured a magnificent face-on view of the barred spiral galaxy Messier 77. The image does justice to the galaxy’s beauty, showcasing its glittering arms criss-crossed with dust lanes — but it fails to betray Messier 77’s turbulent nature. Messier 77 or M77, also known as NGC 1068, is a barred spiral galaxy about 47 million light-years away in the constellation Cetus. Messier 77 was discovered by Pierre Méchain in 1780, who originally described it as a nebula. Méchain then communicated his discovery to Charles Messier, who subsequently listed the object in his catalog. Both Messier and William Herschel described this galaxy as a star cluster. Today, however, the object is known to be a galaxy.

James Newell Osterberg Jr. (born April 21, 1947), better known as Iggy Pop, is an American singer, songwriter, musician, record producer, and actor. Designated the “Godfather of Punk”, he was the vocalist and lyricist of influential proto-punk band the Stooges, who were formed in 1967 and have disbanded and reunited multiple times since.

Initially playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Pop. He had a long collaborative and personal friendship with David Bowie over the course of his career, beginning with the Stooges’ album Raw Power in 1973. With both musicians having relocated to West Berlin to wean themselves off their respective drug addictions, Pop began his solo career by collaborating with Bowie on the 1977 albums The Idiot and Lust for Life with Pop usually contributing the lyrics. Throughout his career, Pop is well known for his outrageous and unpredictable stage antics, poetic lyrics and distinctive voice. He was one of the first performers to do a stage-dive and popularized the activity. Pop, who traditionally (but not exclusively) performs bare-chested, also performed such stage theatrics as rolling around in broken glass and exposing himself to the crowd.

Pop’s music has encompassed a number of styles over the course of his career, including garage rock, punk rock, hard rock, heavy metal, art rock, new wave, jazz, blues, and electronic. Though his popularity has fluctuated through the years, many of Pop’s songs have become well known, including “Search and Destroy” and “I Wanna Be Your Dog” by the Stooges, and his solo hits “Lust for Life“, “The Passenger” and “Real Wild Child (Wild One)“. In 1990, he recorded his first and only Top 40 U.S. hit, “Candy“, a duet with B-52’s singer Kate Pierson. Pop’s song China Girl became more widely known when it was re-recorded by co-writer Bowie, who released it as the second single from his most commercially successful album, Let’s Dance (1983). The UK single release of Bowie’s version reached No. 2 for one week on 14 June 1983, while the US release reached No. 10. Bowie re-recorded and performed many of Iggy’s songs throughout his career.

Although Pop has had limited commercial success, he has remained both a culture icon and a significant influence on a wide range of musicians in numerous genres. The Stooges’ album Raw Power has proved an influence on artists such as Sex Pistols, the Smiths, the Sisters of Mercy,Red Hot Chili Peppers, and Nirvana. His solo album The Idiot has been cited as a major influence on a number of post-punk, electronic and industrial artists including Depeche Mode, Nine Inch Nails and Joy Division, and was described by Siouxsie Sioux as a “re-affirmation that our suspicions were true: the man is a genius.” He was inducted as part of the Stooges into the Rock and Roll Hall of Fame in 2010.

Locksley Wellington “Slide” Hampton (born April 21, 1932) is an American jazz trombonist, composer and arranger. Described by critics as a master composer, arranger and uniquely gifted trombone player, Hampton’s career is among the most distinguished in jazz. As his nickname implies, Hampton’s main instrument is slide trombone, but he also occasionally plays tuba and flugelhorn.

Slide Hampton was born in Jeannette, Pennsylvania. Laura and Clarke “Deacon” Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938.

At the age of 12, Slide played in his family’s Indianapolis jazz band, The Duke Hampton Band. By 1952, at the age of 20, he was performing at Carnegie Hall with the Lionel Hampton Band. He played with the Buddy Johnson‘s R&B band from 1955–1956, then became a member of Maynard Ferguson‘s band (1957–1959), where he played and arranged, providing excitement on such popular tunes as “The Fugue,” “Three Little Foxes” and “Slides Derangement.” In 1958, he recorded with trombone masters on the classic release of Melba Liston, “Melba Liston and Her ‘Bones”. As his reputation grew, he soon began working with bands led by Art Blakey, Tadd Dameron in 1969, Barry Harris, Thad Jones, Mel Lewis, and Max Roach, contributing both original compositions and arrangements. In 1962, he formed the Slide Hampton Octet, with horn players Freddie Hubbard, and George Coleman. The band toured the U.S. and Europe and recorded on several labels.

James Mundell Lowe (April 21, 1922 – December 2, 2017) was an American jazz guitarist who worked often in radio, television, and film, and as a session musician.

He produced film and TV scores in the 1970s, such as the Billy Jack soundtrack and music for Starsky and Hutch, and worked with André Previn‘s Trio in the 1990s.

The son of a Baptist minister, Lowe grew up on a farm in Shady Grove, Mississippi, near Laurel. He started playing guitar when he was eight years old, with his father and sister acting as his first teachers. When he was thirteen, he began running away from home to play in bands.Occasionally his father would find him, bring him home, and warn him about the dangers of whiskey. At sixteen, Lowe worked in Nashville on the Grand Ole Opry radio program. He was a member of the Jan Savitt orchestra before serving in the military during World War II.

At basic training, he became friends with John Hammond, who organized weekend jam sessions. He performed in an Army dance band while in Guadalcanal. After his discharge, he called Hammond, looking for work, and Hammond sent him to Ray McKinley. He spent two years with McKinley’s big band in New York City. He joined the Benny Goodman orchestra, then worked intermittently for the next few years at Café Societyand other clubs in New York.

In 1950, he was hired by NBC as a staff musician. He and Ed Shaughnessy were members of the Today Show band for over ten years. Lowe acted in an episode of the Armstrong Circle Theatre television show that included Walter Matthau and live music by Doc Severinsen.

On the weekends he played jazz, sometimes getting permission from NBC to leave for six-month periods. In the jazz world he played with Jimmy Dorsey and Tommy Dorsey, Bill Evans, Billie Holiday, Red Norvo, Charles Mingus, Charlie Parker, Sauter-Finegan Orchestra, and Lester Young. He composed and arranged for NBC.

https://www.youtube.com/watch?v=ZHjHlxRY0Zk

Cataloged as IC 2944, the Running Chicken Nebula spans about 100 light years and lies about 6,000 light years away toward the constellation of the Centaur (Centaurus). The featured image, shown in scientifically assigned colors, was captured recently in a 12-hour exposure. The star cluster Collinder 249 is visible embedded in the nebula’s glowing gas. Although difficult to discern here, several dark molecular clouds with distinct shapes can be found inside the nebula.