mick laBriola

Hamid Drake (born August 3, 1955 Monore, LA) is an American jazz drummer and percussionist.

By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers. Drake also has performed world music; by the late 1970s, he was a member of Foday Musa Suso’sMandingo Griot Society^[1] and has played reggae throughout his career.^[2]

Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray, and bassists Reggie Workman and William Parker (in many lineups).

Drake studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks, using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair. Drake’s questing nature and his interest in Caribbean percussion led to a deep involvement with reggae.

Roscoe Mitchell (born August 3, 1940 Chicago) is an American composer, jazzinstrumentalist, and educator, known for being “a technically superb – if idiosyncratic – saxophonist”. The Penguin Guide to Jazz described him as “one of the key figures” in avant-garde jazz; All About Jazz stated in 2004 that he had been “at the forefront of modern music” for more than 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell “qualifies as an iconoclast”. In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).

Eddie Jefferson (August 3, 1918 – May 9, 1979) was an American jazz vocalist and lyricist. He is credited as an innovator of vocalese, a musical style in which lyrics are set to an instrumental composition or solo. Jefferson himself claims that his main influence was Leo Watson. Perhaps Jefferson’s best-known song is “Moody’s Mood for Love” which was recorded in 1952, though two years later a recording by King Pleasurecatapulted the contrafact into wide popularity (King Pleasure even cites Jefferson as a personal influence). Jefferson’s recordings of Charlie Parker‘s “Parker’s Mood” and Horace Silver‘s “Filthy McNasty” were also hits.

Jefferson was born in Pittsburgh, Pennsylvania, United States. One of his most notable recordings, “So What“, combined the lyrics of artist Christopher Acemandese Hall with the music of Miles Davis to highlight his skills, and enabled him to turn a phrase, into his style he calls jazz vocalese. Eddie Jefferson was shot and killed outside Baker’s Keyboard Lounge on May 8, 1979, aged 60. He had left the club with fellow bandleader Cole around 1:35 a.m. and was shot while walking out of the building. A late-model Lincoln Continental was spotted speeding away from the scene. The driver was later picked up by Detroit police and identified as a disgruntled dancer with whom Jefferson once worked and had fired from a gig. The suspect Bill Perryman was charged with murder, but was later acquitted in a Detroit criminal trial.

Accompanying the Shabbat Service at Temple Israel Friday August 2nd 2024 6pm with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick laBriola.

Nicola James Capaldi (2 August 1944 – 28 January 2005) was an English singer-songwriter and drummer. His musical career spanned more than four decades. He co-founded the progressive rock band Traffic in 1967 with Steve Winwood with whom he co-wrote the majority of the band’s material. He was inducted into the Rock and Roll Hall of Fame as a part of Traffic’s original lineup.

Capaldi also performed with Jimi Hendrix, Eric Clapton, George Harrison, Alvin Lee, Cat Stevens, and Mylon LeFevre, and wrote lyrics for other artists, such as “Love Will Keep Us Alive” and “This is Reggae Music”. As a solo artist he scored more than a half dozen chart hits in various countries, the best-known being “That’s Love” as well as his cover of “Love Hurts“.

Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Jan Garbarek, Egberto Gismonti, Gato Barbieri, and Milton Nascimento.

Vasconcelos was born in Recife, Brazil. Beginning from 1967 he joined many artists’ works as a percussionist. Among his many collaborations, he contributed to four Jon Hassell albums from 1976 to 1980 (including Possible Musics by Brian Eno and Hassell), and later to several Pat Metheny Group works and Jan Garbarek concerts from early 1980s to early 1990s. In 1984 he appeared on the Pierre Favre album Singing Drums along with Paul Motian. He also appears on Arild Andersen‘s album If You Look Far Enough with Ralph Towner.

“Bamberas” is a flamenco singing style that appeared when the traditional Andalusian “cante de columpio” started to be performed in a flamenco way. This singing was known as “bambas” or “mecederos” and were performed following “bamboleo del columpio” rhythm. They are composed either by four eight-syllable verses or the first and third ones are heptasyllable and the second and forth ones, pentasyllabic. Two first verses are generally repeated either at the end of the “copla” or they form a “quintilla”, repeating only the second one. Its origin is due to “la Niña de los Peines” (fandangos rhythm). It was reworked in 1970 by Fosforito and accompanied by Paco de Lucia, who imposed the definitive rhythm to twelve beats rhythm of “soleá”. Morente on his album “Lorca” from 1999 performed this singing by “tangos”. Other interpreters of this genre were artists such as Rocio Jurado or Carmen Linares.

Thomas Richard Bolin (August 1, 1951 – December 4, 1976) was an American guitarist and songwriter who played with Zephyr (from 1969 to 1971), the James Gang(from 1973 to 1974), and Deep Purple (from 1975 to 1976), in addition to maintaining a career as a solo artist and session musician.

Tommy Bolin was born in Sioux City, Iowa, and began playing with a band called the Miserlous before he was asked to join another band called Denny and the Triumphs in 1964 at age 13. Bolin died from an overdose of heroin and other substances, including alcohol, cocaine and barbiturates. He is buried in Calvary Cemetery in Sioux City, Iowa. Died at 25 years old.