mick laBriola

Arp 299 is a system located about 140 million light years from Earth. It contains two galaxies that are merging, creating a partially blended mix of stars from each galaxy in the process. However, this stellar mix is not the only ingredient. New data from Chandra reveals 25 bright X-ray sources sprinkled throughout the Arp 299 concoction. Fourteen of these sources are such strong emitters of X-rays that astronomers categorize them as “ultra-luminous X-ray sources,” or ULXs.

Arp 299 (parts of it are also known as IC 694 and NGC 3690) is a pair of colliding galaxies approximately 134 million light-years away in the constellation Ursa Major. Both of the galaxies involved in the collision are barred irregular galaxies. It is not completely clear which object is historically called IC 694. According to some sources, the small appendage more than an arcminute northwest of the main pair is actually IC 694, not the primary (eastern) companion.

The interaction of the two galaxies in Arp 299 produced young powerful starburst regions similar to those seen in II Zw 96. Eight supernovaehave been detected in Arp 299: SN 1992bu, SN 1993G, SN 1998T, SN 1999D were observed in NGC 3690 while SN 1990al, SN 2005U, SN2010O and SN2010P were observed in IC 694.

Joey DeFrancesco (born April 10, 1971) is an American jazz organist, trumpeter, and vocalist. He has released more than 30 albums, including recordings with Miles Davis and Jimmy Smith. DeFrancesco signed his first record deal at the age of 16 and has played internationally with musicians that include David Sanborn, Arturo Sandoval, Larry Coryell, Frank Wess, John McLaughlin, Benny Golson, James Moody, Steve Gadd, Danny Gatton, Elvin Jones, Jimmy Cobb, George Benson, Pat Martino, John Scofield, Joe Lovano, and recorded with musicians that included Ray Charles, Bette Midler and Van Morrison.

DeFrancesco was born in 1971 in Springfield, Pennsylvania.He was born into a musical family that included three generations of jazz musicians. He was named after his grandfather, Joseph DeFrancesco, a jazz musician who played the saxophone and clarinet. His father, “Papa” John DeFrancesco, was an organist who played nationally and received the Oklahoma Jazz Hall of Fame‘s Living Legend Award in 2013. DeFrancesco began playing the organ at the age of 4 and was playing songs by Jimmy Smith verbatim by the time he was 5. His father John began taking him to gigs from the age of 5, letting him sit in on sets. At the age of 10, DeFrancesco joined a band in Philadelphia that included jazz musicians Hank Mobley and Philly Joe Jones. He was considered a fixture at local jazz clubs, opening shows for Wynton Marsalis and B.B. King. 

Omar Sosa (born April 10, 1965) is a musician from Cuba.

A native of Camagüey, Cuba, Sosa studied percussion at the Escuela Nacional de Musica and Instituto Superior de Arte. In the 1980s he started the band Tributo, recording albums and touring with the band. He worked with Cuban vocalist Xiomara Laugart and several Latin jazz bands. In the 1990s he moved to San Francisco, and his first solo album was released. Sosa received Latin Grammy Award nominations for his albums Sentirand Eggun.In January 2011, he won the 10th Annual Independent Music Awards in the Jazz Album category for Ceremony. He has worked with Paolo Fresu, Seckou Keita, Adam Rudolph, and the NDR Big Band.

Neville O’Riley Livingston, OM (born 10 April 1947), best known as Bunny Wailer, is a Jamaican singer songwriter and percussionist and was an original member of reggae group The Wailers along with Bob Marley and Peter Tosh. A three-time Grammy award winner, he is considered one of the longtime standard-bearers of reggae music. He is also known as Bunny Livingston and affectionately Jah B.

The young Neville Livingston spent his earliest years in the village of Nine Mile in St. Ann Parish. It was there that he first met Bob Marley, and the two toddlers befriended each other quickly. The boys both came from single-parent families; Livingston was brought up by his father, Marley by his mother. Later, Bunny’s father Thaddeus “Toddy” Livingston lived with Bob Marley‘s mother Cedella Booker and had a daughter with her named Pearl Livingston. Peter Tosh had a son, Andrew Tosh, with another of Bunny’s sisters, Shirley, making Andrew his nephew.

Bunny had originally gone to audition for Leslie Kong at Beverley’s Records in 1962, around the same time Bob Marley was cutting “Judge Not”. Bunny had intended to sing his first composition, “Pass It On”, which at the time was more ska-oriented. However, Bunny was late getting out of school, missed his audition, and was told he wasn’t needed. A few months later, in 1963; he formed “The Wailing Wailers” with his step-brother Bob Marley and friend Peter Tosh, and the short-lived members Junior Braithwaite and Beverley Kelso. As he was by some way the least forceful of the group, he tended to sing lead vocals less often than Marley and Tosh in the early years, but when Bob Marley left Jamaica in 1966 for Delaware, replacing Bunny with Constantine “Vision” Walker, he began to record and sing lead vocals on some of his own compositions, such as “Who Feels It Knows It”, “I Stand Predominant” and “Sunday Morning”. His music was very influenced by gospel and the soul of Curtis Mayfield. In 1967, he recorded “This Train”, based on a gospel standard, for the first time, at Studio One.

Gaansaraswati Kishori Ravindra Amonkar (10 April 1932 – 3 April 2017) ,was a leading Indian classical vocalist, belonging to the Jaipur gharana, or a community of musicians sharing a distinctive musical style.

She was a performer of the classical genre khyal and the light classical genres thumri and bhajan. Amonkar trained under her mother, classical singer Mogubai Kurdikar also from the Jaipur gharana, but she experimented with a variety of vocal styles in her career.

Kishori’s initial training in music was by her mother, the classical vocalist Mogubai Kurdikar. She has stated in an interview that her mother was an exacting teacher, initially teaching her by singing phrases and making Kishori repeat them. In the early stages of her career, she travelled with her mother to performances, accompanying her on the tanpura while Kurdikar sang.

Rosco N. Gordon III (April 10, 1928 – July 11, 2002) was an American blues singer, pianist, and songwriter. He is best known for his hit songs “Booted,” (1952), “No More Doggin'” (1952), and “Just a Little Bit” (1960). Gordon was a pioneer of the Memphis blues style. He played piano in a style known as the “Rosco rhythm,” with the emphasis on the off-beat. This rhythm was an influence on the Jamaican pianist Theophilus Beckfordand hence on reggae music as a whole.

Gordon was born in Memphis, Tennessee on April 10, 1928, the youngest of eight children. He learned to play piano from his sister who took lessons. Gordon became associated with Johnny Ace, Bobby Bland and B.B. King, sometimes referred to as the “Beale Streeters.” In 1946, Gordon moved to Chicago “after getting in trouble in Memphis.” He returned to Memphis in 1949, and won first place at an amateur show at the Palace Theatre on Beale Street in 1950. Emcee of the show Rufus Thomas invited Gordon to play on his radio show at WDIA. Soon after, Gordon had his own show as well.

In 1951, WDIA manager, David Mattis, introduced Gordon to producer Sam Phillips. Around this time, Gordon was scouted by Ike Turner, talent scout for the Bihari brothers, to record for Modern Records. His first hit single, “Saddled the Cow (and Milk the Horse),” released on RPM Records(subsidiary of Modern) reached #9 on the Billboard R&B chart.

Gordon’s next single “Booted” was recorded at Phillips’ Memphis Recording Service. Phillips licensed the record to the Chess brothers at Chess Records, which was released as a single in December 1951.

Fandango is a lively couples dance originating from Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping (“palmas” in Spanish). Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by “variaciones”. Sung fandango usually follows the structure of “cante” that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated.

Fandango rhythm.

The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in ^6/8.

Not all galaxies have the luxury of possessing a simple moniker or quirky nickname.

This impressive galaxy imaged by the NASA/ESA Hubble Space Telescope is one of the unlucky ones, and goes by a name that looks more like a password for a computer: 2XMM J143450.5+033843.

Such a name may seem like a random jumble of numbers and letters, but like all galactic epithets it has a distinct meaning. This galaxy, for example, was detected and observed as part of the second X-ray sky survey performed by ESA’s XMM-Newton Observatory. Its celestial coordinates form the rest of the bulky name, following the “J”: a right ascension value of 14h (hours) 34m (minutes) 50.5s (seconds). This can be likened to terrestrial longitude. It also has a declination of +03d (degrees) 38m (minutes) 43s (seconds). Declination can be likened to terrestrial latitude. The other fuzzy object in the frame was named in the same way — it is a bright galaxy named 2XMM J143448.3+033749.

2XMM J143450.5+033843 lies nearly 400 million light-years away from Earth. It is a Seyfert galaxy that is dominated by something known as an Active Galactic Nucleus — its core is thought to contain a supermassive black hole that is emitting huge amounts of radiation, pouring energetic X-rays out into the Universe.

Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the most well-known and highly regarded session and studio drummers in the industry, recognized by his induction into the Modern Drummer Hall of Fame in 1984. Gadd’s performances on Paul Simon‘s “50 Ways to Leave Your Lover“, “Late in the Evening“, and Steely Dan‘s “Aja” are examples of his style. He has worked with popular musicians from many genres including Simon & Garfunkel, Steely Dan, James Taylor, Harry Chapin, Eric Clapton, Kate Bush, Joe Cocker, Grover Washington Jr., Chick Corea, Lee Ritenour, Paul Desmond, Chet Baker, Al Di Meola, Kenny Logginsand Michel Petrucciani.

Gadd grew up in Irondequoit, New York and graduated from Eastridge High School, then the Eastman School of Music in 1968. In a Modern Drummer interview Gadd mentioned that some of his influences at a young age and later on included Buddy Rich, Elvin Jones, Tony Williams, and the “less is more” style of Rick Marotta.

Reuben Wilson (born April 9, 1935) is a jazz organist. He performs soul jazz and acid jazz, and is best known for his title track “Got to Get Your Own”.

He was born in Mounds, Oklahoma and his family moved to Pasadena when he was 5. He played in Los Angeles with drummer Al Bartee, then moved to New York to begin a recording career. In addition to playing with jazz musicians Melvin Sparks and Willis Jackson, Wilson led the local band Wildare Express. He remains an active musician, and still resides in New York City.

https://www.youtube.com/watch?v=Y0vsRyURhNI&t=201s

Carl Lee Perkins (April 9, 1932 – January 19, 1998) was an American singer-songwriter who recorded most notably at the Sun Studio, in Memphis, beginning in 1954. Amongst his best-known songs are “Blue Suede Shoes“, “Matchbox” and “Everybody’s Trying to Be My Baby“.

According to Charlie Daniels, “Carl Perkins’ songs personified the rockabilly era, and Carl Perkins’ sound personifies the rockabilly sound more so than anybody involved in it, because he never changed.” Perkins’s songs were recorded by artists (and friends) as influential as Elvis Presley, the Beatles, Jimi Hendrix, Johnny Cash and Eric Clapton which further established his place in the history of popular music. Paul McCartney claimed that “if there were no Carl Perkins, there would be no Beatles.”

Called “the King of Rockabilly”, he was inducted into the Rock and Roll Hall of Fame, the Rockabilly Hall of Fame, the Memphis Music Hall of Fame, and the Nashville Songwriters Hall of Fame. He also received a Grammy Hall of Fame Award.

Perkins was born near Tiptonville, Tennessee, the son of poor sharecroppers, Buck and Louise Perkins (misspelled on his birth certificate as “Perkings”). He grew up hearing southern gospelmusic sung by white friends in church and by African-American field workers when he worked in the cotton fields.

Mance Lipscomb (April 9, 1895 – January 30, 1976) was an American blues singer, guitarist and songster. He was born Beau De Glen Lipscomb near Navasota, Texas. As a youth he took the name Mance (short for emancipation) from a friend of his oldest brother, Charlie.

Lipscomb was born April 9, 1895. His father was an ex-slave from Alabama; his mother was half African American. For most of his life, Lipscomb supported himself as a tenant farmer in Texas. He had started playing guitar at an early age and became an accomplished musician.

He was discovered and recorded by Mack McCormick and Chris Strachwitz in 1960, during a revival of interest in the country blues. He recorded many albums of blues, ragtime, Tin Pan Alley, and folk music (most of them released by Strachwitz’s Arhoolie Records), singing and accompanying himself on acoustic guitar. Lipscomb had a “dead-thumb” finger-picking guitar technique and an expressive voice. He honed his skills by playing in nearby Brenham, Texas, with a blind musician, Sam Rogers.

His first release was the album Texas Songster (1960). Lipscomb performed songs in a wide range of genres, from old songs such as “Sugar Babe” (the first he ever learned), to pop numbers like “Shine On, Harvest Moon” and “It’s a Long Way to Tipperary“.

In 1961 he recorded the album Trouble in Mind, released by Reprise Records. In May 1963, he appeared at the first Monterey Folk Festival, (which later became the Monterey Pop Festival) alongside other folk artists such as Bob Dylan, and Peter, Paul and Mary in California.