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Edwin “Eddie” Marshall (April 13, 1938 – September 7, 2011) was an American jazz drummer.

Marshall was born in Springfield, Massachusetts. He played in his father’s swing group and in R&B bands while in high school. He moved to New York City in 1956, developing his percussion style under the influence of Max Roach and Art Blakey. Two years later he played in the quartet of Charlie Mariano and with Toshiko Akiyoshi; after two years’ service in the Army, he returned to play with Akiyoshi again in 1965. He worked with Mike Nock for a year in the house band of the New York nightclub The Dom, and also worked with Stan Getz and Sam Rivers, and accompanied Dionne Warwick on tours.

In 1967 he was a member of The Fourth Way, a fusion group which included Nock, Michael White, and Ron McClure. This group toured the San Francisco Bay Area through the early 1970s; after this Marshall played with Jon Hendricks and The Pointer Sisters.

Marshall was a member of the group Almanac with Bennie Maupin (flute, tenor saxophone), Cecil McBee (bass) and Mike Nock (piano). They released one album in 1977.

In the 1980s he worked in the project Bebop & Beyond, who recorded tribute albums to Dizzy Gillespie and Thelonious Monk.

Lawrence “Bud” Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing the tenor saxophone, but also able at the clarinet. He had a smooth and full tenor sax style with a heavy robust swing. He was one of the most influential and important jazz tenor saxophonists of the big band era. His major recordings were “The Eel”, “Tillie’s Downtown Now”, “Crazeology”, “The Buzzard”, and “After Awhile”, composed with Benny Goodman.

Freeman was born on April 13, 1906, in Chicago. In 1922, he and some friends from high school formed a jazz group, the Austin High School Gang, Freeman played the C melody saxophone alongside his other band members such as Jimmy McPartland and Frank Teschemacher before switching to tenor saxophone two years later. Influenced by artists like the New Orleans Rhythm Kings and Louis Armstrong from the South, they would begin to formulate their own style, becoming part of the emerging Chicago Style of jazz.

Herbert Jeffrey Hancock (born April 12, 1940) is an American pianist, keyboardist, bandleader, composer and actor. Hancock started his career with Donald Byrd. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles.

Hancock’s best-known compositions include the jazz standards “Cantaloupe Island“, “Watermelon Man“, “Maiden Voyage“, and “Chameleon“, as well as the hit singles “I Thought It Was You” and “Rockit“. His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album to win the award, after Getz/Gilberto in 1965.

Hancock was born in Chicago, Illinois, the son of Winnie Belle (Griffin), a secretary, and Wayman Edward Hancock, a government meat inspector.His parents named him after the singer and actor Herb Jeffries. He attended Hyde Park High School. Like many jazz pianists, Hancock started with a classical music education. He studied from age seven, and his talent was recognized early. Considered a child prodigy, he played the first movement of Mozart‘s Piano Concerto No. 26 in D Major, K. 537 (Coronation) at a young people’s concert on February 5, 1952, with the Chicago Symphony Orchestra (led by CSO assistant conductor George Schick) at the age of 11.

Shakey Jake Harris (April 12, 1921 – March 2, 1990) was an American Chicago blues singer, harmonicist and songwriter. He released five albums over a period of almost 25 years. He was often musically associated with his nephew Magic Sam.

James D. Harris was born in Earle, Arkansas, and relocated with his family to Chicago, Illinois, at the age of seven. He played in several Chicago blues ensembles in the late 1940s. He also worked as a mechanic and as a professional gambler (his nickname came from a dice players’ expression, “shake ’em”). His debut recording was the single “Call Me if You Need Me”, backed with “Roll Your Moneymaker”, released by Artistic Records in 1958, featuring Magic Sam and Syl Johnson on guitar and produced by Willie Dixon. Harris was not paid for the session, but he won $700 shooting craps with label owner Eli Toscano.

In 1960, Bluesville Records teamed Harris with the jazz musicians Jack McDuff and Bill Jennings for the album Good Times. His later recording of Mouth Harp Blues returned to a more traditional blues style.^[1] Harris toured and was part of the American Folk Blues Festival tour in 1962.

Theodore Roosevelt “Hound Dog” Taylor (April 12, 1915 – December 17, 1975) was an American Chicago blues guitarist and singer.

Taylor was born in Natchez, Mississippi, in 1915, though some sources say 1917. He initially played the piano and began playing the guitar when he was 20. He moved to Chicago in 1942.

He was famous among guitar players for having six fingers on both hands, a condition called polydactyly. As is usual with the condition, the extra digits were rudimentary nubbins and could not be moved. One night, while drunk, he cut off the extra digit on his right hand using a straight razor.

He became a full-time musician around 1957 but remained unknown outside the Chicago area, where he played small clubs in black neighborhoods and at the open-air Maxwell Street Market.He was known for his electrified slide guitar playing (roughly styled after that of Elmore James), his cheap Japanese Teisco guitars, and his raucous boogie beats.

In 1967, Taylor toured Europe with the American Folk Blues Festival, performing with Little Walter and Koko Taylor. After hearing Taylor with his band, the HouseRockers (Brewer Phillips on second guitar and Ted Harvey on drums) in 1970 at Florence’s Lounge on Chicago’s South Side, Bruce Iglauer (then a shipping clerk for Delmark Records) tried to persuade his employer to sign Taylor to a recording contract.

In 1971, having no success in getting Delmark to sign Taylor, Iglauer used a $2500 inheritance to form Alligator Records, which recorded Taylor’s debut album, Hound Dog Taylor and the HouseRockers. The album was recorded in just two nights. It was the first release for Alligator, which eventually became a major blues label.Iglauer began managing and booking the band, which toured nationwide and performed with Muddy Waters, Freddie King, and Big Mama Thornton.

https://www.youtube.com/watch?v=uHylp0HR9Hw

The graceful, winding arms of the majestic spiral galaxy NGC 3147 appear like a grand spiral staircase sweeping through space in this Hubble Space Telescope image. They are actually long lanes of young blue stars, pinkish nebulas, and dust in silhouette.

The beauty of the galaxy belies the fact that at its very center is a malnourished black hole surrounded by a thin, compact disk of stars, gas, and dust that have been caught up in a gravitational maelstrom. The black hole’s gravity is so intense that anything that ventures near it gets swept up in the disk.

The disk is so deeply embedded in the black hole’s intense gravitational field that the light from the gas disk is modified, according to Einstein’s theories of relativity, giving astronomers a unique peek at the dynamic processes close to a black hole.

NGC 3147 is located 130 million light-years away in the northern circumpolar constellation Draco the Dragon.

Richard Berry, Jr. (April 11, 1935 – January 23, 1997) was an American singer, songwriter and musician, who performed with many Los Angeles doo-wop and close harmony groups in the 1950s, including The Flairs and The Robins.

He is best known as the composer and original performer of the rock standard “Louie Louie“. The song became a hit for The Kingsmen, and it is one of the most recorded songs of all time; however, Berry received little financial benefit for writing it until the 1980s, having signed away his rights to the song in 1959. In the same year, he wrote and released “Have Love, Will Travel“, which has been played by many other artists.

Berry was born in Extension, south of Monroe, Louisiana, and moved with his family to Los Angeles as a baby. As a child, he suffered a hip injury and had to walk on crutches until he was six. His first instrument was the ukulele, which he learned when attending a summer camp for crippled children.

Luther Johnson (born April 11, 1939, Itta Bena, Mississippi) is a Chicago blues singer and guitarist, who performs under the name Luther “Guitar Junior” Johnson. He is not to be confused with Luther “Snake Boy” Johnson, Luther “Houserocker” Johnson, or Lonnie “Guitar Junior” Brooks.

Johnson moved to Chicago with his family in 1955. During the 1960s, he performed with Magic Sam. He performed in Muddy Waters‘ band from 1972 to 1980. In 1980, four of his songs were included in an anthology released by Alligator Records. That same year he appeared as a member of the Legendary Blues Band, backing John Lee Hooker in the movie The Blues Brothers.

Johnson moved to the East Coast and began fronting his own band, the Magic Rockers. His “Walkin’ the Dog” was recorded live at the Montreux Festival‘s Blues Night. He won a Grammy Award in 1985 for Best Traditional Blues Album for his part in Blues Explosion. He recorded three albums released by Telarc Records: Slammin’ on the West Side (1996), Got to Find a Way (1998), and Talkin’ About Soul (2001). He also performed on three albums by the Nighthawks.

He lived in Antrim, New Hampshire for many years but moved to Florida in 2017.

John Levy (April 11, 1912 – January 20, 2012) was an American jazz double-bassist and businessman. Levy was born in New Orleans, Louisiana. In 1944, he left his family home in Chicago, Illinois, and moved to New York City where he played bass for such renowned jazz musicians as Ben Webster, Erroll Garner, Milt Jackson, and Billie Holiday. In 1949, he became the bassist in the original George Shearing Quintet, where he also acted as Shearing’s road manager. In 1951, Levy opened John Levy Enterprises, Inc., becoming the first African-American personal manager in the pop or jazz music field. By the 1960s, Levy’s client roster included Shearing, Nancy Wilson, Cannonball Adderley, Joe Williams, Shirley Horn, Soul singer Jimmie Raye, and Ramsey Lewis.

In 1997, Levy was inducted into the International Jazz Hall of Fame, and in 2006 he was named a Jazz Master by the National Endowment for the Arts .  He died, aged 99, in Altadena, California.