mick laBriola

Rosco N. Gordon III (April 10, 1928 – July 11, 2002) was an American blues singer, pianist, and songwriter. He is best known for his hit songs “Booted,” (1952), “No More Doggin'” (1952), and “Just a Little Bit” (1960). Gordon was a pioneer of the Memphis blues style. He played piano in a style known as the “Rosco rhythm,” with the emphasis on the off-beat. This rhythm was an influence on the Jamaican pianist Theophilus Beckfordand hence on reggae music as a whole.

Gordon was born in Memphis, Tennessee on April 10, 1928, the youngest of eight children. He learned to play piano from his sister who took lessons. Gordon became associated with Johnny Ace, Bobby Bland and B.B. King, sometimes referred to as the “Beale Streeters.” In 1946, Gordon moved to Chicago “after getting in trouble in Memphis.” He returned to Memphis in 1949, and won first place at an amateur show at the Palace Theatre on Beale Street in 1950. Emcee of the show Rufus Thomas invited Gordon to play on his radio show at WDIA. Soon after, Gordon had his own show as well.

In 1951, WDIA manager, David Mattis, introduced Gordon to producer Sam Phillips. Around this time, Gordon was scouted by Ike Turner, talent scout for the Bihari brothers, to record for Modern Records. His first hit single, “Saddled the Cow (and Milk the Horse),” released on RPM Records(subsidiary of Modern) reached #9 on the Billboard R&B chart.

Gordon’s next single “Booted” was recorded at Phillips’ Memphis Recording Service. Phillips licensed the record to the Chess brothers at Chess Records, which was released as a single in December 1951.

Fandango is a lively couples dance originating from Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping (“palmas” in Spanish). Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by “variaciones”. Sung fandango usually follows the structure of “cante” that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated.

Fandango rhythm.

The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in ^6/8.

Not all galaxies have the luxury of possessing a simple moniker or quirky nickname.

This impressive galaxy imaged by the NASA/ESA Hubble Space Telescope is one of the unlucky ones, and goes by a name that looks more like a password for a computer: 2XMM J143450.5+033843.

Such a name may seem like a random jumble of numbers and letters, but like all galactic epithets it has a distinct meaning. This galaxy, for example, was detected and observed as part of the second X-ray sky survey performed by ESA’s XMM-Newton Observatory. Its celestial coordinates form the rest of the bulky name, following the “J”: a right ascension value of 14h (hours) 34m (minutes) 50.5s (seconds). This can be likened to terrestrial longitude. It also has a declination of +03d (degrees) 38m (minutes) 43s (seconds). Declination can be likened to terrestrial latitude. The other fuzzy object in the frame was named in the same way — it is a bright galaxy named 2XMM J143448.3+033749.

2XMM J143450.5+033843 lies nearly 400 million light-years away from Earth. It is a Seyfert galaxy that is dominated by something known as an Active Galactic Nucleus — its core is thought to contain a supermassive black hole that is emitting huge amounts of radiation, pouring energetic X-rays out into the Universe.

Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the most well-known and highly regarded session and studio drummers in the industry, recognized by his induction into the Modern Drummer Hall of Fame in 1984. Gadd’s performances on Paul Simon‘s “50 Ways to Leave Your Lover“, “Late in the Evening“, and Steely Dan‘s “Aja” are examples of his style. He has worked with popular musicians from many genres including Simon & Garfunkel, Steely Dan, James Taylor, Harry Chapin, Eric Clapton, Kate Bush, Joe Cocker, Grover Washington Jr., Chick Corea, Lee Ritenour, Paul Desmond, Chet Baker, Al Di Meola, Kenny Logginsand Michel Petrucciani.

Gadd grew up in Irondequoit, New York and graduated from Eastridge High School, then the Eastman School of Music in 1968. In a Modern Drummer interview Gadd mentioned that some of his influences at a young age and later on included Buddy Rich, Elvin Jones, Tony Williams, and the “less is more” style of Rick Marotta.

Reuben Wilson (born April 9, 1935) is a jazz organist. He performs soul jazz and acid jazz, and is best known for his title track “Got to Get Your Own”.

He was born in Mounds, Oklahoma and his family moved to Pasadena when he was 5. He played in Los Angeles with drummer Al Bartee, then moved to New York to begin a recording career. In addition to playing with jazz musicians Melvin Sparks and Willis Jackson, Wilson led the local band Wildare Express. He remains an active musician, and still resides in New York City.

https://www.youtube.com/watch?v=Y0vsRyURhNI&t=201s

Carl Lee Perkins (April 9, 1932 – January 19, 1998) was an American singer-songwriter who recorded most notably at the Sun Studio, in Memphis, beginning in 1954. Amongst his best-known songs are “Blue Suede Shoes“, “Matchbox” and “Everybody’s Trying to Be My Baby“.

According to Charlie Daniels, “Carl Perkins’ songs personified the rockabilly era, and Carl Perkins’ sound personifies the rockabilly sound more so than anybody involved in it, because he never changed.” Perkins’s songs were recorded by artists (and friends) as influential as Elvis Presley, the Beatles, Jimi Hendrix, Johnny Cash and Eric Clapton which further established his place in the history of popular music. Paul McCartney claimed that “if there were no Carl Perkins, there would be no Beatles.”

Called “the King of Rockabilly”, he was inducted into the Rock and Roll Hall of Fame, the Rockabilly Hall of Fame, the Memphis Music Hall of Fame, and the Nashville Songwriters Hall of Fame. He also received a Grammy Hall of Fame Award.

Perkins was born near Tiptonville, Tennessee, the son of poor sharecroppers, Buck and Louise Perkins (misspelled on his birth certificate as “Perkings”). He grew up hearing southern gospelmusic sung by white friends in church and by African-American field workers when he worked in the cotton fields.

Mance Lipscomb (April 9, 1895 – January 30, 1976) was an American blues singer, guitarist and songster. He was born Beau De Glen Lipscomb near Navasota, Texas. As a youth he took the name Mance (short for emancipation) from a friend of his oldest brother, Charlie.

Lipscomb was born April 9, 1895. His father was an ex-slave from Alabama; his mother was half African American. For most of his life, Lipscomb supported himself as a tenant farmer in Texas. He had started playing guitar at an early age and became an accomplished musician.

He was discovered and recorded by Mack McCormick and Chris Strachwitz in 1960, during a revival of interest in the country blues. He recorded many albums of blues, ragtime, Tin Pan Alley, and folk music (most of them released by Strachwitz’s Arhoolie Records), singing and accompanying himself on acoustic guitar. Lipscomb had a “dead-thumb” finger-picking guitar technique and an expressive voice. He honed his skills by playing in nearby Brenham, Texas, with a blind musician, Sam Rogers.

His first release was the album Texas Songster (1960). Lipscomb performed songs in a wide range of genres, from old songs such as “Sugar Babe” (the first he ever learned), to pop numbers like “Shine On, Harvest Moon” and “It’s a Long Way to Tipperary“.

In 1961 he recorded the album Trouble in Mind, released by Reprise Records. In May 1963, he appeared at the first Monterey Folk Festival, (which later became the Monterey Pop Festival) alongside other folk artists such as Bob Dylan, and Peter, Paul and Mary in California.

IC 342 (also known as Caldwell 5) is an intermediate spiral galaxy in the constellation Camelopardalis, located relatively close to the Milky Way. Despite its size and actual brightness, its location in dusty areas near the galactic equator makes it difficult to observe, leading to the nickname “The Hidden Galaxy”, though it can readily be detected even with binoculars. If the galaxy were not obscured, it would be visible by naked eye. The dust makes it difficult to determine its precise distance; modern estimates range from about 7 Mly to about 11 Mly. The galaxy was discovered by William Frederick Denning in 1892. It is one of the brightest in the IC 342/Maffei Group, one of the closest galaxy groups to the Local Group. Edwin Hubble first thought it to be in the Local Group, but it was later determined not to be a member.

In 1935, Harlow Shapley found that it was wider than the full moon, and by angular size the third-largest spiral galaxy then known, smaller only than the Andromeda Galaxy (M31) and the Triangulum Galaxy (M33). (Modern estimates are more conservative, giving the apparent size as one-half to two-thirds the diameter of the full moon).

John Charles Julian Lennon (born 8 April 1963) is an English singer, musician and photographer, best known as the son of The Beatles member John Lennon and his first wife Cynthia.

He was the direct inspiration for three Beatles’ songs: “Lucy in the Sky with Diamonds” (1967), “Hey Jude” (1968), and “Good Night” (1968). His parents divorced in 1968.

He has produced a number of albums starting with Valotte (1984), as well as a documentary film WhaleDreamers on an environmental theme. Lennon has also held exhibitions of his photography.

Santiago Jiménez Jr. (aka Santiago Henriquez Jiménez) (born April 8, 1944) is a folk musician who has won a National Heritage Fellowship in 2000 for lifetime achievement in traditional Tex-Mex/folk music, and a National Medal of Arts in 2016. He has been nominated for three Grammys.

His father, Santiago “Flaco” Jiménez Sr. was a pioneer of conjunto music and pioneered the use of stringed base (tololoche) in his work. His older brother Leonardo “Flaco” Jiménez is considered by many the greatest and most famous Tejano accordionist ever. Santiago recorded his first album with his brother Flaco at age 17. Unlike Flaco, who is noted for mixing his music with many styles outside the Tejano mainstream, Santiago has emulated his father and stuck with the formulas of accordion, guitar, and vocals.

Santiago has recorded over 700 songs on numerous labels. He also founded his own label, Chief Records. Santiago has performed on multiple continents and at many festivals. In 2012, Santiago and Flaco played together at the Tejano Conjunto Festival in San Antonio, the first time they were on the same stage since 1982.

President Obama awarded Santiago a 2015 National Medal of Arts on September 22, 2016 for his contribution to American music.

Paul Jeffrey (April 8, 1933 – March 20, 2015) was an American jazz tenor saxophonist, arranger, and educator. He was a member of Thelonious Monk‘s regular group from 1970–1975, and also worked extensively with other musicians such as Charles Mingus, Dizzy Gillespie, Clark Terry, Lionel Hampton and B.B. King.

Born in New York City, Jeffrey attended Kingston High School. After graduating in 1951, he completed a Bachelor of Science degree in music education at Ithaca College in 1955. He spent the late 1950s touring with bands led by Illinois Jacquet, Elmo Hope, Big Maybelle, and Wynonie Harris. From 1960 to 1961, Jeffrey toured the US with B.B. King, after which he worked as a freelance musician in the New York City area and toured with bands led by Howard McGhee, Clark Terry, and Dizzy Gillespie.

Jeffrey’s first studio work as a leader was in 1968, when he recorded the album Electrifying Sounds for Savoy Records. He toured with the Count Basie Orchestra before beginning his associations with Thelonious Monk and Charles Mingus. He first joined Monk’s quartet for a multi-day run at the Frog & Nightgown club in Raleigh, North Carolina, in May 1970.

Jeffrey performed as a regular member of Monk’s band throughout the remainder of Monk’s public career, appearing with Monk throughout the US and Japan at the Village Vanguard, Lincoln Center’s Philharmonic Hall, the Jazz Workshop, Shelly’s Manne-Hole, and The Cellar Door, among other venues. He was hired by George Wein to organize a 15-piece band for a tribute concert to Monk at Carnegie Hall in 1974; a concert at which Monk made a surprise appearance, replacing Barry Harris on the piano just as the concert was starting.

https://www.youtube.com/watch?v=SbbG23uOnlY&list=RDb8ZUvLxo_dw&index=2

Carmen Mercedes McRae (April 8, 1922 – November 10, 1994) was an American jazz singer. She is considered one of the most influential jazz vocalists of the 20th century and is remembered for her behind-the-beat phrasing and ironic interpretation of lyrics. McRae was inspired by Billie Holiday, but she established her own voice. She recorded over sixty albums and performed worldwide.

McRae was born in Harlem, New York City, United States. Her father, Osmond, and mother, Evadne McRae, were immigrants from Jamaica. She began studying piano when she was eight, and the music of jazz greats such as Louis Armstrong and Duke Ellington filled her home. When she was 17 years old, she met singer Billie Holiday. As a teenager McRae came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings. One of McRae’s early songs, “Dream of Life”, was, through their influence, recorded in 1939 by Wilson’s long-time collaborator Billie Holiday.McRae considered Holiday to be her primary influence. She was a lifelong active Democrat.

In her late teens and early twenties, McRae played piano at a New York City club called Minton’s Playhouse, Harlem’s most famous jazz club, sang as a chorus girl, and worked as a secretary. It was at Minton’s where she met trumpeter Dizzy Gillespie, bassist Oscar Pettiford, and drummer Kenny Clarke, had her first important job as a pianist with Benny Carter’s big band (1944), worked with Count Basie (1944) and under the name “Carmen Clarke” (having married Kenny Clarke)^[4] made her first recording as pianist with the Mercer Ellington Band (1946–47). But it was while working in Brooklyn that she came to the attention of Decca’s Milt Gabler. Her five-year association with Decca yielded 12 LPs.

https://www.youtube.com/watch?v=fH4R5W4CndE