mick laBriola

Arthur S. Taylor, Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer, who “helped define the sound of modern jazz drumming”.

As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor’s Wailers.^[3] Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; he also was a member of the original Kenny Dorham Quartet of 1957.

In 1963, he moved to Europe, where he lived mainly in France and Belgium for 20 years, playing with local groups and jazz musicians such as Johnny Griffin, John Bodwin, and with travelling American musicians, such as Woody Shaw during the latter’s tenure in Paris. He returned to the United States to help his mother, who was ill. He continued freelancing after returning to the United States, and in 1993 organized a second band called Taylor’s Wailers. He died in Beth Israel Hospital in Manhattan.

He was the author of Notes and Tones, a book based on his interviews with other musicians. This was, for many musicians, a ground-breaking work, because it presented the interviewees’ perspectives on the wider social, political, and economic forces in which they operated – topics normally not mentioned in mainstream coverage of jazz musicians.

https://www.youtube.com/watch?v=5m1G7aV0Aoo

Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger.^[1] Though Mulligan is primarily known as one of the leading jazz baritone saxophonists – playing the instrument with a light and airy tone in the era of cool jazz – he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan’s pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions, such as “Walkin’ Shoes” and “Five Brothers”, have become jazz standards.

Gerry Mulligan was born in Queens Village, Queens, New York, the son of George and Louise Mulligan. His father was a Wilmington, Delaware, native of Irish descent; his mother a Philadelphianative of half Irish and half German descent. Gerry was the youngest of four sons with George, Phil and Don preceding him.

George Mulligan’s career as an engineer necessitated frequent moves through numerous cities. When Gerry was less than a year old, the family moved to Marion, Ohio, where his father accepted a job with the Marion Power Shovel Company.

With the demands of a large home and four young boys to raise, Mulligan’s mother hired an African-American nanny named Lily Rose, who became especially fond of the youngest Mulligan. As he became older, Mulligan began spending time at Rose’s house and was especially amused by Rose’s player piano, which Mulligan later recalled as having rolls by numerous players, including Fats Waller. Black musicians sometimes came through town, and because many motels would not take them, they often had to stay at homes within the black community. The young Mulligan occasionally met such musicians staying at Rose’s home.

Randolph Edward “Randy” Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection.

Weston’s piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines. Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston.

Described as “America’s African Musical Ambassador”, he said: “What I do I do because it’s about teaching and informing everyone about our most natural cultural phenomenon. It’s really about Africa and her music.”

Randolph Edward Weston was born on April 6, 1926, to Vivian (née Moore) and Frank Weston and was raised in Brooklyn, New York, where his father owned a restaurant. His mother was from Virginia and his father was of Jamaican–Panamanian descent, a staunch Garveyite, who passed self-reliant values to his son. Weston studied classical piano as a child and took dance lessons. He graduated from Boys High School in Bedford-Stuyvesant, where he had been sent by his father because of the school’s reputation for high standards. Weston took piano lessons from someone known as Professor Atwell who, unlike his former piano teacher Mrs Lucy Chapman, allowed him to play songs outside the classical music repertoire.

Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years.

Rouse was born in Washington, DC in 1924. At first he worked with the clarinet, before turning to the saxophone.

Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette.

He was a member of Thelonious Monk‘s quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk. Charlie Rouse died from lung cancer on November 30, 1988 at University Hospital in Seattle at the age of 64.

Walter Horton, better known as Big Walter (Horton) or Walter “Shakey” Horton (April 6, 1921 – December 8, 1981) was an American bluesharmonica player. A quiet, unassuming, shy man, he is remembered as one of the premier harmonica players in the history of blues. Willie Dixononce called Horton “the best harmonica player I ever heard.”

Robert Palmer named him as “one of the three great harmonica soloists of modern blues”, with the two others being cited as Little Walter and Sonny Boy Williamson II.

Horton was born in Horn Lake, Mississippi. Horton claimed to be born in 1917, His birth date is often cited as April 6, 1918, although some sources give the year as 1917 or 1921. He was playing the harmonica by the time he was five years old.In his early teens, he lived in Memphis, Tennessee. He claimed that his earliest recordings were done there in the late 1920s with the Memphis Jug Band, but there is no documentation of them, and some blues researchers have stated that this story was likely to have been fabricated by Horton.

Like many of his peers, he lived on a meager income during much of his career and endured racial discrimination in the racially segregated U.S. In the 1930s he played with numerous blues performers in the Mississippi Delta region. It is generally accepted that he was first recorded in Memphis, backing the guitarist Little Buddy Doyle on Doyle’s recordings for Okeh Records and Vocalion Records in 1939. These recordings were acoustic duets, in a style popularized by Sleepy John Estes and his harmonicist Hammie Nixon, among others. On these recordings, Horton’s style was not yet fully realized, but there are clear hints of what was to come. He eventually stopped playing the harmonica for a living, because of poor health, and worked mainly outside the music industry in the 1940s. By the early 1950s, he was playing music again. He was among the first to be recorded by Sam Phillips, at Sun Records in Memphis, who later recorded Elvis Presley, Carl Perkins, and Johnny Cash. For his recordings for Sun, Horton was accompanied by the young pianist Phineas Newborn, Jr., who later was a well-known jazz pianist. Horton’s instrumental track “Easy”, recorded around this time, was based on Ivory Joe Hunter‘s “I Almost Lost My Mind”

NGC 4651 is a spiral galaxy located in the constellation of Coma Berenices that can be seen with amateur telescopes, at a distance not well determined that ranges from 35 million light years to 72 million light years

This remarkable spiral galaxy, known as NGC 4651, may look serene and peaceful as it swirls in the vast, silent emptiness of space, but don’t be fooled — it keeps a violent secret. It is believed that this galaxy consumed another smaller galaxy to become the large and beautiful spiral that we observe today. Although only a telescope like the NASA/ESA Hubble Space Telescope, which captured this image, could give us a picture this clear, NGC 4651 can also be observed with an amateur telescope — so if you have a telescope at home and a star-gazing eye, look out for this glittering carnivorous spiral.

Stan Levey (April 5, 1926 – April 19, 2005) was an American jazz drummer. He was known for working with Charlie Parker and Dizzy Gillespie in the early development of bebop during the 1940s, and in the next decade had stint with bandleader Stan Kenton. Levy retired from music in the 1970s to work as a photographer.

Born Adolph Stanley Levey in Philadelphia, Levey is considered one of the earliest bebop drummers, and one of the very few white drummers involved in the formative years of bebop. He played in Philadelphia with Dizzy Gillespie‘s group in 1942, at the age of 16. Soon after, he went to New York City, where he and Gillespie worked on 52nd Street with Charlie Parker and Oscar Pettiford.

After his tenure with the Stan Kenton Orchestra he moved to the West Coast in 1954, joining Howard Rumsey, Don Joham and the Lighthouse All-Stars, and was a major influence in West Coast jazz. Though “cool” jazz was common on the West Coast, Levey’s crisp, melodic style continued to have more in common with bop than cool, and he inspired every group he ever played in. A right-handed person, Levey played the drums, as if left-handed. Levey has played on thousands of recordings, including those with musicians Dizzy Gillespie, Charlie Parker, Miles Davis, Stan Getz, Ella Fitzgerald, Peggy Lee, Frank Sinatra, Nat King Cole and with bands such as that of Quincy Jones, and Skitch Henderson and The Tonight Show Band.

Stanley William Turrentine (April 5, 1934 – September 12, 2000) was an American jazz tenor saxophonist. He began his career playing R&B for Earl Bostic and later soul jazz recording for the Blue Note label from 1960, touched on jazz fusion during a stint on CTI in the 1970s. He was described by critic Steve Huey as “renowned for his distinctively thick, rippling tone [and] earthy grounding in the blues.” Turrentine was married to organist Shirley Scott in the 1960s, with whom he frequently recorded, and was the younger brother of trumpeter Tommy Turrentine.

Turrentine was born in Pittsburgh‘s Hill District into a musical family. His father, Thomas Turrentine, Sr., was a saxophonist with Al Cooper’s Savoy Sultans, his mother played stride piano, and his older brother Tommy Turrentine became a professional trumpet player.

He began his prolific career with blues and rhythm and blues bands, and was at first greatly influenced by Illinois Jacquet. In the 1950s, he went on to play with the groups of Lowell Fulson and Earl Bostic. In Bostic’s group, he replaced John Coltrane in 1953 and also played in groups led by the pianist and composer Tadd Dameron.

Turrentine received his only formal musical training during his military stint in the mid-1950s. In 1959, he left the military and went straight into the band of the drummer Max Roach.

Billy Bland (April 5, 1932, Wilmington, North Carolina – March 22, 2017, New York City) was an American R&B singer and songwriter.

Bland, the youngest of 19 children, first sang professionally in 1947 in New York City, and sang with a group called The Bees in the 1950s on New Orleans‘s Imperial Records. In 1954, “Toy Bell” by the group caused some unrest by veering into the dirty blues genre. Dave Bartholomew brought them to New Orleans, where they recorded a song he had written and recorded twice before: firstly in 1952 for King Records as “My Ding-a-Ling,” and later that year for Imperial as “Little Girl Sing Ting-A-Ling.” Bland later pursued a solo career.

In 1960, Bland heard Titus Turner recording the song “Let the Little Girl Dance” in the studio, and demonstrated for Turner how to sing it (along with guitarist Mickey Baker and other session musicians). The event was recorded by record producer Henry Glover, and was eventually released as a single. The tune was a hit in the US, peaking at number 11 on the US Billboard R&B chart. and number 7 on the Billboard Hot 100. Bland had two other minor hits that year, “Harmony” (U.S. Hot 100 number 91) and “You Were Born to Be Loved” (U.S. Hot 100 number 94). He recorded until 1963 for Old Town, and then quit the music industry.

The Manicouagan Crater in Quebec, Canada, is a favorite photographic landmark for astronauts which is near the height of the International Space Station’s orbital trek of 51.6 degrees.

Manicouagan Reservoir (also Lake Manicouagan) is an annular lake in central Quebec, Canada, covering an area of 1,942 km² (750 sq mi). The lake island in its centre is known as René-Levasseur Island, and its highest point is Mount Babel. The structure was created 214 (±1) million years ago by the impact of a meteorite of five km (three mi) diameter. The lake and island are clearly seen from space and are sometimes called the “eye of Quebec”. The lake has a volume of 137.9 km³ (33.1 cu mi)

Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) was a South African trumpeter, flugelhornist, cornetist, singer and composer who has been described as “the father of South African jazz“. Masekela was known for his jazz compositions and for writing well-known anti-apartheid songssuch as “Soweto Blues” and “Bring Him Back Home“. He also had a number-one US pop hit in 1968 with his version of “Grazing in the Grass“.

Masekela was born in the township of KwaGuqa in Witbank to Thomas Selena Masekela, who was a health inspector and sculptor and his wife, Pauline Bowers Masekela, a social worker. His young sister Barbara Masekela is a poet, educator and ANC activist. As a child, he began singing and playing piano and was largely raised by his grandmother, who ran an illegal bar for miners. At the age of 14, after seeing the 1950 film Young Man with a Horn (in which Kirk Douglas plays a character modelled on American jazz cornetist Bix Beiderbecke), Masekela took up playing the trumpet.

McKinley Morganfield (April 4, 1913  – April 30, 1983), known professionally as Muddy Waters, was an American blues singer-songwriter and musician who is often cited as the “father of modern Chicago blues“, and an important figure on the post-war blues scene. His style of playing has been described as “raining down Delta beatitude“. Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson. He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professional musician. In 1946, he recorded his first records for Columbia Records and then for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess.

In the early 1950s, Muddy Waters and his band—Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums and Otis Spann on piano—recorded several blues classics, some with the bassist and songwriter Willie Dixon. These songs included “Hoochie Coochie Man“, “I Just Want to Make Love to You” and “I’m Ready“. In 1958, he traveled to England, laying the foundations of the resurgence of interest in the blues there. His performance at the Newport Jazz Festival in 1960 was recorded and released as his first live album, At Newport 1960. Muddy Waters’ music has influenced various American music genres, including rock and roll and rock music.

Muddy Waters’ birthplace and date are not conclusively known. He stated that he was born in Rolling Fork, Mississippi, in 1915, but other evidence suggests that he was born in Jug’s Corner, in neighboring Issaquena County, in 1913.

Cecil Gant (April 4, 1913 – February 4, 1951) was an American blues singer, songwriter and pianist, whose recordings of both ballads and “fiery piano rockers” were successful in the mid- and late 1940s, and influenced the early development of rock and roll. His biggest hit was the 1944 ballad, “I Wonder“. Gant was born in Columbia, Tennessee, but was raised in Cleveland, Ohio. He returned to Nashville, Tennessee and worked there as a musician, as well as touring with his own band, from the mid-1930s until he joined the army during World War II. In 1944, after performing at a War Bondrally in Los Angeles, California, he recorded his composition “I Wonder” for the tiny black-owned Bronze record label. When it started to become locally popular, he re-recorded it for the newly established white-owned independent Gilt-Edge record label. His recording of “I Wonder” was released under the name “Pvt. Cecil Gant”, as were later releases on the label.