mick laBriola

Not all galaxies have the luxury of possessing a simple moniker or quirky nickname.

This impressive galaxy imaged by the NASA/ESA Hubble Space Telescope is one of the unlucky ones, and goes by a name that looks more like a password for a computer: 2XMM J143450.5+033843.

Such a name may seem like a random jumble of numbers and letters, but like all galactic epithets it has a distinct meaning. This galaxy, for example, was detected and observed as part of the second X-ray sky survey performed by ESA’s XMM-Newton Observatory. Its celestial coordinates form the rest of the bulky name, following the “J”: a right ascension value of 14h (hours) 34m (minutes) 50.5s (seconds). This can be likened to terrestrial longitude. It also has a declination of +03d (degrees) 38m (minutes) 43s (seconds). Declination can be likened to terrestrial latitude. The other fuzzy object in the frame was named in the same way — it is a bright galaxy named 2XMM J143448.3+033749.

2XMM J143450.5+033843 lies nearly 400 million light-years away from Earth. It is a Seyfert galaxy that is dominated by something known as an Active Galactic Nucleus — its core is thought to contain a supermassive black hole that is emitting huge amounts of radiation, pouring energetic X-rays out into the Universe.

Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the most well-known and highly regarded session and studio drummers in the industry, recognized by his induction into the Modern Drummer Hall of Fame in 1984. Gadd’s performances on Paul Simon‘s “50 Ways to Leave Your Lover“, “Late in the Evening“, and Steely Dan‘s “Aja” are examples of his style. He has worked with popular musicians from many genres including Simon & Garfunkel, Steely Dan, James Taylor, Harry Chapin, Eric Clapton, Kate Bush, Joe Cocker, Grover Washington Jr., Chick Corea, Lee Ritenour, Paul Desmond, Chet Baker, Al Di Meola, Kenny Logginsand Michel Petrucciani.

Gadd grew up in Irondequoit, New York and graduated from Eastridge High School, then the Eastman School of Music in 1968. In a Modern Drummer interview Gadd mentioned that some of his influences at a young age and later on included Buddy Rich, Elvin Jones, Tony Williams, and the “less is more” style of Rick Marotta.

Reuben Wilson (born April 9, 1935) is a jazz organist. He performs soul jazz and acid jazz, and is best known for his title track “Got to Get Your Own”.

He was born in Mounds, Oklahoma and his family moved to Pasadena when he was 5. He played in Los Angeles with drummer Al Bartee, then moved to New York to begin a recording career. In addition to playing with jazz musicians Melvin Sparks and Willis Jackson, Wilson led the local band Wildare Express. He remains an active musician, and still resides in New York City.

https://www.youtube.com/watch?v=Y0vsRyURhNI&t=201s

Carl Lee Perkins (April 9, 1932 – January 19, 1998) was an American singer-songwriter who recorded most notably at the Sun Studio, in Memphis, beginning in 1954. Amongst his best-known songs are “Blue Suede Shoes“, “Matchbox” and “Everybody’s Trying to Be My Baby“.

According to Charlie Daniels, “Carl Perkins’ songs personified the rockabilly era, and Carl Perkins’ sound personifies the rockabilly sound more so than anybody involved in it, because he never changed.” Perkins’s songs were recorded by artists (and friends) as influential as Elvis Presley, the Beatles, Jimi Hendrix, Johnny Cash and Eric Clapton which further established his place in the history of popular music. Paul McCartney claimed that “if there were no Carl Perkins, there would be no Beatles.”

Called “the King of Rockabilly”, he was inducted into the Rock and Roll Hall of Fame, the Rockabilly Hall of Fame, the Memphis Music Hall of Fame, and the Nashville Songwriters Hall of Fame. He also received a Grammy Hall of Fame Award.

Perkins was born near Tiptonville, Tennessee, the son of poor sharecroppers, Buck and Louise Perkins (misspelled on his birth certificate as “Perkings”). He grew up hearing southern gospelmusic sung by white friends in church and by African-American field workers when he worked in the cotton fields.

Mance Lipscomb (April 9, 1895 – January 30, 1976) was an American blues singer, guitarist and songster. He was born Beau De Glen Lipscomb near Navasota, Texas. As a youth he took the name Mance (short for emancipation) from a friend of his oldest brother, Charlie.

Lipscomb was born April 9, 1895. His father was an ex-slave from Alabama; his mother was half African American. For most of his life, Lipscomb supported himself as a tenant farmer in Texas. He had started playing guitar at an early age and became an accomplished musician.

He was discovered and recorded by Mack McCormick and Chris Strachwitz in 1960, during a revival of interest in the country blues. He recorded many albums of blues, ragtime, Tin Pan Alley, and folk music (most of them released by Strachwitz’s Arhoolie Records), singing and accompanying himself on acoustic guitar. Lipscomb had a “dead-thumb” finger-picking guitar technique and an expressive voice. He honed his skills by playing in nearby Brenham, Texas, with a blind musician, Sam Rogers.

His first release was the album Texas Songster (1960). Lipscomb performed songs in a wide range of genres, from old songs such as “Sugar Babe” (the first he ever learned), to pop numbers like “Shine On, Harvest Moon” and “It’s a Long Way to Tipperary“.

In 1961 he recorded the album Trouble in Mind, released by Reprise Records. In May 1963, he appeared at the first Monterey Folk Festival, (which later became the Monterey Pop Festival) alongside other folk artists such as Bob Dylan, and Peter, Paul and Mary in California.

IC 342 (also known as Caldwell 5) is an intermediate spiral galaxy in the constellation Camelopardalis, located relatively close to the Milky Way. Despite its size and actual brightness, its location in dusty areas near the galactic equator makes it difficult to observe, leading to the nickname “The Hidden Galaxy”, though it can readily be detected even with binoculars. If the galaxy were not obscured, it would be visible by naked eye. The dust makes it difficult to determine its precise distance; modern estimates range from about 7 Mly to about 11 Mly. The galaxy was discovered by William Frederick Denning in 1892. It is one of the brightest in the IC 342/Maffei Group, one of the closest galaxy groups to the Local Group. Edwin Hubble first thought it to be in the Local Group, but it was later determined not to be a member.

In 1935, Harlow Shapley found that it was wider than the full moon, and by angular size the third-largest spiral galaxy then known, smaller only than the Andromeda Galaxy (M31) and the Triangulum Galaxy (M33). (Modern estimates are more conservative, giving the apparent size as one-half to two-thirds the diameter of the full moon).

John Charles Julian Lennon (born 8 April 1963) is an English singer, musician and photographer, best known as the son of The Beatles member John Lennon and his first wife Cynthia.

He was the direct inspiration for three Beatles’ songs: “Lucy in the Sky with Diamonds” (1967), “Hey Jude” (1968), and “Good Night” (1968). His parents divorced in 1968.

He has produced a number of albums starting with Valotte (1984), as well as a documentary film WhaleDreamers on an environmental theme. Lennon has also held exhibitions of his photography.

Santiago Jiménez Jr. (aka Santiago Henriquez Jiménez) (born April 8, 1944) is a folk musician who has won a National Heritage Fellowship in 2000 for lifetime achievement in traditional Tex-Mex/folk music, and a National Medal of Arts in 2016. He has been nominated for three Grammys.

His father, Santiago “Flaco” Jiménez Sr. was a pioneer of conjunto music and pioneered the use of stringed base (tololoche) in his work. His older brother Leonardo “Flaco” Jiménez is considered by many the greatest and most famous Tejano accordionist ever. Santiago recorded his first album with his brother Flaco at age 17. Unlike Flaco, who is noted for mixing his music with many styles outside the Tejano mainstream, Santiago has emulated his father and stuck with the formulas of accordion, guitar, and vocals.

Santiago has recorded over 700 songs on numerous labels. He also founded his own label, Chief Records. Santiago has performed on multiple continents and at many festivals. In 2012, Santiago and Flaco played together at the Tejano Conjunto Festival in San Antonio, the first time they were on the same stage since 1982.

President Obama awarded Santiago a 2015 National Medal of Arts on September 22, 2016 for his contribution to American music.

Paul Jeffrey (April 8, 1933 – March 20, 2015) was an American jazz tenor saxophonist, arranger, and educator. He was a member of Thelonious Monk‘s regular group from 1970–1975, and also worked extensively with other musicians such as Charles Mingus, Dizzy Gillespie, Clark Terry, Lionel Hampton and B.B. King.

Born in New York City, Jeffrey attended Kingston High School. After graduating in 1951, he completed a Bachelor of Science degree in music education at Ithaca College in 1955. He spent the late 1950s touring with bands led by Illinois Jacquet, Elmo Hope, Big Maybelle, and Wynonie Harris. From 1960 to 1961, Jeffrey toured the US with B.B. King, after which he worked as a freelance musician in the New York City area and toured with bands led by Howard McGhee, Clark Terry, and Dizzy Gillespie.

Jeffrey’s first studio work as a leader was in 1968, when he recorded the album Electrifying Sounds for Savoy Records. He toured with the Count Basie Orchestra before beginning his associations with Thelonious Monk and Charles Mingus. He first joined Monk’s quartet for a multi-day run at the Frog & Nightgown club in Raleigh, North Carolina, in May 1970.

Jeffrey performed as a regular member of Monk’s band throughout the remainder of Monk’s public career, appearing with Monk throughout the US and Japan at the Village Vanguard, Lincoln Center’s Philharmonic Hall, the Jazz Workshop, Shelly’s Manne-Hole, and The Cellar Door, among other venues. He was hired by George Wein to organize a 15-piece band for a tribute concert to Monk at Carnegie Hall in 1974; a concert at which Monk made a surprise appearance, replacing Barry Harris on the piano just as the concert was starting.

https://www.youtube.com/watch?v=SbbG23uOnlY&list=RDb8ZUvLxo_dw&index=2

Carmen Mercedes McRae (April 8, 1922 – November 10, 1994) was an American jazz singer. She is considered one of the most influential jazz vocalists of the 20th century and is remembered for her behind-the-beat phrasing and ironic interpretation of lyrics. McRae was inspired by Billie Holiday, but she established her own voice. She recorded over sixty albums and performed worldwide.

McRae was born in Harlem, New York City, United States. Her father, Osmond, and mother, Evadne McRae, were immigrants from Jamaica. She began studying piano when she was eight, and the music of jazz greats such as Louis Armstrong and Duke Ellington filled her home. When she was 17 years old, she met singer Billie Holiday. As a teenager McRae came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings. One of McRae’s early songs, “Dream of Life”, was, through their influence, recorded in 1939 by Wilson’s long-time collaborator Billie Holiday.McRae considered Holiday to be her primary influence. She was a lifelong active Democrat.

In her late teens and early twenties, McRae played piano at a New York City club called Minton’s Playhouse, Harlem’s most famous jazz club, sang as a chorus girl, and worked as a secretary. It was at Minton’s where she met trumpeter Dizzy Gillespie, bassist Oscar Pettiford, and drummer Kenny Clarke, had her first important job as a pianist with Benny Carter’s big band (1944), worked with Count Basie (1944) and under the name “Carmen Clarke” (having married Kenny Clarke)^[4] made her first recording as pianist with the Mercer Ellington Band (1946–47). But it was while working in Brooklyn that she came to the attention of Decca’s Milt Gabler. Her five-year association with Decca yielded 12 LPs.

https://www.youtube.com/watch?v=fH4R5W4CndE

This new image from the NASA/ESA Hubble Space Telescope captures two galaxies of equal size in a collision that appears to resemble a ghostly face. This observation was made on 19 June 2019 in visible light by the telescope’s Advanced Camera for Surveys.

Residing 704 million light-years from Earth, this system is catalogued as Arp-Madore 2026-424 (AM 2026-424) in the Arp-Madore “Catalogue of Southern Peculiar Galaxies and Associations”.

Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bopstyles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.

Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollins, Slide Hampton, Eric Dolphy, J. J. Johnson, and Quincy Jones. On 19 June 1960 Hubbard made his first record as a leader, Open Sesame at the beginning of his contract with Blue Note Records, with saxophonist Tina Brooks, pianist McCoy Tyner, bassist Sam Jones, and drummer Clifford Jarvis. Six days later he returned the favor to Brooks and recorded with him on True Blue.

Ramón “Mongo” Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a rumba quinto player and an Afro-Cuban Latin jazz percussionist. In 1950 he moved to New York City where he played with Perez Prado, Tito Puente, Cal Tjader, and the Fania All Stars. He was an integral figure in the fusion of Afro-Cuban rhythms with R&B and soul, paving the way for the boogaloo era of the late 1960s. His 1963 rendition of Herbie Hancock‘s “Watermelon Man” (recorded on December 17, 1962) was inducted into the Grammy Hall of Fame in 1998.

Santamaría was one of a group of Cuban congueros (“conga players”) who came to the United States in the 1940s and 1950s with Armando Peraza, Chano Pozo, Francisco Aguabella, Julito Collazo, Carlos Vidal Bolado, and Modesto Durán.

Santamaría learned rumba as a kid in the streets of Havana’s Jesús María barrio. He reminisced: “In the neighborhood where I came from we had all kinds of music, mostly from Africa. We did not leave it alone; we changed it our way. The music we made dealt with religion and conversation. The drum was our tool and we used it for everything” (1979: 19). Gerard points out: “Santamaría, like other drummers of his generation, learned music in the streets by observing different drummers. When he started playing professionally, he learned on the job. His approach was utilitarian, not theoretical” (2001: 29). Santamaría was mentored on bongos and rumba quinto by Clemente “Chicho” Piquero, who played in Beny Moré’s band. He recalled: “I would go with Chicho and play the tumbadora and also the [quinto]. I would play everything because I learned a lot from Chicho—because he could play everything”.