mick laBriola

Carol Kaye (nee Smith, born March 24, 1935) is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 50 years.

Kaye began playing guitar in her early teens and after some time as a guitar teacher, began to perform regularly on the Los Angeles jazz and big band circuit. She started session work in 1957, and through a connection at Gold Star Studios began working for producers Phil Spector and Brian Wilson. After a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s, playing on numerous hits. She moved into playing on film soundtracks in the late 1960s, particularly for Quincy Jonesand Lalo Schifrin, and began to release a series of tutoring books such as How To Play The Electric Bass. Kaye became less active towards the end of the 1970s, but has continued her career and attracted praise from other musicians.

During the peak of her years of session work, she became part of a stable of Los Angeles-based musicians which went by a variety of informal names, but has since become known as “The Wrecking Crew“. Her work with the group led to her prominent role in the eponymous 2008 documentary film.

Kaye was born in Everett, Washington, to professional musicians Clyde and Dot Smith. Her father was a jazz trombonist who played in big bands. In 1942, he sold a piano in order to finance a move to Wilmington, California.

Steve Kuhn (born March 24, 1938) is an American jazz pianist, composer, arranger, bandleader, and educator.

Kuhn was born on March 24, 1938, in Brooklyn, New York City. He began studying piano at the age of five and studied under Boston piano teacher Margaret Chaloff, mother of jazz baritone saxophonist Serge Chaloff, who taught him the “Russian style” of piano playing. At an early age he began improvising classical music. As a teenager he appeared in jazz clubs in the Boston area with Coleman Hawkins, Vic Dickenson, Chet Baker, and Serge Chaloff.

After graduating from Harvard, he attended the Lenox School of Music where he was associated with Ornette Coleman, Don Cherry, and Gary McFarland. The school’s faculty included Bill Evans, George Russell, Gunther Schuller, and the members of the Modern Jazz Quartet. This allowed Kuhn to play, study, and create with some of the most forward-thinking innovators of jazz improvisation and composition; it culminated with his joining trumpeter Kenny Dorham‘s group for an extended time and (briefly) John Coltrane‘s quartet at New York’s Jazz Gallery club.

Kuhn also has appeared with Stan Getz, Art Farmer, Oliver Nelson, Gary McFarland, Ron Carter, Scott LaFaro, Harvie Swartz, vocalist Shelia Jordan, Billy Drummond, David Finck, and Miroslav Vitous. From 1967 to 1971 Kuhn moved to Stockholm, Sweden where he worked with his own trio throughout Europe. In 1971 Kuhn moved back to New York City and formed a quartet but continued doing European gigs and appearing at the Newport Jazz Festival.

If you stare at an interesting patch of sky long enough, will it look different? In the case of Pleiades and Hyades star clusters — and surrounding regions — the answer is: yes, pretty different. Long duration camera exposures reveal an intricate network of interwoven interstellar dust and gas that was previously invisible not only to the eye but to lower exposure images. In the featured wide and deep mosaic, the dust stands out spectacularly, with the familiar Pleaides star cluster visible as the blue patch near the top of the image. Blue is the color of the Pleiades’ most massive stars, whose distinctive light reflects from nearby fine dust. On the upper left is the Hyades star cluster surrounding the bright, orange, foreground-star Aldebaran. Red glowing emission nebula highlight the bottom of the image, including the curving vertical red ribbon known as the Eridanus Loop. The pervasive dust clouds appear typically in light brown and are dotted with unrelated stars.

The cluster is dominated by hot blue and luminous stars that have formed within the last 100 million years. Reflection nebulae around the brightest stars were once thought to be left over material from the formation of the cluster, but are now considered likely to be an unrelated dust cloud in the interstellar medium through which the stars are currently passing.

Computer simulations have shown that the Pleiades were probably formed from a compact configuration that resembled the Orion Nebula.Astronomers estimate that the cluster will survive for about another 250 million years, after which it will disperse due to gravitational interactions with its galactic neighborhood.

Yvette Marie Stevens (born March 23, 1953), better known by her stage name Chaka Khan, is an American singer and songwriter. Her career has spanned nearly five decades, beginning in the 1970s as the lead vocalist of the funk band Rufus. Khan received public attention for her vocals and image. Known as the “Queen of Funk”, Khan was the first R&B artist to have a crossover hit featuring a rapper, with “I Feel for You” in 1984. Khan has won ten Grammy Awards and has sold an estimated 70 million records worldwide.

In the course of her solo career, Khan has achieved three gold singles, three gold albums and one platinum album with I Feel for You. With Rufus, she achieved four gold singles, four gold albums, and two platinum albums. She has collaborated with Ry Cooder, Robert Palmer, Ray Charles, Quincy Jones, Guru, Chicago, De la Soul, Mary J. Blige, among others. In December 2016, Billboard magazine ranked her as the 65th most successful dance artist of all time. She was ranked at number 17 in VH1‘s original list of the 100 Greatest Women of Rock & Roll. She has been nominated for induction into the Rock and Roll Hall of Fame twice; she was first nominated as member of Rufus in 2011.

Chaka Khan was born Yvette Marie Stevens on March 23, 1953 into an artistic, bohemian household in Chicago, Illinois. The eldest of five children born to Charles Stevens and Sandra Coleman, she has described her father as a beatnik and her mother as “able to do anything.”

Iverson Minter (March 23, 1932 – February 25, 2012), known as Louisiana Red, was an American blues guitarist, harmonica player, and singer, who recorded more than 50 albums. He was best known for his song Sweet Blood Call.

Born in Bessemer, Alabama, Minter lost his parents early in life; his mother died of pneumonia shortly after his birth, and his father was lynched by the Ku Klux Klan in 1937. He was brought up by a series of relatives in various towns and cities. Red recorded for Chess in 1949, before joining the Army. He was trained as a parachutist with the 82nd Airborne and was sent to Korea in 1951. The 82nd Airborne was not deployed as a complete unit in Korea, but soldiers from this unit were dispatched as Rangers in the 2nd, 3rd and 7th Infantry Divisions. Minter said he was assigned to the 3rd Infantry Division.

After leaving the Army, he played with John Lee Hooker in Detroit for two years in the late 1950s. He recorded for Checker Records in 1952, billed as Rocky Fuller.

His first album, Lowdown Back Porch Blues, was recorded in New York with Tommy Tucker and released in 1963. His second album, Seventh Son, was released later the same year. Louisiana Red released the single “I’m Too Poor to Die” for the Glover label in 1964. It peaked at number 117 on the Billboard Hot 100 and number 30 on the Cashbox chart. (Billboard did not publish an R&B chart in 1964.)

He maintained a busy recording and performing schedule through the 1960s and 1970s, working in sessions for Chess, Checker, Atlas, Glover, Roulette, L&R and Tomato, amongst others. In 1983 he won a W. C. Handy Award for Best Traditional Blues Male Artist. He lived in Hanover, Germany, from 1981.

Granville Henry “Sticks” McGhee (March 23, 1918 – August 15, 1961) was an African-American jump blues guitarist, singer and songwriter, best known for his blues song “Drinkin’ Wine, Spo-Dee-O-Dee”, which he wrote with J. Mayo Williams.

McGhee was born in Knoxville, Tennessee, and grew up in Kingsport, Tennessee. He received his nickname when he was a child. He used a stick to push a wagon carrying his older brother Brownie McGhee, who had contracted polio. Granville began playing the guitar when he was thirteen years old. After his freshman year he dropped out of high school and worked with his father at the Eastman Kodak subsidiary, Tennessee Eastman Company in Kingsport. In 1940 Granville quit his job and moved to Portsmouth, Virginia, and then to New York City. He entered the military in 1942 and served in the U.S. Army during World War II. After being discharged in 1946, he settled in New York.

The spiral galaxy NGC 3627 is located about 30 million light years from Earth. This composite image includes X-ray data from NASA’s Chandra X-ray Observatory (blue), infrared data from the Spitzer Space Telescope (red), and optical data from the Hubble Space Telescope and the Very Large Telescope (yellow). The inset shows the central region, which contains a bright X-ray source that is likely powered by material falling onto a supermassive black hole.

A search using archival data from previous Chandra observations of a sample of 62 nearby galaxies has shown that 37 of the galaxies, including NGC 3627, contain X-ray sources in their centers. Most of these sources are likely powered by central supermassive black holes. The survey, which also used data from the Spitzer Infrared Nearby Galaxy Survey, found that seven of the 37 sources are new supermassive black hole candidates.

Confirming previous Chandra results, this study finds the fraction of galaxies found to be hosting supermassive black holes is much higher than found with optical searches. This shows the ability of X-ray observations to find black holes in galaxies where relatively low-level black hole activity has either been hidden by obscuring material or washed out by the bright optical light of the galaxy.

The combined X-ray and infrared data suggest that the nuclear activity in a galaxy is not necessarily related to the amount of star-formation in the galaxy, contrary to some early claims. In contrast, these new results suggest that the mass of the supermassive black hole and the rate at which the black hole accretes matter are both greater for galaxies with greater total masses.

George Benson (born March 22, 1943) is an American guitarist, singer, and songwriter. He began his professional career at the age of 21 as a jazzguitarist. Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt.

A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others. He then launched a successful solo career, alternating between jazz, pop, R&B singing, and scat singing. His album Breezin’ was certified triple-platinum, hitting no. 1 on the Billboardalbum chart in 1976. His concerts were well attended through the 1980s, and he still has a large following. Benson has been honored with a staron the Hollywood Walk of Fame.

Benson was born and raised in the Hill District in Pittsburgh, Pennsylvania. At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday nights, but the police soon closed the club down. At the age of 9, he started to record. Out of the four sides he cut, two were released: “She Makes Me Mad” backed with “It Should Have Been Me”, with RCA-Victor in New York; although one source indicates this record was released under the name “Little Georgie”, the 45rpm label is printed with the name George Benson. The single was produced by Leroy Kirkland for RCA’s rhythm and blues label, Groove Records.

Weldon H. Philip Bonner, better known as Juke Boy Bonner (March 22, 1932 – June 29, 1978) was an American blues singer, harmonica player, and guitarist. He was influenced by Lightnin’ Hopkins, Jimmy Reed, and Slim Harpo. He accompanied himself on guitar, harmonica, and drums in songs such as “Going Back to the Country”, “Life Is a Nightmare”, and “Struggle Here in Houston”.

Born in Bellville, Texas, Bonner was one of nine children; his parents died when he was very young. Raised by a neighbor’s family, he moved in with his older sister in 1945. At the age of twelve he taught himself to play the guitar. He gained the nickname “Juke Boy” as a youth, because he frequently sang in local juke joints. Starting a musical career as teenager, he won the first prize at local disc jockey Trummie Cain’s weekly talent show at the Lincoln Theater in Houston, Texas in 1948. Through this he secured a 15-minute radio slot on a show operated by the record retailer Henry Atlas. After having three children with his wife, she left him to look after the children by himself. Between 1954 and 1957, he recorded several singles for the Irma record label, based in Oakland, California, but not all were released at the time. In 1960 he recorded again, for Goldband Records, Storyville Records, and Jan & Dill Records.

Fred Anderson (March 22, 1929 – June 24, 2010) was an American jazz tenor saxophonist who was based in Chicago, Illinois. Anderson’s playing was rooted in the swing music and hard bop idioms, but he also incorporated innovations from free jazz, rendering him, as critics Ron Wynn and Joslyn Layne have written, “a seminal figure among Chicago musicians in the ’60s.”

Anderson was born Monroe, Louisiana. He grew up in the Southern United States and learned to play the saxophone by himself when he was a teenager. Anderson moved his family to Evanston, Illinois in the 1940s. He studied music formally at the Roy Knapp Conservatory in Chicago, and had a private teacher for a short time. Fred worked installing carpet for decades to sustain his music and his family, before opening up a succession of important Chicago nightclubs. Despite Anderson’s prominence as an avant-garde musician, his guiding inspiration was Charlie Parker, portraits of whom are prominently displayed at Anderson’s club, the Velvet Lounge.

Comet ATLAS C/2019 Y4 was discovered by the NASA funded Asteroid Terrestrial-impact Last Alert System, the last comet discovery reported in 2019. Now growing brighter in northern night skies, the comet’s pretty greenish coma is at the upper left of this telescopic skyview captured from a remotely operated observatory in New Mexico on March 18. At lower right are M81 and M82, well-known as large, gravitationally interacting galaxies. Seen through faint dust clouds above the Milky Way, the galaxy pair lies about 12 million light-years distant, toward the constellation Ursa Major. In bound Comet ATLAS is about 9 light-minutes from Earth, still beyond the orbit of Mars. The comet’s elongated orbit is similar to orbit of the Great Comet of 1844 though, a trajectory that will return this comet to the inner Solar System in about 6,000 years. Comet ATLAS will reach a perihelion or closest approach to the Sun on May 31 inside the orbit of Mercury and may become a naked-eye comet in the coming days.

David Perry Lindley (born March 21, 1944) is an US-American musician who founded the band El Rayo-X, and who has worked with many other performers including Jackson Browne, Warren Zevon, Curtis Mayfield and Dolly Parton. He has mastered such a wide variety of instruments that Acoustic Guitar magazine referred to Lindley not as a multi-instrumentalist, but instead as a “maxi-instrumentalist.” The majority of the instruments that Lindley plays are string instruments, including the acoustic and electric guitar, upright and electric bass, banjo, lap steel guitar, mandolin, hardingfele, bouzouki, cittern, bağlama, gumbus, charango, cümbüş, oud, and zither. Lindley was a founding member of the 1960s band Kaleidoscope, and has worked as musical director for several touring artists. In addition, he has occasionally scored and composed music for film.

As a teenager, Lindley took to playing the banjo and the fiddle. By his late teens, he was acknowledged as an award-winning player, having won the Topanga Banjo•Fiddle Contest five times. From 1966 to 1970, Lindley was a founding member of the all-styles psychedelic band Kaleidoscopewhich released four albums on Epic Records during that period.

After Kaleidoscope broke up, he went to England and played in Terry Reid‘s band for a couple years. In 1972, he teamed up with Jackson Browne, and played in his band through 1980. During the 1970s, he also toured as a member of the bands of Crosby–Nash, Linda Ronstadt and James Taylor.

In 1981, Lindley formed his own band, El Rayo-X. Jackson Browne produced their first album. Their last show before breaking up was December 31, 1989. Since that time, he has toured as a solo artist, and as half of a duo, first with Hani Naser, then with Wally Ingram. He also played on a multitude of studio sessions. Between his work in the studio as a session musician or on tour as a sideman or bandleader, Lindley has worked on learning new instruments. He is famous for having written the only song glorifying (a brand of) condoms, “Ram-a-Lamb-a-Man,” from his album “Win this Record!

Otis Spann (March 21, 1924 or 1930 – April 24, 1970) was an American blues musician, whom many consider to be the leading postwar Chicago blues pianist.

Sources differ over Spann’s early years. Many sources state that he was born in Jackson, Mississippi, in 1930, but the researchers Bob Eagle and Eric LeBlanc concluded, on the basis of census records and other official information, that he was born in 1924 in Belzoni, Mississippi.

By the age of 14, he was playing in bands in the Jackson area. He moved to Chicago in 1946, where he was mentored by Big Maceo Merriweather. Spann performed as a solo act and with the guitarist Morris Pejoe, working a regular spot at the Tic Toc Lounge. Spann became known for his distinctive piano style. He replaced Merriweather as Muddy Waters’s piano player in late 1952 and participated in his first recording session with the band on September 24, 1953. He continued to record as a solo artist and session player with other musicians, including Bo Diddley and Howlin’ Wolf, during his tenure with the group. He stayed with Muddy Waters until 1968.

Manolis Chiotis (Greek: Μανώλης Χιώτης; March 21, 1920, Thessaloniki – March 21, 1970, Athens) was a Greek rebetiko and laiko composer, singer, and bouzouki player. He is considered one of the greatest bouzouki soloists of all time. He popularised the four-course bouzouki (tetrachordo) and introduced the guitar-like tuning, who found it better suited to the kind of virtuoso playing he was famous for.

Chiotis had other successes. In the summer of 1961, he played for Aristotle Onassis and Maria Callas, Prince Rainier III of Monaco and Grace Kelly. Journalist Dimitris Liberopoulos, Onassis’ biographer, writes in his book that when the two couples joined one of Chiotis’ shows in Athens, they asked to meet him in person to congratulate him.

Callas told Chiotis that she had been translating the lyrics of his songs to Princess Grace all night long and the American actress loved them because “she is a woman in love.” At that moment, Kelly asked Chiotis what the difference between a bouzouki and an electric guitar is. Chiotis’ answer was rather unexpected; “Mrs. Callas, please explain to Princess Grace that the strings of an electric guitar vibrate due to electricity, while the strings of a bouzouki vibrate through the heart.”