mick laBriola

Lincoln Barrington “Sugar” Minott (25 May 1956 – 10 July 2010) was a Jamaican reggae and dancehall singer, record producer and sound-system operator.

After working as a selector on the Sound of Silence Keystone sound system, and then his own Gathering of Youth system, he began his singing career as part of The African Brothers in 1969, along with Tony Tuff and Derrick Howard. The group released several singles in the first half of the 1970s on labels such as Micron and their own Ital label, and were an early example of the Rastafari movement‘s influence on the Jamaican music scene, taking a clear lead from The Abyssinians. After recording “Mysterious Nature” for producer Rupie Edwards, the group recorded 1974’s “No Cup No Broke” for Studio One, breaking up shortly after. Minott then teamed up with the producer Clement “Coxsone” Dodd, as studio apprentice at Dodd’s Studio One, working as a singer, guitarist and percussionist, and soon began recording his own singles. Minott developed a talent for writing new songs to fit over existing rhythms (which at the time was common when singers performed live, but rare in the studio), often proving more popular than the original songs, pioneering an approach that would be central to the emerging dancehallstyle.

Wallace Roney (May 25, 1960 – March 31, 2020) was an American jazz (hard bop and post-bop) trumpeter. He has won 1 Grammy award and has two nominations.

Roney took lessons from Clark Terry and Dizzy Gillespie and studied with Miles Davis from 1985 until the latter’s death in 1991. Wallace credited Davis as having helped to challenge and shape his creative approach to life as well as being his music instructor, mentor, and friend; he was the only trumpet player Davis personally mentored.

Roney was born in Philadelphia. He attended Howard Universityand Berklee College of Music in Boston, Massachusetts, after graduating from the Duke Ellington School of the Arts of the D. C. Public Schools, where he studied trumpet with Langston Fitzgerald of the Baltimore Symphony Orchestra. Found to have perfect pitch at the age of four, Wallace began his musical and trumpet studies at Philadelphia’s Settlement School of Music. Wallace Roney died at the age of 59 on March 31, 2020, at St. Joseph’s University Medical Center in Paterson, New Jersey. The cause was complications arising from COVID-19

Norman Gary Foster (born May 25, 1936) is an American musician who plays saxophone, clarinet, and flute. He is considered a crossover artist, performing jazz, pop, and classical music. He has been prominent in the film, television, and music industries for five decades, having performed on over 500 movie scores and with over 200 orchestras.

He has recorded on numerous Grammy, Academy Award, Emmy, and Golden Globe winning media and soundtracks for artists and composers such as Carol Burnett, Bob Dylan, Barbra Streisand, Mel Torme, Toshiko Akiyoshi, Frank Sinatra, Pat Williams, John Williams, Natalie Cole, Jerry Fielding, Cal Tjader, Marty Paich, and Michael Bublé.

Foster received the Most Valuable Player Award for woodwind doubling from The Recording Academy.

Marshall Belford Allen (born May 25, 1924) is an American free jazz and avant-garde jazz alto saxophone player. He also performs on flute, oboe, piccolo, and the electronic EWI.

Allen is best known for his work with Sun Ra, having recorded and performed mostly in this context since the late 1950s, and having led The Sun Ra Arkestra since 1995, after Sun Ra’s death in 1993 and John Gilmore‘s death two years later. Critic Jason Ankeny describes Marshall as “one of the most distinctive and original saxophonists of the postwar era.”

Marshall Belford Allen was born in Louisville, Kentucky, United States.

During the Second World War he enlisted in the 92nd Infantry Division and was stationed in France. Allen studied alto saxophone in Paris.

Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra.

Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilsonsextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter.

Friday May 24th 2024 6pm. Music with Inbal Sharret Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick laBriola.

Cecil Bustamente Campbell OD (24 May 1938 – 8 September 2016), known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists. Campbell became more actively involved in the operational side of running a sound system after he was introduced to Clement ‘Coxsone’ Dodd, a musically inclined businessman who operated one of Kingston’s most popular sound systems. Campbell found himself fulfilling a variety of roles for Coxsone: providing security, handling ticket receipts, identifying and sourcing music as well as working in the essential role of selector. The knowledge he gained about the financial and logistical aspects of staging a sound system dance was put to good use when Campbell made the decision to start his own sound system called ‘Voice of the People’. Campbell approached his family and a radio shop owner called Mr Wong for financial backing; both parties agreed. Campbell’s ‘Voice of the People’ sound system was soon operational and within a short time had established itself as a rival to the sound systems of Coxsone and Duke Reid. Campbell applied to the Farm Work Program (guest worker scheme for the US agricultural sector) with the intention of buying music for his sound system but, on the day of departure, was refused entry into the scheme. Knowing that he would not be able to personally source records from the US, Campbell decided to record his own music. He approached Arkland “Drumbago” Parks, a professional drummer at the Baby Grand Club who had arranged and recorded a special (exclusive recording) for the Count Boysie sound system. Drumbago agreed to help and Campbell immediately began rehearsing with the musicians at the Baby Grand Club, including the guitarist Jah Jerry, who played on Campbell’s first recording session.

Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.

Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He began playing banjo with his father, then studied piano and saxophone while attending high school in Germantown. He studied drama at Goddard College from 1955 to 1959.

He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp’s first recording under his own name, Archie Shepp – Bill Dixon Quartet, was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. In 1962, he performed with Dixon at the 8th World Festival of Youth and Students in Helsinki, Finland. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane‘s admiration for Shepp led to recordings for Impulse! Records, the first of which was Four for Trane in 1964, an album of mainly Coltrane compositions on which he was joined by Tchicai, trombonist Roswell Rudd, trumpeter Alan Shorter, bassist Reggie Workman and drummer Charles Moffett.