mick laBriola

Delfeayo Marsalis born July 28, 1965 NOLA) is an American jazztrombonist, record producer and educator.

(July 28, 1930 – January 17, 1998 Hudsonville, MI) was an American blues musician. His best-known works are “Keep Your Hands off Her” and “All Night Long”. In 2023, he was inducted in the Blues Hall of Fame.

Carmen Dragon (July 28, 1914 – March 28, 1984 Antioch, CA) was an American conductor, composer, and arranger who in addition to live performances and recording, worked in radio, film, and television.

Michael Bernard Bloomfield (July 28, 1943 – February 15, 1981) was an American blues guitarist and composer. Born in Chicago, he became one of the first popular music stars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago’s blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan’s Highway 61 Revisited, including the single “Like a Rolling Stone“, and performed with Dylan at that year’s Newport Folk Festival. Bloomfield died in San Francisco on February 15, 1981. He was found seated behind the wheel of his car, with all four doors locked. According to police, an empty Valiumbottle was found on the car seat, but no suicide note was found. The medical examiner who performed the autopsy ruled the death accidental overdose, due to cocaine and methamphetamine poisoning.Bloomfield’s last album, Cruisin’ for a Bruisin’, was released the day his death was announced. His remains are interred in a crypt at Hillside Memorial Park Cemetery, in Culver City, near Los Angeles.

 Moses Rascoe (27 July 1917 – 6 March 1994) was an American blues singer and guitarist.Moses Lee Rascoe was born in Windsor, North Carolina. His father played harmonica and his mother piano. He got his first guitar 13 first playing the streets and then juke joints. He hoboed around the South and moved to York, Pennsylvania in 1940. 

Incredibly it wasn’t until some 50-odd years later that he turned professional. In between, he traveled the roads as a day labourer and truck driver, playing guitar only for “a dollar or a drink,” as he told Jack Roberts in Living Blues.

For most of his life making a living at music was the furthest from his mind. “I heard tell of so many people that had got beat out of their money” Roscoe explained, “that I said forget it. They were’nt going to beat me out of anything”.  

But he’d picked up plenty of songs over the years, from old Brownie McGhee Piedmont blues to Jimmy Reed’s ’50s jukebox hits, and when he retired from trucking for the Allied Van Lines at the age of 65, he gave his music a shot. With a mellow baritone voice and finger picking his 6- and 12-string guitars, Rascoe told simple stories in the blues and gospel tradition.

The local folk-music community took notice, as did blues and folk festivals from Chicago to Europe. Rascoe recorded his only album live at Godfrey Daniels, a Pennsylvania coffeehouse, in 1987 which was produced by Radio DJ Gene Shay for Flying Fish records. After which he was in demand, appearing at the Newport Folk Festival and the Chicago Blues Festival.

He continued performing up until he died at the Vetrans Administration Medical Cenrer, Lebanon, Pennsylvania on 6 March 1994. He was buried at Indiantown Gap National Cemetery, Annville.

Jean Toussaint (born July 27, 1960) is an American jazz tenor and soprano saxophonist.

Toussaint was born in Aruba, Dutch Antilles, and was raised in Saint Thomas and New York City. He learned to play calypso as a child and attended Berklee College of Music in the late 1970s, studying under Bill Pierce (saxophonist). In 1979 he formed a group with Wallace Roney and from 1982 to 1986 was a member of Art Blakey and the Jazz Messengers alongside Terence Blanchard, Donald Harrison, Mulgrew Miller and Lonnie Plaxico. With Blakey he recorded three studio albums, including New York Scene, which won a Grammy for Best Jazz Instrumental Performance.

Patti Bown (July 26, 1931, Seattle, Washington – March 21, 2008, Media, Pennsylvania) was an American jazz pianist, composer, and singer.

Bown was born in Seattle, the daughter of Augustus Bown and Edith Ruth Cahill Brown. She began playing piano at age two. Her sister Edith Bown Valentine was a classical pianist; another sister, Millie Bown Russell, became known for her work on diversity in STEM education.

Bown studied piano while attending the University in Seattle on a music scholarship. She played in local orchestras toward the end of the 1940s. From 1956, she worked as a soloist in New York City, playing early on in sessions with Billy Eckstine and Jimmy Rushing. She released an album under her own name, Patti Bown Plays Big Piano, in 1958 for the Columbia label. The next year she was invited by Quincy Jones to join an orchestra for the European tour of the musical Free and Easy. While there she also played with Bill Coleman in Paris. In the 1960s, she recorded with Gene Ammons, Oliver Nelson, Cal Massey, Duke Ellington, Roland Kirk, George Russell, and Harry Sweets Edison. Her musical compositions were recorded by Sarah Vaughan, Benny Golson, and Duke Ellington. She also recorded with soul musicians such as Aretha Franklin and James Brown. Between 1962 and 1964, she served as the musical director for the bands accompanying Dinah Washington and Sarah Vaughan.

In the 1970s, Bown worked as a pianist in orchestras on Broadway and composed for film and television. She played regularly at the Village Gate nightclub for many years and lived in Greenwich Village for the last 37 years of her life.

“Rondeña” belong to Malaga’s singing group. “Rondeña” existed before flamenco, joining it in the 19th century. Its origin is in “fandango” from Malaga, more specifically in ” bandolás”. Some authors suggest that this name comes from the nightly rounds. Other authors believe that it comes from the city of Ronda, as “rodeña” was originated in the homonymous mountains.

“Rondeña” has greatly extended through Andalusia during the 19th century. “Rondeña” singing has evolved in recent times with with a decrease in melismatic ornamentation. Its composition ad libitum (without “compas”). Lyrics are related to countryside life. Its structure is a couplet of four eight-syllable verses, usually consonant rhyme. They normally turn into five by repetition of the second one, but also without repetition. Dance displays a rhythm of wild abandon. Others have used the rhythm of the “taranto“, which has many similarities but, being rondeña, more open and evocative.

Among its higher representers we can find: Miguel Borrul senior and Ramón Montoya, the first one to ennoble the genre. In the 20th century, we can highlight singers as “Fosforito”, Antonio de Canillas, Alfredo Arrevola, Juan de la Loma, Jacinto Almaden “EL Gallina”, Antonio Ranchal, Enrique Orozco, Candido de Malaga and Jose Menese. At the guitar, Manolo Sanlúcar.