mick laBriola

When astronomers explore the contents and constituent parts of a galaxy somewhere in the Universe, they use various techniques and tools. One of these is to spread out the incoming light from that galaxy into a spectrum and explore its properties. This is done in much the same way as a glass prism spreads white light into its constituent wavelengths to create a rainbow. By hunting for specific signs of emission from various elements within a galaxy’s spectrum of light — so-called emission lines — or, conversely, the signs of  absorption from other elements — so-called absorption lines — astronomers can start to deduce what might be happening within.

If a galaxy’s spectrum shows many absorption lines and few emission lines, this suggests that its star-forming material has been depleted and that its stars are mainly old, while the opposite suggests it might be bursting with star formation and energetic stellar newborns. This technique known as spectroscopy, can tell us about a galaxy’s type and composition, the density and temperature of any emitting gas, the star formation rate, or how massive the galaxy’s central black hole might be.

While not all galaxies display strong emission lines, NGC 3749 does! It lies over 135 million light-years away, and is moderately luminous. The galaxy has been used a “control” in studies of especially active and luminous galaxies — those with centres known as active galactic nuclei, which emit copious amounts of intense radiation. In comparison to these active cousins, NGC 3749 is classified as inactive, and has no known signs of nuclear activity.

Herman “Junior” Parker (March 27, 1932 – November 18, 1971) was an American Memphis blues singer and musician. He is best remembered for his voice which has been described as “honeyed” and “velvet-smooth”. One music journalist noted, “For years Junior Parker deserted downhome harmonica blues for uptown blues-soul music”. In 2001, he was inducted into the Blues Hall of Fame. Parker is also inducted into the Mississippi Musicians Hall of Fame.

There is some disagreement over the details of Parker’s birth, but most reliable sources now indicate that he was born in March 1932 at Eastover Plantation near Bobo, Coahoma County, Mississippi. He moved with his mother to West Memphis, Arkansas, during the 1940s. Other birth dates in 1927 or 1932 have been suggested, and some research suggests that his name at birth was registered as Herbert Parker. He sang in gospel groups as a child and, beginning in his teenage years, played on various blues circuits. His biggest influence as a harmonica player was Sonny Boy Williamson, with whom he worked before moving on to work for Howlin’ Wolf in 1949. Around 1950 he was a member of an ad hoc Memphis group, the Beale Streeters, with Bobby “Blue” Bland and B.B. King.

https://www.youtube.com/watch?v=n-TjTPo0k_Y

Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed “Sassy” and “The Divine One“, she won four Grammy Awards, including the Lifetime Achievement Award. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had “one of the most wondrous voices of the 20th century”. Vaughan’s father, Asbury “Jake” Vaughan, was a carpenter by trade and played guitar and piano. Her mother, Ada Vaughan, was a laundress who sang in the church choir.

Vaughan was frequently accompanied by a friend, Doris Robinson, on her trips into New York City. In the fall of 1942, by which time she was 18 years old, Vaughan suggested that Robinson enter the Apollo Theater Amateur Night contest. Vaughan played piano accompaniment for Robinson, who won second prize. Vaughan later decided to go back and compete as a singer herself. She sang “Body and Soul“, and won—although the date of this victorious performance is uncertain. The prize, as Vaughan recalled to Marian McPartland, was $10 and the promise of a week’s engagement at the Apollo. On November 20, 1942, she returned to the Apollo to open for Ella Fitzgerald.

During her week of performances at the Apollo, Vaughan was introduced to bandleader and pianist Earl Hines, although the details of that introduction are disputed. Billy Eckstine, Hines’ singer at the time, has been credited by Vaughan and others with hearing her at the Apollo and recommending her to Hines. Hines claimed later to have discovered her himself and offered her a job on the spot. After a brief tryout at the Apollo, Hines replaced his female singer with Vaughan on April 4, 1943.

Vaughan spent the remainder of 1943 and part of 1944 touring the country with the Earl Hines big band, which featured Billy Eckstine. She was hired as a pianist so Hines could hire her under the jurisdiction of the musicians’ union (American Federation of Musicians) rather than the singers union (American Guild of Variety Artists). But after Cliff Smalls joined the band as a trombonist and pianist, her duties were limited to singing. The Earl Hines band in this period is remembered as an incubator of bebop, as it included trumpeter Dizzy Gillespie, saxophonist Charlie Parker (playing tenor saxophone rather than alto), and trombonist Bennie Green. Gillespie arranged for the band, although the contemporary recording ban by the musicians’ union meant that no commercial recordings exist.

Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. He is considered one of the three most important “swing tenors” along with Coleman Hawkins and Lester Young. Known affectionately as “The Brute” or “Frog”, he had a tough, raspy, and brutal tone on stomps (with growls), yet on ballads he played with warmth and sentiment. He was indebted to alto saxophonist Johnny Hodges, who, he said, taught him to play his instrument.

Born in Kansas City, Missouri, United States, he studied violin in elementary and taught himself piano with the help of his neighbor Pete Johnson, who taught him the blues. In 1927-1928 he played for silent movies in Kansas City and in Amarillo, Texas.

Kansas City was a melting pot from which emerged some of the biggest names in 1930s jazz. Webster joined Bennie Moten‘s band in 1932, a grouping which also included Count Basie, Hot Lipsand Walter Page. This era was recreated in Robert Altman‘s film Kansas City. Webster spent time with quite a few orchestras in the 1930s, including Andy Kirk, the Fletcher Henderson Orchestra in 1934, then Benny Carter, Willie Bryant, Cab Calloway, and the short-lived Teddy Wilson big band. Ben Webster played with Duke Ellington‘s orchestra for the first time in 1935, and by 1940 was performing with it full-time as the band’s first major tenor soloist. He credited Johnny Hodges, Ellington’s alto soloist, as a major influence on his playing.

Leroy Carr (March 27, 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. He first became famous for “How Long, How Long Blues“, his debut recording released by Vocalion Records in 1928.

Carr was born in Nashville, Tennessee, United States, and raised in Indianapolis, Indiana. His recording career was cut short by his early death, but he produced a large body of work. Some of his most famous songs include “Blues Before Sunrise” (1932), “Midnight Hour Blues” (1932), and “Hurry Down Sunshine” (1934). He had a longtime partnership with the guitarist Scrapper Blackwell. His light bluesy piano combined with Blackwell’s melodic jazz guitar attracted a sophisticated black audience. Carr’s vocal style moved blues singing toward an urban sophistication, influencing such singers as T-Bone Walker, Charles Brown, Amos Milburn, Jimmy Witherspoon, and Ray Charles, among others.

Carr was among the most prolific and popular blues artists between 1928 and 1935. He recorded for Vocalion through to when he signed to Victor‘s Bluebird imprint, where he made his final recordings.

Guajira (Flamenco) is a palo based on the Cuban Punto Guajira Cubana. It is in 12 beats and feels like it starts on 12. Guajíras is a prime example of so-called Cantes de Ida y Vuelta. The flamenco guajira is the adaptation to Melos flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba. Guajíras is simply a song for voice and guitar with a series of similar letras.

The Guajíras is traditionally a woman’s dance. The dancer will often use a large Spanish fan. The fan is twirled and otherwise manipulated throughout the dance, adding an elegant and flirtatious air. Like all flamenco Palos, the Guajíras has a clear structure and consists of beginning, middle and end. The Guajiras usually begin with an introductory section (falseta) by the guitar which is based on the basic Guajiras harmony. The guitar resolves into the characteristic Guajíras chord pattern, over which the singer will sing the instantly recognizable salida. The dancer enters during the guitarist’s falseta or during the salida. The fluid nature of the choreography also allows for improvisation within the structure, including danced falsetas, and escobillas performed a palo seco.

https://www.youtube.com/watch?v=DP9dZiCMjig

This surreal picture isn’t from a special effects sci-fi movie. It is a digital composite of frames of the real Andromeda Galaxy, also known as M31, rising over a real mountain. Exposures tracking the galaxy and background stars have been digitally combined with separate exposures of the foreground terrain. All background and foreground exposures were made back to back with the same camera and telephoto lens on the same night from the same location. In the “Deepscape” combination they produce a stunning image that reveals a range of brightness and color that your eye can’t quite see on its own. Still, it does look like you could ride a cable car up this mountain and get off at the station right next to Andromeda. But at 2.5 million light-years from Earth the big beautiful spiral galaxy really is a little out of reach as a destination. Don’t worry, though. Just wait 5 billion years and the Andromeda Galaxy will come to you. This Andromeda Station is better known as Weisshorn, the highest peak of the ski area in Arosa, Switzerland.

Diana Ross (born March 26, 1944) is an American singer, actress, and record producer. Born and raised in Detroit, Michigan, Ross rose to fame as the lead singer of the vocal group The Supremes, who during the 1960s became Motown‘s most successful act, and are the best-charting female group in US history, as well as one of the world’s best-selling girl groups of all time. The group released a record-setting twelve number one hit singles on the US Billboard Hot 100, including “Where Did Our Love Go“, “Baby Love“, “Come See About Me“, “Stop! In the Name of Love“, “You Can’t Hurry Love“, “You Keep Me Hangin’ On“, “Love Child“, and “Someday We’ll Be Together“.

Following her departure from the Supremes in 1970, Ross released her eponymous debut solo album that same year, featuring the No. 1 Pop hit “Ain’t No Mountain High Enough“. She later released the album Touch Me in the Morning in 1973; its title track was her second solo No. 1 hit. She continued a successful solo career through the 1970s, which included hit albums like Mahogany and Diana Ross and their No. 1 hit singles, “Theme from Mahogany” and “Love Hangover“, respectively. Her 1980 album Diana produced another No. 1 single, “Upside Down“, as well as the international hit “I’m Coming Out“. Her final single with Motown during her initial run with the company achieved her sixth and final US number one Pop hit, the duet “Endless Love” featuring Lionel Richie, whose solo career was launched with its success.

Ross has also ventured into acting, with a Golden Globe Award-winning and Academy Award–nominated performance in the film Lady Sings the Blues (1972); she recorded its soundtrack, which became a number one hit. She also starred in two other feature films, Mahogany (1975) and The Wiz(1978), later acting in the television films Out of Darkness (1994), for which she also was nominated for a Golden Globe Award, and Double Platinum(1999).

She is the only female artist to have number one singles as a solo artist; as the other half of a duet (Lionel Richie); as a member of a trio; and as an ensemble member (We are the World-USA for Africa). In 1976, Ross was named the “Female Entertainer of the Century” by Billboard magazine. In 1993, the Guinness Book of World Records declared her the most successful female music artist in history, due to her success in the United States and United Kingdom for having more hits than any female artist in the charts, with a career total of 70 hit singles with her work with the Supremes and as a solo artist. She had a top 10 UK hit in every one of the last five decades, and sang lead on a top 75 hit single at least once every year from 1964 to 1996 in the UK, a period of 33 consecutive years and a record for any performer.

In 1988, Ross was inducted to the Rock and Roll Hall of Fame as a member of the Supremes, alongside Mary Wilson and Florence Ballard. She was the recipient of the Kennedy Center Honors in 2007, the Grammy Lifetime Achievement Award in 2012, and the Presidential Medal of Freedom in 2016. Ross is also one of the few recording artists to have two stars on the Hollywood Walk of Fame—one as a solo artist and the other as a member of the Supremes. In Billboard magazine’s Greatest of All Time Hot 100 Artists chart, she ranked 16th as the lead singer of the Supremes and 26th as a solo artist. Diana Ross ranks among the Top 5 artists of the rock era (1955 to date) on the Billboard Hot 100 when combining her solo and Supremes’ hits.

Lewis Barry Tabackin (born March 26, 1940) is an American jazz tenor saxophonist and flutist. He is married to pianist Toshiko Akiyoshi with whom he has co-led large ensembles since the 1970s.

Tabackin started learning flute at age 12, followed by tenor saxophone at age 15. He has cited Al Cohnand Coleman Hawkins as influences on saxophone, while his flute role models include classical players such as William Kincaid, Julius Baker, and Jean-Pierre Rampal. Tabackin studied flute at the Philadelphia Conservatory of Music and also studied music with composer Vincent Persichetti. In 1962 he graduated from the Conservatory and after serving with the U.S. Army worked with Tal Farlow. He also worked with Chuck Israels in New York City and a band that included Elvin Jones, Donald Byrd, and Roland Hanna. Later he was a member of The Dick Cavett Show band and The Tonight Show Band with Doc Severinsen. He moved from New York to California with The Tonight Show in 1972. During this time he played with Shelly Manne and Billy Higgins.

Tabackin met Toshiko Akiyoshi in 1967 while he was playing in Clark Terry‘s band and she was invited to sit in for Don Friedman. They formed a quartet in the late 1960s, married in 1969, and in 1973 co-founded the Toshiko Akiyoshi – Lew Tabackin Big Band in Los Angeles, which later became the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin, playing bebop in Duke Ellington-influenced arrangements and compositions by Akiyoshi. Tabackin was principal soloist for the band from 1973 through 2003.

https://www.youtube.com/watch?v=G_5P8rmxM4o

Donald Orlando “Duck” Bailey (March 26, 1933 – October 15, 2013) was an American jazz drummer.

Bailey was born in Philadelphia, Pennsylvania, on March 26, 1933. He was largely self-taught as a drummer.

Bailey got his big break in the jazz world and he is probably best known as the drummer in the trio of jazz organist Jimmy Smith from 1956 to 1964 and also for his work with The Three Sounds on Blue Note Records. While based in Los Angeles, Bailey also worked as a sideman for musicians including Sarah Vaughan, Carmen McRae, Hampton Hawes, Kenny Burrell, and Red Mitchell.^[5] In the mid-1970s, Bailey moved to Japan, where he lived for five years.

His album Blueprints of Jazz Vol.3 featured Charles Tolliver (trumpet), George Burton (piano), and Odean Pope (tenor saxophone), and was issued by Talking House Records in 2008. His playing also featured on the soundtracks of the films Buck and the Preacher and Twin Peaks Fire Walk With Me.

Bailey performed around the San Francisco Bay Area until his late seventies and moved to Montclair, California, shortly before his death at age 80 in October 2013.

https://www.youtube.com/watch?v=omPrYkHLxzs

Rufus C. Thomas, Jr. (March 26, 1917 – December 15, 2001) was an American rhythm-and-blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels, including Chess Records and Sun Records in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. He is best known for his novelty dance records, including “Walking the Dog” (1963), “Do the Funky Chicken” (1969) and “(Do the) Push and Pull” (1970). According to the Mississippi Blues Commission, “Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death . . . occupied many important roles in the local scene.”

He began his career as a tap dancer, vaudeville performer, and master of ceremonies in the 1930s. He later worked as a disc jockey on radio stationWDIA in Memphis, both before and after his recordings became successful. He remained active into the 1990s and as a performer and recording artist was often billed as “The World’s Oldest Teenager”. He was the father of the singers Carla Thomas (with whom he recorded duets) and Vaneese Thomas and the keyboard player Marvell Thomas.

Thomas was born in the rural community of Cayce, Mississippi, the son of a sharecropper. He moved with his family to Memphis, Tennessee, around 1920.

Massive star IRS 4 is beginning to spread its wings. Born only about 100,000 years ago, material streaming out from this newborn star has formed the nebula dubbed Sharpless 2-106 Nebula (S106), featured here. A large disk of dust and gas orbiting Infrared Source 4 (IRS 4), visible in brown near the image center, gives the nebula an hourglass or butterfly shape. S106 gas near IRS 4 acts as an emission nebula as it emits light after being ionized, while dust far from IRS 4 reflects light from the central star and so acts as a reflection nebula. Detailed inspection of a relevant infrared image of S106 reveal hundreds of low-mass brown dwarf starslurking in the nebula’s gas. S106 spans about 2 light-years and lies about 2000 light-years away toward the constellation of the Swan (Cygnus).

Sir Elton Hercules John CH CBE (born Reginald Kenneth Dwight; 25 March 1947) is an English singer, songwriter, pianist, and composer. He has worked with lyricist Bernie Taupin since 1967; they have collaborated on more than 30 albums. John has sold more than 300 million records, making him one of the best-selling music artists. He has more than fifty Top 40 hits in the UK Singles Chart and US Billboard Hot 100, including seven numbers ones in the UK and nine in the US, as well as seven consecutive number-one albums in the US. His tribute single “Candle in the Wind 1997“, rewritten in dedication to Diana, Princess of Wales, sold over 33 million copies worldwide and is the best-selling single in the history of the UK and US singles charts. He has also produced records and occasionally acted in films. John owned Watford F.C. from 1976 to 1987 and from 1997 to 2002. He is an honorary life president of the club.

Raised in the Pinner area of London, John learned to play piano at an early age, and by 1962 had formed Bluesology, an R&B band with whom he played until 1967. He met his longtime musical partner Taupin in 1967, after they both answered an advert for songwriters. For two years, they wrote songs for artists including Lulu, and John worked as a session musician for artists including the Hollies and the Scaffold. In 1969, John’s debut album, Empty Sky, was released. In 1970, his first hit single, “Your Song“, from his second album, Elton John, reached the top ten in the UK and the US. John has also had success in musical films and theatre, composing for The Lion King and its stage adaptation, Aida and Billy Elliot the Musical.

John has received five Grammy Awards, five Brit Awards, two Academy Awards, two Golden Globe Awards, a Tony Award, a Disney Legends award, and the Kennedy Center Honor. In 2004, Rolling Stone ranked him 49th on its list of 100 influential musicians of the rock and roll era. In 2013, Billboard ranked him the most successful male solo artist on the Billboard Hot 100 Top All-Time Artists, and third overall, behind the Beatles and Madonna. He was inducted into the Rock and Roll Hall of Fame in 1994 and the Songwriters Hall of Fame in 1992, and is a fellow of the British Academy of Songwriters, Composers and Authors. He was knighted by Elizabeth II for “services to music and charitable services” in 1998. John has performed at a number of royal events, such as the funeral of Princess Diana at Westminster Abbey in 1997, the Party at the Palace in 2002 and the Queen’s Diamond Jubilee Concert outside Buckingham Palace in 2012.

John has been involved in the fight against AIDS since the late 1980s.^[13] In 1992, he established the Elton John AIDS Foundation, and a year later he began hosting his annual Academy Awards Party, which has since become one of the highest-profile Oscar parties in the Hollywood film industry. Since its inception, the foundation has raised over £300 million. John, who announced he was bisexual in 1976 and has been openly gay since 1988, entered into a civil partnership with David Furnish on 21 December 2005; they married after same-sex marriage became legal in England and Wales in 2014. Presenting John with France’s highest civilian award, the Legion d’honneur, in 2019, French President Emmanuel Macron called him a “melodic genius” and praised his work on behalf of the LGBT community. In 2018, John embarked on a three-year farewell tour.

Aretha Louise Franklin (March 25, 1942 – August 16, 2018 Memphis, TN) was an American singer, songwriter, pianist, and civil rights activist. Franklin began her career as a child singing gospel at New Bethel Baptist Church in Detroit, Michigan, where her father C. L. Franklin was minister. At the age of 18, she embarked on a secular-music career as a recording artist for Columbia Records. While Franklin’s career did not immediately flourish, she found acclaim and commercial success after signing with Atlantic Records in 1966. Hit songs such as “Respect“, “Chain of Fools“, “Think“, “(You Make Me Feel Like) A Natural Woman“, “I Never Loved a Man (The Way I Love You)“, and “I Say a Little Prayer“, propelled her past her musical peers. By the end of the 1960s, Aretha Franklin had come to be known as “The Queen of Soul“.

Franklin continued to record acclaimed albums such as I Never Loved a Man the Way I Love You (1967), Lady Soul (1968), Spirit in the Dark (1970), Young, Gifted and Black (1972), Amazing Grace (1972), and Sparkle (1976) before experiencing problems with her record company. Franklin left Atlantic in 1979 and signed with Arista Records. She appeared in the 1980 film The Blues Brothers before releasing the successful albums Jump to It(1982), Who’s Zoomin’ Who? (1985), and Aretha (1986) on the Arista label. In 1998, Franklin returned to the Top 40 with the Lauryn Hill-produced song “A Rose Is Still a Rose“; later, she released an album of the same name which was certified gold. That same year, Franklin earned international acclaim for her performance of “Nessun dorma” at the Grammy Awards; she filled in at the last minute for Luciano Pavarotti, who canceled his appearance after the show had already begun. In a widely noted performance, she paid tribute to 2015 honoree Carole King by singing “(You Make Me Feel Like) A Natural Woman” at the Kennedy Center Honors.

Franklin recorded 112 charted singles on Billboard, including 77 Hot 100 entries, 17 top-ten pop singles, 100 R&B entries, and 20 number-one R&B singles. She is the most charted female artist in history. Franklin’s well-known hits include “Rock Steady“, “Call Me“, “Ain’t No Way“, “Don’t Play That Song (You Lied)“, “Spanish Harlem“, “Day Dreaming“, “Until You Come Back to Me (That’s What I’m Gonna Do)“, “Something He Can Feel“, “Jump to It“, “Freeway of Love“, “Who’s Zoomin’ Who“, and “I Knew You Were Waiting (For Me)” (a duet with George Michael). She won 18 Grammy Awards,including the first eight awards given for Best Female R&B Vocal Performance (1968–1975). Franklin is one of the best-selling music artists of all time, having sold more than 75 million records worldwide.

Franklin received numerous honors throughout her career. She was awarded the National Medal of Arts and the Presidential Medal of Freedom. In 1987, she became the first female performer to be inducted into the Rock and Roll Hall of Fame. She also was inducted into the UK Music Hall of Fame in 2005 and into the Gospel Music Hall of Fame in 2012. In 2010, Rolling Stone magazine ranked her number one on its list of the “100 Greatest Singers of All Time” and number nine on its list of “100 Greatest Artists of All Time”.^[9] The Pulitzer Prize jury in 2019 awarded Franklin a posthumous special citation “for her indelible contribution to American music and culture for more than five decades.”

James Moody (March 26, 1925 – December 9, 2010) was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles.

Moody had an unexpected hit with “Moody’s Mood for Love,” a 1952 song written by Eddie Jefferson that used as its melody an improvised solo that Moody had played on a 1949 recording of “I’m in the Mood for Love.” Moody adopted the song as his own, recording it with Jefferson on his 1956 album Moody’s Mood for Love and performing the song regularly in concert, often singing the vocals himself.

James Moody was born in Savannah, Georgia, and was raised by his (single) mother, Ruby Hann Moody Watters. He had a brother, Louis.Growing up in Newark, New Jersey, he was attracted to the saxophone after hearing George Holmes Tate, Don Byas, and various saxophonists who played with Count Basie, and later also took up the flute. Moody joined the US Army Air Corps in 1943 and played in the “negro band” on the segregated base. Following his discharge from the military in 1946 he played bebop with Dizzy Gillespie for two years. Moody later played with Gillespie in 1964, where his colleagues in the Gillespie group, pianist Kenny Barron and guitarist Les Spann, would be musical collaborators in the coming decades.

Stephen Paul Motian (March 25, 1931 – November 22, 2011) was an American jazz drummer, percussionist, and composer. Motian played an important role in freeing jazz drummers from strict time-keeping duties.

He first came to prominence in the late 1950s in the piano trio of Bill Evans, and later was a regular in pianist Keith Jarrett‘s band for about a decade (c. 1967–1976). Motian began his career as a bandleader in the early 1970s. Perhaps his two most notable groups were a longstanding trio of guitarist Bill Frisell and saxophonist Joe Lovano, and the Electric Bebop Band which featured the drummer working mostly with younger musicians doing interpretations of bebop standards.

Motian was born in Philadelphia, Pennsylvania, and raised in Providence, Rhode Island. He is of Armenian descent. After playing guitar in his childhood, Motian began playing the drums at age 12, eventually touring New England in a swing band. During the Korean War he joined the Navy.

Motian became a professional musician in 1954, and briefly played with pianist Thelonious Monk. He became well known as the drummer in pianist Bill Evans‘s trio (1959–64), initially alongside bassist Scott LaFaro and later with Chuck Israels.

Subsequently, he played with pianists Paul Bley (1963–64) and Keith Jarrett (1967–76). Other musicians with whom Motian performed and/or recorded in the early period of his career included Lennie Tristano, Warne Marsh, Lee Konitz, Joe Castro, Arlo Guthrie (Motian performed briefly with Guthrie in 1968–69, including at Woodstock), Carla Bley, Charlie Haden, and Don Cherry. Motian subsequently worked with musicians such as Marilyn Crispell, Bill Frisell, Leni Stern, Joe Lovano, Gonzalo Rubalcaba, Alan Pasqua, Bill McHenry, Stéphan Oliva, Frank Kimbrough, Eric Watsonand many more.

Cecil Percival Taylor (March 25, 1929 – April 5, 2018) was an American pianist and poet.

Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms. His technique has been compared to percussion. Referring to the number of keys on a standard piano, Val Wilmer used the phrase “eighty-eight tuned drums” to describe Taylor’s style. He has been referred to as being “like Art Tatum with contemporary-classical leanings”.

Taylor was raised in the Corona, Queens neighborhood of New York City. As an only child to a middle-class family, Taylor’s mother encouraged him to play music at an early age. He began playing piano at age six and went on to study at the New York College of Music and New England Conservatory in Boston. At the New England Conservatory, Taylor majored in composition and arranging. During his time there, he also became familiar with contemporary European art music. Bela Bartók and Karlheinz Stockhausen notably influenced his music.

In 1955, Taylor moved back to New York City from Boston. He formed a quartet with soprano saxophonist, Steve Lacy, bassist Buell Neidlinger, and drummer Dennis Charles. Taylor’s first recording, Jazz Advance, featured Lacy and was released in 1956.^[13] The recording is described by Richard Cook and Brian Morton in the Penguin Guide to Jazz: “While there are still many nods to conventional post-bop form in this set, it already points to the freedoms in which the pianist would later immerse himself.