mick laBriola

This swirling mass of celestial gas, dust, and stars is a moderately luminous spiral galaxy named ESO 021-G004, located just under 130 million light-years away.

This galaxy has something known as an active galactic nucleus. While this phrase sounds complex, this simply means that astronomers measure a lot of radiation at all wavelengths coming from the centre of the galaxy. This radiation is generated by material falling inwards into the very central region of ESO 021-G004, and meeting the behemoth lurking there — a supermassive black hole. As material falls towards this black hole it is dragged into orbit as part of an accretion disc; it becomes superheated as it swirls around and around, emitting characteristic high-energy radiation until it is eventually devoured.

The data comprising this image were gathered by the Wide Field Camera 3 aboard the NASA/ESA Hubble Space Telescope.

John Watson Jr. (February 3, 1935 – May 17, 1996), known professionally as Johnny “Guitar” Watson, was an American blues, soul, and funkmusician and singer-songwriter. A flamboyant showman and electric guitarist in the style of T-Bone Walker, Watson recorded throughout the 1950s and 1960s with some success. His creative reinvention in the 1970s with funk overtones, saw Watson have hits with “Ain’t That a Bitch” and “Superman Lover”. His successful recording career spanned forty years, with his highest chart appearance being the 1977 song “A Real Mother For Ya”. Watson was born in Houston, Texas. His father John Sr. was a pianist, and taught his son the instrument. But young Watson was immediately attracted to the sound of the guitar, in particular the electric guitar as played by T-Bone Walker and Clarence “Gatemouth” Brown.

His grandfather, a preacher, was also musical. “My grandfather used to sing while he’d play guitar in church, man,” Watson reflected many years later. When Johnny was 11, his grandfather offered to give him a guitar if, and only if, the boy didn’t play any of the “devil’s music”. His parents separated in 1950, when he was 15. His mother moved to Los Angeles, and took Watson with her.

Bobby Durham (February 3, 1937 – July 6, 2008) was an American jazz drummer.

Durham was born in Philadelphia and learned to play drums while a child. He played with The Orioles at age 16, and was in a military band between 1956 and 1959. After his discharge he played with King James and Stan Hunter. In 1960 he moved to New York City, where he played with Lloyd Price, Wild Bill Davis, Lionel Hampton, Count Basie, Slide Hampton, Grant Green, Sweets Edison, Tommy Flanagan, Jimmy Rowles, and the Duke Ellington Orchestra, in which he played for only five months. While working with Basie he met Al Grey, and was a member of several of Grey’s small ensembles. He accompanied Ella Fitzgerald for more than a decade, and worked with Oscar Peterson in a trio setting.

Durham also played in trios with organists such as Charles Earland and Shirley Scott, and there was a resurgence in interest in Durham’s work during the acid jazz upswing in the 1990s. Many of Durham’s projects, both as sideman and as leader, have come due to his association with producer Norman Granz, who had him work with Ella Fitzgerald, Count Basie, Harry Edison, Flanagan, and Joe Pass. Durham has led his own combos as well; he is noted for scat singing along with his drum solos. Durham has also performed often with pop and soul musicians such as Frank Sinatra, James Brown, Ray Charles, and Marvin Gaye.

He died in Genoa, Italy, aged 71.

https://www.youtube.com/watch?v=dmAqZV1GHZo

Lillian Hardin Armstrong (née Hardin; February 3, 1898 – August 27, 1971) was a jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s.^[1]

Her compositions include “Struttin’ with Some Barbecue“, “Don’t Jive Me”, “Two Deuces”, “Knee Drops”, “Doin’ the Suzie-Q”, “Just for a Thrill” (which was a hit when revived by Ray Charles in 1959), “Clip Joint”, and “Bad Boy” (a hit for Ringo Starr in 1978). Armstrong was inducted into the Memphis Music Hall of Fame in 2014.

She was born Lillian Hardin in Memphis, Tennessee, where she grew up in a household with her grandmother, Priscilla Martin, a former slave from near Oxford, Mississippi.

Graham William Nash OBE (born 2 February 1942) is a British-American singer-songwriter and musician. Nash is known for his light tenor voice and for his songwriting contributions as a member of the English pop/rock group the Hollies and the folk-rock supergroup Crosby, Stills & Nash. Nash became an American citizen on 14 August 1978 and holds dual citizenship of the United Kingdom and the United States.

Nash is a photography collector and a published photographer. He was inducted into the Rock and Roll Hall of Fame as a member of Crosby, Stills & Nash in 1997 and as a member of the Hollies in 2010.

Nash was appointed an Officer of the Order of the British Empire (OBE) in the 2010 Birthday Honours List for services to music and to charity.

Nash holds four honorary doctorates, including one from New York Institute of Technology, one in Music from the University of Salford in 2011 and his latest Doctorate in Fine Arts from Lesley University in Cambridge, Massachusetts.

Stan Getz (born Stanley Gayetski; February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as “The Sound” because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman‘s big band, Getz is described by critic Scott Yanow as “one of the all-time great tenor saxophonists”. Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he popularized bossa nova in America with the hit single “The Girl from Ipanema” (1964).

Getz was born Stanley Gayetski on February 2, 1927, at St. Vincent’s Hospital in Philadelphia, Pennsylvania, United States. Getz’s father Al was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gayetski were originally from the Kiev area of the Russian Empire (now Ukraine) but had migrated to escapee the pogroms in the Russian Empire to Whitechapel, in the East End of London. There, they owned the Harris Tailor Shop at 52 Oxford Street for more than 13 years. In 1913, Harris and Beckie emigrated to the United States with their three sons Al, Phil, and Ben, following their son Louis Gayetski who had emigrated to the US the year before.

Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the “Lone Wolf” by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.

Edward Hammond Boatner, Jr. was born in Boston, Massachusetts and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a piano teacher. He was given up for adoption in 1924 by his father and adopted by the Stitt family in Saginaw. He later began calling himself “Sonny”. While in high school in Saginaw, he played in the Len Francke Band, a local popular swing band.

In 1943, Stitt met Charlie Parker. As he often recalled, the two men had similar styles. Parker is alleged to have remarked, “Well, I’ll be damned, you sound just like me”, to which Stitt responded, “Well, I can’t help the way I sound. It’s the only way I know how to play.” Kenny Clarke said of Stitt, “Even if there had not been a Bird, there would have been a Sonny Stitt.

Star formation is one of the most important processes in shaping the universe. In addition to birthing new stars, it gives rise to planetary systems and plays a pivotal role in the evolution of galaxies. Yet there is still much that astronomers do not understand about this fundamental process. The driving force behind star formation is particularly unclear for a type of galaxy called a flocculent spiral. Unlike grand-design spiral galaxies, flocculent spiral galaxies do not have well defined spiral arms. Instead, they appear to have many discontinuous arms.

M63, also known as the Sunflower galaxy, is one such flocculent spiral galaxy. Although it only has two arms, many appear to be winding around its yellow core in this image captured by Hubble. The arms shine with the radiation from recently formed blue stars and can be more clearly seen in infrared observations. By imaging flocculent spiral galaxies like M63, astronomers hope to gain a better understanding of how stars form in such systems.

The Sunflower galaxy was discovered in 1779 by the French astronomer Pierre Méchain and was the first of 24 objects that Méchain would contribute to Charles Messier’s catalog. The galaxy is located roughly 27 million light-years from Earth in the constellation Canes Venatici. It has an apparent magnitude of 9.3 and appears as a faint patch of light in small telescopes. The best time to observe M63 is during May.

Joshua Redman (born February 1, 1969) is an American jazz saxophonist and composer.

In 1991, he won the Thelonious Monk International Jazz Saxophone Competition.

Joshua Redman was born in Berkeley, California, to jazz saxophonist Dewey Redman and dancer and librarian Renee Shedroff. He is Jewish.He was exposed to many kinds of music at the Center for World Music in Berkeley, where his mother studied South Indian dance. Some of his earliest lessons in music and improvisation were on recorder with gamelan player Jody Diamond. He was exposed at an early age to a variety of musics and instruments and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. Redman cites John Coltrane, Ornette Coleman, Cannonball Adderley, his father Dewey Redman, as well as the Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, the Police and Led Zeppelin as musical influences.

Joseph Leslie Sample (February 1, 1939 – September 12, 2014) was an American pianist, keyboard player, and composer. He was one of the founding members of the Jazz Crusaders, the band which became simply the Crusaders in 1971, and remained a part of the group until its final album in 1991 (not including the 2003 reunion album Rural Renewal).

Beginning in the 1970s, he enjoyed a successful solo career and guested on many recordings by other performers and groups, including Miles Davis, George Benson, Jimmy Witherspoon, B. B. King, Eric Clapton, Steely Dan, Joni Mitchell, Anita Baker, and the Supremes. Sample incorporated jazz, gospel, blues, Latin, and classical forms into his music.

Sample was born in Houston, Texas, on February 1, 1939. Sample began to play the piano at age 5. He was a student of the organist and pianist Curtis Mayo.

In high school in the 1950s, Sample teamed up with friends saxophonist Wilton Felder and drummer “Stix” Hooper to form a group called the Swingsters. While studying piano at Texas Southern University, Sample met and added trombonist Wayne Henderson and several other players to the Swingsters, which became the Modern Jazz Sextet and then the Jazz Crusaders, in emulation of one of the leading progressive jazz bands of the day, Art Blakey‘s Jazz Messengers. Sample never took a degree from the university; instead, in 1960, he and the Jazz Crusaders made the move from Houston to Los Angeles. He was a member of Phi Beta Sigma fraternity.

Sadao Watanabe (渡辺 貞夫, Watanabe Sadao, born February 1, 1933) is a Japanese jazz musician who plays alto saxophone, sopranino saxophone, and flute. He is known for his bossa nova recordings, although his work encompasses many styles with collaborations from musicians all over the world. He has had over ten albums reach the top 50 Billboard charts and two within the top 10. He has also had numerous albums reach number one on the jazz charts. Among his awards are the Order of the Rising Sun, the imperial medal of honor for contribution to the arts, and the Fumio Nanri award.

Born in Utsunomiya, Japan, Sadao first began learning music at the age of 18 and started performing professionally in 1953. By 1958 he had performed with leading musicians and quartets. In 1962 he left Japan to study at Berklee College of Music in Boston. In 1995 the college awarded him an honorary doctorate degree for his contributions to music. In addition to his musical career, Watanabe has published six photography books in Japan.

“Baby Face” Leroy Foster (February 1, 1923 – May 26, 1958) was an American blues singer, drummer and guitarist, active in Chicago from the mid-1940s until the late 1950s. He was a significant figure in the development of the postwar electric Chicago blues sound, notably as a member of the Muddy Waters band during its formative years.

Foster was born in Algoma, Mississippi. He moved to Chicago in the mid-1940s and by 1946 was working with the pianist Sunnyland Slim and the harmonica player John Lee “Sonny Boy” Williamson. He was introduced to the singer and guitarist Muddy Waters by an acquaintance Waters met at a recording session in 1946. Foster was soon playing guitar and drums in Waters’s band, along with the guitar and harmonica player Jimmy Rogers. The band was later joined by Little Walter on harmonica. Calling themselves the Headhunters, the trio was known for going from club to club and “cutting” (i.e., engaging in musical duels with) other bands.