mick laBriola

Honoring my dad Mike Labriola today who suffered greatly serving the USA, his new country, moving from his homeland of Italy. Traumatized and grief stricken by the experience he persevered and made it back home.

This week, an image of the broad and sweeping spiral galaxy NGC 4731 is the Hubble Picture of the Week. This galaxy lies among the galaxies of the Virgo cluster, in the constellation Virgo, and is located 43 million light-years from Earth. This highly detailed image was created using six different filters. The abundance of colour illustrates the galaxy’s billowing clouds of gas, dark dust bands, bright pink star-forming regions and, most obviously, the long, glowing bar with trailing arms.

Barred spiral galaxies outnumber both regular spirals and elliptical galaxies put together, numbering around 60% of all galaxies. The visible bar structure is a result of orbits of stars and gas in the galaxy lining up, forming a dense region that individual stars move in and out of over time. This is the same process that maintains a galaxy’s spiral arms, but it is somewhat more mysterious for bars: spiral galaxies seem to form bars in their centres as they mature, accounting for the large number of bars we see today, but can also lose them later on as the accumulated mass along the bar grows unstable. The orbital patterns and the gravitational interactions within a galaxy that sustain the bar also transport matter and energy into it, fuelling star formation. Indeed, the observing programme studying NGC 4731 seeks to investigate this flow of matter in galaxies.

Beyond the bar, the spiral arms of NGC 4731 stretch out far past the confines of this close-in Hubble view. The galaxy’s elongated arms are thought to result from gravitational interactions with other, nearby galaxies in the Virgo cluster.

[Image Description: A close-in view of a barred spiral galaxy. The bright, glowing bar crosses the centre of the galaxy, with spiral arms curving away from its ends and continuing out of view. It’s surrounded by bright patches of light where stars are forming, as well as dark lines of dust. The galaxy’s clouds of gas spread out from the arms and bar, giving way to a dark background with some foreground stars and small, distant galaxies.]

Dee Dee Bridgewater (née Denise Garrett, May 27, 1950) is an American jazz singer and actress. She is a three-time Grammy Award-winning singer-songwriter, as well as a Tony Award-winning stage actress. For 23 years, she was the host of National Public Radio’s syndicated radio show JazzSet with Dee Dee Bridgewater. She is a United Nations Goodwill Ambassador for the Food and Agriculture Organization.

Born Denise Eileen Garrett to an African American family in Memphis, Tennessee, she was raised Catholic in Flint, Michigan. Her father, Matthew Garrett, was a jazz trumpeter and teacher at Manassas High School, and through his playing, she was exposed to jazz early on. At the age of 16, she was a member of a Rock and R&B trio, singing in clubs in Michigan. At 18, she studied at Michigan State University before she went to the University of Illinois at Urbana-Champaign. With the school’s jazz band, she toured the Soviet Union in 1969.

The next year, she met trumpeter Cecil Bridgewater, and after their marriage, they moved to New York City, where Cecil played in Horace Silver‘s band. In the early 1970s, Bridgewater joined the Thad Jones-Mel Lewis Jazz Orchestra as lead vocalist. This marked the beginning of her jazz career, and she performed with many of the great jazz musicians of the time, such as Sonny Rollins, Dizzy Gillespie, Dexter Gordon, Max Roach, Rahsaan Roland Kirk, Wayne Garfield, and others. She performed at the Monterey Jazz Festival in 1973. In 1974, her first solo album, entitled Afro Blue, appeared, and she performed on Broadway in the musical The Wiz.^[5] For her role as Glinda the Good Witch she won a Tony Award in 1975 as “Best Featured Actress”, and the musical also won the 1976 Grammy Award for Best Musical Show Album.

It just threw a filament. Toward the middle of 2012, a long standing solar filament suddenly erupted into space, producing an energetic coronal mass ejection (CME). The filament had been held up for days by the Sun’s ever changing magnetic field and the timing of the eruption was unexpected. Watched closely by the Sun-orbiting Solar Dynamics Observatory, the resulting explosion shot electrons and ions into the Solar System, some of which arrived at Earth three days later and impacted Earth’s magnetosphere, causing visible auroras. Loops of plasma surrounding the active region can be seen above the erupting filament in the featured ultraviolet image. Our Sun is nearing the most active time in its 11-year cycle, creating many coronal holes that allow for the ejection of charged particles into space. As before, these charged particles can create auroras.

Stephanie Lynn Nicks (born May 26, 1948) is an American singer-songwriter known for her work with the band Fleetwood Mac and as a solo artist.

After starting her career as a duo with her then-boyfriend Lindsey Buckingham, releasing the album Buckingham Nicks to little success, Nicks joined Fleetwood Mac in 1975, helping the band to become one of the best-selling music acts of all time with over 120 million records sold worldwide. Rumours, the band’s second album with Nicks, became one of the best-selling albums worldwide, being certified 20× platinum in the US. In 1981, while remaining a member of Fleetwood Mac, Nicks began her solo career, releasing the studio album Bella Donna, which topped the Billboard 200 and has reached multiplatinum status. She has released eight studio solo albums and seven studio albums with Fleetwood Mac, selling a certified total of 65 million copies in the U.S. alone.

After the release of her first solo album, Rolling Stone named her the “Reigning Queen of Rock and Roll“.Nicks was named one of the 100 Greatest Songwriters of All Time and one of the 100 Greatest Singers of All Time by Rolling Stone. Her Fleetwood Mac songs “Landslide“, “Rhiannon“, and “Dreams“, with the last being the band’s only number one hit in the U.S., together with her solo hit “Edge of Seventeen“, have all been included in Rolling Stone‘s list of the 500 Greatest Songs of All Time. She is the only woman to have been inducted twice into the Rock and Roll Hall of Fame: first as a member of Fleetwood Mac in 1998 and then as a solo artist in 2019.

Nicks has garnered eight Grammy Award nominations and two American Music Award nominations as a solo artist. She has won numerous awards with Fleetwood Mac, including a Grammy Award for Album of the Year in 1978 for Rumours. The albums Fleetwood Mac, Rumours, and Bella Donna have been included in the “Greatest of All Time Billboard 200 Albums” chart by Billboard. Rumours was also rated the seventh-greatest album of all time in Rolling Stone‘s list of the “500 Greatest Albums of All Time“, as well as the fourth-greatest album by female acts.

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz.

Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker‘s bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records, and recorded the album ‘Round About Midnight in 1955. It was his first work with saxophonist John Coltraneand bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue(1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S.

Davis made several lineup changes while recording Someday My Prince Will Come (1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven (1963), another commercial success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams. After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P. (1965) and Miles Smiles (1967), before transitioning into his electric period. During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing lineup of musicians, including keyboardist Joe Zawinul, drummer Al Foster, and guitarist John McLaughlin. This period, beginning with Davis’s 1969 studio album In a Silent Way and concluding with the 1975 concert recording Agharta, was the most controversial in his career, alienating and challenging many in jazz. His million-selling 1970 record Bitches Brew helped spark a resurgence in the genre’s commercial popularity with jazz fusion as the decade progressed.

After a five-year retirement due to poor health, Davis resumed his career in the 1980s, employing younger musicians and pop sounds on albums such as The Man with the Horn (1981) and Tutu (1986). Critics were often unreceptive but the decade garnered Davis his highest level of commercial recognition. He performed sold-out concerts worldwide, while branching out into visual arts, film, and television work, before his death in 1991 from the combined effects of a stroke, pneumonia and respiratory failure. In 2006, Davis was inducted into the Rock and Roll Hall of Fame, which recognized him as “one of the key figures in the history of jazz”. Rolling Stone described him as “the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century,” while Gerald Early called him inarguably one of the most influential and innovative musicians of that period.