mick laBriola

Huey Pierce Smith, known as Huey “Piano” Smith (born January 26, 1934, New Orleans, Louisiana), is an American rhythm-and-blues pianistwhose sound was influential in the development of rock and roll.

His piano playing incorporated the boogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino.^[2] Steve Huey of AllMusic noted that “At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, ‘Don’t You Just Know It.'” Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players.

Smith wrote his first song “Robertson Street Boogie”, named after the street where he lived, on the piano, when he was eight years old. He performed the tune with a friend, with the two billing themselves as Slick and Dark. Smith attended McDowell High School and Xavier University of Louisiana in New Orleans.

When Smith was fifteen, he began working in clubs and recording with his flamboyant partner, Eddie Jones, who rose to fame as Guitar Slim. When Smith was eighteen, in 1952, he signed a recording contract with Savoy Records, which released his first known single, “You Made Me Cry”. In 1953 Smith recorded with Earl King.

In 1955, Smith became the piano player with Little Richard‘s first band in sessions for Specialty Records. The same year he also played piano on several studio sessions for other artists, such as Lloyd Price. Two of the sessions resulted in hits for Earl King (“Those Lonely Lonely Nights”) and Smiley Lewis (“I Hear You Knocking“).

In 1957, he formed a band, Huey “Piano” Smith and His Clowns, with Bobby Marchan, and signed a long-term contract with Ace Records, represented by former Specialty record producerJohnny Vincent. They hit the Billboard charts with several singles in succession, including “Rockin’ Pneumonia and the Boogie Woogie Flu“.

The record was issued as “Rockin’ Pneumonia and the Boogie Woogie Flu Part 1” on the A-side, lyrics by John Vincent, and “Rockin’ Pneumonia and the Boogie Woogie Flu Part 2”, an instrumental, on the flip side. The record sold over one million copies, achieving gold disc status.

In 1958, Vin Records, a subsidiary of Ace Records, released a popular single, “Little Chickee Wah Wah”, with Clowns singer Gerri Hall, under the billing of Huey and Jerry. (This song is sometimes confused with the similarly titled 1956 single “Chickie Wah Wah”, by Bobby Marchan, which has entirely different lyrics, tempo, chord structure and melody; the Vincent-Smith composition is built around the melody of the old black children’s play song “Little Sally Walker.”)

Meanwhile, Ace Records released several more singles by Huey “Piano” Smith and His Clowns, including “We Like Birdland”, “Well I’ll Be John Brown”, and “Don’t You Know Yockomo” (a cover version of which, recorded by the New Zealand artist Dinah Lee, reached number 1 in both New Zealand and Australia in 1964).

Stéphane Grappelli (French pronunciation: ​[stefan ɡʁapɛli]; 26 January 1908 – 1 December 1997), born Stefano Grappelli, was a French-Italian jazzviolinist who founded the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called “the grandfather of jazz violinists” and continued playing concerts around the world well into his 80s.

For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to Grappelli in 1969. The latter, Italian spelling, is now used almost universally when referring to the violinist, including reissues of his early work.

Having written about American dancer Isadora Duncan, who was living in Paris, Ernesto appealed to her to care for his son. Stéphane was enrolled in Duncan’s dance school at the age of six, and he learned to love French Impressionist music. With the war encroaching, Duncan as an American citizen fled the country; she turned over her château to be used as a military hospital. Ernesto subsequently entrusted his son to a Catholic orphanage.

In this Hubble Space Telescope image the bright, spiky stars lie in the foreground toward the heroic northern constellation Perseus and well within our own Milky Way galaxy. In sharp focus beyond is UGC 2885, a giant spiral galaxy about 232 million light-years distant. Some 800,000 light-years across compared to the Milky Way’s diameter of 100,000 light-years or so, it has around 1 trillion stars. That’s about 10 times as many stars as the Milky Way. Part of a current investigation to understand how galaxies can grow to such enormous sizes, UGC 2885 was also part of astronomer Vera Rubin’s pioneering study of the rotation of spiral galaxies. Her work was the first to convincingly demonstrate the dominating presence of dark matter in our universe.

Antônio Carlos Brasileiro de Almeida Jobim (January 25, 1927 – December 8, 1994), also known as Tom Jobim (Portuguese pronunciation: [tõ ʒoˈbĩ]), was a Brazilian composer, pianist, songwriter, arranger and singer. Widely considered as one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound with remarkable popular success. As such he is sometimes known as the “father of bossa nova”.

He was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists within Brazil and internationally.

In 1965 his album Getz/Gilberto was the first jazz album to win the Grammy Award for Album of the Year. It also won for Best Jazz Instrumental Album – Individual or Group and for Best Engineered Album, Non-Classical. The album’s single “Garota de Ipanema” (“The Girl from Ipanema”), one of the most recorded songs of all time, won the Record of the Year. Jobim has left many songs that are now included in jazz and pop standard repertoires. The song “Garota de Ipanema” has been recorded over 240 times by other artists. His 1967 album with Frank Sinatra, Francis Albert Sinatra & Antônio Carlos Jobim, was nominated for Album of the Year in 1968. Antônio Carlos Jobim was born in the middle-class district of Tijuca in Rio de Janeiro. His father, Jorge de Oliveira Jobim (São Gabriel, Rio Grande do Sul, April 23, 1889 – July 19, 1935), was a writer, diplomat, professor and journalist. He came from a prominent family, being the great nephew of José Martins da Cruz Jobim, senator, privy councillor and physician of Emperor Dom Pedro II. While studying medicine in Europe, José Martins added Jobim to his last name, paying homage to the village where his family came from in Portugal, the parish of Santa Cruz de Jovim, Porto.

Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer reformed the Jazztet in 1982.

In addition to “I Remember Clifford“, many of Golson’s compositions have become jazz standards including “Blues March“, “Whisper Not“, and “Killer Joe”.

While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson‘s rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson’s pianist at the time.

From 1953 to 1959 Golson played with Dameron’s band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers with whom he recorded the classic Moanin’ in 1958.

This peculiar galaxy, beautifully streaked with tendrils of reddish dust, is captured here in wonderful detail by the NASA/ESA Hubble Space Telescope. The galaxy is known as NGC 1022, and is officially classified as a barred spiral galaxy. You can just about make out the bar of stars in the center of the galaxy in this image, with swirling arms emerging from its ends. This bar is much less prominent than in some of the galaxy’s barred cousins and gives the galaxy a rather squat appearance; but the lanes of dust that swirl throughout its disc ensure it is no less beautiful.

NGC 1022 is a barred spiral galaxy located at approximately 66 million light years away in the constellation of Cetus. It was discovered on September 10, 1785 by William Herschel.

John Adam Belushi (January 24, 1949 – March 5, 1982) was an American comedian, actor, singer, and one of the seven original cast members of the NBC sketch comedy show Saturday Night Live (SNL). Throughout his career, Belushi had a close personal and artistic partnership with his fellow SNL star Dan Aykroyd, whom he met while they were both working at Chicago‘s The Second City comedy club.

Born in Chicago to Albanian American parents, Belushi started his own successful comedy troupe with Tino Insana and Steve Beshekas, called “The West Compass Trio”. Belushi performed with The Second City after Bernard Sahlins discovered him. He met Brian Doyle-Murray and Harold Ramisthere and also met Aykroyd, who would later become one of his close associates.

In 1975, Belushi was recommended to SNL creator and showrunner Lorne Michaels by Chevy Chase and Michael O’Donoghue, who accepted Belushi as a new cast member of the show after an audition. He developed a series of characters on the show that reached high success, including his performances as Henry Kissinger and Ludwig van Beethoven. After his breakout film role as John “Bluto” Blutarsky in National Lampoon’s Animal House (1978), Belushi later appeared in films such as 1941, The Blues Brothers, and Neighbors. He also pursued interests in music, creating with Aykroyd, Lou Marini, Tom Malone, Steve Cropper, Donald “Duck” Dunn, and Paul Shaffer, the Blues Brothers, from which the film received its name.

In his personal life, Belushi struggled with heavy drug use that affected his comedy career; he was dismissed and rehired by Michaels on several occasions due to his behavior. In 1982, Belushi died from combined drug intoxication caused by Cathy Smith who injected him with a mixture of heroinand cocaine known as a speedball. He was posthumously honored with a star on the Hollywood Walk of Fame in 2004.

Belushi’s mother, Agnes Demetri (Samaras), was the daughter of Albanian immigrants, and his father, Adam Anastos Belushi, was an Albanian emigrant from Qytezë. Born in Humboldt Park, a neighborhood on the West Side of Chicago, Illinois.

Aaron Joseph Neville (born January 24, 1941) is an American R&B and soul vocalist and musician. He has had four platinum albums and four Top 10 hits in the United States, including three that went to #1 on Billboard‘s Adult Contemporary chart. His debut single, from 1966, was #1 on the Soul chart for five weeks.

He has also recorded with his brothers Art, Charles and Cyril as The Neville Brothers and is the father of singer/keyboards player Ivan Neville. Neville is of mixed African-American, Caucasian, and Native American (Choctaw) heritage.

The first of his singles that was given airplay outside of New Orleans was “Over You” (Minit, 1960). Neville’s first major hit single was “Tell It Like It Is“, released on a small New Orleans label, Par-Lo, co-owned by local musician/arranger George Davis, a friend from school, and band-leader Lee Diamond. The song topped Billboard‘s R&B chart for five weeks in 1967 and also reached #2 on the Billboard Hot 100 (behind “I’m a Believer by the Monkees). It sold over one million copies, and was awarded a gold disc. It was not the label’s only release, as some sources claim. At least five other Par-Lo singles, three of them by Neville himself, are known to exist.

In 1989, Neville teamed up with Linda Ronstadt on the album Cry Like a Rainstorm, Howl Like the Wind. Among the duets recorded for the disc were the #1 Grammy-winning hits “Don’t Know Much” and “All My Life“. “Don’t Know Much” reached #2 on the Hot 100, and was certified Gold for selling a million copies, while the album was certified Triple Platinum for US sales of more than 3 million.

His other hits have included “Everybody Plays the Fool“, his 1991 cover of the 1972 Main Ingredient song, that reached #8 on the Hot 100; “Don’t Take Away My Heaven”, “Hercules” and “Can’t Stop My Heart From Loving You (The Rain Song).” Neville’s biggest solo successes have been on the Adult Contemporary chart, where “Don’t Know Much,” “All My Life,” and “Everybody Plays the Fool” all reached Number One.

Isidore “Tuts” Washington (January 24, 1907 – August 5, 1984) was an American blues pianist from New Orleans, Louisiana.

He taught himself to play the piano at age 10 and studied with the New Orleans jazz pianist Joseph Louis “Red” Cayou. In the 1920s and 1930s, he was a leading player for dance bands and Dixieland bands in New Orleans. His style blended elements of ragtime, jazz, blues, and boogie-woogie.

After World War II, Washington joined Smiley Lewis in a trio with drummer Herman Seals. They released several popular songs for Imperial, including “Tee-Nah-Nah”, “The Bells Are Ringing”, and “Dirty People”. Washington moved to St. Louis to play with Tab Smith. He returned to New Orleans in the 1960s, performing in restaurants in the French Quarter in clubs such as Tipitina’s and at the New Orleans Jazz & Heritage Festival. For years he had a regular engagement playing piano at a bar in the Pontchartrain Hotel. He avoided recording for most of his career, but he released the solo piano album New Orleans Piano Professor for Rounder in 1983. A live recording by Washington, Live at Tipitina’s ’78, was released by Night Train International Records in 1998. Washington died on August 5, 1984, after having a heart attack while performing at the World’s Fair in New Orleans.

James Robert Forrest Jr. (January 24, 1920 – August 26, 1980) was an American jazz musician, who played tenor saxophone throughout his career.

Forrest is known for his first solo recording of “Night Train“. It reached No. 1 on the Billboard R&B chart in March 1952, and stayed at the top for seven weeks. “Hey Mrs. Jones” (No. 3 R&B) and “Bolo Blues” were his other hits. All were made for United Records, which recorded Forrest between 1951 and 1953. He recorded frequently as both a sideman and a bandleader.

Born in St. Louis, Missouri, United States, Forrest played alongside Fate Marable as a young man. He was with Jay McShann in 1940-42 and with Andy Kirk from 1942 until 1948 when he joined Duke Ellington. During the early 1950s, Forrest led his own combos. He also played with Miles Davis, in early 1952 at The Barrel Club. After his solo career, he played in small combos with Harry “Sweets” Edison and Al Grey, as well as appearing with Count Basie.

Late in life Forrest married Betty Tardy, and settled in Grand Rapids, Michigan, where he died in August 1980, aged 60, from heart failure.

Some 13,000 light-years away toward the southern constellation Pavo, the globular star cluster NGC 6752 roams the halo of our Milky Way galaxy. Over 10 billion years old, NGC 6752 follows clustersOmega Centauri and 47 Tucanae as the third brightest globular in planet Earth’s night sky. It holds over 100 thousand stars in a sphere about 100 light-years in diameter. Telescopic explorations of the NGC 6752 have found that a remarkable fraction of the stars near the cluster’s core, are multiple star systems. They also reveal the presence of blue straggle stars, stars which appear to be too young and massive to exist in a cluster whose stars are all expected to be at least twice as old as the Sun. The blue stragglers are thought to be formed by star mergers and collisions in the dense stellar environment at the cluster’s core. This sharp color composite also features the cluster’s ancient red giant stars in yellowish hues. (Note: The bright, spiky blue star at 11 o’clock from the cluster center is a foreground star along the line-of-sight to NGC 6752).