mick laBriola

Winston Rodney OD (born 1 March 1945), better known by the stage name Burning Spear, is a Jamaican roots reggae singer-songwriter, vocalist and musician. Burning Spear is a Rastafarian and one of the most influential and long-standing roots artists to emerge from the 1970s.

Winston Rodney was born in Saint Ann’s Bay, Saint Ann, Jamaica. As a young man he listened to the R&B, soul and jazz music transmitted by the US radio stations whose broadcasts reached Jamaica. Curtis Mayfield is cited by Rodney as a major US musical influence along with James Brown. Rodney was deeply influenced as a young man by the views of the political activist Marcus Garvey, especially with regard to the exploration of the themes of Pan-Africanism and self-determination. In 1969, Bob Marley, who was also from Saint Ann, advised Rodney to approach Coxsone Dodd‘s Studio One label after Rodney sought his advice during a casual conversation.

Burning Spear was originally Rodney’s group, named after a military award given by Jomo Kenyatta, the first President of an independent Kenya, and included bass singer Rupert Willington. The duo auditioned for Dodd in 1969 which led to the release of their debut single “Door Peep” (the session also included Cedric Brooks on saxophone). They were then joined by tenor Delroy Hinds. The trio recorded several more singles for Dodd, and two albums, before they moved on to work with Jack Ruby in 1975. Their first recording with Ruby, “Marcus Garvey”, was intended as an exclusive track for Ruby’s Ocho Rios–based Hi-Power sound system, but was released as a single, giving them an immediate hit, and was followed by “Slavery Days”. These recordings featured the backing band The Black Disciples, which included Earl “Chinna” Smith, Valentine Chin, Robbie Shakespeare and Leroy Wallace. The group worked with Ruby on their third album, Marcus Garvey (1975), which was immediately successful and led to a deal with Island Records to give the album a wider release.

Ralph Towner (born March 1, 1940, Chehalis, Washington) is an American multi-instrumentalist, composer, arranger and bandleader. He plays the twelve-string guitar, classical guitar, piano, synthesizer, percussion and trumpet.

Towner was born into a musical family in Chehalis, Washington. His mother was a piano teacher and his father a trumpet player. Towner learned to improvise on the piano at the age of three. He began his career as a conservatory-trained classical pianist, attending the University of Oregon from 1958-1963, where he also studied composition with Homer Keller. He studied classical guitar at the Vienna Academy of Music with Karl Scheit from 1963-64 and 1967-68.

He joined world music pioneer Paul Winter‘s “Consort” ensemble in the late 1960s. He first played jazz in New York City in the late 1960s as a pianist and was strongly influenced by the renowned jazz pianist Bill Evans. He began improvising on classical and 12-string guitars in the late 1960s/early 1970s and formed alliances with musicians who had worked with Evans, including flautist Jeremy Steig, bassists Eddie Gómez, Marc Johnson, Gary Peacock, and drummer Jack DeJohnette.

Along with bandmates Paul McCandless, Glen Moore, and Collin Walcott, Towner left the Winter Consort in 1970 to form the group Oregon, which over the course of the 1970s issued a number of highly influential records mixing folk music, Indian classical forms, and avant-garde jazz-influenced free improvisation. At the same time, Towner began a longstanding relationship with the influential ECM record label, which has released virtually all of his non-Oregon recordings since his 1973 debut as a leader Trios / Solos. Towner appeared as a sideman on Weather Report‘s 1972 album I Sing the Body Electric. Since the early 1990s, Towner has lived in Italy, first in Palermo and then in Rome.

Harry Belafonte (born Harold George Bellanfanti Jr.; March 1, 1927) is an American singer, songwriter, activist, and actor. One of the most successful Jamaican-American pop stars in history, he was dubbed the “King of Calypso” for popularizing the Caribbean musical style with an international audience in the 1950s. His breakthrough album Calypso (1956) is the first million-selling LP by a single artist. Belafonte is known for his recording of “The Banana Boat Song“, with its signature lyric “Day-O”. He has recorded and performed in many genres, including blues, folk, gospel, show tunes, and American standards. He has also starred in several films, including Otto Preminger‘s hit musical Carmen Jones (1954), Island in the Sun (1957), and Robert Wise‘s Odds Against Tomorrow (1959).

Belafonte was an early supporter of the Civil Rights Movement in the 1950s and 1960s and was a confidant of Martin Luther King Jr.. Throughout his career, he has been an advocate for political and humanitarian causes, such as the Anti-Apartheid Movement and USA for Africa. Since 1987, he has been a UNICEF Goodwill Ambassador. He was a vocal critic of the policies of the George W. Bush presidential administrations. Belafonte acts as the American Civil Liberties Union celebrity ambassador for juvenile justice issues.

Belafonte has won three Grammy Awards (including a Grammy Lifetime Achievement Award), an Emmy Award, and a Tony Award. In 1989, he received the Kennedy Center Honors. He was awarded the National Medal of Arts in 1994. In 2014, he received the Jean Hersholt Humanitarian Award at the Academy’s 6th Annual Governors Awards.

Belafonte was born Harold George Bellanfanti Jr. at Lying-in Hospital on March 1, 1927, in Harlem, New York, the son of Melvine (née Love), a housekeeper, and Harold George Bellanfanti Sr., who worked as a chef. His mother was born in Jamaica, the child of a Scottish white mother and a black father. His father also was born in Jamaica, the child of a black mother and Dutch Jewish father of Sephardi origins. Belafonte has described his grandfather, whom he never met, as “a white Dutch Jew who drifted over to the islands after chasing gold and diamonds, with no luck at all”.

Charles R. Rice (March 1, 1920 – April 22, 2018), better known as Charlie Rice, was an American jazz drummer.

Having played with Jimmy Oliver, Rice led the first house band at Philadelphia’s Club 421, with a lineup including Vance Wilson, Bob Bushnell, Red Garland and Johnny Hughes. After playing with Eddie Vinson‘s and Jimmy Heath‘s big bands (with John Coltrane in both lineups) in 1951 he went with Oscar Pettiford, Rudy Williams, Clifton Best, J.J. Johnson and Howard McGhee on a USO tour to the South Pacific, as part of a unit known as the “Swingin’ Jamboree”. The concerts were recorded and released the following year as Howard McGhee and his Korean All Stars, Jazz At the Battlefront Volume 1. Back in Philadelphia, he led the Charlie Rice All-Stars. As well as playing with Sonny Stitt, Eddie “Lockjaw” Davis (again with John Coltrane), and Leo Parker, in 1964 and 1965 he toured and recorded with Chet Baker.

Frédéric François Chopin (UK: /ˈʃɒpæ̃/, US: /ʃoʊˈpæn/, French: [ʃɔpɛ̃], Polish: [ˈʂɔpɛn]; 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose “poetic genius was based on a professional technique that was without equal in his generation.”

Chopin was born Fryderyk Franciszek Chopin in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter—in the last 18 years of his life—he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries (including Robert Schumann).

After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Majorca with Sand in 1838–39 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of pericarditis aggravated by tuberculosis.

All of Chopin’s compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument: his own performances were noted for their nuance and sensitivity. Chopin invented the concept of the instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J. S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romanticperiod.

Urinetown the Musical by Theater 55 at the Illusion Theater.  2pm matinee and 730pm evening show. Music by Music by Music by Neal McIntosh, Jamie Carter, Chad Green, Paul Fontara and mick laBriola.

The intricate detail visible in this Picture of the Week would likely be extraordinary to Herschel. Hubble was able to capture an impressive level of structure within NGC 691’s layers of stars and spiraling arms — all courtesy of the telescope’s high-resolution Wide Field Camera 3.

Khaled Hadj Ibrahim (Arabic: خالد حاج إبراهيم‎, born 28 February 1960), better known by his mononym Khaled (Arabic: خالد‎; Arabic pronunciation: [ˈxaːled]), is an Algerian musician, singer and songwriter born in Oran, Algeria. He began recording in his early teens under the name Cheb Khaled (الشاب خالد, Arabic for “Young” Khaled, as opposed to the traditionalist Sheikh elders). He was crowned “King of Raï” in the first rai festival in Oran and has since become the world’s best-known Arab singer. His most famous songs are “Didi“, “Aïcha” and “C’est la vie” as well as “Alech Taadi”, which was prominently featured in the film The Fifth Element. Khaled Hadj Brahim was born in 1960 in Oran‘s Eckmühl neighborhood, Algeria. On 12 January 1995, Khaled married Samira Diabi, 27, with whom he has four daughters and one son.

Richie Cole (born February 29, 1948) is an American jazz saxophonist, composer, and arranger. Cole was born in Trenton, New Jersey. He started playing alto saxophone when he was ten years old, encouraged by his father, who owned a jazz club in New Jersey. He is a graduate of Ewing High School, in Ewing Township, New Jersey. Cole won a scholarship from Down Beat magazine to the Berklee School of Music in Boston.

In 1969 he joined drummer Buddy Rich‘s Big Band. After working with Lionel Hampton‘s Big Band and Doc Severinsen‘s Big Band, he formed his own quintet and toured worldwide, doing a great deal to popularize bebop and his own “alto madness” style in the 1970s and early ’80s. He formed the Alto Madness Orchestra in the 1990s.

Cole has performed and recorded with Eddie Jefferson, Nancy Wilson, Tom Waits, The Manhattan Transfer, Hank Crawford, Freddie Hubbard, Eric Kloss, Bobby Enriquez, Phil Woods, Sonny Stitt, Art Pepper, and Boots Randolph. He has recorded over fifty albums, including his top hit album Hollywood Madness (Muse, 1979) and his tribute album to Leonard Bernstein, Richie Cole Plays West Side Story (Music Masters, 1997).

James Francis Dorsey (February 29, 1904 – June 12, 1957), professionally known as Jimmy Dorsey, was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards “I’m Glad There Is You (In This World of Ordinary People)” and “It’s The Dreamer In Me“. His other major recordings were “Tailspin“, “John Silver“, “So Many Times“, “Amapola“, “Brazil (Aquarela do Brasil)”, “Pennies from Heaven” with Bing Crosby, Louis Armstrong, and Frances Langford, “Grand Central Getaway”, and “So Rare“. He played clarinet on the seminal jazz standards “Singin’ the Blues” in 1927 and the original 1930 recording of “Georgia on My Mind“, which were inducted into the Grammy Hall of Fame.

Jimmy Dorsey was born in Shenandoah, Pennsylvania, United States, the first son of Theresa Langton Dorsey and Thomas Francis Dorsey. His father, Thomas, was initially a coal miner, but would later become a music teacher and marching-band director. Both Jimmy and his younger brother,Tommy Dorsey, were musically active during their childhoods and by the age of seven, Jimmy was already playing with his father’s band. He made his first public appearance at the age of 9 while playing trumpet with J. Carson McGee’s King Trumpeters in New York in 1913. He switched to alto saxophone in 1915, and then learned clarinet. Jimmy Dorsey played on a clarinet outfitted with the Albert system of fingering, as opposed to the more common Boehm system used by most of his contemporaries including Benny Goodman and Artie Shaw.

Urintown by Theater 55 (https://theatre55.org) opening night at the Illusion Theater (http://www.illusiontheater.org) running from Friday February 28th thru Sunday March 15th. Music by Music by Neal McIntosh, Jamie Carter, Chad Green, Paul Fontara and mick laBriola. The plot of Urinetown is fairly straightforward. The scene is a city in a parallel universe in the mid 1900’s in which the majority of the citizens’ dreary low-class existence is compounded by a water shortage, which has lead to the institution of pay-per-use public bathrooms and the jailing of unsanitary offenders.

Substitute teaching this week at Friends School, teaching Percussion & Guitar classes. Mounting material for upcoming performance. (For a complete listing of Daily Music go to Blog pages at micklabriola.com)

Astronomers have discovered the biggest explosion we have ever seen. They spotted the remnants of this blast in a distant galaxy, using some of the most powerful telescopes we have, including NASA’s Chandra X-ray Observatory and the Murchison Widefield Array in Australia. The observations revealed a strange void at the centre of a huge galaxy about 390 million light years away in the Ophiuchus galaxy cluster. The space inside that void is seething with radio waves, which come from electrons accelerated almost to the speed of light. The researchers concluded that those electrons were accelerated by a huge explosion from just near a black hole, which smashed away all the gas in the area to leave behind just a void filled with electrons and radiation. The explosion released five times more energy than the previous record holder. “You could fit fifteen Milky Way galaxies in a row into the crater this eruption punched into the cluster’s hot gas,” Simona Giacintucci at the US Naval Research Laboratory, who was part of the team that found the explosion, said in a press release.

Lewis Brian Hopkins Jones (28 February 1942 – 3 July 1969) was an English musician, best known as the founder and original leader of the Rolling Stones. Initially a slide guitarist, Jones would go on to play a wide variety of instruments on Rolling Stones recordings and in concerts, such as rhythm and lead guitar, sitar, dulcimer, various keyboard instruments such as piano and mellotron, marimba, wind instruments such as harmonica, recorder, saxophone, as well as drums, vocals and numerous others.

Jones and fellow guitarist Keith Richards developed a unique style of guitar play that Richards refers to as the “ancient art of weaving” where both players would play rhythm and lead parts together; Richards would carry the style on with later Stones guitarists and the sound would become a Rolling Stones trademark.

After he founded the Rolling Stones as a British blues outfit in 1962, and gave the band its name, Jones’ fellow band members Richards and Mick Jagger began to take over the band’s musical direction, especially after they became a successful songwriting team. Jones also did not get along with the band’s manager, Andrew Loog Oldham, who pushed the band into a musical direction at odds with Jones’ blues background. At the same time, Jones developed alcohol and drug problems, and his performance in the studio became increasingly unreliable, leading to a diminished role within the band he had founded. In June 1969, the Rolling Stones asked Jones to leave; guitarist Mick Taylor took his place in the group. Jones died less than a month later, drowning in the swimming pool at his home at the age of 27.

Long-time Rolling Stones bass guitarist Bill Wyman said of Jones, “He formed the band. He chose the members. He named the band. He chose the music we played. He got us gigs. … he was very influential, very important, and then slowly lost it – highly intelligent – and just kind of wasted it and blew it all away.”

https://www.youtube.com/watch?v=pr91kyjkdLM

John Aloysius Fahey (/ˈfeɪhi/ FAY-hee; February 28, 1939 – February 22, 2001) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of American Primitive Guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.

Fahey spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence in the late 1990s, with a turn towards the avant-garde. He also created a series of abstract paintings in his final years. Fahey died in 2001 from complications from heart surgery. In 2003, he was ranked 35th on Rolling Stone magazine’s “100 Greatest Guitarists of All Time” list.

Fahey was born into a musical household in Washington, D.C. in 1939. Both his father, Aloysius John Fahey, and his mother, Jane (née Cooper), played the piano. In 1945, the family moved to the Washington suburb of Takoma Park, Maryland, where his father lived until his death in 1994. On weekends, the family attended performances of the top country and bluegrass acts of the day, but it was hearing Bill Monroe‘s version of Jimmie Rodgers‘ “Blue Yodel No. 7” on the radio that ignited the young Fahey’s passion for music.

Charles Gayle (born February 28, 1939) is an American free jazz musician. Initially known as a saxophonist who came to prominence in the 1990s after decades of obscurity, Gayle also performs as pianist, bass clarinetist, bassist, and percussionist.

Charles Gayle was born in Buffalo, New York. Some of his history has been unclear due to his reluctance to talk about his life in interviews. He briefly taught music at the University at Buffalo before relocating to New York City during the early 1970s.