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Carlos Humberto Santana Barragán (born July 20, 1947) is an American guitarist, best known as a founding member of the rock band Santana. Born and raised in Mexico where he developed his musical background, he rose to fame in the late 1960s and early 1970s in the United States with Santana, which pioneered a fusion of rock and roll and Latin American jazz. Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments not generally heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s.

In 2015, Rolling Stone magazine listed Santana at No. 20 on their list of the 100 greatest guitarists. In 2023, Rolling Stone named him the 11th greatest guitarist of all time. He has won 10 Grammy Awards and three Latin Grammy Awards, and was inducted along with his namesake band into the Rock and Roll Hall of Fame in 1998.

Santana was born in Autlán de Navarro in Jalisco, Mexico on July 20, 1947. He learned to play the violin at age five and the guitar at age eight, under the tutelage of his father, who was a mariachi musician. His younger brother, Jorge, also became a professional guitarist.

Tony Oladipo Allen (20 July 1940 – 30 April 2020) was a Nigerian and French drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti‘s band Africa ’70 from 1968 to 1979, and was one of the founders of the Afrobeat genre. Fela once stated that “without Tony Allen, there would be no Afrobeat”. He was described by Brian Eno as “perhaps the greatest drummer who has ever lived”.

Later in life, Allen collaborated with Damon Albarn on several projects, including Gorillaz, the Good, the Bad & the Queen and Rocket Juice & the Moon. Allen’s career and life were documented in his 2013 autobiography Tony Allen: Master Drummer of Afrobeat, co-written with Michael E. Veal, who previously wrote a comprehensive biography of Fela Kuti.

Ernest Brooks Wilkins Jr. (July 20, 1922 – June 5, 1999 St Louis, MO) was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich.

Commander Cody and His Lost Planet Airmen were an American country rock band founded in 1967. The group’s leader and co-founder was pianist and vocalist George Frayne IV, alias Commander Cody (born July 19, 1944, in Boise, Idaho; died September 26, 2021, in Saratoga Springs, New York).

The band became known for marathon live shows. Alongside Frayne, the classic lineup was Billy C. Farlow (b. Decatur, Alabama) on vocals and harmonica; John Tichy (b. St. Louis, Missouri) on guitar and vocals; Bill Kirchen (Kirchen was born in Bridgeport, Connecticut, June 29, 1948, but grew up in Ann Arbor, Michigan) on lead guitar; Andy Stein (b. August 31, 1948, in New York City) on saxophone and fiddle; “Buffalo” Bruce Barlow (b. December 3, 1948, in Oxnard, California) on bass guitar; Lance Dickerson (b. October 15, 1948, in Livonia, Michigan, died November 10, 2003, in Fairfax, California)^{[citation needed]} on drums; and Steve “The West Virginia Creeper” Davis (b. July 18, 1946, in Charleston, West Virginia), followed by Bobby Black, on pedal steel guitar.

Arley “Buster“ Benton (July 19, 1932 – January 20, 1996) was an American bluesguitarist and singer. He played guitar in Willie Dixon‘s Blues All-Stars and is best known for his solo rendition of Dixon’s song “Spider in My Stew.” Benton was tenacious, and despite the amputation of parts of both legs in the latter part of his lengthy career, he never stopped playing his own version of Chicago blues.

He was born Arley Benton, in Texarkana, Arkansas. While residing in Toledo, Ohio, in the mid-1950s, and having been influenced by Sam Cooke and B.B. King, Benton began playing blues. By 1959, he was leading his own band in Chicago. During the 1960s, the local record labels Melloway, Alteen, Sonic, and Twinight released several singles by Benton. However, because of a lack of opportunities in the early 1960s, he gave up playing professionally for several years and worked as an auto mechanic. His earlier work was an amalgam of blues and soul. According to the music journalist Bill Dahl, “in the late 1970s, when the popularity of blues music was at low ebb, Benton’s recordings, particularly for Ronn Records, were a breath of fresh air.”

William C. “Buster“ Bailey (July 19, 1902 – April 12, 1967) was an American jazz clarinetist.

Buster Bailey was taught clarinet by classical teacher Franz Schoepp, who also taught Benny Goodman. Bailey gained his start with W.C. Handy’s Orchestra in 1917, when he was just fifteen years old. After two years of touring with Handy, Bailey quit the orchestra while the band was in Chicago. In 1919, Bailey joined Erskine Tate’s Vendome Orchestra and remained with Tate until 1923 when he joined up with Joe “King” Oliver. As a member of King Oliver’s Creole Jazz Band, Bailey met and became friends with Louis Armstrong, who was also a member of the band at that time. In 1924, Armstrong left King Oliver’s Jazz Band to join Fletcher Henderson’s Orchestrain New York. Within a month, Armstrong extended an invitation for Buster Bailey to join him as a member of Henderson’s band. Bailey accepted and moved to New York City.

Carmell Jones (July 19, 1936 – November 7, 1996) was an American jazz trumpet player.

Jones was born in Kansas City, Kansas, United States. He started piano lessons at age five, and trumpet lessons at age seven. His first professional work was with Kansas City musicians Nathan Davis, Cleanhead Vinson and Frank Smith. He moved to California in 1961, and worked as a studio musician for several years, including in the orchestras for two movie soundtracks, Seven Days In May and The Manchurian Candidate, the latter starring Frank Sinatra. He released two albums as a leader for Pacific Jazz at this time while recording as a sideman with Bud Shank, Onzy Matthews, Curtis Amy, Harold Land, and Gerald Wilson.

Dwijendralal Ray (19 July 1863 – 17 May 1913), also known as D. L. Ray, was an Indian poet, playwright, and musician. He was known for his Hindu mythological and nationalist historical plays and songs known as Dwijendrageeti or the Songs of Dwijendralal, which number over 500, create a separate subgenre of Bengali music.

Derived from flamenco’s earliest root forms, the tonás, siguiriyas is one of flamenco’s oldest and deepest forms.

Its name is a corruption of the term seguidillas, a group of 18th Century songs and dances. Siguiriyas first emerged in the 18th Century in Cádiz, Sevilla and Jerez de la Frontera.

​Slow, majestic and tragic, Siguiriyas is the most jondo of cante jondo forms. Its lyrics focus on tragedy, inconsolable sorrow, and pain. 

​An important feature of Siguiriyas is its unusual compás which gives the form its unique, uneven pattern and much of its expressive power.

​Siguiriyas is a highly personal form and most artists associated with the style, such as El Planeta, La Niña de los Peines, Manuel Molina and Antonio Chacón, created their own extraordinary versions.