mick laBriola

Ernest Kador Jr. (February 22, 1933 – July 5, 2001), known by the stage name Ernie K-Doe, was an African-American rhythm-and-blues singer best known for his 1961 hit single “Mother-in-Law“, which went to number 1 on the Billboard pop chart in the U.S.

Born in New Orleans, K-Doe recorded as a member of the group the Blue Diamonds in 1954 before making his first solo recordings the following year. “Mother-in-Law“, written by Allen Toussaint, was his first hit, reaching number 1 on both the Billboard pop chart and the Billboard R&B chart. K-Doe never had another top-40 pop hit, but “Te-Ta-Te-Ta-Ta” (number 21, 1961) and “Later for Tomorrow” (number 37, 1967) reached the R&B top 40.

In the 1980s K-Doe did radio shows on the New Orleans community stations WWOZ and WTUL. The shows were known for his explosively energetic announcements and frequent self-promotion (occasionally causing problems for the noncommercial station). K-Doe’s catch phrases included “Burn, K-Doe, Burn!”, “I’m a Charity Hospital Baby!” and (addressed to himself) “You just good, that’s all!” For a time he billed himself as “Mister Naugahyde”, until he was ordered to desist by the owners of the Naugahyde trademark. K-Doe then explained that it was a misunderstanding; he was actually referring to himself as “Mister M-Nauga-Ma-Hyde”, a word he invented himself.

Joseph Benjamin Wilder (February 22, 1922 – May 9, 2014) was an American jazz trumpeter, bandleader, and composer. His Grandchildren are Bleu Roberson, Lilly Townsend and Grey’cia Roberson(Last named after his middle name)

Wilder was awarded the Temple University Jazz Master’s Hall of Fame Award in 2006. The National Endowment for the Arts honored him with its highest honor in jazz, the NEA Jazz Masters Award for 2008.

Wilder was born into a musical family led by his father Curtis, a bassist and bandleader in Philadelphia. Wilder’s first performances took place on the radio program “Parisian Tailor’s Colored Kiddies of the Air”. He and the other young musicians were backed up by such illustrious bands as Duke Ellington‘s and Louis Armstrong‘s that were also then playing at the Lincoln Theater. Wilder studied at the Mastbaum School of Music in Philadelphia, but turned to jazz when he felt that there was little future for an African-American classical musician. At the age of 19, Wilder joined his first touring big band, Les Hite’s band.

Wilder was one of the first thousand African Americans to serve in the Marines during World War II. He worked first in Special Weapons and eventually became Assistant Bandmaster at the headquarters’ band. Following the war during the 1940s and early 1950s, he played in the orchestras of Jimmie Lunceford, Herbie Fields, Sam Donahue, Lucky Millinder, Noble Sissle, Dizzy Gillespie, and finally with the Count BasieOrchestra. From 1957 to 1974, Wilder did studio work for ABC-TV, New York City, and in the pit orchestras for Broadway musicals, while building his reputation as a soloist with his albums for Savoy (1956) and Columbia (1959). His Jazz from Peter Gunn (1959), features ten songs from Henry Mancini (“Peter Gunn“) television score in melodic and swinging fashion with a quartet. He was also a regular sideman with such musicians as NEA Jazz Masters Hank Jones, Gil Evans, and Benny Goodman. He became a favorite with vocalists and played for Billie Holiday, Lena Horne, Johnny Mathis, Harry Belafonte, Eileen Farrell, Tony Bennett, and many others.

George Holmes “Buddy” Tate (February 22, 1913 – February 10, 2001) was a jazz saxophonist and clarinetist. Tate was born in Sherman, Texas, and began performing on alto saxophone. According to the website All About Jazz, Tate was playing in public as early as 1925 in a band called McCloud’s Night Owls.” Tate’s 2001 New York Times obituary stated that “he began his career in the late 1920s, playing around the Southwest with bands led by Terrence Holder, Andy Kirk and Nat Towles.”

Tate quickly switched to tenor saxophone making a name for himself in bands such as the one led by Andy Kirk. He joined Count Basie in 1939 and stayed with him until 1948. He had been selected by Basie after the sudden death of Herschel Evans, which Tate stated he had predicted in a dream.

After his period with Basie ended, he worked with several other bands before he found success on his own, starting in 1953 in Harlem. His group worked at the “Celebrity Club” from 1953 to 1974. In the late 1970s, he co-led a band with Paul Quinichette and worked with Benny Goodman.

In 1980, he was seriously injured by scalding water in a hotel shower, which kept him inactive for four months.^[4] He later suffered from a serious illness. The 1990s saw him slow down, but he remained active playing with Lionel Hampton among others.

In 1992, Tate took part in the documentary, Texas Tenor: The Illinois Jacquet Story. In 1996, he recorded with woodwind artist James Carter on the younger man’s second release for Atlantic Records, Conversin’ with the Elders, along with trumpeters Harry “Sweets” Edison and Lester Bowie, and saxophonists Hamiet Bluiett and Larry Smith.

Tate lived in New York until 2001 when he moved to Arizona to be cared for by his daughter. He died in Chandler, Arizona, at the age of 87.

https://www.youtube.com/watch?v=LTZCNVb45S0

Shabbat for the Soul tonight Shabbat service at Mt Zion Temple 2-21-20 730pm

Lynds’ Dark Nebula (LDN) 1622 appears against a faint background of glowing hydrogen gas only visible in long telescopic exposures of the region. In contrast, the brighter reflection nebula vdB 62 is more easily seen, just above and right of center. LDN 1622 lies near the plane of our Milky Way Galaxy, close on the sky to Barnard’s Loop, a large cloud surrounding the rich complex of emission nebulae found in the Belt and Sword of Orion. With swept-back outlines, the obscuring dust of LDN 1622 is thought to lie at a similar distance, perhaps 1,500 light-years away. At that distance, this 1 degree wide field of view would span about 30 light-years. Young stars do lie hidden within the dark expanse and have been revealed in Spitzer Space telescope infrared images. Still, the foreboding visual appearance of LDN 1622 inspires its popular name, the Boogeyman Nebula.

Corey Harris (born February 21, 1969 in Denver, Colorado, United States) is an American blues and reggae musician, currently residing in Charlottesville, Virginia. Along with Keb’ Mo’ and Alvin Youngblood Hart, he raised the flag of acoustic guitar blues in the mid-1990s. He was featured on the 2003 PBS television mini-series, The Blues, in an episode directed by Martin Scorsese. Harris was born and raised near Denver, Colorado. He graduated from Bates College in Lewiston, Maine with a bachelor’s degree in 1991, and was awarded an honorary doctorate in 2007. Harris received a Thomas J. Watson Fellowship for language studies in Cameroon in his early twenties, before taking a teaching post in Napoleonville, Louisiana under the Teach For America program. His debut solo album Between Midnight and Day(1995) was produced by composer/producer Larry Hoffman, who discovered him in 1994 in Helena, Arkansas. The record included covers of Sleepy John Estes, Fred McDowell, Charlie Patton, Muddy Waters, and Booker White.

Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.

The sixth of eight children born to a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition, which she attributed to racial discrimination. In 2003, just days before her death, the Institute awarded her an honorary degree.

To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to “Nina Simone” to disguise herself from family members, having chosen to play “the devil’s music” or so-called “cocktail piano”. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist. She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She had a hit single in the United States in 1958 with “I Loves You, Porgy“. Her musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.

Simone was born Eunice Kathleen Waymon on February 21, 1933, in Tryon, North Carolina. The sixth of eight children in a poor family, she began playing piano at the age of three or four; the first song she learned was “God Be With You, Till We Meet Again”. Demonstrating a talent with the instrument, she performed at her local church. Her concert debut, a classical recital, was given when she was 12. Simone later said that during this performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people.

Edward Haydn Higgins (February 21, 1932 – August 31, 2009) was an American jazz pianist, composer, and orchestrator.

Born and raised in Cambridge, Massachusetts, United States, Higgins initially studied privately with his mother. He started his professional career in Chicago, Illinois, while studying at the Northwestern University School of Music. An elegant and sophisticated pianist, his encyclopedic harmonicapproach and wide range of his repertory made him one of the most distinctive jazz pianists to come out of Chicago, gaining the respect of local and visiting musicians for his notable mastery of the instrument. Higgins also had the unusual ability to sound equally persuasive in a broad span of music, whether he was playing traditional swing, exciting bebop or reflexive ballads, providing the tone and stylistic flavor of each style, both as soloist and accompanist.

For more than two decades Higgins worked at some of Chicago’s most prestigious jazz clubs, including the Brass Rail, Preview Lounge, Blue Note, Cloister Inn and Jazz, Ltd. His longest and most memorable tenure was at the long-gone London House, where he led his jazz trio from the late 1950s to the late 1960s, playing opposite jazz stars of this period, including Cannonball Adderley, Bill Evans, Erroll Garner, Stan Getz, Dizzy Gillespie, Wes Montgomery, Oscar Peterson and George Shearing, among others. Later, Higgins said the opportunities to play jazz music with Coleman Hawkins and Oscar Peterson were unforgettable moments. Higgins spent his time at the London House Restaurant with bassist Richard Evans and drummer Marshall Thompson. Higgins also worked for Chess Records as a producer.

Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Saxophonist Dexter Gordon called him the “romanticist” of the bop movement, while reviewer Scott Yanow wrote that Dameron was the “definitive arranger/composer of the bop era“.

Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote “If You Could See Me Now” for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington.

In the late 1940s, Dameron wrote arrangements for Gillespie’s big band, who gave the première of his large-scale orchestral piece Soulphony in Three Hearts at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included Fats Navarro; the following year Dameron was at the Paris Jazz Festival with Miles Davis. From 1961 he scored for recordings by Milt Jackson, Sonny Stitt, and Blue Mitchell.

Soleá is one of the most basic forms or palos of Flamenco music, probably originated around Cádiz or Seville in Andalusia, the most southern region of Spain. It is usually accompanied by one guitar only, in phrygian mode “por arriba” (fundamental on the 6th string); “Bulerías por soleá” is usually played “por medio” (fundamental on the 5th string). Soleares is sometimes called “mother of palos” although it is not the oldest one (e.g. siguiriyas is older than soleares) and not even related to every other palo (e.g. fandangos family is from a different origin).

The Canadian CHIME radio telescope deserves a prize as the best astronomical Easter egg collector of the past several years.

Recently, this unusual-looking instrument, located in the forested hills of southern British Columbia and known as the Canadian Hydrogen Intensity Mapping Experiment, added to its list of accomplishments by finding yet another Fast Radio Burst (FRB) source.  Many dozen FRBs have been uncovered since the first was found in 2007.  But despite this imposing collection, we still don’t know what these strange objects are.

Clearly, something taking place in the far depths of the cosmos is burping radio waves into space.  The fact that FRBs for which we know the distance are far away – millions or billions of light-years – indicates that whatever they are, they’re pretty rare.

Could they be the result of colliding black holes, or neutron star smashups?  These were attractive ideas when FRBs were first found because of the large amounts of energy such cosmic head-ons would release.  Sadly, they became less appealing once astronomers found FRB’s that burp more than once.  Black holes and neutron stars are reluctant to back up and slam into one another again.

So what are FRBs?  All sorts of explanations are floating through the academic atmosphere, including the suggestion that they could be signals from intelligent beings in a galaxy far, far away.  It’s been a persistent puzzle for a dozen years, but the latest CHIME FRB might put us on the path to finding a solution.

In particular, this discovery, genially named FRB 180916J0158+65 (its date of first observation and position on the sky), has several beguiling properties: (1) It repeats – only one of three FRBs with this helpful attribute.  Because it is seen again and again, astronomers can dedicate telescope time on large instruments to zero in on its precise location.  The repetion of FRB 180916 etc. is very regular, approximately 16.35 days – and after each of these bursts, it also shoots short radio emissions into space about once an hour for four days.  (2) The source of the FRB is about 500 million light-years’ distant.  That’s a fair piece.  Looking in this direction, we can see a face-on spiral galaxy, but precisely where in that galaxy the FRB is located is hard to determine.

Could it be that such radio bursts are caused by aliens trying to either get in touch or simply make their presence known?  Don’t bet on it.  The FRBs for which we know a distance are all over the sky – and are separated by billions of light-years.  That means that any alien memo instructing others to all make the same type of short transmissions to the cosmos would arrive  billions of years apart. A coordinated response seems … unlikely! And this is even aside from the fact that it’s impossible to put very much information in a short radio burst – Even less than you could stuff into a bottle thrown into the ocean.

But here’s the thing.  This FRB repeats every 16 days, and that suggests that something in orbit is causing its outbursts.  Maybe some exotic star encircling a black hole, or the reverse.  It could be that, much as the Rosetta Stone provided key information for decoding the hieroglyphics, this newest member of the cosmic bestiary may unlock an understanding of what FRBs actually are.

Kurt Donald Cobain (February 20, 1967 – April 5, 1994) was an American singer, songwriter, and musician, best known as the guitarist and frontman of the rock band Nirvana. Regarded as a Generation X icon, he is considered to be one of the most iconic and influential rock musicians in the history of alternative music.

Born in Aberdeen, Washington, Cobain formed the band Nirvana with Krist Novoselic and Aaron Burckhard in 1987 and established it as part of the Seattle music scene which later became known as grunge. After signing with major label DGC Records, Nirvana found global success with “Smells Like Teen Spirit” from their critically acclaimed second album Nevermind (1991). Following the success of Nevermind, Nirvana was labelled “the flagship band” of Generation X, and Cobain was hailed as “the spokesman of a generation”; however, Cobain resented this, believing his message and artistic vision had been misinterpreted by the public, with his personal problems often subject to media attention.

During the last years of his life, Cobain struggled with heroin addiction and chronic health problems such as depression. He also struggled with the personal and professional pressures of fame, and his marriage to musician Courtney Love. On April 8, 1994, Cobain was found dead at his home in Seattle at the age of 27; police concluded he had died on April 5 from a self-inflicted shotgun wound to his head.

Cobain was posthumously inducted into the Rock and Roll Hall of Fame, along with Nirvana bandmates Dave Grohl and Novoselic, in their first year of eligibility in 2014. In 2003, David Fricke of Rolling Stone ranked him the 12th greatest guitarist of all time. He was ranked 7th by MTV in the “22 Greatest Voices in Music”. In 2006, he was placed 20th by Hit Parader on their list of the “100 Greatest Metal Singers of All Time”.

Cobain was born at Grays Harbor Hospital in Aberdeen, Washington on February 20, 1967, the son of waitress Wendy Elizabeth (née Fradenburg; born 1948) and automotive mechanic Donald Leland Cobain (born 1946).

Buffy Sainte-Marie, CC (born Beverly Sainte-Marie, c. February 20, 1941) is an Indigenous Canadian–American singer-songwriter, musician, Oscar-winning composer, visual artist, educator, pacifist, and social activist. Throughout her career in all of these areas, her work has focused on issues facing Indigenous peoples of the Americas. Her singing and writing repertoire also includes subjects of love, war, religion, and mysticism. She has won recognition, awards and honours for her music as well as her work in education and social activism.

In 1983, Buffy Sainte-Marie became the first indigenous person to win an Oscar. Her song “Up Where We Belong“, co-written for the film An Officer and a Gentleman, won both the Academy Award for Best Original Song at the 55th Academy Awards and the Golden Globe for Best Original Song.

In 1997, she founded the Cradleboard Teaching Project, an educational curriculum devoted to better understanding Native Americans.

Buffy Sainte-Marie was born in 1941 on the Piapot 75 reserve in the Qu’Appelle Valley, Saskatchewan, Canada. She was abandoned as an infant and was then adopted by Albert and Winifred Sainte-Marie, a Wakefield, Massachusetts couple of Mi’kmaq descent. She attended the University of Massachusetts Amherst, earning degrees in teaching and Oriental philosophy and graduating in the top ten of her class.

https://www.youtube.com/watch?v=WuviRPq6a5s

Nancy Sue Wilson (February 20, 1937 – December 13, 2018) was an American singer whose career spanned over five decades, from the mid-1950s until her retirement in the early 2010s. She was especially notable for her single “(You Don’t Know) How Glad I Am” and her version of the standard “Guess Who I Saw Today“. Wilson recorded more than 70 albums and won three Grammy Awards for her work. During her performing career, Wilson was labeled a singer of blues, jazz, R&B, pop, and soul; a “consummate actress”; and “the complete entertainer”. The title she preferred, however, was “song stylist”. She received many nicknames including “Sweet Nancy”, “The Baby”, “Fancy Miss Nancy” and “The Girl With the Honey-Coated Voice”.

Nancy Sue Wilson was born on February 20, 1937, in Chillicothe, Ohio, the first of six children of Olden Wilson, an iron foundry worker, and Lillian Ryan, a maid. Wilson’s father would buy records to listen to at home. At an early age Wilson heard recordings from Billy Eckstine, Nat King Cole, and Jimmy Scott with Lionel Hampton‘s Big Band. Wilson says: “The juke joint down on the block had a great jukebox and there I heard Dinah Washington, Ruth Brown, LaVerne Baker, Little Esther“. Wilson became aware of her talent while singing in church choirs, imitating singers as a young child, and performing in her grandmother’s house during summer visits. By the age of four, she knew she would eventually become a singer.

Oscar Marcelo Alemán (February 20, 1909 – October 14, 1980) was an Argentine jazz guitarist, singer, and dancer. He is widely recognized in his country and abroad as one of the best jazz performers, and as an influential artist.

Alemán was born in Machagai, Chaco Province, in Northern Argentina. He was the fourth child of seven born to pianist Marcela Pereira, a native Argentine, and Jorge Alemán Morales, who played guitar in a folk quartet with his children Carlos, Juan, and Jorgelina.

At the age of six, Alemán joined the family ensemble, the Moreira Sextet, and played the cavaquinho, a Brazilian ukulele, before taking up the guitar.The group travelled to Buenos Aires to perform at the Parque Japonés, Nuevo Theater, and at the Luna Park. Later they toured in Brazil.

Alemán was orphaned at age of ten when his mother died and his father committed suicide. He sustained himself by working sporadically as a dancer and musician on the streets of Santos, Brazil. When he saved enough money, he bought a guitar and started to play professionally at party venues in a duo called Los Lobos with his friend, Brazilian guitarist Gastón Bueno Lobo. The duo moved to Buenos Aires in 1925 to work under contract for the comedian Pablo Palitos. In Buenos Aires, they formed a trio with violinist Elvino Vardaro. They added tango to their repertoire and recorded with Agustín Magaldi. They later played with Carlos Gardel and Enrique Santos Discépolo.