mick laBriola

The Eagle Nebula (catalogued as Messier 16 or M16, and as NGC 6611, and also known as the Star Queen Nebula and The Spire) is a young open cluster of stars in the constellation Serpens, discovered by Jean-Philippe de Chéseaux in 1745–46. Both the “Eagle” and the “Star Queen” refer to visual impressions of the dark silhouette near the center of the nebula, an area made famous as the “Pillars of Creation” imaged by the Hubble Space Telescope. The nebula contains several active star-forming gas and dust regions, including the aforementioned Pillars of Creation. 7,000 ly distance.

Marianne Evelyn Gabriel Faithfull (born 29 December 1946) is an English singer, songwriter, and actress. She achieved popularity in the 1960s with the release of her hit single “As Tears Go By” and became one of the lead female artists during the British Invasion in the United States.

Born in Hampstead, London, Faithfull began her career in 1964 after attending a Rolling Stones party, where she was discovered by Andrew Loog Oldham. After the release of her hit single “As Tears Go By”, she became an international star. Her debut album Marianne Faithfull (1965) (released simultaneously with her album Come My Way) was a commercial success followed by a number of albums on Decca Records. From 1966 to 1970, she had a highly publicised romantic relationship with Mick Jagger. Her popularity was further enhanced by her film roles, such as I’ll Never Forget What’s’isname (1967), The Girl on a Motorcycle (1968), and Hamlet (1969). However, her popularity was overshadowed by personal problems in the 1970s. During that time she was anorexic, homeless, and a heroin addict.

Noted for her distinctive voice, Faithfull’s previously melodic and higher registered vocals (which were prevalent throughout her career in the 1960s) were affected by severe laryngitis, coupled with persistent drug abuse during the 1970s, permanently altering her voice, leaving it raspy, cracked and lower in pitch. This new sound was praised as “whisky soaked” by some critics for helping capture the raw emotions expressed in her music.

After a long commercial absence, Faithfull made a comeback with the 1979 release of her critically acclaimed album Broken English. The album was a commercial success and marked a resurgence of her musical career. Broken English earned Faithfull a nomination for Grammy Award for Best Female Rock Vocal Performance and is often regarded as her “definitive recording.” She followed with a series of albums, including Dangerous Acquaintances (1981), A Child’s Adventure (1983), and Strange Weather (1987). Faithfull also wrote three books about her life: Faithfull: An Autobiography (1994), Memories, Dreams & Reflections (2007), and Marianne Faithfull: A Life on Record (2014).

Faithfull is listed on VH1‘s “100 Greatest Women of Rock and Roll” list. She received the World Lifetime Achievement Award at the 2009 Women’s World Awards and was made a Commandeur of the Ordre des Arts et des Lettres by the government of France.

Richard Clare Danko (December 29, 1943 – December 10, 1999) was a Canadian musician, bassist, songwriter and singer, best known as a member of The Band.

Danko was born on December 29, 1943 in Blayney, Ontario, a farming community outside the town of Simcoe, the third of four sons in a musical family of Ukrainian descent. He grew up listening to live music at family gatherings and to country music, blues and R&B on the radio. He especially liked country music, and often his mother would let him stay up late to listen to the Grand Ole Opry on the radio.

It was Danko who found the pink house on Parnassus Lane in Saugerties, New York, which became known as Big Pink. Danko, Hudson, and Manuel moved in, and Robertson lived nearby. The Band’s musical sessions with Dylan took place in the basement of Big Pink, between June and October 1967, generating recordings that were officially released in 1975 as The Basement Tapes. In October, the Hawks began demo recordings for their first album, with Helm rejoining the group in that month. Their manager, Albert Grossman, secured them a recording deal with Capitol Records in late 1967.

From January to March 1968, the Band recorded their debut album, Music from Big Pink, in recording studios in New York and Los Angeles. On this album, Danko sang lead vocal on three songs: “Caledonia Mission”, “Long Black Veil” and “This Wheel’s on Fire.”

Before the Band could promote the album by touring, Danko was severely injured in a car accident, breaking his neck and back in six places, which put him in traction for months. While he was in traction, Danko’s girlfriend, Grace Seldner, informed him that she was pregnant, and he proposed from his hospital bed. When they married, Danko was still in a neck brace. Rick and Grace divorced in October 1980.

The Band finally made their concert debut at Bill Graham‘s Winterland Ballroom in San Francisco in April 1969. By this time, they were already hard at work on their eponymous second album. On that record, sometimes known as the Brown Album, Danko sang what would become two of his signature songs—and two of the group’s best-loved classics: “When You Awake” and “Unfaithful Servant.” Both songs exemplified Danko’s talents as a lead singer and demonstrated his naturally plaintive voice.

https://www.youtube.com/watch?v=q6QxPkXzEQ4

Willie James Humphrey (December 29, 1900 – June 7, 1994) was a New Orleans jazz clarinetist. Willie Humphrey was born in a musical family, the son of prominent local clarinetist and music teacher Willie Eli Humphrey; his brothers Earl Humphrey and Percy Humphrey also became well known professional musicians.

After establishing himself with such New Orleans bands as the Excelsior and George McCullum‘s band, Humphrey traveled up north, playing with such other New Orleans musicians as Lawrence Duhé, and King Oliver in Chicago (Photos show Humphrey with Duhé’s band playing in the stands for the infamous 1919 World Series). In Saint Louis, Missouri in the 1920s he made his first recordings.

Back in New Orleans, he played for many years with the Eureka and Young Tuxedo Brass bands, the bands of Paul Barbarin and Sweet Emma Barrett, and the Preservation Hall Jazz Band.

Humphrey’s clarinet playing remained vigorous and continued to grow more inventive in his old age.

The moon moves in front of the sun in a rare ‘ring of fire’ solar eclipse as seen from Balut Island, Philippines. An annular solar eclipse occurred on December 26, 2019. A solar eclipse occurs when the Moon passes between Earth and the Sun, thereby totally or partly obscuring the Sun for a viewer on Earth. An annular solar eclipse occurs when the Moon’s apparent diameter is smaller than the Sun’s, blocking most of the Sun’s light and causing the Sun to look like an annulus (ring). An annular eclipse appears as a partial eclipse over a region of the Earth thousands of kilometres wide. The annularity was visible in Saudi Arabia, Qatar, United Arab Emirates, Oman, Pakistan, India, Sri Lanka, Bangladesh, Malaysia, Indonesia, Singapore, Northern Mariana Islands, and Guam. Population centers in the path of the annularity included Kozhikode, Coimbatore, Jaffna, Trincomalee, Sibolga, Tanjung Pinang, Batam, Singapore, Singkawang and Guam. Cities such as Doha, Madurai, Pekanbaru, Dumai, Johor Bahru and Kuching narrowly missed the annular path.

Solar coronal magnetic fields play a key role in driving the space weather conditions. Direct observations of coronal magnetic fields is challenging. Such solar eclipse events present an outstanding opportunity for the scientists to constrain the theoretical models via observations. The magnetic field structure for this annular eclipse is predicted using a combination of data-constrained models.

Michel Petrucciani (French pronunciation: ​[miʃɛl petʁutʃani]; Italian: [petrutˈtʃaːni]; 28 December 1962 – 6 January 1999) was a French jazz pianist. From birth he had osteogenesis imperfecta, a genetic disease that causes brittle bones and, in his case, short stature. He became one of the most accomplished jazz pianists of his generation despite having arms that caused him pain.

Michel Petrucciani came from an Italo-French family (his grandfather was from Naples) with a musical background. His father Tony played guitar, his brother Louis played bass, and his brother Philippe also plays the guitar. Michel was born with osteogenesis imperfecta, which is a genetic disease that causes brittle bones and, in his case, short stature. It is also often linked to pulmonary ailments. The disease caused his bones to fracture over 100 times before he reached adolescence and kept him in pain throughout his entire life. “I have pain all the time. I’m used to having hurt arms,” he said. In Michel’s early career, his father and brother occasionally carried him because he could not walk far on his own unaided. In certain respects he considered his disability an advantage, as he got rid of distractions like sports that other boys tended to become involved in. And he hints that his disability was helpful in other parts of his life. He said: “Sometimes I think someone upstairs saved me from being ordinary.

Lonnie Liston Smith Jr. (born December 28, 1940) is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres.

Smith was born and raised in Richmond, Virginia, United States to a musical family; his father was a member of Richmond Gospel music group The Harmonizing Four, and he remembered groups such as the Swan Silvertones and the Soul Stirrers (featuring a young Sam Cooke) as regular visitors to the house when he was a child. While passing through Miles Davis’ ever-changing line-up, Smith had finally formed his own group, ‘Lonnie Liston Smith and the Cosmic Echoes’ in 1973, together with his partner in Pharoah Sanders group, Cecil McBee, on bass, George Barron (soprano and tenor sax), Joe Beck (guitar), David Lee, Jr. (drums), James Mtume (percussion), Sonny Morgan (percussion), Badal Roy (tabla drums), and Geeta Vashi (tamboura). Blending atmospheric fusion, soul and funk, Smith was encouraged by Bob Thiele, the owner of Flying Dutchman Records, who had produced both Pharoah Sanders’ and Gato Barbieri’s output while Smith had been in their bands, the latter for Thiele’s newly formed label. For his debut album, Astral Traveling (Flying Dutchman, 1973), Smith re-recorded the title song he had composed and played on with the Pharoah Sanders band two years previous. An instrumental album, Astral Travelling also contained a re-arrangement of the gospel standard “Let Us Go Into the House of the Lord”, which Smith had also previously arranged for Sanders.

Edmund Leonard Thigpen (December 28, 1930 – January 13, 2010) was an American jazz drummer, best known for his work with the Oscar Peterson trio from 1959 to 1965. Thigpen also performed with the Billy Taylor trio from 1956 to 1959.

Born in Chicago, Illinois, Thigpen was raised in Los Angeles and attended Thomas Jefferson High School, where Art Farmer, Dexter Gordon and Chico Hamilton also attended. After majoring in sociology at Los Angeles City College, Thigpen returned to East St. Louis for one year to pursue music while living with his father who had been playing with Andy Kirk‘s Clouds of Joy. His father, Ben Thigpen, was a drummer who played with Andy Kirk for sixteen years during the 1930s and 1940s.

Thigpen first worked professionally in New York City with the Cootie Williams orchestra from 1951 to 1952 at the Savoy Ballroom. During this time he played with musicians such as Dinah Washington, Gil Mellé, Oscar Pettiford, Eddie Vinson, Paul Quinichette, Ernie Wilkins, Charlie Rouse, Lennie Tristano, Jutta Hipp, Johnny Hodges, Dorothy Ashby, Bud Powell, and Billy Taylor.

In 1959 he replaced guitarist Herb Ellis in the Oscar Peterson Trio in Toronto, Ontario, Canada. In 1961 he recorded in Los Angeles, featuring on the Teddy Edwards–Howard McGhee Quintet album entitled Together Again for the Contemporary label with Phineas Newborn Jr. and Ray Brown. After leaving Peterson, Thigpen recorded the album Out of the Storm as a leader for Verve in 1966. He then went on to tour with Ella Fitzgerald from 1967 to 1972.

https://www.youtube.com/watch?v=LMjJITMQvcM

Earl Kenneth Hines, also known as Earl “Fatha“ Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, “one of a small number of pianists whose playing shaped the history of jazz”.

The trumpeter Dizzy Gillespie (a member of Hines’s big band, along with Charlie Parker) wrote, “The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn’t been for Earl Hines blazing the path for the next generation to come, it’s no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines.”

The pianist Lennie Tristano said, “Earl Hines is the only one of us capable of creating real jazz and real swing when playing all alone.” Horace Silversaid, “He has a completely unique style. No one can get that sound, no other pianist”.^[3] Erroll Garner said, “When you talk about greatness, you talk about Art Tatum and Earl Hines”. Count Basie said that Hines was “the greatest piano player in the world”. Earl Hines was born in Duquesne, Pennsylvania, 12 miles from the center of Pittsburgh, in 1903. His father, Joseph Hines, played cornet and was the leader of the Eureka Brass Band in Pittsburgh, and his stepmother was a church organist.

vdB 24 is a reflection nebula in the constellation of Perseus. It is illuminated by the luminous and variable star ‘XY Per’, which is the bright star just below the blue nebulosity near the center of the image. vdB 24 is a faint, blue reflection nebula that lies roughly 1,140 light-years away in the constellation of Perseus, in the same galactic region as the California Nebula ( Sh2-220).

Terry John Bozzio (born December 27, 1950) is an American drummer best known for his work with Missing Persons and Frank Zappa.

He has been featured on nine solo or collaborative albums, 26 albums with Zappa, and seven albums with Missing Persons. He has been a prolific sideman, playing on numerous releases by other artists since the mid-1970s. He was inducted into the Modern Drummer Hall of Fame in 1997. His son and stepdaughter are also drummers; the latter, Marina, being a member of the band Aldious. Terry Bozzio was born on December 27, 1950, in San Francisco, California. He started at age 6 playing makeshift drum sets.

Johnny Frigo (December 27, 1916 – July 4, 2007) was an American jazz violinist and bassist. He appeared in the 1940s as a violinist before working as a bassist. He returned to the violin in the 1980s and enjoyed a comeback, recording several albums as a leader.

Frigo was born in Chicago and studied violin for three years beginning at age seven. In high school he started to play double bass in dance orchestras. In 1942 he played with Chico Marx‘s orchestra and performed a comedy routine on violin with Marx on piano. He entered the United States Coast Guard during World War II and played in a band on Ellis Island with Al Haig and Kai Winding.

After a brief turn at active service near the end of the war he moved to New Jersey. He toured with Jimmy Dorsey‘s band from 1945 to 1947, later forming the Soft Winds trio with Dorsey’s guitarist Herb Ellis and pianist Lou Carter. During this time he wrote the music and lyrics to “Detour Ahead”, which has been recorded by Billie Holiday, Sarah Vaughan, Ella Fitzgerald, Bill Evans, and Carola. During that time, he also wrote the sardonic swing tune “I Told Ya I Love Ya Now Get Out” which was recorded by June Christy and the Stan Kenton Orchestra. Chicago jazz vocalist Erin McDougaldrecorded the song 50 years later on her album The Auburn Collection (2004).

Willie Gary “Bunk” Johnson (December 27, 1879 – July 7, 1949) was a prominent jazz trumpeter in New Orleans. Johnson gave the year of his birth as 1879, although there is speculation that he may have been younger by as much as a decade.

Johnson received lessons from Adam Olivier and began playing professionally in Olivier’s orchestra. Johnson probably played a few adolescent jobs with Buddy Bolden, but was not a regular member of Bolden’s Band (contrary to Johnson’s claim). Johnson was regarded as one of the top trumpeters in New Orleans in the years 1905–1915, in between repeatedly leaving the city to tour with minstrel shows and circus bands.

After he failed to appear for a New Orleans Mardi Gras parade job in 1915, he learned that krewe members intended to do him bodily harm. So he left town, touring with shows and then by the early 1920s settling in New Iberia, Louisiana.

https://www.youtube.com/watch?v=ZWyjIq_TQzk&t=103s

The structure is similar to most Flamenco dances and can be broken down as follows:

• ENTRADA/SALIDA (ENTRANCE): The dancer enters the stage via marking steps (marcando)
• LLAMADA: This is the call for the singer to sing the first letra.
• FIRST LETRA: The singer sings 7-12 sets of 12 count phrases
• SECOND LETRA OR FALSETA: The Falsetta is a musical phrase or phrases that the guitarist has composed or improvises that the dancer interprets with choreography.
• ESCOBILLA: Several sets of 12 count footwork phrases
• SUBIDA/PALMAS/CHOREOGRAPHY that transitions into a BULERIAS. Usually, a REMATE/LLAMADA, a finish and a cue that are performed together in sequence, will occur here to call in the singer for the BULERIAS FINALE.
• BULERIAS – FINALE for all 12 count dances. Here, the Bulerías is a structured improvisation with set phrases, a set structure, and learned or improvised choreography.