mick laBriola

Freedom for Latinos, Muslims, LGBTQ, Handicapped, Homeless, Disenfranchised, First Nation People, African Americans and all humans of planet earth. Remove the Fake Dictator before he removes You!

Abell 2744, nicknamed Pandora’s Cluster, is a giant galaxy cluster resulting from the simultaneous pile-up of at least four separate, smaller galaxy clusters that took place over a span of 350 million years. The galaxies in the cluster make up less than five percent of its mass. The gas (around 20 percent) is so hot that it shines only in X-rays. Dark matter makes up around 75 percent of the cluster’s mass.

This cluster also shows a radio halo along with several other Abell clusters. It has a strong central halo, along with an extended tail, which could either be relic radiation, or an extension of the central halo.

Renato Dupke, a member of the team that discovered the Cluster, explained the origin of the name in an interview: “We nicknamed it ‘Pandora’s Cluster’ because so many different and strange phenomena were unleashed by the collision.”

Jeremy Webster “Fred” Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improvisor.

Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including Traffic Continues (1996, performed 1998 by Frith and Ensemble Modern) and Freedom in Fragments (1993, performed 1999 by Rova Saxophone Quartet). Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics.

Frith is the subject of Nicolas Humbert and Werner Penzel’s award-winning 1990 documentary Step Across the Border. He also appears in the Canadian documentary Act of God, which is about the metaphysical effects of being struck by lightning. Frith has contributed to a number of music publications, including New Musical Express and Trouser Press, and has conducted improvising workshops across the world. Frith’s career spans over four decades and he appears on over 400 albums. He still performs actively throughout the world.

Frith was awarded the 2008 Demetrio Stratos Prize for his career achievements in experimental music. The prize was established in 2005 in honour of experimental vocalist Demetrio Stratos, of the Italian group Area, who died in 1979. In 2010 Frith received an honorary doctorate from the University of Huddersfield in West Yorkshire, England in recognition of his contribution to music. Frith was Professor of Composition in the Music Department at Mills College in Oakland, California until his retirement in 2018. He is the brother of Simon Frith, a music critic and sociologist, and Chris Frith, a psychologist at University College London.

Noble “Thin Man” Watts (February 17, 1926 – August 24, 2004) was an American blues, jump blues and rhythm and blues saxophonist. He primarily played tenor saxophone. The AllMusicjournalist, Bill Dahl, considered Watts “one of the most incendiary […] fire-breathing tenor sax honkers” of the 1950s.

Born in DeLand, Florida, Watts studied violin and trumpet in his youth, later switching to sax. He gained musical training at Florida A&M, where he played in the school’s marching band with future saxophonist Cannonball Adderley. Hired to play with The Griffin Brothers after college, Watts began his professional career. During the 1950s, he would work with Lionel Hampton, Paul “Hucklebuck” Williams, Dinah Washington, Jerry Lee Lewis, Buddy Holly, Chuck Berry, the Everly Brothers, and others. He also appeared on American Bandstand with Johnny Mathis in 1957,^[4]and performed in the house band at a Harlem club owned by boxer Sugar Ray Robinson.

https://www.youtube.com/watch?v=bj0iXWLZJgU

Boniface Ferdinand Leonard “Buddy” DeFranco (February 17, 1923 – December 24, 2014) was an Italian American jazz clarinet player. One of few clarinetists playing bebop, DeFranco was described by critic Scott Yanow as the leading American jazz musician on his instrument from the 1940s until Eddie Daniels came to prominence in the 1980s. In addition to his own work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and ’70s. Born in Camden, New Jersey, DeFranco was raised in South Philadelphia. He was playing the clarinet by the time he was 9 years old and within five years had won a national Tommy Dorsey swing contest.

He began his professional career just as swing music and big bands—many of which were led by clarinetists like Artie Shaw, and Benny Goodman—were in decline. While most jazz clarinet players did not adapt to this change, DeFranco successfully continued to play clarinet exclusively, and was one of the few bebop clarinetists.

In 1950, DeFranco spent a year with Count Basie‘s Septet. He then led a small combo in the early 1950s which included pianist Sonny Clark and guitarist Tal Farlow. In this period, DeFranco recorded for MGM, Norgran and Verve; the latter two labels were owned by Norman Granz.

During the years 1960-64, DeFranco released four innovative quartet albums as co-leader with the accordionist Tommy Gumina. He was bandleader of the Glenn Miller Orchestra from 1966 to 1974, under the name, “The World Famous Glenn Miller Orchestra, Directed By Buddy DeFranco”. He also performed with Gene Krupa, Art Blakey, Tommy Dorsey, Count Basie, Charlie Barnet, Art Tatum, Oscar Peterson, Lennie Tristano, Dodo Marmarosa, Terry Gibbs, Charlie Parker, Dizzy Gillespie, Miles Davis, Eddie Daniels, Putte Wickman, Billie Holiday and many others, and released dozens of albums as a leader.

https://www.youtube.com/watch?v=a3eCncO9HAY

In 1787, astronomer William Herschel discovered this unusual planetary nebula: NGC 2392. More recently, the Hubble Space Telescope imaged the nebula in visible light, while the nebula was also imaged in X-rays by the Chandra X-ray Observatory. The featured combined visible-X ray image, shows X-rays emitted by central hot gas in pink. The nebula displays gas clouds so complex they are not fully understood. NGC 2392 is a double-shelled planetary nebula, with the more distant gas having composed the outer layers of a Sun-like star only 10,000 years ago. The outer shell contains unusual light-year long orange filaments. The inner filaments visible are being ejected by strong wind of particles from the central star. The NGC 2392 Nebula spans about 1/3 of a light year and lies in our Milky Way Galaxy, about 3,000 light years distant, toward the constellation of the Twins (Gemini).

Shahin Alavi was born in 16th Feb.1961 in Iran.

He began his studying the guitar with Mr.shahrokh Partovi at the age of 17 in Tehran ,and continued playing it under the guidance of Bagher Moazen . His perseverance in playing this instrument has made him master it thoroughly .
He started teaching the Flamenco guitar in Bahman Art Center in 1991 and two years later held some concerts and devoted himself entirely to music .In 1995, because of intending to compose his own music, he was so much interested in playing another kind of musical instrument and so he initiated his studies of the Oud under the guidance of Mr. Rajabzadeh, Mohamad Firouzi and Mojtaba Mirzadeh.

He was able to play the Oud easily, in regards to his guitar playing experience and consequently composed and performed several Oud concerts around Iran . In 2003 he started his work in the field of World music( with Iranian roots)
with “EA” ensemble (Oud, Guitar, Violin, Percussion) and continued with another ensemble( Oud, Piano, Flute-Recorder) and made his first Album under the name Sormeh.

Being prosperous in teaching music , he has been successful in theatrical music composition as well .
He has also received some Iranian music lessons from Mr. Masoud Shenas .

William Ballard Doggett (February 16, 1916 – November 13, 1996) was an American jazz and rhythm and blues pianist and organist.^[2] He is best known for his compositions “Honky Tonk” and “Hippy Dippy”, and variously working with the Ink Spots, Johnny Otis, Wynonie Harris, Ella Fitzgerald, and Louis Jordan. Doggett was born in Philadelphia, Pennsylvania, United States.^[1] His mother, a church pianist, introduced him to music when he was nine years old. By the time he was fifteen, he had joined a Philadelphia area combo, playing local theaters and clubs while attending high school.

Doggett later sold his band to Lucky Millinder, and worked during the 1930s and early 1940s for Millinder, Frank Fairfax and arranger Jimmy Mundy.In 1942 he was hired as the Ink Spots‘ pianist and arranger.

Toward the end of 1947, he replaced Wild Bill Davis as the pianist for Louis Jordan‘s Tympany Five. It was in Jordan’s group that he first achieved success playing the Hammond organ. In 1950, he is reputed to have written one of Jordan’s biggest hits, “Saturday Night Fish Fry“, for which Jordan claimed the writing credit.

Machito (born Francisco Raúl Gutiérrez Grillo, February 16, 1908 – April 19, 1984) was a Latin jazz musician who helped refine Afro-Cuban jazzand create both Cubop and salsa music. He was raised in Havana with the singer Graciela, his foster sister.

In New York City, Machito formed the band the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big band arrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died.

Machito’s music had an effect on the lives of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. George Shearing, Dizzy Gillespie, Charlie Parker and Stan Kenton credited Machito as an influence. An intersection in East Harlem is named “Machito Square” in his honor.

Machito gave conflicting accounts of his birth. He sometimes said he was a native Cuban from Havana. Other accounts place his birth in Tampa, Florida, making him an American of Cuban ancestry. He may have been born in 1908 in the Jesús María district of Havana or in Tampa, 1909 in the Marianao Beach district of Havana or in Tampa, 1912 in Tampa  or Havana, or even 1915 in Havana.

A jewel of the southern sky, the Great Carina Nebula, also known as NGC 3372, spans over 300 light-years, one of our galaxy’s largest star forming regions. Like the smaller, more northerly Great Orion Nebula, the Carina Nebula is easily visible to the unaided eye, though at a distance of 7,500 light-years it is some 5 times farther away. This gorgeous telescopic close-up reveals remarkable details of the region’s central glowing filaments of interstellar gas and obscuring cosmic dust clouds in a field of view nearly 20 light-years across. The Carina Nebula is home to young, extremely massive stars, including the still enigmatic and violently variable Eta Carinae, a star system with well over 100 times the mass of the Sun. In the processed composite of space and ground-based image data a dusty, two-lobed Homunculus Nebula appears to surround Eta Carinae itself just below and left of center. While Eta Carinae is likely on the verge of a supernova explosion, X-ray images indicate that the Great Carina Nebula has been a veritable supernova factory.

Melissa Manchester (born February 15, 1951) is an American singer-songwriter and actress. Since the 1970s, her songs have been carried by adult contemporary radio stations. She has also appeared on television, in films, and on stage.

Manchester was born in the Bronx, a borough of New York City, to a musical family. Her father was a bassoonist for the New York Metropolitan Opera. Her mother was one of the first women to design and found her own clothing firm, Ruth Manchester Ltd. Manchester hails from a Jewish background. Manchester started a singing career at an early age. She learned the piano and harpsichord at the Manhattan School of Music, began singing commercial jingles at age 15, and became a staff writer for Chappell Music while attending Manhattan’s High School of Performing Arts.

She studied songwriting at New York University with Paul Simon. Manchester played the Manhattan club scene, where she was discovered by Barry Manilow, who introduced her to Bette Midler. In 1971 she became a member of the Harlettes, the back-up singers for Midler.

Manchester made a brief speaking appearance as “Yoko Ono” on the 1972 album National Lampoon Radio Dinner, on the track entitled “Magical Misery Tour”, and as the singer in “Deteriorata“.

Her debut album, Home to Myself, was released in 1973; Manchester co-wrote many of its songs with Carole Bayer Sager. Two years later, Manchester’s album Melissa produced her first top-ten hit, “Midnight Blue“, which enjoyed 17 weeks on the Billboard Hot 100 charts. The song’s peak position was #6 for the week of August 9, 1975.

She also performed the song live on Burt Sugarman’s television series Midnight Special in 1974. Manchester appeared with Richie Havens, Melanie, and Frankie Valli as a contributor and performer in the 1977 NBC special documentary “How the Beatles Changed the World”. Manchester collaborated with Kenny Loggins to co-write Loggins’ 1978 hit duet with Stevie Nicks, “Whenever I Call You Friend”. She would later record this for her 1979 Melissa Manchester album. She guest-starred on the CBS-TV daytime soap opera Search for Tomorrow to teach a main character (played by Michael Nouri), who played a singer-songwriter, the essentials of the craft. In 1979, Manchester reached #10 with her version of Peter Allen‘s “Don’t Cry Out Loud“, for which she received a Grammy nomination for Best Pop Female Vocal Performance.

Nathan Tate Davis (February 15, 1937 – April 8, 2018) was an American jazz multi-instrumentalist who played the tenor saxophone, soprano saxophone, bass clarinet, and flute. He is known for his work with Eric Dolphy, Kenny Clarke, Ray Charles, Slide Hampton and Art Blakey.

Davis traveled extensively around Europe after World War II and moved to Paris in 1962. He held a Ph.D in Ethnomusicology from Wesleyan University and was a professor of music and director of jazz studies at the University of Pittsburgh from 1969, an academic program that he helped initiate. He was also founder and director of the University of Pittsburgh Annual Jazz Seminar and Concert, the first academic jazz event of its kind in the United States. He also helped to found the university’s William Robinson Recording Studio as well as establish the International Academy of Jazz Hall of Fame located in the school’s William Pitt Union and the University of Pittsburgh-Sonny Rollins International Jazz Archives. Davis retired as director of the Jazz Studies Program at Pitt in 2013. Davis also served as the editor of the International Jazz Archives Journal.

One of Davis’ best known musical associations was heading the Paris Reunion Band (1985-1989), which at different times included Nat Adderley, Kenny Drew, Johnny Griffin, Slide Hampton, Joe Henderson, Idris Muhammad, Dizzy Reece, Woody Shaw, and Jimmy Woode. Davis also toured and recorded with the post-bop ensemble leading Roots which he formed in 1991. Davis composed various pieces, including a 2004 opera entitled Just Above My Head. Davis died in Palm Beach, Florida, at the age of 81.

Kirkland “Kirk” Lightsey (born February 15, 1937, Detroit, Michigan) is an American jazz pianist.

Lightsey had piano instruction from the age of five and studied piano and clarinet through high school. After service in the Army, Lightsey worked in Detroit and California in the 1960s as an accompanist to singers. He also worked with jazz musicians such as Yusef Lateef, Betty Carter, Pharoah Sanders, Bobby Hutcherson, Sonny Stitt, Chet Baker, and Kenny Burrell. From 1979 to 1983 he toured with Dexter Gordon and was a member of The Leaders in the late 1980s. During the 1980s he led several sessions of his own, including duets with pianist Harold Danko. In the 1980s and since he has worked with Jimmy Raney, Clifford Jordan, Woody Shaw, David Murray, Joe Lee Wilson, the late, great, Irish guitarist Louis Stewart, Adam Taubitz, Harold Land and Gregory Porter.

He is also an accomplished flautist and occasionally doubles on flute in live performances. He has been living in Paris since 2000.

https://www.youtube.com/watch?v=cEoYz1bhhug

James “Kokomo“ Arnold (February 15, 1896 or 1901 – November 8, 1968) was an American blues musician. A left-handed slide guitarist, his intense style of playing and rapid-fire vocal delivery set him apart from his contemporaries. He got his nickname in 1934 after releasing “Old Original Kokomo Blues” for Decca Records, a cover version of Scrapper Blackwell‘s blues song about the city of Kokomo, Indiana.

Arnold was born in Lovejoy’s Station, Georgia. Most sources give the date his birth as 1901, but the researchers Bob Eagle and Eric LeBlanc give the date as 1896, on the basis of information in the 1900 census. He learned the basics of playing the guitar from his cousin, John Wiggs.

Arnold began playing in the early 1920s as a sideline, when he was working as a farmhand in Buffalo, New York, and as a steelworker in Pittsburgh, Pennsylvania. In 1929 he moved to Chicago and ran a bootlegging business, an activity he continued until the end of Prohibition. In 1930 he moved south briefly and made his first recordings, “Rainy Night Blues” and “Paddlin’ Madeline Blues”, under the name Gitfiddle Jim, for the Victor label in Memphis. He soon moved back to Chicago, where he was forced to make a living as a musician after Prohibition ended in 1933. Kansas Joe McCoy heard him and introduced him to Mayo Williams, a producer for Decca Records.

From his first recording for Decca, on September 10, 1934, until his last, on May 12, 1938, Arnold made 88 sides, seven of which have been lost.

Arnold, Peetie Wheatstraw and Bumble Bee Slim were well-known musicians in Chicago blues circles at that time. Wheatstraw and Arnold, in particular, were also major influences on their contemporary, the Delta blues artist Robert Johnson. Johnson turned “Old Original Kokomo Blues” into “Sweet Home Chicago” and “Milk Cow Blues” into “Milkcow’s Calf Blues“. Another Arnold song, “Sagefield Woman Blues”, introduced the phrase “dust my broom“, which Johnson used as a song title.

https://www.youtube.com/watch?v=u4Rva6F_hro