mick laBriola

This image from the NASA/ESA Hubble Space Telescope shows IC 2051, a galaxy in the southern constellation of Mensa (The Table Mountain), lying about 85 million light-years away. It is a spiral galaxy, as evidenced by its characteristic whirling, pinwheeling arms, and it has a bar of stars slicing through its centre.

This galaxy was observed for a Hubble study on galactic bulges, the bright round central region of spiral galaxies. Spiral galaxies like IC 2051 are shaped a bit like flying saucers when seen from the side; they comprise a thin, flat disc, with a bulky bulge of stars in the centre that extends above and below the disc. These bulges are thought to play a key role in how galaxies evolve, and to influence the growth of the supermassive black holes lurking at the centres of most spirals. While more observations are needed in this area, studies suggest that some, or even most, galactic bulges may be complex composite structures rather than simple ones, with a mix of spherical, disc-like, or boxy components, potentially leading to a wide array of bulge morphologies in the Universe.

Robben Lee Ford (born December 16, 1951) is an American blues, jazz, and rock guitarist. He was a member of the L.A. Express and Yellowjackets, and has collaborated with Miles Davis, Joni Mitchell, George Harrison, Larry Carlton, Rick Springfield, and Kiss. He was named one of the “100 Greatest Guitarists of the 20th Century” by Musician magazine.

Robben Ford was born in Woodlake, California, United States, and raised in Ukiah, California. He began playing the saxophone at age 10 and the guitar at age 14. Robben and his brothers created the Charles Ford Blues Band in honor of and named after their father. At age 18, Ford’s band was hired to play with Charlie Musselwhite, and recorded two albums The Charles Ford Band and Discovering the Blues. He recorded two albums with Jimmy Witherspoon called Live and Spoonful. In the 1970s, Ford joined the jazz fusion band, L.A. Express, led by saxophonist Tom Scott. In 1974, the band supported George Harrison on his American tour and played on the Joni Mitchell albums The Hissing of Summer Lawns and Miles of Aisles.

John Laird Abercrombie (December 16, 1944 – August 22, 2017) was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.

John Abercrombie was born on December 16, 1944, in Port Chester, New York. Growing up in the 1950s in Greenwich, Connecticut he was attracted to the rock and roll of Chuck Berry, Elvis Presley, Fats Domino, and Bill Haley and the Comets. He also liked the sound of jazz guitarist Mickey Baker of the vocal duo Mickey and Silvia. He had two friends who were musicians with a large jazz collection. They played him albums by Dave Brubeck and Miles Davis. The first jazz guitar album he heard was by Barney Kessel.

He took guitar lessons at the age of ten, asking his teacher to show him what Barney Kessel was playing. After high school, he attended Berklee College of Music. At Berklee, he was drawn to the music of Jim Hall, the 1962 album The Bridge by Sonny Rollins, and Wes Montgomery on his albums The Wes Montgomery Trio (1959) and Boss Guitar (1963). He cites George Benson and Pat Martino as inspirations. He often played with other students at Paul’s Mall, a jazz club in Boston connected to a larger club, Jazz Workshop. Appearing at Paul’s Mall led to meetings with Michael Brecker, Randy Brecker, and organist Johnny Hammond Smith, who invited him to go on tour.

Joseph Carl Firrantello (December 16, 1937 – January 10, 1986), known as Joe Farrell, was an American jazz saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea‘s Return to Forever. Farrell was born in Chicago Heights, Illinois, United States.

He joined the Ralph Marterie band in 1957 and later played with Maynard Ferguson and The Thad Jones/ Mel Lewis Orchestra. He also recorded with Charles Mingus, Andrew Hill, Jaki Byard, Players Association and Elvin Jones. After the death of John Coltrane, Elvin Jones formed a pianoless trio with Jimmy Garrison and Farrell, recording two albums for Blue Note in 1968.

In the late 1960s and throughout the 1970s, Farrell performed with Chick Corea and Return to Forever. He is the flutist in Corea’s most famous work “Spain,” which is considered to be a modern jazz standard.

He did numerous sessions and contributed a flute solo to Aretha Franklin’s 1973 hit “Until You Come Back to Me (That’s What I’m Gonna Do)“. The Santana track “When I Look into Your Eyes” from Welcome also includes solo work from Farrell. Farrell was prominently featured on the Hall & Oatesrecording Abandoned Luncheonette which featured both tenor saxophone and oboe solos from Farrell. Some of the most famous funk singles of James Brown feature Farrell as a part of the brass section.

John Robert “Johnny Hammond” Smith (December 16, 1933 – June 4, 1997) was an American soul jazz and hard bop organist. Born in Louisville, Kentucky, he was a renowned player of the Hammond B-3 organ so earning “Hammond” as a nickname, which also avoided his being confused with jazz guitarist Johnny Smith.

Smith played with Paul Williams and Chris Columbo before forming his own group. His bands featured singers Etta Jones, Byrdie Green, saxophonists Houston Person, Earl Edwards, guitarists Eddie McFadden, Floyd Smith, James Clark, vibist Freddie McCoy. His career took off as he was serving as accompanist to singer Nancy Wilson. One of his last accomplishments also included Nancy Wilson. He wrote the song “Quiet Fire” for her Nancy Now!release in 1988.

After a 10-year spell on Prestige Records throughout the 1960s resulting in a series of albums, he signed for soul/R&B influenced Kudu imprint of Creed Taylor‘s well-regarded CTI Records jazz record label in 1971. His first album for Taylor, Break Out was chosen that year to launch Kudu. The album featured Grover Washington Jr. as a sideman prior to the launch of his career as a solo recording artist. Three further albums followed with Taylor on Kudu, as he decided to refer to himself as “Johnny Hammond”, after deciding to drop “Smith” from his name.

https://www.youtube.com/watch?v=C64cjgoMPu8&t=1289s

Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (listen); German: [ˈluːtvɪç fan ˈbeːthoːfn̩] (listen); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.

Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Karl Alois, Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.

The piece was a great critical and commercial success, and was followed by Symphony No. 1 in 1800. This composition was distinguished for its frequent use of sforzandi, as well as sudden shifts in tonal centers that were uncommon for traditional symphonic form, and the prominent, more independent use of wind instruments. In 1801, he also gained notoriety for his six String Quartets and for the ballet The Creatures of Prometheus. During this period, his hearing began to deteriorate, but he continued to conduct, premiering his third and fifth symphonies in 1804 and 1808, respectively. His condition worsened to almost complete deafness by 1811, and he then gave up performing and appearing in public.

During this period of self exile, Beethoven composed many of his most admired works; his seventh symphony premiered in 1813, with its second movement, Allegretto, achieving widespread critical acclaim. He composed the piece Missa Solemnis for a number of years until it premiered 1824, which preceded his ninth symphony, with the latter gaining fame for being among the first examples of a choral symphony. In 1826, his fourteenth String Quartet was noted for having seven linked movements played without a break, and is considered the final major piece performed before his death a year later.

His career is conventionally divided into early, middle, and late periods; the “early” period is typically seen to last until 1802, the “middle” period from 1802 to 1812, and the “late” period from 1812 to his death in 1827. During his life, he composed nine symphonies; five piano concertos; one violin concerto; thirty-two piano sonatas; sixteen string quartets; two masses; and the opera Fidelio. Other works, like Für Elise, were discovered after his death, and are also considered historical musical achievements. Beethoven’s legacy is characterized for his innovative compositions, namely through the combinations of vocals and instruments, and also for widening the scope of sonata, symphony, concerto, and quartet, while he is also noted for his troublesome relationship with his contemporaries.

Normally, cloud bottoms are flat. This is because moist warm air that rises and cools will condense into water droplets at a specific temperature, which usually corresponds to a very specific height. As water droplets grow, an opaque cloud forms. Under some conditions, however, cloud pockets can develop that contain large droplets of water or ice that fall into clear air as they evaporate. Such pockets may occur in turbulent air near a thunderstorm. Resulting mammatus clouds can appear especially dramatic if sunlit from the side. The mammatus clouds pictured here were photographed over Hastings, Nebraska during 2004 June.

Eddie Palmieri (born December 15, 1936) is a Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.

Palmieri’s parents moved to New York from Ponce, Puerto Rico, in 1926, and settled in the South Bronx, a largely Hispanic neighborhood. There, he and his elder brother, Charlie Palmieri, were born. He accompanied Charlie and participated in many talent contests when he was eight years old.

Palmieri continued his education in the city’s public school system where he was constantly exposed to music, specifically jazz. He took piano lessons and performed at Carnegie Hall when he was 11 years old. His main influences were Thelonious Monk and McCoy Tyner. Inspired by his older brother, he was determined to someday form his own band – something he achieved in 1950, when he was fourteen years old. During the 1950s, Palmieri played in various bands, including Tito Rodríguez‘s. In 1961, Palmieri founded the band Conjunto La Perfecta, which featured singer Ismael Quintana. Apart from the big bands, at the beginning of the decade the Charanga was the Latin dance craze. Essential to the Charanga style is the five key wooden flute and at least two violins. Palmieri decided to replace the violins with two trombones for a heavier sound.

Two key elements to the ‘Palmieri’ sound were trombonists Barry Rogers (who was very influential to the fourth chords sound that Palmieri is known for) and Brazilian-born José Rodrígues. Together they were responsible for many of the ‘head’ arrangements, mambos and moñas that the band recorded. George Castro (flute), Manny Oquendo (bongó and timbales), Tommy López (conga) and Dave Pérez (bass) rounded out the group. To this day, the group is known as one of the swingingest, most danceable, innovative and influential groups of that period.

Palmieri experimented by including a touch of jazz in his recordings, and incorporating a popular Cuban rhythm known as mozambique. Lo Que Traigo Es Sabroso (What I Bring is Saucy) and Mozambique are just two examples of his use of this rhythm. Seeking a bigger and punchier sound, Palmieri disbanded the band in 1968.

Charles Daniel Richmond (December 15, 1931 – March 15, 1988) was an American jazz drummer who is best known for his work with Charles Mingus. He also worked with Joe Cocker, Elton John and Mark-Almond.

Richmond was born in New York City and started playing tenor saxophone at the age of thirteen; he went on to play R&B with the Paul Williamsband in 1955. His career took off when he took up the drums, in his early twenties, through the formation of what was to be a 21-year association with Charles Mingus. Mingus biographer Brian Priestley writes that “Dannie became Mingus’s equivalent to Harry Carney in the Ellington band, an indispensable ingredient of ‘the Mingus sound’ and a close friend as well”.

That association continued after Mingus’ death when Richmond became the first musical director of the group Mingus Dynasty in 1980. On June 25, 2019, The New York Times Magazine listed Dannie Richmond among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

Curtis DuBois Fuller (born December 15, 1934) is an American jazz trombonist, known as a member of Art Blakey‘s Jazz Messengers and contributor to many classic jazz recordings.

Fuller’s Jamaican-born parents died when he was young; he was raised in an orphanage. While in Detroit he was a school friend of Paul Chambersand Donald Byrd, and also knew Tommy Flanagan, Thad Jones and Milt Jackson. After army service between 1953 and 1955 (when he played in a band with Chambers and brothers Cannonball and Nat Adderley), Fuller joined the quintet of Yusef Lateef, another Detroit musician. In 1957 the quintet moved to New York, and Fuller recorded his first sessions as a leader for Prestige Records.

Alfred Lion of Blue Note Records first heard Fuller playing with Miles Davis in the late 1950s, and featured him as a sideman on record dates led by Sonny Clark (Dial “S” for Sonny, Sonny’s Crib) and John Coltrane (Blue Train). Fuller led four dates for Blue Note, though one of these, an album with Slide Hampton, was not issued for many years. Other sideman appearances over the next decade included work on albums under the leadership of Bud Powell, Jimmy Smith, Wayne Shorter, Lee Morgan and Joe Henderson (a former roommate at Wayne State University in 1956).

Fuller was also the first trombonist to be a member of the Art Farmer–Benny Golson Jazztet, later becoming the sixth man in Art Blakey‘s Jazz Messengers in 1961, staying with Blakey until 1965. In the early 1960s, Fuller recorded two albums as a leader for Impulse! Records, having also recorded for Savoy Records and Epic after his obligations to Blue Note had ended. In the late 1960s, he was part of Dizzy Gillespie‘s band that also featured Foster Elliott. Fuller went on to tour with Count Basie and also reunited with Blakey and Golson.

Barry Doyle Harris (born December 15, 1929) is an American jazz pianist, bandleader, composer, arranger and educator. He is an exponent of the bebop style. Harris began learning the piano at the age of four. His mother was a church pianist and had asked if Harris was interested in playing church or jazz music. Having picked jazz, he was influenced by Thelonious Monk, and Bud Powell. Harris had a strong admiration for the style of Powell, claiming it to be the “epitome” of jazz. He went to public areas to play dances for clubs and ballrooms. Harris learned the bebop styles largely by ear, imitating the solos played by Bud Powell in his teenage years.

Harris was based in Detroit through the 1950s and worked with musicians such as Miles Davis, Sonny Stitt and Thad Jones. He also performed in place of Junior Mance, who was Gene Ammons‘s regular pianist for his group frequently. In addition, Harris toured with Max Roach briefly in 1956 as a pianist after the group’s resident pianist Richie Powell (younger brother of Bud Powell) died in a car crash.

Harris performed with Cannonball Adderley‘s quintet and even had a chance to do a television stint with them. Harris relocated to New York City in 1960, where he became a performer as well as a jazz educator. During his time in New York, Harris collaborated with Dexter Gordon, Illinois Jacquet, Yusef Lateef and Hank Mobley through performances and recordings.

Between 1965 and 1969, Harris performed extensively with Coleman Hawkins at the Village Vanguard.

This Picture of the Week stars Messier 90, a beautiful spiral galaxy located roughly 60 million light-years from the Milky Way in the constellation of Virgo (The Virgin). The galaxy is part of the Virgo Cluster, a gathering of galaxies that is over 1200 strong.

Messier 90 is remarkable; it is one of the few galaxies seen to be travelling toward the Milky Way, not away from it. The galaxy’s light reveals this incoming motion in that it is blueshifted. In simple terms, the galaxy is compressing the wavelength of its light as it moves towards us, like a slinky being squashed when you push on one end. This increases the frequency of the light and shifts it towards the blue end of the spectrum. As our Universe is expanding, almost all of the galaxies we see in the Universe are moving away from us, and we therefore see their light as redshifted, but Messier 90 appears to be a rare exception.

Astronomers think that this blueshift is likely caused by the cluster’s colossal mass accelerating its members to high velocities on bizarre and peculiar orbits, sending them whirling around on odd paths that take them both towards and away from us over time. While the cluster itself is moving away from us, some of its constituent galaxies, such as Messier 90, are moving faster than the cluster as a whole, making it so that from Earth we see the galaxy heading towards us. However, some are also moving in the opposite direction within the cluster, and thus seem to be streaking away from us at very high velocity.

Phineas Newborn Jr. (December 14, 1931 – May 26, 1989) was an American jazz pianist, whose principal influences were Art Tatum, Oscar Peterson, and Bud Powell.

Newborn was born in Whiteville, Tennessee, and came from a musical family: his father, Phineas Newborn Sr., was a drummer in blues bands,and his younger brother, Calvin, a jazz guitarist. He studied piano as well as trumpet, and tenor and baritone saxophone.

Before moving on to work with Lionel Hampton, Charles Mingus, and others, Newborn first played in an R&B band led by his father on drums, with his brother Calvin on guitar, Tuff Green on bass, Ben Branch and future Hi Records star Willie Mitchell. The group was the house band at the now famous Plantation Inn Club in West Memphis, Arkansas, from 1947 to 1951, and recorded as B. B. King‘s band on his first recordings in 1949, as well as the Sun Records sessions in 1950. They left West Memphis in 1951 to tour with Jackie Brenston as the “Delta Cats” in support of the record “Rocket 88“, recorded by Sam Phillips and considered by many to be the first ever rock & roll record (it was the first Billboard No. 1 record for Chess Records).

Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespie and Randy Weston, in addition to his solo work as bandleader.

Payne received his first saxophone at the age of 13, asking his father for one after hearing “Honeysuckle Rose” performed by Count Basie with Lester Young soloing. Payne took lessons from a local alto sax player, Pete Brown. He studied at Boys High School, Bedford-Stuyvesant. Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed on board until 1949, heard performing solos on “Ow!” and “Stay On It”. In the early 1950s he found himself working with Tadd Dameron, and worked with Illinois Jacquet from 1952 to 1954. He then started freelance work in New York City and frequently performed during this period with Randy Weston, whom Payne worked with until 1960. Payne was still recording regularly for Delmark Records in the 1990s, when he was in his seventies, and indeed on into the new millennium.

https://www.youtube.com/watch?v=31UbNZYssn8