mick laBriola

This NASA/ESA Hubble Space Telescope image shows a spiral galaxy known as NGC 7331. First spotted by the prolific galaxy hunter William Herschel in 1784, NGC 7331 is located about 45 million light-years away in the constellation of Pegasus (The Winged Horse). Facing us partially edge-on, the galaxy showcases it’s beautiful arms which swirl like a whirlpool around its bright central region. Astronomers took this image using Hubble’s Wide Field Camera 3 (WFC3), as they were observing an extraordinary exploding star — a supernova — which can still be faintly seen as a tiny red dot near the galaxy’s central yellow core. Named SN2014C, it rapidly evolved from a supernova containing very little Hydrogen to one that is Hydrogen-rich — in just one year. This rarely observed metamorphosis was luminous at high energies and provides unique insight into the poorly understood final phases of massive stars. NGC 7331 is similar in size, shape, and mass to the Milky Way. It also has a comparable star formation rate, hosts a similar number of stars, has a central supermassive black hole and comparable spiral arms. The primary difference between our galaxies is that NGC 7331 is an unbarred spiral galaxy — it lacks a “bar” of stars, gas and dust cutting through its nucleus, as we see in the Milky Way. Its central bulge also displays a quirky and unusual rotation pattern, spinning in the opposite direction to the galactic disc itself. By studying similar galaxies we hold a scientific mirror up to our own, allowing us to build a better understanding of our galactic environment which we cannot always observe, and of galactic behaviour and evolution as a whole.

Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971), who performed under the stage name King Curtis, was an American saxophonist known for rhythm and blues, rock and roll, soul, blues, funk and soul jazz. Variously a bandleader, band member, and session musician, he was also a musical director and record producer. Adept at tenor, alto, and soprano saxophone, he played riffs and solos on such hit singles as “Respect” by Aretha Franklin, and “Yakety Yak” by The Coasters (the latter of which later became the inspiration for Boots Randolph‘s “Yakety Sax“) and his own “Memphis Soul Stew”.

Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman.

Curtis started playing saxophone at the age of twelve in the Fort Worth area. He took interest in many musical genres including jazz, rhythm and blues, and popular music. As a student pursuing music, he turned down college scholarships in order to join the Lionel Hampton Band. During his time with Hampton, he was able to write and arrange music and learn guitar. In 1952 Curtis decided to move to New York and became a session musician, recording for such labels as Prestige, Enjoy, Capitol, and Atco. He recorded with Nat Adderley, Wynton Kelly, Buddy Holly, Waylon Jennings and Andy Williams.

Stylistically, Curtis took inspiration from saxophonists Lester Young, Louis Jordan, Illinois Jacquet, Earl Bostic, and Gene Ammons. Known for his syncopated and percussive style, he was both versatile and powerful as a musician. He put together a group during his time as a session musician that included Richard Tee, Cornell Dupree, Jerry Jemmott, and Bernard Purdie.

Earl Silas Johnson IV (February 7, 1934 – April 17, 2003), known as Earl King, was an American singer, guitarist, and songwriter, most active in blues music. A composer of blues standards such as “Come On” (covered by Jimi Hendrix, Freddy King, Stevie Ray Vaughan) and “Big Chief” (recorded by Professor Longhair), he was an important figure in New Orleans R&B.

King was born in New Orleans, Louisiana, United States. His father was a piano player. He died when Earl was still a baby, and Earl was brought up by his mother. With his mother, he started going to church at an early age. In his youth he sang gospel music, but he took the advice of a friend to switch to blues to make a better living.

King started to play the guitar at the age of 15. Soon he started entering talent contests at local clubs, including the Dew Drop Inn. At one such club he met his idol, Guitar Slim. King started imitating Slim, and his presence had a big impact on his musical direction. In 1954, Slim was injured in an automobile accident (right around the time he had the number 1 R&B hit “The Things That I Used To Do”), and King was deputized to continue a tour with Slim’s band, representing himself as Slim. After succeeding in this role, King became a regular at the Dew Drop Inn.

His first recording was made in 1953. As Earl Johnson, he released a 78-rpm record, “Have You Gone Crazy”/”Begging at Your Mercy”, for Savoy Records. The following year, the talent scout Johnny Vincent introduced King to Specialty Records, for which he recorded some sides, including “Mother’s Love”, which was locally popular. In 1955, King signed with Vincent’s label, Ace. His first single for that label, “Those Lonely, Lonely Nights”, was a hit, reaching number 7 on the Billboard R&B chart. He continued to record for Ace for the next five years. During that time, he also he started writing songs for other artists, such as Roland Stone and Jimmy Clanton.

James Hubert “Eubie” Blake (February 7, 1887 – February 12, 1983), was an American composer, lyricist, and pianist of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals to be written and directed by African Americans. Blake’s compositions included such hits as “Bandana Days”, “Charleston Rag”, “Love Will Find a Way”, “Memories of You” and “I’m Just Wild About Harry“. The musical Eubie!, which opened on Broadway in 1978, featured his works. Blake was born February 7, 1887, at 319 Forrest Street, in Baltimore, Maryland. Of the eight children of former slaves Emily “Emma” Johnstone (1861–1927) and John Sumner Blake (1838–1917), he was the only one to survive infancy.

Blake’s musical training began when he was four or five years old. While out shopping with his mother, he wandered into a music store, climbed on the bench of an organ, and started “foolin’ around”. When his mother found him, the store manager said to her, “The child is a genius! It would be criminal to deprive him of the chance to make use of such a sublime, God-given talent.” The Blakes purchased a pump organ for US$75.00, making payments of 25 cents a week. When Blake was seven, he received music lessons from a neighbor, Margaret Marshall, an organist for the Methodist church. At age 15, without his parents’ knowledge, he began playing piano at Aggie Shelton’s Baltimore bordello. Blake got his first big break in the music business in 1907, when the world champion boxer Joe Gans hired him to play the piano at Gans’s Goldfield Hotel, the first “black and tan club” in Baltimore. Blake played at the Goldfield during the winters from 1907-1914, spending his summers playing clubs in Atlantic City. During this period, he also studied composition in Baltimore with Llewellyn Wilson.

It is played at about 240 beats per minute, most commonly in an A-phrygian mode, with a sharpened third to make A major the root chord. A typical rasgueado (a strumming pattern that sets the rhythm) involves only the A and B♭ chords as follows:

This eye-catching galaxy is known as NGC 5364. The late-type normal spiral galaxy NGC 5364 is located at a distance of 57 million light-years.

Unmistakably a spiral, NGC 5364 is also something known as a grand design spiral galaxy — a descriptive name deserved by only one-tenth of spirals. While all spirals have a structure that is broadly similar, there is quite a bit of variation amongst individual galaxies; some have patchy, oddly-shaped arms, some have bars of stars cutting through their core, some are colossal and radiant, and others are dim and diminutive. Grand designs like NGC 5364 are in many ways the archetype of a spiral galaxy. They are characterized by their prominent, well-defined arms, which circle outwards from a clear core.

Despite being classified in this way, NGC 5364 is far from perfect. Its arms are asymmetrical compared to other grand design spirals — this is thought to be due to interactions with a nearby neighbor. This neighbor and NGC 5364 are tugging on one another, warping and moving their stars and gas around and causing this misshapen appearance.

Natalie Maria Cole (February 6, 1950 – December 31, 2015) was an American singer, songwriter, and actress. Cole was the daughter of American singer and jazz pianist Nat King Cole. She rose to success in the mid-1970s as an R&B singer with the hits “This Will Be“, “Inseparable” (1975), and “Our Love” (1977). She returned as a pop singer on the 1987 album Everlasting and her cover of Bruce Springsteen‘s “Pink Cadillac“. In the 1990s, she sang traditional pop by her father, resulting in her biggest success, Unforgettable… with Love, which sold over seven million copies and won her seven Grammy Awards. She sold over 30 million records worldwide. On December 31, 2015, Cole died at the age of 65 at Cedars-Sinai Medical Center in Los Angeles, California, due to congestive heart failure.

Natalie Cole was born at Cedars of Lebanon Hospital in Los Angeles, to American singer and jazz pianist Nat King Cole and former Duke EllingtonOrchestra singer Maria Hawkins Ellington, and raised in the affluent Hancock Park district of Los Angeles. Regarding her childhood, Cole referred to her family as “the black Kennedys” and was exposed to many great singers of jazz, soul and blues. At the age of 6, Natalie sang on her father’s Christmas album The Magic of Christmas and later started performing at age 11.

Robert Nesta Marley, OM (6 February 1945 – 11 May 1981) was a Jamaican singer and songwriter. Considered one of the pioneers of reggae, his musical career was marked by blending elements of reggae, ska, and rocksteady, as well as forging a smooth and distinctive vocal and songwriting style. Marley’s contributions to music increased the visibility of Jamaican music worldwide, and made him a global figure in popular culture for over a decade. Over the course of his career Marley became known as a Rastafari icon, and the singer sought to infuse his music with a sense of spirituality. He is also considered a global symbol of Jamaican culture and identity, and was controversial in his outspoken support for the legalization of marijuana, while he also advocated for Pan-Africanism.

Born in Nine Mile, British Jamaica, Marley began his professional musical career in 1963, after forming Bob Marley and the Wailers. The group released its debut studio album The Wailing Wailers in 1965, which contained the single “One Love/People Get Ready“; the song was immensely popular, peaking in the top five on worldwide music charts, and established the group as a rising figure in reggae. The Wailers subsequently released eleven further studio albums; while initially employing louder instrumentation and singing, the group began engaging in rhythmic-based song construction in the late 1960s and early 1970s, which coincided with the singer’s conversion to Rastafarianism. During this period Marley relocated to London, and the group typified their musical shift with the release of the album The Best of The Wailers (1971).

The group attained international success after the release of the albums Catch a Fire and Burnin’ (both 1973), and forged a reputation as touring artists. A year later the Wailers disbanded, and Marley went on to release his solo material under the band’s name.^[10] His debut studio album Natty Dread (1974) received positive reception, as did its follow-up Rastaman Vibration (1976). A few months after the album’s release Marley survived an assassination attempt at his home in Jamaica, which prompted him to permanently relocate to London soon afterward. There he recorded the album Exodus (1977); it incorporated elements of blues, soul, and British rock, enjoyed widespread commercial success, and is widely considered one of the best albums of all time.

In 1977, Marley was diagnosed with acral lentiginous melanoma; he died as a result of the illness in 1981. His fans around the world expressed their grief, and he received a state funeral in Jamaica. The greatest hits album Legend was released in 1984, and subsequently became the best-selling reggae album of all-time. Marley also ranks as one of the best-selling music artists of all-time, with estimated sales of more than 75 million records worldwide, while his sound and style have influenced artists of various genres. He was posthumously honored by Jamaica soon after his death, as he was designated the nation’s Order of Merit award.

https://www.youtube.com/watch?v=imfiY8ZVZ0g

John Pisano (born February 6, 1931) is a jazz guitarist born in Staten Island, New York.

Pisano has worked with Herb Alpert, Billy Bean, Chico Hamilton, Peggy Lee, and Joe Pass.

An international team of astronomers led by scientists at the University of California, Riverside, has found an unusual monster galaxy that existed about 12 billion years ago, when the universe was only 1.8 billion years old.

Dubbed XMM-2599, the galaxy formed stars at a high rate and then died. Why it suddenly stopped forming stars is unclear.

“Even before the universe was 2 billion years old, XMM-2599 had already formed a mass of more than 300 billion suns, making it an ultramassive galaxy,” said Benjamin Forrest, a postdoctoral researcher in the UC Riverside Department of Physics and Astronomy and the study’s lead author. “More remarkably, we show that XMM-2599 formed most of its stars in a huge frenzy when the universe was less than 1 billion years old, and then became inactive by the time the universe was only 1.8 billion years old.”

The team used spectroscopic observations from the W. M. Keck Observatory’s powerful Multi-Object Spectrograph for Infrared Exploration, or MOSFIRE, to make detailed measurements of XMM-2599 and precisely quantify its distance.

Al Kooper (born Alan Peter Kuperschmidt, February 5, 1944) is an American songwriter, record producer and musician, known for organizing Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s, he was a prolific studio musician, playing organ on the Bob Dylan song “Like A Rolling Stone“, French horn on the Rolling Stones song “You Can’t Always Get What You Want“, and lead guitar on Rita Coolidge‘s “The Lady’s Not for Sale“, among many other appearances. He also produced a number of one-off collaboration albums, such as the Super Session album that brought together guitarists Mike Bloomfield and Stephen Stills. In the 1970s he was a successful manager and producer, notably recording Lynyrd Skynyrd‘s first three albums. He has also had a successful solo career, written music for film soundtracks, and has lectured in musical composition. He continues to perform live.

Kooper, born in Brooklyn, to Sam and Natalie Kooper and grew up in a Jewish family in Hollis Hills, Queens, New York.

Richard Quentin Laird (born 5 February 1941) is an Irish bassist who is best known for his place in the American jazz fusion band Mahavishnu Orchestra.

Born in Dublin, Ireland, Laird played music from a young age and enrolled for guitar and piano lessons. He started playing jazz after moving to New Zealand at the age of 16 with his father. He played guitar in jam bands in New Zealand before buying an upright bass. After extensive touring in New Zealand he moved to Sydney, Australia, where he played with many top jazz musicians including Don Burrows.

He moved to England in 1962 and became house bassist at Ronnie Scott’s Jazz Club in London, playing with many greats including the guitarist Wes Montgomery and Sonny Stitt and even with Buddy Rich, most notably the residence at The Talk of the Town in 1969. From 1963 to 1964 Laird was at London’s Guildhall School of Music and Drama. He was recorded on Sonny Rollins‘s record Alfie and played in The Brian Auger Trinity (July 1963-February 1964) and The Brian Auger Group (February–October 1964).

His next step was to go to Berklee College of Music in Boston, US, where he studied arranging, composition and string bass. He then teamed up with John McLaughlin and The Mahavishnu Orchestra to play electric bass until 1973, when the band broke up. After that, he moved to New York and played with Stan Getz (a tour in 1977) and Chick Corea (a tour the following year). Laird put out one album as a leader, Soft Focus. He was interviewed in Guitar Player in 1980 and Bass Player in 1999. Today, he is a successful photographer as well as a private bass tutor and an author of a number of intermediate- to advanced-level bass books.

Big Bill Bissonnette (February 5, 1937 – June 26, 2018) was an American jazz trombonist, drummer, and record producer.

He was a strong advocate of New Orleans jazz as played by veteran African-American musicians. In the 1960s, he led his own group, the Easy Riders Jazz Band, formed his own label, Jazz Crusade, and organized northern tours for Kid Thomas Valentine, George Lewis, and Jim Robinson. He produced over 100 recorded jazz sessions for Jazz Crusade and appeared as trombonist or drummer on over 50 recording sessions of New Orleans jazz.^{[citation needed]}

The Easy Riders Jazz Band was one of the most acclaimed revival bands of the 1960s. Bissonnette brought Sammy Rimington to the United States. During his career, he worked with Alvin Alcorn, Red Allen, Jimmy Archey, Polo Barnes, Albert Burbank, Alex Bigard, Don Ewell, Pops Foster, George Guesnon, Edmond Hall, Bob Helm, Tuba Fats Lacen, George Lewis, Fred Lonzo, Alcide Pavageau, George Probert, Kid Sheik, Zutty Singleton, Victoria Spivey, Gregg Stafford, Michael White, and Kid Thomas Valentine.