mick laBriola

Clyde Austin Stubblefield (April 18, 1943 – February 18, 2017) was an American drummer best known for his work with James Brown. A self-taught musician, he was influenced by the sound of natural rhythms around him. His drum patterns on Brown’s recordings are considered funk standards. He recorded and toured with Brown for six years and settled in Madison, Wisconsin, where he was a staple of the local music scene. Often uncredited, samples of his drum patterns were heavily used in hip hop music. He was the recipient of an honorary doctorate in fine arts.

Born to Frank D. and Vena Stubblefield on April 18, 1943, he grew up in Chattanooga, Tennessee. He was inspired to pursue drumming after seeing drummers for the first time in a parade. As a youngster his sense of rhythm was influenced by the industrial sounds of factories and trains around him. He practiced the rhythm patterns he heard, sometimes playing two patterns simultaneously. Years later he said if he could hum a drum pattern, he could play it. He played professionally as a teenager and performed in local bands such as Blue Shufflers, Inclines, and Cascades. In early 1960s he moved to Macon, Georgia, and worked with guitarist Eddie Kirkland and toured with Otis Redding.

https://www.youtube.com/watch?v=8vDXrN-90p0

February 4th 1938. Born and raised in Ashland, MS, guitarist Joe Beard grew up with the Murphy brothers, one of whom later found an international following as Matt “Guitar” Murphy. Beard moved to Rochester, NY, and from time to time would visit one of his brothers in Chicago. He quickly became enamored of the blues being played in clubs there by people like Jimmy Reed and Sonny Boy Williamson. Beard sat in with John Lee Hooker one night and received encouraging words from Hooker.

Beard befriended classic blues guitarist Son House, who was a neighbor in Rochester.. Beard worked as an electrician by day and would occasionally play out at night and on weekends for most of the ’60s on through to the ’80s. At Rochester’s famed BK Lounge, Beard and his backing bands opened for Bobby Bland, Albert King, and others.

Joe has played many major festivals in the US and Europe and was inducted to the Rochester Music Hall Of Fame in 2017. He has released 4 albums to great critical acclaim. One album featured Ronnie Earl and two others featured Duke Robillard.

Jutta Hipp (February 4, 1925 – April 7, 2003) was a jazz pianist and composer. Born in Leipzig in the Weimar Republic, she initially listened to jazz in secret, as it was not approved of by the Nazi authorities. After surviving World War II, she became a refugee, often lacking food and other necessities. By the early 1950s, she was a touring pianist and soon led her own bands. Critic Leonard Feather heard Hipp perform in Germany in 1954, recorded her, and organized her move to the United States the following year. Club and festival appearances soon followed, as did album releases.

For reasons that are unclear, Hipp’s last recording was in 1956; she started working in a clothing factory, and ultimately cut herself off from the music world. She remained in the United States, and worked for the clothing company for 35 years. Hipp was born on February 4, 1925 in Leipzig in the Weimar Republic. Her family was middle class, with a Protestant background.

https://www.youtube.com/watch?v=KYKaF1KsEzo

This swirling mass of celestial gas, dust, and stars is a moderately luminous spiral galaxy named ESO 021-G004, located just under 130 million light-years away.

This galaxy has something known as an active galactic nucleus. While this phrase sounds complex, this simply means that astronomers measure a lot of radiation at all wavelengths coming from the centre of the galaxy. This radiation is generated by material falling inwards into the very central region of ESO 021-G004, and meeting the behemoth lurking there — a supermassive black hole. As material falls towards this black hole it is dragged into orbit as part of an accretion disc; it becomes superheated as it swirls around and around, emitting characteristic high-energy radiation until it is eventually devoured.

The data comprising this image were gathered by the Wide Field Camera 3 aboard the NASA/ESA Hubble Space Telescope.

John Watson Jr. (February 3, 1935 – May 17, 1996), known professionally as Johnny “Guitar” Watson, was an American blues, soul, and funkmusician and singer-songwriter. A flamboyant showman and electric guitarist in the style of T-Bone Walker, Watson recorded throughout the 1950s and 1960s with some success. His creative reinvention in the 1970s with funk overtones, saw Watson have hits with “Ain’t That a Bitch” and “Superman Lover”. His successful recording career spanned forty years, with his highest chart appearance being the 1977 song “A Real Mother For Ya”. Watson was born in Houston, Texas. His father John Sr. was a pianist, and taught his son the instrument. But young Watson was immediately attracted to the sound of the guitar, in particular the electric guitar as played by T-Bone Walker and Clarence “Gatemouth” Brown.

His grandfather, a preacher, was also musical. “My grandfather used to sing while he’d play guitar in church, man,” Watson reflected many years later. When Johnny was 11, his grandfather offered to give him a guitar if, and only if, the boy didn’t play any of the “devil’s music”. His parents separated in 1950, when he was 15. His mother moved to Los Angeles, and took Watson with her.

Bobby Durham (February 3, 1937 – July 6, 2008) was an American jazz drummer.

Durham was born in Philadelphia and learned to play drums while a child. He played with The Orioles at age 16, and was in a military band between 1956 and 1959. After his discharge he played with King James and Stan Hunter. In 1960 he moved to New York City, where he played with Lloyd Price, Wild Bill Davis, Lionel Hampton, Count Basie, Slide Hampton, Grant Green, Sweets Edison, Tommy Flanagan, Jimmy Rowles, and the Duke Ellington Orchestra, in which he played for only five months. While working with Basie he met Al Grey, and was a member of several of Grey’s small ensembles. He accompanied Ella Fitzgerald for more than a decade, and worked with Oscar Peterson in a trio setting.

Durham also played in trios with organists such as Charles Earland and Shirley Scott, and there was a resurgence in interest in Durham’s work during the acid jazz upswing in the 1990s. Many of Durham’s projects, both as sideman and as leader, have come due to his association with producer Norman Granz, who had him work with Ella Fitzgerald, Count Basie, Harry Edison, Flanagan, and Joe Pass. Durham has led his own combos as well; he is noted for scat singing along with his drum solos. Durham has also performed often with pop and soul musicians such as Frank Sinatra, James Brown, Ray Charles, and Marvin Gaye.

He died in Genoa, Italy, aged 71.

https://www.youtube.com/watch?v=dmAqZV1GHZo

Lillian Hardin Armstrong (née Hardin; February 3, 1898 – August 27, 1971) was a jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s.^[1]

Her compositions include “Struttin’ with Some Barbecue“, “Don’t Jive Me”, “Two Deuces”, “Knee Drops”, “Doin’ the Suzie-Q”, “Just for a Thrill” (which was a hit when revived by Ray Charles in 1959), “Clip Joint”, and “Bad Boy” (a hit for Ringo Starr in 1978). Armstrong was inducted into the Memphis Music Hall of Fame in 2014.

She was born Lillian Hardin in Memphis, Tennessee, where she grew up in a household with her grandmother, Priscilla Martin, a former slave from near Oxford, Mississippi.

Graham William Nash OBE (born 2 February 1942) is a British-American singer-songwriter and musician. Nash is known for his light tenor voice and for his songwriting contributions as a member of the English pop/rock group the Hollies and the folk-rock supergroup Crosby, Stills & Nash. Nash became an American citizen on 14 August 1978 and holds dual citizenship of the United Kingdom and the United States.

Nash is a photography collector and a published photographer. He was inducted into the Rock and Roll Hall of Fame as a member of Crosby, Stills & Nash in 1997 and as a member of the Hollies in 2010.

Nash was appointed an Officer of the Order of the British Empire (OBE) in the 2010 Birthday Honours List for services to music and to charity.

Nash holds four honorary doctorates, including one from New York Institute of Technology, one in Music from the University of Salford in 2011 and his latest Doctorate in Fine Arts from Lesley University in Cambridge, Massachusetts.

Stan Getz (born Stanley Gayetski; February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as “The Sound” because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman‘s big band, Getz is described by critic Scott Yanow as “one of the all-time great tenor saxophonists”. Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he popularized bossa nova in America with the hit single “The Girl from Ipanema” (1964).

Getz was born Stanley Gayetski on February 2, 1927, at St. Vincent’s Hospital in Philadelphia, Pennsylvania, United States. Getz’s father Al was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gayetski were originally from the Kiev area of the Russian Empire (now Ukraine) but had migrated to escapee the pogroms in the Russian Empire to Whitechapel, in the East End of London. There, they owned the Harris Tailor Shop at 52 Oxford Street for more than 13 years. In 1913, Harris and Beckie emigrated to the United States with their three sons Al, Phil, and Ben, following their son Louis Gayetski who had emigrated to the US the year before.

Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the “Lone Wolf” by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.

Edward Hammond Boatner, Jr. was born in Boston, Massachusetts and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a piano teacher. He was given up for adoption in 1924 by his father and adopted by the Stitt family in Saginaw. He later began calling himself “Sonny”. While in high school in Saginaw, he played in the Len Francke Band, a local popular swing band.

In 1943, Stitt met Charlie Parker. As he often recalled, the two men had similar styles. Parker is alleged to have remarked, “Well, I’ll be damned, you sound just like me”, to which Stitt responded, “Well, I can’t help the way I sound. It’s the only way I know how to play.” Kenny Clarke said of Stitt, “Even if there had not been a Bird, there would have been a Sonny Stitt.