mick laBriola

The Phoenix galaxy cluster contains the first confirmed supermassive black hole that is unable to prevent large numbers of stars from forming in the core of the galaxy cluster where it resides. The Phoenix Cluster system has several distinct elements that help tell the story of its unusually high star formation. Data from NASA’s Chandra X-ray Observatory show that the coolest gas it can detect is located near the center of the cluster. In the absence of significant sources of heat, astronomers expect cooling to occur at the highest rates in a cluster’s center, where the densest gas is located.

The Phoenix Cluster (SPT-CL J2344-4243) is a massive, type I galaxy cluster located at its namesake constellation, the southern constellation of Phoenix. It was initially detected in 2010 using the Sunyaev–Zel’dovich effect by the South Pole Telescope collaboration. It is one of the most massive galaxy clusters known, with the mass on the order of 2×10¹⁵ M_☉. Most of the mass of the Phoenix Cluster is in the form of dark matter and its intracluster medium. The vast stellar halo of the Phoenix Cluster central galaxy extends to over 1.1 million light years from the center, making it one of the largest galaxies known. It is 22 times the diameter of our galaxy, and its starburst activity suggests that the galaxy is still growing larger.

Tina Turner (born Anna Mae Bullock, November 26, 1939) is an American-Swiss singer and actress. Originally from the United States, she became a Swiss citizen in 2013. Turner rose to prominence as a duo with her then-husband Ike Turner before reinventing herself as a solo performer. One of the best-selling recording artists of all time, she has been referred to as The Queen of Rock ‘n’ Roll and has sold more than 200 million records worldwide. Turner is noted for her energetic stage presence, powerful vocals, career longevity, and trademark legs.

She began her career in 1958 as a featured singer with Ike Turner’s Kings of Rhythm, recording under the name “Little Ann” on “Boxtop.” Her introduction to the public as Tina Turner began in 1960 as a member of the Ike & Tina Turner Revue with the hit single “A Fool In Love.” Success followed with a string of notable hits, including “It’s Gonna Work Out Fine” (1961), “River Deep – Mountain High” (1966), the Grammy-winning “Proud Mary” (1971), and “Nutbush City Limits” (1973). In her autobiography, I, Tina: My Life Story (1986), Turner revealed that she had subjected to domestic violence prior to their 1976 split and subsequent 1978 divorce. Raised a Baptist, she became an adherent of Nichiren Buddhism in 1973, crediting the spiritual chant of Nam Myoho Renge Kyo with helping her to endure during difficult times. After her separation from Ike Turner, she rebuilt her career through live performances.

In the 1980s, Turner launched a major comeback as a solo artist. The 1983 single “Let’s Stay Together” was followed by the 1984 release of her fifth solo album, Private Dancer, which became a worldwide success. The album contained the song “What’s Love Got to Do with It“; becoming Turner’s biggest hit and winning four Grammy Awards, including Record of the Year.^[6] Turner’s solo success continued throughout the 1980s and 1990s with multi-platinum albums and hit singles. In 1993, What’s Love Got to Do with It, a biographical film adapted from Turner’s autobiography, was released along with an accompanying soundtrack album. In 2008, Turner returned from semi-retirement to embark on her Tina!: 50th Anniversary Tour; the tour became one of the highest-selling ticketed shows of all time. Turner has also garnered success acting in films such as the 1975 rock musical Tommy, the 1985 action film Mad Max Beyond Thunderdome, and the 1993 film Last Action Hero.

Turner has won 12 Grammy Awards; those awards include eight competitive awards, three Grammy Hall of Fame awards, and a Grammy Lifetime Achievement Award. Rolling Stone ranked Turner 63rd on its list of the 100 greatest artists of all time and 17th on its list of the 100 greatest singers of all time. Turner has her own stars on the Hollywood Walk of Fame and on the St. Louis Walk of Fame. She was inducted into the Rock and Roll Hall of Fame with Ike Turner in 1991.^[9] Turner is a 2005 recipient of the Kennedy Center Honors.

Tina Turner was born Anna Mae Bullock on November 26, 1939, in Nutbush, Tennessee, the youngest daughter of Zelma Priscilla (née Currie) and Floyd Richard Bullock. She was born at Poindexter Farm on Highway 180, where her father worked as an overseer of the sharecroppers; Bullock later recalled picking cotton with her family at an early age. Turner participated in the PBS documentary African American Lives 2 with Dr. Henry Louis Gates, who shared her DNA estimates of predominantly African-American descent, with approximately 33% European and 1% Native American ancestry.

Jim Mullen (born 26 November 1945) is a Glasgow-born jazz guitarist with a distinctive style, like Wes Montgomery before him, picking with the thumb rather than a plectrum.

It was while both musicians were touring the United States with AWB in the mid-70s that Mullen met tenor saxophone player Dick Morrissey, and throughout the 1980s, he found critical notice as joint leader of the British jazz funk band Morrissey–Mullen. Record producer Richard Niles, who produced the band’s sixth album, It’s About Time, later produced three solo albums for Mullen.

Mullen has also played and recorded with, among others, Mose Allison, Hamish Stuart, Joanna Eden, Tam White, Claire Martin, Mike Carr, Jimmy Witherspoon, Dave O’Higgins and Georgie Fame, Sinan Alimanović, David Tughan, Jimmy Smith and Frank Holder. Mullen has recorded as part of The AllStars, a collective of session musicians on their Paul McCartney-produced album All About the Music, alongside special guests Jocelyn Brown, Hamish Stuart and Angelo Starr. In 2014, he featured prominently on the Citrus Sun album, ‘People of Tomorrow’, produced by Incognito co-founder, Jean-Paul ‘Bluey’ Maunick.

Slavko Avsenik (November 26, 1929 – July 2, 2015) was a Slovene composer and musician. Beginning in 1953 with the formation of the Avsenik Brothers Ensemble, Avsenik produced more than 1,000 songs and enjoyed success both in Slovenia and in other parts of Europe and America, and is viewed as a Slovenian cultural icon.

Over forty years, the Avsenik Ensemble’s original “Oberkrainer” sound became the primary vehicle of ethnic musical expression for Austria, (Germany), Slovenia, Switzerland, northern Italy and the Benelux countries, spawning hundreds of Alpine orchestras in the process.

The Ensemble, known as “Ansambel bratov Avsenik” or “Slavko Avsenik und seine Original Oberkrainer” has performed before millions, including heads of state, on radio and television, and in thousands of concerts. Selling about 12 million records, Avsenik has earned thirty-one Gold, two Diamond, and one Platinum record. The “Johann Strauss of the twentieth century,” Avsenik collaborated with his brother, Vilko, to produce nearly 1000 original compositions and an integral part of the Cleveland-Style legacy. The Avsenik saga began in 1953 with a band formed in Slovenia, broadcast on the Slovene Hour from Austria, and dubbed the “Musicians of the Oberkrain” by a Vienna disc jockey. Growing in popularity, they soon began appearing in broadcasts, movies, and concerts in West Germany.

Etta Jones (November 25, 1928 – October 16, 2001) was an American jazz singer. Her best-known recordings were “Don’t Go to Strangers” and “Save Your Love for Me”. She worked with Buddy Johnson, Oliver Nelson, Earl Hines, Barney Bigard, Kenny Burrell, Milt Jackson, Cedar Walton, and Houston Person. Jones was born in Aiken, South Carolina, and raised in Harlem, New York. Still in her teens, she joined Buddy Johnson‘s band for a tour although she was not featured on record. Her first recordings—”Salty Papa Blues”, “Evil Gal Blues”, “Blow Top Blues”, and “Long, Long Journey”—were produced by Leonard Feather in 1944, placing her in the company of clarinetist Barney Bigard and tenor saxophonist Georgie Auld. In 1947, she recorded and released an early cover version of Leon Rene’s “I Sold My Heart to the Junkman” (previously released by the Basin Street Boys on Rene’s Exclusive label) while at RCA Victor Records. She performed with the Earl Hines sextet from 1949 to 1952.

Nat Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian “Cannonball” Adderley, whom he remained very close to in his career, but under whose shadow he lived for most of his life.

Adderley’s composition “Work Song” is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it.

Nathaniel Carlyle Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area.

Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951–1953 he served in the army and played in the army band under his brother, taking at least one tour of Korea before returning to a station in the United States. After returning home, he attended Florida A&M intending to become a teacher.

Shortly before Adderley was expected to begin student teaching, Lionel Hampton played a concert at Florida A&M. Confident in his abilities, he played for Hampton, and Hampton invited him to join the band. Putting school on hold, he played under Hampton from 1954 to 1955 and went to Europe on tour. After returning, he intended to go back to school to become a teacher.

https://www.youtube.com/watch?v=GnOdKkHkP5o&t=246s

Paul Desmond (born Paul Emil Breitenfeld, November 25, 1924 – May 30, 1977) was an American jazz alto saxophonist and composer, best known for his work with the Dave Brubeck Quartet and for composing that group’s biggest hit, “Take Five“. He was one of the most popular musicians to come out of the cool jazz scene.

In addition to his work with Brubeck, he led several groups and collaborated with Gerry Mulligan, Chet Baker, Jim Hall, and Ed Bickert. After years of chain smoking and poor health, Desmond succumbed to lung cancer in 1977 after a tour with Brubeck.

Desmond was born Paul Emil Breitenfeld in San Francisco, California, in 1924, the son of Shirley (née King) and Emil Aron Breitenfeld. His grandfather, Sigmund Breitenfeld was, according to an obituary, born in Austria in 1857. Sigmund Breitenfeld, a medical doctor, emigrated to New York City with his wife Hermine (born Hermine Lewy) at the end of the 19th century, and the Breitenfelds raised their four children (including Desmond’s father Emil) with no religion. Interviewed by Desmond biographer Doug Ramsey, Desmond’s first cousin Rick Breitenfeld said that no one in the Breitenfeld family could find evidence of Jewish ancestry or Jewish religious observance, but Paul Desmond and members of his father’s family “frequently speculated as to whether or not Sigmund or Hermine Breitfeld had Jewish backgrounds”. Biographer Ramsey notes that “[t]he name Breitenfeld could be Jewish or non-Jewish. There are plenty of Breitenfelds in Germany and Austria to support both sides of the argument. Lewy, the maiden surname of Paul’s paternal grandmother Hermine, is more likely to be of Jewish origin, but no evidence of her genealogy has surfaced.”Desmond’s mother, born Shirley King, was Catholic, and of Irish descent.

Desmond produced a light, melodic tone on the alto saxophone, trying to sound, he said, “like a dry martini.” With a style that was similar to that of Lee Konitz, one of his influences, he quickly became one of the best-known saxophonists from the West Coast‘s cool school of jazz. Much of the success of the classic Brubeck quartet was due to the juxtaposition of his airy style over Brubeck’s sometimes relatively heavy, polytonal piano work.

His rare gift for improvised counterpoint is perhaps most evident on the two albums he recorded with baritone saxophonist Gerry Mulligan (Mulligan-Desmond Quartet and Two of a Mind). Desmond’s playing was also notable for his ability to produce extremely high notes, the altissimo register, on his saxophone.

Desmond played a Selmer Super Balanced Action model alto saxophone coupled with an M. C. Gregory model 4A-18M hard rubber mouthpiece, both dating from circa 1951, with a moderately stiff Rico 3 ½ reed.

William Henry Joseph Bonaparte Bertholf Smith (November 23, 1893 – April 18, 1973), also known as “The Lion“, was an American jazz pianist and one of the masters of the stride style, usually grouped with James P. Johnson and Thomas “Fats” Waller as the three greatest practitioners of the genre in its golden age, from about 1920 to 1943.

William Henry Joseph Bonaparte Bertholf was born in Goshen, New York. His mother and grandmother chose the names to reflect the different parts of his heritage: Joseph after Saint Joseph (Bible), Bonaparte (French), Bertholf (biological father’s last name), Smith (added when he was three, his stepfather’s name), and William and Henry which were added for “spiritual balance”.

In his memoir he reports that his father, Frank Bertholf (incorrectly spelled Bertholoff in many sources), was Jewish. Smith’s New York birth record shows him as William H. Bertholf, and his father, Frank Bertholf, was a white electrician from nearby Monroe, New York. Willie was at least somewhat conversant in Yiddish, as he demonstrated in a television interview late in his life. Willie’s mother, Ida Oliver, had “Spanish, Negro, and Mohawk Indian blood”. Her mother, Ann Oliver, was a banjo player and had been in Primrose and West minstrel shows (Smith also had two cousins who were dancers in the shows, Etta and John Bloom). According to Ida, “Frank Bertholoff [sic] was a light-skinned playboy who loved his liquor, girls, and gambling.” His mother threw Frank out of the house when “The Lion” was two years old. When his father died in 1901, his mother married John Smith, a master mechanic from Paterson, New Jersey. The surname Smith was added to that of “The Lion” at age three. He grew up living at 76 Academy Street in Newark, New Jersey

https://www.youtube.com/watch?v=n_xiF4UVpsU

Two spiral galaxies are locked in a spellbinding, swirling dance in this image from the VIMOS instrument on ESO’s Very Large Telescope (VLT). The two interacting galaxies — NGC 5426 and NGC 5427 — together form an intriguing astronomical object named Arp 271, the subject of this, the final image captured by VIMOS before it was decommissioned on 24 March 2018.

VIMOS — or, in full, the VIsible Multi-Object Spectrograph — was active on the VLT for an impressive 16 years. During that time it helped scientists to uncover the wild early lives of massive galaxies, observe awe-inspiring triple-galaxy interactions, and explore deep cosmic questions such as how the Universe’s most massive galaxies grew so large. Instead of focusing on single objects, VIMOS was able to capture detailed information about hundreds of galaxies at once. This sensitive instrument collected the spectra of tens of thousands of galaxies throughout the Universe, showing how they formed, grew, and evolved.

Arp 271 is framed against a backdrop of distant galaxies in this view, and wisps of bluish gas, dust and young stars can be seen bridging the gap between the two galaxies — a result of their mutual gravitational interaction. Like many astronomical observations, this image looks back in time. Thanks to the vast gulf of space separating the Earth and Arp 271, this image shows how the galaxies looked over 110 million years ago: the amount of time it has taken their light to reach us. This kind of collision and merger is also thought to be the eventual fate of the Milky Way, which scientists believe will undergo a similar interaction with our neighbouring galaxy Andromeda.

Donald “Duck” Dunn (November 24, 1941 – May 13, 2012) was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.’s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Elvis Presley and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.’s. He is ranked number 40 on Bass Player magazine’s list of “The 100 Greatest Bass Players of All Time”.

Dunn was born in Memphis, Tennessee. His father nicknamed him “Duck” while watching Disney cartoons with him one day. Dunn grew up playing sports and riding his bike with another future professional musician, Steve Cropper.

Wild Bill Davis (November 24, 1918 – August 17, 1995) was the stage name of American jazz pianist, organist, and arranger William Strethen Davis.

Davis was born in Glasgow, Missouri. He is best known for his pioneering jazz electronic organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis (whom Smith had reportedly first seen playing organ in the 1930s) was the pacesetter among organists.

Davis originally played guitar and wrote arrangements for Milt Larkin‘s Texas-based big band during 1939–1942, a band which included Arnett Cobb, Illinois Jacquet, and Tom Archia on horns. After leaving the Larkin orchestra, Davis worked in Chicago as a pianist, recording with Buster Bennett in 1945. He played a crucial role as the pianist-arranger in Jordan’s Tympany Five (1945–1947) at the peak of their success. After leaving Jordan, he returned to Chicago for a time, recording again with Buster Bennett and working with Claude McLin. After switching from piano to organ, Davis moved to the East Coast. In 1950, he began leading an influential trio of organ, guitar, and drums, which recorded for OKeh Records.

Davis was originally supposed to record “April in Paris” with Count Basie‘s Orchestra in 1955 but when he could not make the session, Basie used his arrangement for the full band and had a major hit.

In addition to working with his own groups in the 1960s, Davis made several albums with his friend Johnny Hodges, leading to tours during 1969–1971 with Duke Ellington. In the 1970s he recorded for the Black & Blue Records label with a variety of swing all-stars, and he also played with Lionel Hampton, appearing at festivals through the early 1990s. Davis died in Moorestown, New Jersey.

Theodore Shaw Wilson (November 24, 1912 – July 31, 1986) was an American jazz pianist. Described by critic Scott Yanow as “the definitive swing pianist”, Wilson’s sophisticated and elegant style was featured on the records of many of the biggest names in jazz, including Louis Armstrong, Lena Horne, Benny Goodman, Billie Holiday, and Ella Fitzgerald. With Goodman, he was one of the first black musicians to appear prominently with white musicians. In addition to his extensive work as a sideman, Wilson also led his own groups and recording sessions from the late 1920s to the 1980s.

Wilson was born in Austin, Texas, on November 24, 1912. He studied piano and violin at Tuskegee Institute in Tuskegee, Alabama. After working in Speed Webb‘s band, with Louis Armstrong, and also understudying Earl Hines in Hines’s Grand Terrace Cafe Orchestra, Wilson joined Benny Carter‘s Chocolate Dandies in 1933. In 1935, he joined the Benny Goodman Trio (which consisted of Goodman, Wilson and drummer Gene Krupa, later expanded to the Benny Goodman Quartet with the addition of Lionel Hampton). The trio performed during the big band‘s intermissions. By joining the trio, Wilson became one of the first black musicians to perform prominently in a racially integrated group.

Jazz producer and writer John Hammond was instrumental in getting Wilson a contract with Brunswick, starting in 1935, to record hot swing arrangements of the popular songs of the day, with the growing jukebox trade in mind. He recorded fifty hit records with various singers such as Lena Horne, Helen Ward and Billie Holiday, including many of Holiday’s greatest successes. During these years, he also took part in many highly regarded sessions with a wide range of important swing musicians such as Lester Young, Roy Eldridge, Charlie Shavers, Red Norvo, Buck Clayton, Sarah Vaughan and Ben Webster. From 1936 to 1942 he recorded for Brunswick Records and Columbia Records. In the 1950s he recorded on Verve Records.

This new image from the NASA/ESA Hubble Space Telescope captures two galaxies of equal size in a collision that appears to resemble a ghostly face. This observation was made on 19 June 2019 in visible light by the telescope’s Advanced Camera for Surveys. Residing 704 million light-years from Earth, this system is catalogued as Arp-Madore 2026-424 (AM 2026-424) in the Arp-Madore “Catalogue of Southern Peculiar Galaxies and Associations”.

Hubble is looking at a titanic head-on collision between two galaxies. Each “eye” is the bright core of a galaxy, one of which slammed into another. The outline of the face is a ring of young blue stars. Other clumps of new stars form a nose and mouth. The entire system is catalogued as Arp-Madore 2026-424 (AM 2026-424), from the Arp-Madore “Catalogue of Southern Peculiar Galaxies and Associations.”

Although galaxy collisions are common — especially back in the young universe — most of them are not head-on smashups, like the collision that likely created this Arp-Madore system. The violent encounter gives the system an arresting “ring” structure for only a short amount of time, about 100 million years. The crash pulled and stretched the galaxies’ disks of gas, dust and stars outward. This action formed the ring of intense star formation that shapes the nose and face. Ring galaxies are rare; only a few hundred of them reside in our larger cosmic neighborhood. The galaxies have to collide at just the right orientation to create the ring. The galaxies will merge completely in about 1 to 2 billion years, hiding their messy past. The side-by-side juxtaposition of the two central bulges of stars from both galaxies also is unusual. Because the bulges that make the eyes appear to be the same size, it is evidence that two galaxies of nearly equal proportions were involved in the crash, rather than more common collisions where small galaxies are gobbled up by their larger neighbors. Hubble observed this unique system as part of a “snapshot” program that takes advantage of occasional gaps in the telescope’s observing schedule to squeeze in additional pictures. Astronomers plan to use this innovative Hubble program to take a close look at many other unusual interacting galaxies. The goal is to compile a robust sample of nearby interacting galaxies, which could offer insight into how galaxies grew over time through galactic mergers. By analyzing these detailed Hubble observations, astronomers could then choose which systems are prime targets for follow-up with NASA’s James Webb Space Telescope, scheduled to launch in 2021. Astronomer Halton Arp published his compendium of 338 unusual-looking interacting galaxies in 1966. He later partnered with astronomer Barry Madore to extend the search for unique galactic encounters in the southern sky. Several thousand galaxies are listed in that survey, published in 1987. The Hubble image of AM 2026-424 was taken June 19, 2019, in visible light by the Advanced Camera for Surveys. The system resides 704 million light-years from Earth.