mick laBriola

Franz Peter Schubert (German: [ˈfʁant͡s ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classicaland early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music. His major works include the Piano Quintet in A major, D. 667 (Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the ”Great” Symphony No. 9 in C major, D. 944, the three last piano sonatas (D. 958–960), the opera Fierrabras (D. 796), the incidental music to the play Rosamunde (D. 797), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911).

Born in the Himmelpfortgrund suburb of Vienna, Schubert’s uncommon gifts for music were evident from an early age. His father gave him his first violin lessons and his older brother gave him piano lessons, but Schubert soon exceeded their abilities.

Roosevelt Sykes (January 31, 1906 – July 17, 1983) was an American blues musician, also known as “The Honeydripper“.

Sykes was born in Elmar, Arkansas, and grew up near Helena. At age 15, he went on the road playing piano in a barrelhouse style of blues. Like many bluesmen of his time, he travelled around playing to all-male audiences in sawmill, turpentine and levee camps along the Mississippi River, sometimes in a duo with Big Joe Williams, gathering a repertoire of raw, sexually explicit material. His wanderings eventually brought him to St. Louis, Missouri, where he met St. Louis Jimmy Oden, the writer of the blues standard “Goin’ Down Slow“.

In 1929 he was spotted by a talent scout and sent to New York City to record for Okeh Records. His first release was “44 Blues” which became a blues standard and his signature song. He soon began recording for different labels under various names, including Easy Papa Johnson, Dobby Bragg, and Willie Kelly (for Victor Records from 1930 to 1933). During this period he befriended another blues musician, the singer Charlie “Specks” McFadden, and accompanied him on half of the McFadden’s recordings. After he and Oden moved to Chicago, Sykes found his first period of fame when he signed a contract with Decca Records in 1934. In 1943, he signed with Bluebird Records and recorded with the Honeydrippers. Sykes and Oden continued their musical friendship into the 1960s.

In Chicago, Sykes began to display an increasing urbanity in his songwriting, using an eight-bar blues pop gospel structure instead of the traditional twelve-bar blues. Despite the growing urbanity of his style, he gradually became less competitive in the post–World War II music scene. After his contract with RCA Victor expired, he recorded for smaller labels, such as United, until his opportunities ran out in the mid-1950s.

Sykes left Chicago in 1954 for New Orleans as electric blues was taking over the Chicago blues clubs. When he returned to recording in the 1960s, it was for labels such as Delmark, Bluesville, Storyville and Folkways, which were documenting the quickly passing blues history. He lived out his final years in New Orleans, where he died from a heart attack on July 17, 1983.

https://www.youtube.com/watch?v=3ti2gQ14lJY

Tientos is a flamenco Andalusian palo which has a rhythm consisting of 4 beats. It is in the same family as the Tangos, but slower and with different topics, lyrics and mood. Every Tientos becomes a Tangos at the end of the song/dance.^[1] Traditionally, cantaor El Marrurro (1848 -1906) has been considered one of the creators of this style. Enrique el Mellizo gave it the modern form by which we know it today. Other famous cantaores who interpreted this style were Antonio Chacón and Pastora Pavón.

Like many Cante Jondo, traditional Tientos lyrics (letras) tend to be pathetic, sentimental, and speak about the lack of love, disillusionment and revenge. Dancers strive to capture this mood in their solos. It can be danced by a man or a woman.

The Daniel K. Inouye Solar Telescope (DKIST), the world’s largest solar telescope, captured its first image of the sun — the highest-resolution image of our star to date — last month.

The image begins what scientists hope will be a nearly 50-year study of the Earth’s most important star. The new images reveal small magnetic structures in incredible detail. As construction on the 4-meter telescope winds down on the peak of Haleakala on the Hawaiian island of Maui, more of the telescope’s instruments will begin to come online, increasing its ability to shed light on the active sun.

Philip David Charles Collins LVO (born 30 January 1951) is an English drummer, singer, songwriter, multi-instrumentalist, record producer, and actor. He was the drummer and then the singer of the rock band Genesis, and is also a solo artist. Between 1982 and 1989, Collins scored three UK and seven US number-one singles in his solo career. When his work with Genesis, his work with other artists, as well as his solo career is totalled, he had more US Top 40 singles than any other artist during the 1980s. His most successful singles from the period include “In the Air Tonight“, “Against All Odds (Take a Look at Me Now)“, “One More Night“, “Sussudio“, “Two Hearts” and “Another Day in Paradise“.

Born and raised in west London, Collins played drums from the age of five and completed drama school training, which secured him various roles as a child actor. He then pursued a music career, joining Genesis in 1970 as their drummer and becoming lead singer in 1975 following the departure of Peter Gabriel. Collins began a solo career in the 1980s, initially inspired by his marital breakdown and love of soul music, releasing a series of successful albums, including Face Value (1981), No Jacket Required (1985), and …But Seriously (1989). Collins became “one of the most successful pop and adult contemporary singers of the ’80s and beyond”. He also became known for a distinctive gated reverb drum sound on many of his recordings. In 1996, Collins left Genesis to focus on solo work; this included writing songs for Disney’s Tarzan (1999) for which he received an Oscar for Best Original Song for “You’ll Be in My Heart”. He rejoined Genesis for their Turn It On Again Tour in 2007. Following a five-year retirement to focus on his family life, Collins released an autobiography in 2016 and completed his 97-date Not Dead Yet Tour in 2019.

Collins’s discography includes eight studio albums that have sold 33.5 million certified units in the US and an estimated 150 million worldwide, making him one of the world’s best-selling artists. He is one of only three recording artists, along with Paul McCartney and Michael Jackson, who have sold over 100 million records worldwide both as solo artists and separately as principal members of a band. He has received eight Grammy Awards, six Brit Awards (winning Best British Male Artist three times), two Golden Globe Awards, one Academy Award, and a Disney Legend Award. He was awarded six Ivor Novello Awards from the British Academy of Songwriters, Composers and Authors, including the International Achievement Award. He received a star on the Hollywood Walk of Fame in 1999, and was inducted into the Songwriters Hall of Fame in 2003 and the Rock and Roll Hall of Fame as a member of Genesis in 2010. He has also been recognised by music publications with induction into the Modern Drummer Hall of Fame in 2012, and the Classic Drummer Hall of Fame in 2013.

https://www.youtube.com/watch?v=A_l1M_cpqKY

Edward Brian “Tubby” Hayes (30 January 1935 – 8 June 1973) was an English jazz multi-instrumentalist, best known for his tenor saxophoneplaying in groups with fellow sax player Ronnie Scott and with trumpeter Jimmy Deuchar.

Hayes was born in St Pancras, London, England, and brought up in London. His father was a BBC studio violinist who gave his son violin lessons from an early age. By the age of ten, Hayes was playing the piano, and started on the tenor sax at 11. Dizzy Gillespie was an early influence.

In 1951, aged 16, Hayes joined Kenny Baker’s sextet, later playing for big-band leaders such as Ambrose, Terry Brown, Tito Burns, Roy Fox, Vic Lewis and Jack Parnell. In 1955, he formed his own octet, with which he toured the UK for 18 months.

Hayes took up the vibraphone in early 1957, having tried Victor Feldman’s instrument on a gig. Although the vibes were a key double in his instrumental arsenal, he eventually tired of playing them, recording his final solo on the instrument in 1966.

From 1957 to 1959, he joined Ronnie Scott in co-leading a quintet, The Jazz Couriers, perhaps the most fondly remembered of British modern jazz groups.

Hayes took up the flute in 1958, making his recording debut on the instrument a year later. He continued to feature the flute throughout the remainder of his life.

Subsequently, Hayes reformed his quartet, and toured Germany with Kurt Edelhagen. Then, in 1961, he was invited to play at the Half Note Club in New York City; a new transatlantic Musicians’ Union agreement meant that, in exchange, Zoot Sims played at Ronnie Scott’s. While in the United States, Hayes recorded (Tubbs In N.Y.) with Clark Terry, Eddie Costa, and Horace Parlan, returning in 1962 for another visit, this time recording Return Visit! with James Moody, Roland Kirk, Walter Bishop Jr, Sam Jones and Louis Hayes. He played at the Half Note again in 1964, and at the Boston Jazz Workshop the same year, and at Shelly Manne‘s Manne-Hole in Los Angeles in 1965.

https://www.youtube.com/watch?v=H8nOSGNCYMs

Ahmed Abdul-Malik (born Jonathan Tim, Jr.; January 30, 1927 – October 2, 1993) was a jazz double bassistand oud player.

Abdul-Malik is remembered for integrating Middle Eastern and North African music styles in his jazz music. He was a bass player for Art Blakey, Earl Hines, Randy Weston, and Thelonious Monk, among others.

Abdul-Malik claimed that his father was from Sudan and moved to the United States. Research by historian Robin Kelley, however, indicates that Abdul-Malik was born to Caribbean immigrants and changed his birth name.

https://www.youtube.com/watch?v=CRP2lJP2pDQ

David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed “Little Jazz“, was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.

Eldridge was born on the North Side of Pittsburgh, Pennsylvania on January 30, 1911, to parents Alexander, a wagon teamster, and Blanche, a gifted pianist with a talent for reproducing music by ear, a trait that Eldridge claimed to have inherited from her.

Eldridge led and played in a number of bands during his early years, moving extensively throughout the American Midwest. He absorbed the influence of saxophonists Benny Carter and Coleman Hawkins, setting himself the task of learning Hawkins’s 1926 solo on “The Stampede” (by Fletcher Henderson‘s Orchestra) in developing an equivalent trumpet style.

Eldridge left home after being expelled from high school in ninth grade, joining a traveling show at the age of sixteen; the show soon folded, however, and he was left in Youngstown, Ohio. He was then picked up by the “Greater Sheesley Carnival,” but returned to Pittsburgh after witnessing acts of racism in Cumberland, Maryland that significantly disturbed him. Eldridge soon found work leading a small band in the traveling “Rock Dinah” show, his performance therein leading swing-era bandleader Count Basie to recall young Roy Eldridge as “the greatest trumpet I’d ever heard in my life.” Eldridge continued playing with similar traveling groups until returning home to Pittsburgh at the age of 17.

At the age of 20, Eldridge led a band in Pittsburgh, billed as “Roy Elliott and his Palais Royal Orchestra”, the agent intentionally changing Eldridge’s name because “he thought it more classy.” Roy left this position to try out for the orchestra of Horace Henderson, younger brother of famed New York City bandleader Fletcher Henderson, and joined the ensemble, generally referred to as The Fletcher Henderson Stompers, Under the Direction of Horace Henderson. Eldridge then played with a number of other territory bands, staying for a short while in Detroit before joining Speed Webb‘s band which, having garnered a degree of movie publicity, began a tour of the Midwest. Many of the members of Webb’s band, annoyed by the leader’s lack of dedication, left to form a practically identical group with Eldridge as bandleader. The ensemble was short-lived, and Eldridge soon moved to Milwaukee, where he took part in a celebrated cutting contest with trumpet player Cladys “Jabbo” Smith, with whom he later became good friends.

Messier 88 (also known as M88 or NGC 4501) is a spiral galaxy about 50 to 60 million light-years away in the constellation Coma Berenices. It was discovered by Charles Messier in 1781.

M88 is one of the fifteen Messier objects that belong to the nearby Virgo Cluster of galaxies. It is galaxy number 1401 in the Virgo Cluster Catalogue (VCC) of 2096 galaxies that are candidate members of the cluster. M88 may be on a highly elliptical orbit that is carrying it toward the cluster center, which is occupied by the giant elliptical galaxy M87. It is currently 0.3–0.48 million parsecs from the center and will come closest to the core in about 200–300 million years. The motion of M88 through the intergalactic medium of the Virgo cluster is creating ram pressure that is stripping away the outer region of neutral hydrogen. This stripping has already been detected along the western, leading edge of the galaxy.

James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bass player. He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. He was inducted into the Rock and Roll Hall of Fame in 2000. As a session musician he played on twenty-three Billboard Hot 100 number one hits, as well as fifty-six R&B number one hits.

In its special issue “The 100 Greatest Bass Players” in 2017, Bass Player magazine ranked Jamerson number one and the most influential bass guitarist. In 2011, Jamerson ranked third in the “20 Most Underrated Bass Guitarists” in Paste magazine.

A native of Edisto Island (near Charleston), South Carolina, he was born to James Jamerson Sr. and Elizabeth Bacon. He was raised in part by his grandmother who played piano, and his aunt who sang in church choir. As a youngster he was a competent piano player and performed in public. He briefly played the trombone. As a teenager he was a reserved person, and passionate about music. He listened to gospel, blues and jazz music on the radio.

Edwin Thomas Shaughnessy (January 29, 1929 – May 24, 2013) was a swing music and jazz drummer long associated with Doc Severinsen and a member of The Tonight Show Band on The Tonight Show Starring Johnny Carson.

Shaughnessy was born in Jersey City, New Jersey and grew up in the New York City area, working in the 1940s with George Shearing, Jack Teagarden, and Charlie Ventura. In the 1950s he worked in the Benny Goodman and Tommy Dorsey bands. In the 1960s he played for Count Basie prior to joining The Tonight Show Band. He was the drummer on Bashin’: The Unpredictable Jimmy Smith in 1962 which featured big band arrangements by Oliver Nelson, including the pop hit “Walk on the Wild Side” which peaked at #21 on the Billboard chart. Shaughnessy recorded extensively throughout his career and was known for his drum competitions with Buddy Rich.

Although best known as a big band drummer, Shaughnessy also performed small group work with Gene Ammons, Roy Eldridge, Billie Holiday, Mundell Lowe, Teo Macero, Charles Mingus, Shirley Scott, Jack Sheldon, Horace Silver, and many others. For several years Shaughnessy was a member of the house band at Birdland and other New York clubs. In the early 1970s he was doing similar work in Los Angeles and is credited with discovering Diane Schuur, whom he introduced at the 1976 Monterey Jazz Festival. Shaughnessy played in an early incarnation of the “Sesame Street” orchestra along with percussionist Danny Epstein, reed player Wally Kane, and, on occasion, guitarist Bucky Pizzarelli.

He was an endorser of Ludwig drums, Sabian cymbals and Pro-Mark drumsticks.

Eddie Taylor (January 29, 1923 – December 25, 1985) was an American electric blues guitarist and singer.

Born Edward Taylor in Benoit, Mississippi, as a boy Taylor taught himself to play the guitar. He spent his early years playing at venues around Leland, Mississippi, where he taught his friend Jimmy Reed to play the guitar. With a guitar style deeply rooted in the Mississippi Delta tradition, Taylor moved to Chicago, Illinois, in 1949.

Taylor never achieved the stardom of some of his contemporaries in the Chicago blues scene, he was nevertheless an integral part of that era. He is especially noted as a main accompanist for Jimmy Reed; he also worked for John Lee Hooker, Big Walter Horton, Sam Lay, and others. Earwig Music Company recorded him with Kansas City Red and Big John Wrencher for the album Original Chicago Blues. He later teamed up with Earring George Mayweather, and they jointly recorded several tracks, including “You’ll Always Have a Home” and “Don’t Knock at My Door”. Several of these were released as singles, of which “Big Town Playboy” and “Bad Boy”, issued by Vee Jay Records, were local hits in the 1950s, but Taylor’s singles generally were not commercially successful. Later, in “semi-retirement”, Taylor was the regular lead guitarist with Peter Dames and the Chicago River Blues Band, later known as Peter Dames and the Rhythm Flames.

Taylor played lead guitar on several songs (including the title track) on the album Be Careful How You Vote by Sunnyland Slim, and played live with Sunnyland Slim on some tour dates in the 1980s.

Star formation. Dusty emission in the Tadpole Nebula, IC 410, lies about 12,000 light-years away in the northern constellation of the Charioteer (Auriga). The cloud of glowing gas is over 100 light-years across, sculpted by stellar winds and radiation from embedded open star cluster NGC 1893. Formed in the interstellar cloud a mere 4 million years ago, bright newly formed cluster stars are seen all around the star-forming nebula. Notable near the image center are two relatively dense streamers of material trailing away from the nebula’s central regions. Potentially sites of ongoing star formation in IC 410, these cosmic tadpole shapes are about 10 light-years long. The featured image was taken in infrared light by NASA’s Wide Field Infrared Survey Explorer (WISE) satellite.

Henry Johnson (born January 28, 1954) is an American jazz guitarist from Chicago.

Johnson was born in Chicago on January 28, 1954, and grew up in Memphis. He started playing the guitar at the age of 12, teaching himself. He played various styles of music until hearing Wes Montgomery ignited an interest in jazz. He entered Indiana University in 1973.

Johnson has worked with Hank Crawford, Freddie Hubbard, Ramsey Lewis, Norman Simmons, Jimmy Smith, Sonny Stitt, Stanley Turrentine, Joe Williams, and Nancy Wilson. He has led his own bands since 1982.

Ronnie Scott OBE (born Ronald Schatt, 28 January 1927 – 23 December 1996) was an English jazz tenor saxophonist and jazz club owner.He co-founded Ronnie Scott’s Jazz Club, one of the UK’s most popular jazz clubs, in 1959.

Ronnie Scott was born in Aldgate, East London, into a Jewish family. His father, Joseph Schatt, was of Russian ancestry, and his mother Sylvia’s family attended the Portuguese synagogue in Alie Street. Scott attended the Central Foundation Boys’ School.

Scott began playing in small jazz clubs at the age of 16. His claim to fame was that he was taught to play by “Vera Lynn’s father-in-law!”. He toured with trumpeter Johnny Claes from 1944 to 1945 and with Ted Heath in 1946. He worked with Ambrose, Cab Kaye, and Tito Burns. He was involved in the short-lived musicians’ co-operative Club Eleven band and club (1948–50) with Johnny Dankworth. Scott became an acquaintance of the arranger/composer Tadd Dameron, when the American was working in the UK for Heath, and is reported to have performed with Dameron as the pianist, at one Club Eleven gig.