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John Lenwood McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.
McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw‘s orchestra. After his father’s death in 1939, Jackie’s musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school McLean played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk, Jr. (the saxophonist son of Andy Kirk).
Along with Rollins, McLean played on Miles Davis‘ Dig album, when he was 20 years old. As a young man he also recorded with Gene Ammons, Charles Mingus (for Pithecanthropus Erectus), George Wallington, and as a member of Art Blakey‘s Jazz Messengers. McLean joined Blakey after reportedly being punched by Mingus. Fearing for his life, McLean pulled out a knife and contemplated using it against Mingus in self-defense, but later stated that he was grateful that he had not stabbed the bassist.
more...Walter Dewey Redman (May 17, 1931 – September 2, 2006) was an American saxophonist who performed free jazz as a bandleader and with Ornette Coleman and Keith Jarrett.
Redman mainly played tenor saxophone, though he occasionally also played alto, the Chinese suona(which he called a musette), and clarinet. His son is saxophonist Joshua Redman.
Redman was born in Fort Worth, Texas. He attended I.M. Terrell High School, and played in the school band with Ornette Coleman, Prince Lasha, and Charles Moffett. After high school, he briefly enrolled in the electrical engineering program at the Tuskegee Institute in Alabama but became disillusioned with the program and returned home to Texas. In 1953, he earned a bachelor’s degree in Industrial Arts from Prairie View Agricultural and Mechanical University. While at Prairie View, he switched from clarinet to alto saxophone, then to tenor. After graduating, he served for two years in the U. S. Army.
After his discharge from the Army, Redman began working on a master’s degree in education at the University of North Texas. While working on his degree, he taught music to fifth graders in Bastrop, Texasand worked as a freelance saxophonist at night and weekends in Austin, Texas. In 1957, he graduated in Education with a minor in Industrial Arts. While at North Texas, he did not enroll in any music classes.
In 1959 he moved to San Francisco, resulting in a collaboration with clarinettist Donald Garrett.
Redman was best known for his 1968-1972 collaboration with saxophonist Ornette Coleman, with whom he had performed in his Fort Worth high school marching band. He also played in pianist Keith Jarrett‘s American Quartet (1971–1976). Jarrett’s The Survivors’ Suite was voted Jazz Album of the Year by Melody Maker in 1978. In the 1970s Redman formed the quartet Old and New Dreams with Don Cherry, Charlie Haden, and Ed Blackwell. They recorded four albums in the period to 1987.
more...Alegria is a cante chico flamenco form that belongs to the Cantiñas family and originates in Andalusian the town of Cadíz. It is usually played at a lively rhythm (120-170 beats per minute) and in a major key. Alegria letras focus on light-hearted themes like love, humor, and happiness – the word “alegria” literally means “joy.”
The compas of alegria is based on a twelve count similar to solea and emphasizes the 3, 6, 8, 10, and 12 beats.
Alegria is structurally one of the strictest forms of flamenco. A traditional dance in alegria must contain each of the following sections, in order:
- salida (entrance)
- paseo (walkaround)
- silencio (similar to an adagio in ballet – it is the singer who is “silent”)
- castellana (upbeat section)
- escobilla (literally “brush” as with a broom, which describes dancers’ footwork in this section)
- bulerias
This structure is often not strictly followed when alegria is played as a standalone song with no dancing. You will, however, frequently hear parts of this structure in solo guitar playing. In this way an artist can pay homage to the entirety of the art form, even when a dancer is not present.
more...The Iris Nebula (also known as NGC 7023 and Caldwell 4) is a bright reflection nebula in the constellation Cepheus. The designation NGC 7023 refers to the open cluster within the larger reflection nebula designated LBN 487.
The nebula, which shines at magnitude +6.8, is illuminated by a magnitude +7.4 star designated HD 200775. It is located near the Mira-type variable star T Cephei, and near the bright magnitude +3.23 variable star Beta Cephei (Alfirk). It lies 1,300 light-years away and is six light-years across.
William Emanuel Cobham Jr. (born May 16, 1944) is a Panamanian–American jazz drummer who came to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with the Mahavishnu Orchestra.
He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013. AllMusic biographer Steve Huey said, “Generally acclaimed as fusion’s greatest drummer, Billy Cobham’s explosive technique powered some of the genre’s most important early recordings – including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra – before he became an accomplished bandleader in his own right. At his best, Cobham harnessed his amazing dexterity into thundering, high-octane hybrids of jazz complexity and rock & roll aggression.”
Cobham’s influence stretched far beyond jazz; he influenced progressive rock contemporaries like Bill Bruford of King Crimson, and later ones like Danny Carey of Tool. Prince and Jeff Beck both played a version of Cobham’s “Stratus” in concert. Phil Collins, who named the Mahavishnu Orchestra’s The Inner Mounting Flame as a key influence on his early style, said: “Billy Cobham played some of the finest drumming I’ve ever heard on that record.”
Born in Colón, Panama, Cobham moved with his family to Brooklyn, New York, when he was three. His father, Manuel, worked as a hospital statistician during the week and played piano on weekends. Cobham started playing drums at the age of four, and joined his father four years later. When he was fourteen, he got his first drum kit as a gift after being accepted to The High School of Music & Art in New York City. He was drafted in 1965, and for the next three years he played with a U.S. Army band.
more...Betty Carter (born Lillie Mae Jones; May 16, 1929 – September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. Vocalist Carmen McRae once remarked: “There’s really only one jazz singer—only one: Betty Carter.”
Carter was born in Flint, Michigan, and grew up in Detroit, where her father, James Jones, was the musical director of a Detroit church and her mother, Bessie, was a housewife. As a child, Carter was raised to be extremely independent and to not expect nurturing from her family.
more...“A Native American elder once described his own inner struggles in this manner: Inside of me there are two dogs. One of the dogs is mean and evil. The other dog is good. The mean dog fights the good dog all the time. When asked which dog wins, he reflected for a moment and replied, The one I feed the most.”
Rhythm Roots Workshop Residency Ecumen Lakeview Commons Assisted Living and Memory Care in Maplewood
AR 3664 better showed its 3D structure. Pictured, a large multi-pronged solar prominence was captured extending from chaotic sunspot region AR 3664 out into space, just one example of the particle clouds ejected from this violent solar region. The Earth could easily fit under this long-extended prominence. The featured image was captured two days ago from this constantly changing region. Yesterday, the strongest solar flare in years was expelled (not shown), a blast classified in the upper X-class. Ultraviolet light from that flare quickly hit the Earth’s atmosphere and caused shortwave radio blackouts across both North and South America. Although now rotated to be facing slightly away from the Earth, particles from AR 3664 and subsequent coronal mass ejections (CMEs) might still follow curved magnetic field lines across the inner Solar System and create more Earthly auroras.
Brian Peter George Eno born 15 May 1948), also mononymously known as Eno, is an English musician, songwriter, record producer and visual artist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock and pop music. A self-described “non-musician”, Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music‘s most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid-1960s, and then at Winchester School of Art. He joined the glam rock group Roxy Music as its synthesiser player in 1971 and recorded two albums with them before departing in 1973. He then released a number of solo pop albums, beginning with Here Come the Warm Jets (1974), and explored minimal music with the influential recordings Discreet Music (1975) and Ambient 1: Music for Airports (1978), with the latter coining the term “ambient music”.
Alongside his solo work, Eno collaborated frequently with other musicians in the 1970s, including Robert Fripp (as part of the duo Fripp & Eno), Harmonia, Cluster, Harold Budd, David Bowie, and David Byrne. He also established himself as a sought-after producer, working on albums by John Cale, Jon Hassell, Laraaji, Talking Heads, Ultravox, and Devo, as well as the no wave compilation No New York (1978). In subsequent decades, Eno continued to record solo albums, and produce for other artists, most prominently U2, Coldplay and Peter Gabriel, and including Daniel Lanois, Laurie Anderson, Grace Jones, Slowdive, Karl Hyde, James, Kevin Shields, and Damon Albarn.
Dating back to his time as a student, Eno has also worked in other media, including sound installations, film and writing. In the mid-1970s, he co-developed Oblique Strategies, a deck of cards featuring aphorismsintended to spur creative thinking. From the 1970s onwards, his installations have included the sails of the Sydney Opera House in 2009 and the Lovell Telescope at Jodrell Bank in 2016. An advocate of a range of humanitarian causes, Eno writes on a variety of subjects and is a founding member of the Long Now Foundation. His modern political activism has also included Gazan tragedy awareness before and during the 2023-24 Gaza–Israel conflict, climate change awareness, anti-Toryism, and the freedom and release of Julian Assange.
more...Trinidad López III (May 15, 1937 – August 11, 2020) was an American singer, guitarist, and actor. His first album included a cover version of Pete Seeger‘s “If I Had a Hammer“, which earned a Golden Disc for him. His other hits included “Lemon Tree“, “I’m Comin’ Home, Cindy” and “Sally Was a Good Old Girl”. He designed two guitars for the Gibson Guitar Corporation, which are now collectors’ items. A documentary on his life and career, “My Name is Lopez” was released in April 2022.
Lopez was born in Dallas, Texas, on May 15, 1937. His father, Trinidad Lopez II, worked as a singer, dancer, actor, and musician in Mexico; his mother was Petra Gonzalez. They married in their hometown of Moroleón, Guanajuato, prior to moving to Dallas. Lopez had four sisters (two are deceased) and a brother, Jesse, who is also a singer. He grew up on Ashland Street in the Little Mexico neighborhood of Dallas and attended grammar school and N. R. Crozier Tech High School. He dropped out of high school in his senior year in order to earn money to help support the family.
more...Oscar Castro-Neves (May 15, 1940 – September 27, 2013), was a Brazilian guitarist, arranger, and composer who is considered a founding figure in bossa nova.
He was born in Rio de Janeiro as one of triplets and formed a band with his brothers in his youth. At 16 he had a national hit with Chora Tua Tristeza. In 1962 he was in a bossa nova concert at Carnegie Hall, and later he toured with Stan Getz and Sérgio Mendes. He went on to work with musicians from different genres, including Billy Eckstine, Yo Yo Ma, Michael Jackson, Barbra Streisand, Stevie Wonder, João Gilberto, Eliane Elias, Lee Ritenour, Airto Moreira, Toots Thielemans, John Klemmer, Carol Welsman, Stephen Bishop, and Diane Schuur. During the 1970s and early 1980s he was member of the Paul Winter Consort. With Mendes, Castro-Neves, was a key guitarist in the A&M release “Fool on the Hill” and continued with the classic “Stillness” which was to see the last Brasil ’66 grouping. Castro-Neves re-appeared with Sergio Mendes & Brasil 77 on the Vintage ’74 album.
He lived in Los Angeles, California where he worked as an orchestrator for several films including Blame it on Rio and Sister Act 2: Back in the Habit. He died of cancer in Los Angeles on September 27, 2013.
more...Ellis Larkins (May 15, 1923 – September 29, 2002) was an American jazz pianist born in Baltimore, Maryland, known for his two recordings with Ella Fitzgerald: the albums Ella Sings Gershwin (1950) and Songs in a Mellow Mood (1954). He was also the pianist on the first solo sides by singer Chris Connor on her album Chris (1954).
Larkins was the first African American to attend the Peabody Conservatory of Music, an institute in Baltimore. He began his professional playing career in New York City after moving there to attend the Juilliard School.[1] While still at Juilliard, Larkins performed jazz piano with guitarist Billy Moore at Café Society Uptown and over the next ten years in his own groups, or in support of, clarinetist Edmond Hall and singers Helen Humes and Mildred Bailey. He recorded with Coleman Hawkins, and Dicky Wells in the 1940s. In the 1950s, he recorded with Ella Fitzgerald, Ruby Braff, and Beverly Kenney. His 1960s work included recordings or performances with Eartha Kitt, Joe Williams, Georgia Gibbs and Harry Belafonte.
Though he was best known as an accompanist, Larkins recorded several solo albums in the 1950s. In the 1970s, he performed regularly at several New York venues, including Gregory’s, a small bar on the Upper East Side.
more...the brighter stars of open cluster NGC 2169 seem to form a cosmic 37. Did you expect 42? From our perspective, the improbable numerical asterism appears solely by chance. It lies at an estimated distance of 3,300 light-years toward the constellation Orion. As far as galactic or open star clusters go, NGC 2169 is a small one, spanning about 7 light-years. Formed at the same time from the same cloud of dust and gas, the stars of NGC 2169 are only about 11 million years old. Such clusters are expected to disperse over time as they encounter other stars, interstellar clouds, and experience gravitational tides while hitchhiking through the galaxy. Over four billion years ago, our own Sun was likely formed in a similar open cluster of stars.
more...
David Byrne (/bɜːrn/; born 14 May 1952) is a Scottish-American singer, songwriter, musician, record producer, actor, writer, music theorist, visual artist, and filmmaker. He was a founding member, principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads.
Byrne has released solo recordings and worked with various media including film, photography, opera, fiction, and non-fiction. He has received an Academy Award, a Grammy Award, a Special Tony Award, and a Golden Globe Award, and he is an inductee to the Rock and Roll Hall of Fame as part of Talking Heads.
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