mick laBriola

Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer reformed the Jazztet in 1982.

In addition to “I Remember Clifford“, many of Golson’s compositions have become jazz standards including “Blues March“, “Whisper Not“, and “Killer Joe”.

While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson‘s rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson’s pianist at the time.

From 1953 to 1959 Golson played with Dameron’s band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers with whom he recorded the classic Moanin’ in 1958.

This peculiar galaxy, beautifully streaked with tendrils of reddish dust, is captured here in wonderful detail by the NASA/ESA Hubble Space Telescope. The galaxy is known as NGC 1022, and is officially classified as a barred spiral galaxy. You can just about make out the bar of stars in the center of the galaxy in this image, with swirling arms emerging from its ends. This bar is much less prominent than in some of the galaxy’s barred cousins and gives the galaxy a rather squat appearance; but the lanes of dust that swirl throughout its disc ensure it is no less beautiful.

NGC 1022 is a barred spiral galaxy located at approximately 66 million light years away in the constellation of Cetus. It was discovered on September 10, 1785 by William Herschel.

John Adam Belushi (January 24, 1949 – March 5, 1982) was an American comedian, actor, singer, and one of the seven original cast members of the NBC sketch comedy show Saturday Night Live (SNL). Throughout his career, Belushi had a close personal and artistic partnership with his fellow SNL star Dan Aykroyd, whom he met while they were both working at Chicago‘s The Second City comedy club.

Born in Chicago to Albanian American parents, Belushi started his own successful comedy troupe with Tino Insana and Steve Beshekas, called “The West Compass Trio”. Belushi performed with The Second City after Bernard Sahlins discovered him. He met Brian Doyle-Murray and Harold Ramisthere and also met Aykroyd, who would later become one of his close associates.

In 1975, Belushi was recommended to SNL creator and showrunner Lorne Michaels by Chevy Chase and Michael O’Donoghue, who accepted Belushi as a new cast member of the show after an audition. He developed a series of characters on the show that reached high success, including his performances as Henry Kissinger and Ludwig van Beethoven. After his breakout film role as John “Bluto” Blutarsky in National Lampoon’s Animal House (1978), Belushi later appeared in films such as 1941, The Blues Brothers, and Neighbors. He also pursued interests in music, creating with Aykroyd, Lou Marini, Tom Malone, Steve Cropper, Donald “Duck” Dunn, and Paul Shaffer, the Blues Brothers, from which the film received its name.

In his personal life, Belushi struggled with heavy drug use that affected his comedy career; he was dismissed and rehired by Michaels on several occasions due to his behavior. In 1982, Belushi died from combined drug intoxication caused by Cathy Smith who injected him with a mixture of heroinand cocaine known as a speedball. He was posthumously honored with a star on the Hollywood Walk of Fame in 2004.

Belushi’s mother, Agnes Demetri (Samaras), was the daughter of Albanian immigrants, and his father, Adam Anastos Belushi, was an Albanian emigrant from Qytezë. Born in Humboldt Park, a neighborhood on the West Side of Chicago, Illinois.

Aaron Joseph Neville (born January 24, 1941) is an American R&B and soul vocalist and musician. He has had four platinum albums and four Top 10 hits in the United States, including three that went to #1 on Billboard‘s Adult Contemporary chart. His debut single, from 1966, was #1 on the Soul chart for five weeks.

He has also recorded with his brothers Art, Charles and Cyril as The Neville Brothers and is the father of singer/keyboards player Ivan Neville. Neville is of mixed African-American, Caucasian, and Native American (Choctaw) heritage.

The first of his singles that was given airplay outside of New Orleans was “Over You” (Minit, 1960). Neville’s first major hit single was “Tell It Like It Is“, released on a small New Orleans label, Par-Lo, co-owned by local musician/arranger George Davis, a friend from school, and band-leader Lee Diamond. The song topped Billboard‘s R&B chart for five weeks in 1967 and also reached #2 on the Billboard Hot 100 (behind “I’m a Believer by the Monkees). It sold over one million copies, and was awarded a gold disc. It was not the label’s only release, as some sources claim. At least five other Par-Lo singles, three of them by Neville himself, are known to exist.

In 1989, Neville teamed up with Linda Ronstadt on the album Cry Like a Rainstorm, Howl Like the Wind. Among the duets recorded for the disc were the #1 Grammy-winning hits “Don’t Know Much” and “All My Life“. “Don’t Know Much” reached #2 on the Hot 100, and was certified Gold for selling a million copies, while the album was certified Triple Platinum for US sales of more than 3 million.

His other hits have included “Everybody Plays the Fool“, his 1991 cover of the 1972 Main Ingredient song, that reached #8 on the Hot 100; “Don’t Take Away My Heaven”, “Hercules” and “Can’t Stop My Heart From Loving You (The Rain Song).” Neville’s biggest solo successes have been on the Adult Contemporary chart, where “Don’t Know Much,” “All My Life,” and “Everybody Plays the Fool” all reached Number One.

Isidore “Tuts” Washington (January 24, 1907 – August 5, 1984) was an American blues pianist from New Orleans, Louisiana.

He taught himself to play the piano at age 10 and studied with the New Orleans jazz pianist Joseph Louis “Red” Cayou. In the 1920s and 1930s, he was a leading player for dance bands and Dixieland bands in New Orleans. His style blended elements of ragtime, jazz, blues, and boogie-woogie.

After World War II, Washington joined Smiley Lewis in a trio with drummer Herman Seals. They released several popular songs for Imperial, including “Tee-Nah-Nah”, “The Bells Are Ringing”, and “Dirty People”. Washington moved to St. Louis to play with Tab Smith. He returned to New Orleans in the 1960s, performing in restaurants in the French Quarter in clubs such as Tipitina’s and at the New Orleans Jazz & Heritage Festival. For years he had a regular engagement playing piano at a bar in the Pontchartrain Hotel. He avoided recording for most of his career, but he released the solo piano album New Orleans Piano Professor for Rounder in 1983. A live recording by Washington, Live at Tipitina’s ’78, was released by Night Train International Records in 1998. Washington died on August 5, 1984, after having a heart attack while performing at the World’s Fair in New Orleans.

James Robert Forrest Jr. (January 24, 1920 – August 26, 1980) was an American jazz musician, who played tenor saxophone throughout his career.

Forrest is known for his first solo recording of “Night Train“. It reached No. 1 on the Billboard R&B chart in March 1952, and stayed at the top for seven weeks. “Hey Mrs. Jones” (No. 3 R&B) and “Bolo Blues” were his other hits. All were made for United Records, which recorded Forrest between 1951 and 1953. He recorded frequently as both a sideman and a bandleader.

Born in St. Louis, Missouri, United States, Forrest played alongside Fate Marable as a young man. He was with Jay McShann in 1940-42 and with Andy Kirk from 1942 until 1948 when he joined Duke Ellington. During the early 1950s, Forrest led his own combos. He also played with Miles Davis, in early 1952 at The Barrel Club. After his solo career, he played in small combos with Harry “Sweets” Edison and Al Grey, as well as appearing with Count Basie.

Late in life Forrest married Betty Tardy, and settled in Grand Rapids, Michigan, where he died in August 1980, aged 60, from heart failure.

Some 13,000 light-years away toward the southern constellation Pavo, the globular star cluster NGC 6752 roams the halo of our Milky Way galaxy. Over 10 billion years old, NGC 6752 follows clustersOmega Centauri and 47 Tucanae as the third brightest globular in planet Earth’s night sky. It holds over 100 thousand stars in a sphere about 100 light-years in diameter. Telescopic explorations of the NGC 6752 have found that a remarkable fraction of the stars near the cluster’s core, are multiple star systems. They also reveal the presence of blue straggle stars, stars which appear to be too young and massive to exist in a cluster whose stars are all expected to be at least twice as old as the Sun. The blue stragglers are thought to be formed by star mergers and collisions in the dense stellar environment at the cluster’s core. This sharp color composite also features the cluster’s ancient red giant stars in yellowish hues. (Note: The bright, spiky blue star at 11 o’clock from the cluster center is a foreground star along the line-of-sight to NGC 6752).

Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be heralded as an innovator, and his sound and technique are widely imitated. He is also known for pioneering fusion jazz and popularizing the duet format in jazz, as well as being a major figure in music education from his 30 years at the Berklee College of Music.

Burton was born in Anderson, Indiana in 1943. Beginning music at six years old, he mostly taught himself to play marimba and vibraphone. He began studying piano at age sixteen while finishing high school at Princeton Community High School in Princeton, Indiana (1956–60). He has cited jazz pianist Bill Evans as the inspiration for his approach to the vibraphone.

Curtis Counce (January 23, 1926 – July 31, 1963) was an American hard bop and West Coast jazz double bassist.

Counce was born in Kansas City, Missouri and moved to California in 1945. He began recording in 1946 with Lester Young, and in the 1950s in Los Angeles with musicians such as Shorty Rogers, Stan Kenton, Shelly Manne, Lyle Murphy, Teddy Charles, and Clifford Brown. Counce formed his quintet in 1956 featuring tenor saxophonist Harold Land, trumpeter Jack Sheldon, pianist Carl Perkins and drummer Frank Butler. Elmo Hope replaced Perkins after his death at age 29 in 1958. Gerald Wilson replaced Sheldon on some recordings. The four albums originally released on Contemporary Records were reissued in 2006 on a double CD by Gambit Spain. Counce died in Los Angeles, California, of a heart attack. He was survived by his wife, Mildred Counce and only child Celeste Counce.

Jean Reinhardt (23 January 1910 – 16 May 1953), known by his stage name Django Reinhardt (French: [dʒãŋɡo ʁɛjnaʁt] or [dʒɑ̃ɡo ʁenɑʁt]), was a Belgian-born Romani-French jazz guitarist and composer, regarded as one of the greatest musicians of the twentieth century. He was the first jazz talent to emerge from Europe and remains the most significant.

With violinist Stéphane Grappelli, Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument. Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington‘s orchestra in 1946. He died suddenly of a stroke at the age of 43.

Reinhardt’s most popular compositions have become standards within gypsy jazz, including “Minor Swing“, “Daphne”, “Belleville”, “Djangology”, “Swing ’42”, and “Nuages“. Jazz guitarist Frank Vignola claims that nearly every major popular-music guitarist in the world has been influenced by Reinhardt. Over the last few decades, annual Django festivals have been held throughout Europe and the U.S., and a biography has been written about his life. In February 2017, the Berlin International Film Festival held the world premiere of the French film Django.

At the age of 17 Reinhardt married Florine “Bella” Mayer, a girl from the same Romani settlement, according to Romani custom (although not an official marriage under French law). The following year he recorded for the first time. On these recordings, made in 1928, Reinhardt plays the “banjo” (actually the banjo-guitar) accompanying the accordionists Maurice Alexander, Jean Vaissade and Victor Marceau, and the singer Maurice Chaumel. His name was now drawing international attention, such as from British bandleader Jack Hylton, who came to France just to hear him play. Hylton offered him a job on the spot, and Reinhardt accepted.

Before he had a chance to start with the band, however, Reinhardt nearly died. On the night of 2 November 1928, Reinhardt was going to bed in the wagon that he and his wife shared in the caravan. Apparently, he knocked over a candle, which ignited the extremely flammable celluloid that his wife used to make artificial flowers. The wagon was quickly engulfed in flames. The couple escaped, but Reinhardt suffered extensive burns over half his body During his 18 month hospitalization, doctors apparently recommended amputation for his badly damaged right leg. Reinhardt refused the surgery and was eventually able to walk with the aid of a cane.

More crucial to his music, the third finger (ring finger) and fourth finger (pinky) of Reinhardt’s left hand were badly burned. Doctors believed that he would never play guitar again Reinhardt applied himself intensely to relearning his craft, however, making use of a new guitar bought for him by his brother, Joseph Reinhardt, who was also an accomplished guitarist. While he never regained the use of those two fingers, Reinhardt regained his musical mastery by focusing on his left index and middle fingers, using the two injured fingers only for chord work.

Within a year of the fire, in 1929, Bella Mayer gave birth to their son, Henri “Lousson” Reinhardt. Soon thereafter, the couple split up. The son eventually took the surname of his mother’s new husband. As Lousson Baumgartner, the son himself became an accomplished musician who would go on to record with his biological father.