mick laBriola

“Big Eye” Louis Nelson Delisle (28 January 1885 – 20 August 1949) was an early twentieth-century Dixieland jazz clarinetist in New Orleans, Louisiana. He also played double bass, banjo, and accordion. Nelson Delisle was born into a family who were Creoles of color. He spent most of his life in New Orleans, Louisiana. He studied clarinet with the elder Lorenzo Tio. By the age of 15, Delisle was working professionally in the music venues of Storyville, an area of brothels and clubs in New Orleans. He developed a style of hot jazz, a.k.a. Dixieland, and was an influence on clarinetists Johnny Dodds and Jimmie Noone.

Early in his career Delisle often played a C clarinet, as opposed to the more common B♭; the C was used by other New Orleans clarinetists of the era, such as Alcide Nunez.

In 1917, Delisle joined the reconstituted Original Creole Orchestra that included Freddie Keppard and Bill Johnson. The band had disbanded in Boston in the spring of that year but was reassembled in New York City in the fall of the same year. Delisle replaced George Baquet, who had toured with the group in vaudeville. After a short while, Delisle was replaced by Jimmie Noone. He was the regular clarinetist with the Jones & Collins Astoria Hot Eight but did not play on their 1929 recording sessions.

https://www.youtube.com/watch?v=HPqvwXj5i9A

Never forget this Atrocity of the Human Race!

Marking the 75th anniversary of the liberation of Auschwitz. And why three generations later, we must still never forget.

Reuters: “World leaders at Jerusalem conference condemn rising anti-Semitism” — “World leaders voiced alarm at resurgent anti-Semitism on Thursday as they gathered at Israel’s national Holocaust Memorial to mark the 75th anniversary of the liberation of the Nazi death camp Auschwitz.

“Israeli Prime Minister Benjamin Netanyahu and U.S. Vice President Mike Pence also castigated Iran in their speeches to the World Holocaust Forum, accusing it of rabid anti-Semitism and of seeking Israel’s destruction.

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Discovered in 1779 by Charles Messier, M58 was one of the first galaxies recognized to have a spiral shape and is one of four barred spiral galaxies in Messier’s catalog. M58 is one of the brightest galaxies in the constellation Virgo. Located roughly 62 million light-years from Earth, M58 is the most distant Messier object.
Although it appears bright, M58’s core is relatively dim compared to other spiral galaxies. The core contains high rates of star formation, known as starburst activity. It also houses a supermassive black hole around 70 million times the mass of our Sun. A very small ring around the galaxy’s nucleus, known as an ultra-compact nuclear ring, is a main region of widespread starburst activity in M58 and is a rare phenomenon among galaxies.
Long arms extend out from the galaxy’s bright nucleus. However, a lack of hydrogen means that there is very little star formation activity in the arms. This could be the result of gravitational interactions with the nearby galaxies of the Virgo cluster. Two supernovas have been detected in M58, one in 1988 and the other in 1989.
The best time to view M58 is in May. With a magnitude of 9.8, the galaxy is best observed with an 8-inch or larger telescope, but it can be seen with large binoculars on clear nights as well. Small telescopes will only reveal the galaxy’s core.
This Hubble observation was taken in ultraviolet and visible light using the Wide Field and Planetary Camera 2. The image’s stair-step appearance results from the design of the camera. It shows about half of M58, with the galaxy’s core and arms filling the image. Hubble took these observations of M58 to study the properties of its nucleus (classified as a LINER, or low-ionization nuclear emission-line region) and compare it with active galactic nuclei in the centers of other galaxies.

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart,was a prolific and influential composer of the Classical period.

Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.

He composed more than 600 works, many of which are acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the greatest and most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: “posterity will not see such a talent again in 100 years”.

https://www.youtube.com/watch?v=7lC1lRz5Z_s

Robert Hutcherson (January 27, 1941 – August 15, 2016) was an American jazz vibraphone and marimba player. “Little B’s Poem”, from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.

Bobby Hutcherson was born in Los Angeles, California, to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson‘s orchestra. Hutcherson went on to record on a number of Gerald Wilson’s Pacific Jazz recordings as well as play in his orchestra. Hutcherson’s sister personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when at about the age of 12 he heard Milt Jackson with Thelonious Monk, Percy Heath and Kenny Clarke and Miles Davis playing “Bemsha Swing” on the Miles Davis All Stars, Volume 2 album (1954).Still in his teens, Hutcherson began his professional career in the late 1950s working with tenor saxophonist Curtis Amy and trumpeter Carmell Jones, as well as with Dolphy and tenor saxophonist Charles Lloyd at Pandora’s Box on the Sunset Strip.

Robert Calvin Bland (né Robert Calvin Brooks; January 27, 1930 – June 23, 2013), known professionally as Bobby “Blue” Bland, was an American blues singer.

Bland developed a sound that mixed gospel with the blues and R&B. He was described as “among the great storytellers of blues and soul music… [who] created tempestuous arias of love, betrayal and resignation, set against roiling, dramatic orchestrations, and left the listener drained but awed.” He was sometimes referred to as the “Lion of the Blues” and as the “Sinatra of the Blues”. His music was also influenced by Nat King Cole.

Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and the Memphis Music Hall of Fame in 2012. He received the Grammy Lifetime Achievement Award in 1997. The Rock and Roll Hall of Fame described him as “second in stature only to B.B. King as a product of Memphis‘s Beale Street blues scene”. Bland was born Robert Calvin Brooks in the small town of Barretville, Tennessee.

Elmore James (January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter and bandleader. He was known as “King of the Slide Guitar” and was noted for his use of loud amplification and his stirring voice. Elmore James was inducted into The Rock and Roll Hall of Fame in 1992 as an “Early Influence” inductee.

James was born Elmore Brooks in Richland, Holmes County, Mississippi, the illegitimate son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie “Frost” James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. He married Minnie Mae about 1942.

James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red’s songs. He also inherited from Tampa Red’s band two musicians who joined his own backing band, the Broomdusters, “Little” Johnny Jones (piano) and Odie Payne (drums).There is a dispute about whether Johnson or James wrote James’s signature song, “Dust My Broom“. In the late 1930s, James worked alongside Sonny Boy Williamson II.

Oran Thaddeus “Hot Lips” Page (January 27, 1908 – November 5, 1954) was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.

Page was a member of Walter Page‘s Blue Devils, Artie Shaw‘s Orchestra and Count Basie‘s Orchestra, and he worked with Ma Rainey, Bessie Smithand Ida Cox. He was one of the five musicians who opened Birdland with Charlie Parker in 1949.

Oran Thadeus Page was born in Dallas, Texas to a schoolteacher and musician mother. He moved with his mother to Corsicana where he began attending Corsicana High School and later Texas College while also working at the oilfields. His very first gigs were in circuses and minstrel shows while also backing such blues singers as Ma Rainey, Bessie Smith, and Ida Cox. Page’s main trumpet influence was Louis Armstrong, though throughout his career he cited other local trumpeters, including Harry Smith (Kansas City) and Benno Kennedy (San Antonio) as being early influences.

In the mid-1920s, while still a teenager, he is believed to have appeared with Troy Floyd and His Orchestra in San Antonio, Texas and with Eddie and Sugar Lou, a dance band headquartered in Tyler, Texas, though no documentation has been unearthed to support his presence in either band. He also claimed to have appeared around 1925 with a band in Shreveport, Louisiana known as Goog and His Jazz Babies and with a band in New Orleans known as French’s Jazz Orchestra, though no documentation has been discovered.

In 1926, he caught the eye of the bassist Walter Page (no relation) who had recently assumed leadership of the Oklahoma City Blue Devils. It is believed that Oran Page joined the Blue Devils circa 1927, though no known documentation exists to support his presence with the band until the fall of 1928. He played and toured with the Blue Devils until the spring of 1931, when he joined the Bennie Moten Orchestra, the leading dance band of Kansas City.

https://www.youtube.com/watch?v=QPdDvfrmiBA

Urinetown the Musical
An international water shortage causes pay to pee!
Theater 55 @ Illusion Theater
February 28 thru March 15th 2020
Music by Neal McIntosh, Jamie Carter, mick laBriola and more!

This composite image, created out of two different pointings from Hubble, shows the barred spiral galaxy NGC 1512 (left) and the dwarf galaxy NGC 1510 (right). Both galaxies are about 30 million light-years away from Earth and currently in the process of merging. At the end of this process NGC 1512 will have cannibalised its smaller companion.

This newly released Hubble image shows the tiny galaxy NGC 1510 and its colossal neighbor NGC 1512 at the beginning of their lengthy merger.

The gravitational dance between two galaxies in our local neighborhood has led to intriguing visual features in both as witnessed in this new NASA/ESA Hubble Space Telescope image. The tiny NGC 1510 and its colossal neighbor NGC 1512 are at the beginning of a lengthy merger, a crucial process in galaxy evolution. Despite its diminutive size, NGC 1510 has had a significant effect on NGC 1512’s structure and amount of star formation.

Galaxies come in a range of shapes and sizes, and astronomers use this fact to classify them based on their appearance. NGC 1512, the large galaxy to the left in this image, is classified as a barred spiral, named after the bar composed of stars, gas and dust slicing through its centre. The tiny NGC 1510 to the right, on the other hand, is a dwarf galaxy. Despite their very different sizes, each galaxy affects the other through gravity, causing slow changes in their appearances.

Rokia Traoré (born January 26, 1974) is a Malian singer, songwriter and guitarist.

She made six albums between 1998 and 2016. Bowmboï (2003) won the Critics Award category at the BBC Radio 3 Awards for World Music in 2004^[1] and Tchamantché (2008) won Victoires de la Musique World Music Album of the Year in 2009. Traoré won Best Artist in the Songlines Music Awards in 2009. She is a member of the Bambara ethnic group.

Traoré’s father was a diplomat and she travelled widely in her youth. She visited Algeria, Saudi Arabia, France and Belgium and was exposed to a wide variety of influences. Her hometown of Kolokani is in the northwestern part of Mali’s Koulikoro region.

While the Bambara have a tradition of griot performing at weddings, members of the nobility, such as Rokia, are discouraged from performing as musicians. Rokia attended lycée in Mali while her father was stationed in Brussels and started performing publicly as a university student in Bamako. She plays acoustic guitar as well as sings, and uses vocal harmonies in her arrangements which are rare in Malian music. She also plays ngoni (lute) and balafon.

In 1997 Traoré linked with Mali musician Ali Farka Touré which raised her profile.

Clement Seymour “Sir Coxsone” Dodd CD (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond. He was nicknamed “Coxsone” at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team).The Kingston-born Dodd used to play records to the customers in his parents’ shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleans and Miami.

With the success of his sound system, and in a competitive environment, Dodd would make trips through the US looking for new tunes to attract the Jamaican public. While he did, his mother Doris Darlington would run the sound system and play the tunes. Dodd opened five different sound systems, each playing every night. To run his sound systems, Dodd appointed people such as Lee “Scratch” Perry, who was Dodd’s right-hand man during his early career, U-Roy and Prince Buster. When the R&B craze ended in the United States, Dodd and his rivals were forced to begin recording their own Jamaican music in order to meet the local demand for new music.

In 1959, he founded a record company called World Disc. In 1962, he produced the jazz record “I Cover the Waterfront” on the Port-O-Jam label, two of the musicians who played on the album, Roland Alphonso and Don Drummond became founding members of the Skatalites one year later. In 1963, he opened Studio One on Brentford Road, Kingston. It was the first black-owned recording studio in Jamaica. He held regular Sunday evening auditions in search of new talent, and it was here that Dodd auditioned Bob Marley, singing as a part of The Wailers. In the early 1960s, Dodd was producing ska hits by Toots and the Maytals, the Gaylads, and the Skatalites.

Dodd’s “You’re Wondering Now”, was initially recorded in 1964 by Andy & Joey in Jamaica and later covered by The Skatalites, The Specials and Amy Winehouse; it was also used as the theme tune for the British-French crime drama television series Death in Paradise. During the late 1960s and 1970s, the “Studio One sound” was synonymous with the sound of ska, rocksteady and reggae, and Dodd attracted some of the Jamaican new musicians, including Burning Spear, Ras Michael, Delroy Wilson, Horace Andy, Sound Dimension, and Sugar Minott.

Huey Pierce Smith, known as Huey “Piano” Smith (born January 26, 1934, New Orleans, Louisiana), is an American rhythm-and-blues pianistwhose sound was influential in the development of rock and roll.

His piano playing incorporated the boogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino.^[2] Steve Huey of AllMusic noted that “At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, ‘Don’t You Just Know It.'” Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players.

Smith wrote his first song “Robertson Street Boogie”, named after the street where he lived, on the piano, when he was eight years old. He performed the tune with a friend, with the two billing themselves as Slick and Dark. Smith attended McDowell High School and Xavier University of Louisiana in New Orleans.

When Smith was fifteen, he began working in clubs and recording with his flamboyant partner, Eddie Jones, who rose to fame as Guitar Slim. When Smith was eighteen, in 1952, he signed a recording contract with Savoy Records, which released his first known single, “You Made Me Cry”. In 1953 Smith recorded with Earl King.

In 1955, Smith became the piano player with Little Richard‘s first band in sessions for Specialty Records. The same year he also played piano on several studio sessions for other artists, such as Lloyd Price. Two of the sessions resulted in hits for Earl King (“Those Lonely Lonely Nights”) and Smiley Lewis (“I Hear You Knocking“).

In 1957, he formed a band, Huey “Piano” Smith and His Clowns, with Bobby Marchan, and signed a long-term contract with Ace Records, represented by former Specialty record producerJohnny Vincent. They hit the Billboard charts with several singles in succession, including “Rockin’ Pneumonia and the Boogie Woogie Flu“.

The record was issued as “Rockin’ Pneumonia and the Boogie Woogie Flu Part 1” on the A-side, lyrics by John Vincent, and “Rockin’ Pneumonia and the Boogie Woogie Flu Part 2”, an instrumental, on the flip side. The record sold over one million copies, achieving gold disc status.

In 1958, Vin Records, a subsidiary of Ace Records, released a popular single, “Little Chickee Wah Wah”, with Clowns singer Gerri Hall, under the billing of Huey and Jerry. (This song is sometimes confused with the similarly titled 1956 single “Chickie Wah Wah”, by Bobby Marchan, which has entirely different lyrics, tempo, chord structure and melody; the Vincent-Smith composition is built around the melody of the old black children’s play song “Little Sally Walker.”)

Meanwhile, Ace Records released several more singles by Huey “Piano” Smith and His Clowns, including “We Like Birdland”, “Well I’ll Be John Brown”, and “Don’t You Know Yockomo” (a cover version of which, recorded by the New Zealand artist Dinah Lee, reached number 1 in both New Zealand and Australia in 1964).

Stéphane Grappelli (French pronunciation: ​[stefan ɡʁapɛli]; 26 January 1908 – 1 December 1997), born Stefano Grappelli, was a French-Italian jazzviolinist who founded the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called “the grandfather of jazz violinists” and continued playing concerts around the world well into his 80s.

For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to Grappelli in 1969. The latter, Italian spelling, is now used almost universally when referring to the violinist, including reissues of his early work.

Having written about American dancer Isadora Duncan, who was living in Paris, Ernesto appealed to her to care for his son. Stéphane was enrolled in Duncan’s dance school at the age of six, and he learned to love French Impressionist music. With the war encroaching, Duncan as an American citizen fled the country; she turned over her château to be used as a military hospital. Ernesto subsequently entrusted his son to a Catholic orphanage.