mick laBriola

Paul Desmond (born Paul Emil Breitenfeld, November 25, 1924 – May 30, 1977) was an American jazz alto saxophonist and composer, best known for his work with the Dave Brubeck Quartet and for composing that group’s biggest hit, “Take Five“. He was one of the most popular musicians to come out of the cool jazz scene.

In addition to his work with Brubeck, he led several groups and collaborated with Gerry Mulligan, Chet Baker, Jim Hall, and Ed Bickert. After years of chain smoking and poor health, Desmond succumbed to lung cancer in 1977 after a tour with Brubeck.

Desmond was born Paul Emil Breitenfeld in San Francisco, California, in 1924, the son of Shirley (née King) and Emil Aron Breitenfeld. His grandfather, Sigmund Breitenfeld was, according to an obituary, born in Austria in 1857. Sigmund Breitenfeld, a medical doctor, emigrated to New York City with his wife Hermine (born Hermine Lewy) at the end of the 19th century, and the Breitenfelds raised their four children (including Desmond’s father Emil) with no religion. Interviewed by Desmond biographer Doug Ramsey, Desmond’s first cousin Rick Breitenfeld said that no one in the Breitenfeld family could find evidence of Jewish ancestry or Jewish religious observance, but Paul Desmond and members of his father’s family “frequently speculated as to whether or not Sigmund or Hermine Breitfeld had Jewish backgrounds”. Biographer Ramsey notes that “[t]he name Breitenfeld could be Jewish or non-Jewish. There are plenty of Breitenfelds in Germany and Austria to support both sides of the argument. Lewy, the maiden surname of Paul’s paternal grandmother Hermine, is more likely to be of Jewish origin, but no evidence of her genealogy has surfaced.”Desmond’s mother, born Shirley King, was Catholic, and of Irish descent.

Desmond produced a light, melodic tone on the alto saxophone, trying to sound, he said, “like a dry martini.” With a style that was similar to that of Lee Konitz, one of his influences, he quickly became one of the best-known saxophonists from the West Coast‘s cool school of jazz. Much of the success of the classic Brubeck quartet was due to the juxtaposition of his airy style over Brubeck’s sometimes relatively heavy, polytonal piano work.

His rare gift for improvised counterpoint is perhaps most evident on the two albums he recorded with baritone saxophonist Gerry Mulligan (Mulligan-Desmond Quartet and Two of a Mind). Desmond’s playing was also notable for his ability to produce extremely high notes, the altissimo register, on his saxophone.

Desmond played a Selmer Super Balanced Action model alto saxophone coupled with an M. C. Gregory model 4A-18M hard rubber mouthpiece, both dating from circa 1951, with a moderately stiff Rico 3 ½ reed.

William Henry Joseph Bonaparte Bertholf Smith (November 23, 1893 – April 18, 1973), also known as “The Lion“, was an American jazz pianist and one of the masters of the stride style, usually grouped with James P. Johnson and Thomas “Fats” Waller as the three greatest practitioners of the genre in its golden age, from about 1920 to 1943.

William Henry Joseph Bonaparte Bertholf was born in Goshen, New York. His mother and grandmother chose the names to reflect the different parts of his heritage: Joseph after Saint Joseph (Bible), Bonaparte (French), Bertholf (biological father’s last name), Smith (added when he was three, his stepfather’s name), and William and Henry which were added for “spiritual balance”.

In his memoir he reports that his father, Frank Bertholf (incorrectly spelled Bertholoff in many sources), was Jewish. Smith’s New York birth record shows him as William H. Bertholf, and his father, Frank Bertholf, was a white electrician from nearby Monroe, New York. Willie was at least somewhat conversant in Yiddish, as he demonstrated in a television interview late in his life. Willie’s mother, Ida Oliver, had “Spanish, Negro, and Mohawk Indian blood”. Her mother, Ann Oliver, was a banjo player and had been in Primrose and West minstrel shows (Smith also had two cousins who were dancers in the shows, Etta and John Bloom). According to Ida, “Frank Bertholoff [sic] was a light-skinned playboy who loved his liquor, girls, and gambling.” His mother threw Frank out of the house when “The Lion” was two years old. When his father died in 1901, his mother married John Smith, a master mechanic from Paterson, New Jersey. The surname Smith was added to that of “The Lion” at age three. He grew up living at 76 Academy Street in Newark, New Jersey

https://www.youtube.com/watch?v=n_xiF4UVpsU

Two spiral galaxies are locked in a spellbinding, swirling dance in this image from the VIMOS instrument on ESO’s Very Large Telescope (VLT). The two interacting galaxies — NGC 5426 and NGC 5427 — together form an intriguing astronomical object named Arp 271, the subject of this, the final image captured by VIMOS before it was decommissioned on 24 March 2018.

VIMOS — or, in full, the VIsible Multi-Object Spectrograph — was active on the VLT for an impressive 16 years. During that time it helped scientists to uncover the wild early lives of massive galaxies, observe awe-inspiring triple-galaxy interactions, and explore deep cosmic questions such as how the Universe’s most massive galaxies grew so large. Instead of focusing on single objects, VIMOS was able to capture detailed information about hundreds of galaxies at once. This sensitive instrument collected the spectra of tens of thousands of galaxies throughout the Universe, showing how they formed, grew, and evolved.

Arp 271 is framed against a backdrop of distant galaxies in this view, and wisps of bluish gas, dust and young stars can be seen bridging the gap between the two galaxies — a result of their mutual gravitational interaction. Like many astronomical observations, this image looks back in time. Thanks to the vast gulf of space separating the Earth and Arp 271, this image shows how the galaxies looked over 110 million years ago: the amount of time it has taken their light to reach us. This kind of collision and merger is also thought to be the eventual fate of the Milky Way, which scientists believe will undergo a similar interaction with our neighbouring galaxy Andromeda.

Donald “Duck” Dunn (November 24, 1941 – May 13, 2012) was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.’s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Elvis Presley and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.’s. He is ranked number 40 on Bass Player magazine’s list of “The 100 Greatest Bass Players of All Time”.

Dunn was born in Memphis, Tennessee. His father nicknamed him “Duck” while watching Disney cartoons with him one day. Dunn grew up playing sports and riding his bike with another future professional musician, Steve Cropper.

Wild Bill Davis (November 24, 1918 – August 17, 1995) was the stage name of American jazz pianist, organist, and arranger William Strethen Davis.

Davis was born in Glasgow, Missouri. He is best known for his pioneering jazz electronic organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis (whom Smith had reportedly first seen playing organ in the 1930s) was the pacesetter among organists.

Davis originally played guitar and wrote arrangements for Milt Larkin‘s Texas-based big band during 1939–1942, a band which included Arnett Cobb, Illinois Jacquet, and Tom Archia on horns. After leaving the Larkin orchestra, Davis worked in Chicago as a pianist, recording with Buster Bennett in 1945. He played a crucial role as the pianist-arranger in Jordan’s Tympany Five (1945–1947) at the peak of their success. After leaving Jordan, he returned to Chicago for a time, recording again with Buster Bennett and working with Claude McLin. After switching from piano to organ, Davis moved to the East Coast. In 1950, he began leading an influential trio of organ, guitar, and drums, which recorded for OKeh Records.

Davis was originally supposed to record “April in Paris” with Count Basie‘s Orchestra in 1955 but when he could not make the session, Basie used his arrangement for the full band and had a major hit.

In addition to working with his own groups in the 1960s, Davis made several albums with his friend Johnny Hodges, leading to tours during 1969–1971 with Duke Ellington. In the 1970s he recorded for the Black & Blue Records label with a variety of swing all-stars, and he also played with Lionel Hampton, appearing at festivals through the early 1990s. Davis died in Moorestown, New Jersey.

Theodore Shaw Wilson (November 24, 1912 – July 31, 1986) was an American jazz pianist. Described by critic Scott Yanow as “the definitive swing pianist”, Wilson’s sophisticated and elegant style was featured on the records of many of the biggest names in jazz, including Louis Armstrong, Lena Horne, Benny Goodman, Billie Holiday, and Ella Fitzgerald. With Goodman, he was one of the first black musicians to appear prominently with white musicians. In addition to his extensive work as a sideman, Wilson also led his own groups and recording sessions from the late 1920s to the 1980s.

Wilson was born in Austin, Texas, on November 24, 1912. He studied piano and violin at Tuskegee Institute in Tuskegee, Alabama. After working in Speed Webb‘s band, with Louis Armstrong, and also understudying Earl Hines in Hines’s Grand Terrace Cafe Orchestra, Wilson joined Benny Carter‘s Chocolate Dandies in 1933. In 1935, he joined the Benny Goodman Trio (which consisted of Goodman, Wilson and drummer Gene Krupa, later expanded to the Benny Goodman Quartet with the addition of Lionel Hampton). The trio performed during the big band‘s intermissions. By joining the trio, Wilson became one of the first black musicians to perform prominently in a racially integrated group.

Jazz producer and writer John Hammond was instrumental in getting Wilson a contract with Brunswick, starting in 1935, to record hot swing arrangements of the popular songs of the day, with the growing jukebox trade in mind. He recorded fifty hit records with various singers such as Lena Horne, Helen Ward and Billie Holiday, including many of Holiday’s greatest successes. During these years, he also took part in many highly regarded sessions with a wide range of important swing musicians such as Lester Young, Roy Eldridge, Charlie Shavers, Red Norvo, Buck Clayton, Sarah Vaughan and Ben Webster. From 1936 to 1942 he recorded for Brunswick Records and Columbia Records. In the 1950s he recorded on Verve Records.

This new image from the NASA/ESA Hubble Space Telescope captures two galaxies of equal size in a collision that appears to resemble a ghostly face. This observation was made on 19 June 2019 in visible light by the telescope’s Advanced Camera for Surveys. Residing 704 million light-years from Earth, this system is catalogued as Arp-Madore 2026-424 (AM 2026-424) in the Arp-Madore “Catalogue of Southern Peculiar Galaxies and Associations”.

Hubble is looking at a titanic head-on collision between two galaxies. Each “eye” is the bright core of a galaxy, one of which slammed into another. The outline of the face is a ring of young blue stars. Other clumps of new stars form a nose and mouth. The entire system is catalogued as Arp-Madore 2026-424 (AM 2026-424), from the Arp-Madore “Catalogue of Southern Peculiar Galaxies and Associations.”

Although galaxy collisions are common — especially back in the young universe — most of them are not head-on smashups, like the collision that likely created this Arp-Madore system. The violent encounter gives the system an arresting “ring” structure for only a short amount of time, about 100 million years. The crash pulled and stretched the galaxies’ disks of gas, dust and stars outward. This action formed the ring of intense star formation that shapes the nose and face. Ring galaxies are rare; only a few hundred of them reside in our larger cosmic neighborhood. The galaxies have to collide at just the right orientation to create the ring. The galaxies will merge completely in about 1 to 2 billion years, hiding their messy past. The side-by-side juxtaposition of the two central bulges of stars from both galaxies also is unusual. Because the bulges that make the eyes appear to be the same size, it is evidence that two galaxies of nearly equal proportions were involved in the crash, rather than more common collisions where small galaxies are gobbled up by their larger neighbors. Hubble observed this unique system as part of a “snapshot” program that takes advantage of occasional gaps in the telescope’s observing schedule to squeeze in additional pictures. Astronomers plan to use this innovative Hubble program to take a close look at many other unusual interacting galaxies. The goal is to compile a robust sample of nearby interacting galaxies, which could offer insight into how galaxies grew over time through galactic mergers. By analyzing these detailed Hubble observations, astronomers could then choose which systems are prime targets for follow-up with NASA’s James Webb Space Telescope, scheduled to launch in 2021. Astronomer Halton Arp published his compendium of 338 unusual-looking interacting galaxies in 1966. He later partnered with astronomer Barry Madore to extend the search for unique galactic encounters in the southern sky. Several thousand galaxies are listed in that survey, published in 1987. The Hubble image of AM 2026-424 was taken June 19, 2019, in visible light by the Advanced Camera for Surveys. The system resides 704 million light-years from Earth.

Ray Drummond (born November 23, 1946 in Brookline, Massachusetts) is a jazz bassist and teacher. He also has an MBA from Stanford University, hence his linkage to the Stanford Jazz Workshop. He can be heard on hundreds of albums and co-leads The Drummonds with Renee Rosnes and (not related) Billy Drummond.

Drummond has been a resident of Teaneck, New Jersey, since 1980 with his wife, Susan, and his daughter, Maya.

He is the elder brother of David Drummond, senior vice president, corporate development and chief legal officer of Google Inc.

R. L. Burnside (November 23, 1926 – September 1, 2005) was an American blues singer, songwriter, and guitarist. He played music for much of his life but received little recognition before the early 1990s. In the latter half of that decade, Burnside recorded and toured with Jon Spencer, garnering crossover appeal and introducing his music to a new fan base in the punk and garage rock scenes.

Burnside was born in 1926 to Earnest Burnside and Josie Malone, in either Harmontown, College Hill, or Blackwater Creek, all of which are in the rural part of Lafayette County, Mississippi, near the area that would be covered by Sardis Lake a few years later. His first name is given variously as R. L., Rural, Robert Lee, Rule, or Ruel. His father left the family early on, and R. L. grew up with his mother, grandparents, and several siblings.

https://www.youtube.com/watch?v=VeYI_0yDyxE

This bi-color image of the Orion Nebula (M42) was taken through Hydrogen-alpha and Oxygen-III filters. This celestial object combines emission, reflection, and dark nebulosity into one star-forming region. The Orion Nebula (also known as Messier 42, M42, or NGC 1976) is a diffuse nebula situated in the Milky Way, being south of Orion’s Belt in the constellation of Orion. It is one of the brightest nebulae, and is visible to the naked eye in the night sky. M42 is located at a distance of 1,344 ± 20 light yearsand is the closest region of massive star formation to Earth. The M42 nebula is estimated to be 24 light years across. It has a mass of about 2,000 times that of the Sun. Older texts frequently refer to the Orion Nebula as the Great Nebula in Orion or the Great Orion Nebula.

Jesse Colin Young is an American singer and songwriter. He was a founding member and lead singer of the 1960s group The Youngbloods. Young was born Perry Miller on November 22, 1941 and raised in Queens, New York. His mother was a violinist, and his father was an accountant with a strong interest in classical music. When he was 15 years old, Young received a scholarship to Phillips Academy in Andover, Massachusetts. He was later expelled from the school.

During the 1960s, while living in the Greenwich Village section of Manhattan, Young released two solo albums, The Soul of a City Boy and Young Blood. He then formed the group the Youngbloods with guitarist Jerry Corbitt, keyboardist and guitarist Lowell “Banana” Levinger, and drummer Joe Bauer. The group’s first album contained the song “Get Together“, written by Chet Powers, which was re-released as a single in 1969. Young and his band founded Raccoon Records and released four additional albums on that label.

https://www.youtube.com/watch?v=kLVWxuMsiDQ

James Minter Knepper (November 22, 1927 – June 14, 2003) was an American jazz trombonist. In addition to his own recordings as leader, Knepper performed and recorded with Charlie Barnet, Woody Herman, Claude Thornhill, Stan Kenton, Benny Goodman, Gil Evans, Thad Jones and Mel Lewis, Toshiko Akiyoshi and Lew Tabackin, and, most famously, Charles Mingus in the late 1950s and early 1960s. Knepper died in 2003 of complications of Parkinson’s disease.

Knepper was born in Los Angeles, California, the second son of a nurse and a police officer. His parents divorced shortly after his birth, and his mother had to take her abusive husband to court in order to get child support. He and his older brother, Robert, were sent to several boarding and military schools, Page Military Academy and St. John’s Military Academy, while their mother worked. He picked up his first instrument, an alto horn, at the age of 6 while he was a pupil there. His first teacher persuaded him to put aside the alto and pick up the trombone because, as he said, he had a “trombone mouth”. He played his first professional gigs in LA, and traveled to Spokane, WA at the age of 15. He graduated high school, and later attended classes at Los Angeles Community College.

Hoagland Howard “Hoagy” Carmichael (November 22, 1899 – December 27, 1981) was an American singer, songwriter, and actor. American composer and author Alec Wilder described Carmichael as the “most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen” of pop songs in the first half of the 20th century. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s and was among the first singer-songwriters in the age of mass media to utilize new communication technologies, such as television and the use of electronic microphones and sound recordings.

Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing the music for “Stardust“, “Georgia on My Mind” (lyrics by Stuart Gorrell), “The Nearness of You“, and “Heart and Soul” (in collaboration with lyricist Frank Loesser), four of the most-recorded American songs of all time. He also collaborated with lyricist Johnny Mercer on “Lazybones” and “Skylark.” Carmichael’s “Ole Buttermilk Sky” was an Academy Award nominee in 1946, from Canyon Passage, in which he co-starred as a musician riding a mule. “In the Cool, Cool, Cool of the Evening,” with lyrics by Mercer, won the Academy Award for Best Original Song in 1951. Carmichael also appeared as a character actor and musical performer in 14 films, hosted three musical-variety radio programs, performed on television, and wrote two autobiographies.

Born in Bloomington, Indiana, on November 22, 1899, Hoagland Howard “Hoagy” Carmichael was the first child and only son of Howard Clyde and Lida Mary (Robison) Carmichael. His parents named him after a circus troupe called the “Hoaglands” that had stayed at the Carmichael house during his mother’s pregnancy.

Featuring Fandangos.

The earliest fandango melody is found in the anonymous “Libro de diferentes cifras de guitarra” from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Spanish priest. The fandango’s first sighting in a theatrical work was in Francisco de Leefadeal‘s entremés “El novio de la aldeana” staged in Seville, ca. 1720. By the late 18th century it had become fashionable among the aristocracy and was often included in tonadillas, zarzuelas, ballets and operas, not only in Spain, but also elsewhere in Europe.

Widely varying claims have been made about the origin of fandango: its relation to the soleá, jabera and petenera; to the Andalusian malagueña, granadina, murciana and rondeña; to the canarioand gitano; to the jota aragonesa