mick laBriola

Donald Byron (born November 8, 1958) is an American composer and multi-instrumentalist. He primarily plays clarinet but has also played bass clarinet and saxophone in a variety of genres that includes free jazz and klezmer.

His mother was a pianist. His father worked as a mailman and played bass in calypso bands. Byron listened to Dizzy Gillespie and Miles Davis while growing up, but he was exposed to other styles through trips to the ballet and symphony orchestra. When he was a child, he had asthma, and a doctor recommended playing an instrument to improve his breathing. This was why he started playing clarinet. He grew up in the South Bronx among many Jewish neighbors who sparked an interest in klezmer. Other influences include Joe Henderson, Artie Shaw, Jimmy Hamilton, and Tony Scott. In he teens he took clarinet lessons from Joe Allard. George Russell was one of his teachers at the New England Conservatory of Music in Boston. At the school he was a member of Klezmer Conservatory Band led by Hankus Netsky. In the 1980s he moved to New York City where he played with avant-garde jazz musicians such as Hamiet Bluiett, Craig Harris, and David Murray.

Byron is a member of the Black Rock Coalition. In 2001, he performed “Bli Blip” for the Red Hot Organization‘s compilation album Red Hot + Indigo, a tribute to Duke Ellington which raised money for charities devoted to increasing AIDS awareness and fighting the disease. He has recorded with Bill Frisell, Joe Henry, Marc Ribot, Vernon Reid, and Allen Toussaint.

Kenny Cox (November 8, 1940 – December 19, 2008) was a jazz pianist performing in the post bop, hard bop and bebop mediums. Cox was pianist for singer Etta Jones during the 1960s and was also a member of a quintet led by trombonist George Bohannon. By the end of the late 1960s he had formed his own Kenny Cox and the Contemporary Jazz Quintet, which recorded two albums for Blue Note Records before the end of the decade. Cox has appeared as a contributor on various albums, and has also performed live with such musicians as Rahsaan Roland Kirk, Eddie Harris, Jackie McLean, Roy Haynes, Ben Webster, Wes Montgomery, Kenny Dorham, Philly Joe Jones, Kenny Burrell, Donald Byrd, Roy Brooks, Charles McPherson, and Curtis Fuller. During the 1980s he formed the Detroit-based Guerilla Jam Band, a group which performed with Regina Carter, James Carter, Tani Tabbal, and Craig Taborn.^[1] Cox was responsible for the short-lived Strata Records.

Warren Battiste was born in New Orleans in 1925 and was taught to play the guitar by his father who was a banjo player at Preservation Hall. Warren has performed at numerous jazz clubs on Bourbon Street, Preservation Hall, Snug Harbor, the Matador and many others. Warren also appeared in the film “Shy People” with Jill Clayburgh and Barbara Hershey. He has taught music at Wequachie High School, Essex County College and the Newark Art Center in Newark, New Jersey. Warren has performed with George Benson, The Platters, The Inkspots and Illinois Jacquet to name a few. In 2000 he received the Lifetime Achievement Award in Jazz from the New Orleans Jazz and Heritage Festival.
In 2001 he released his debut CD “Street Jazz” to rave reviews.
In 2004 he was backed by Nocturnal Records for a second CD entitled “Just Friends”.
In 2007 Progressive Records, a division of George Buck’s recording company in New Orleans, released a third CD entitled “Quiet Storm”.
BIRTHPLACE: New Orleans, Louisiana on November 8, 1925
EDUCATION: Father was a banjo player at Preservation Hall and the initial Instructor to young Warren. Later Warren completed 4 years of instructions at Gruenwald Music School in New Orleans.

INSTRUMENTS: Primary: Guitar
Others: Bass, Banjo, and Piano
EXPERIENCE:
Featured on Louisiana Jukebox May 2002 and September 20, 2002. Featured artist in UNO’s Jazz Series April 2002. Numerous jazz clubs around Bourbon Street in the French Quarter, Preservation Hall, Harrah’s Casino, Club 201, Snug Harbor, The Matador, Café Sbisa, and many others.

Cameoed in the Motion Picture, SHY PEOPLE, starring Jill Clayburgh and Barbara Hershey.

Taught Music at Wequachic High School, Essex County College, and Newark Art Center in Newark, New Jersey.

PERFORMED WITH:
George Benson Jimmy McGriff
The Platters Frank Foster
The Inkspots Barry Harris
Illinois Jacquet Woody Shaw …and many others

Hurtling through a cosmic dust cloud a mere 400 light-years away, the lovely Pleiades or Seven Sisters open star cluster is well-known for its striking blue reflection nebulae. It lies in the night sky toward the constellation Taurus and the Orion Arm of our Milky Way Galaxy. The sister stars and cosmic dust cloud are not related though, they just happen to be passing through the same region of space. Known since antiquity as a compact grouping of stars, Galileo first sketched the star cluster viewed through his telescope with stars too faint to be seen by eye. Charles Messier recorded the position of the cluster as the 45th entry in his famous catalog of things which are not comets. In Greek myth, the Pleiades were seven daughters of the astronomical Titan Atlas and sea-nymph Pleione. Their parents names are included in the cluster’s nine brightest stars. This deep and wide telescopic image spans over 20 light-years across the Pleides star cluster.

David Spencer Ware (November 7, 1949 – October 18, 2012) was an American jazz saxophonist, composer, and bandleader.

Ware was born in Plainfield, New Jersey, grew up in Scotch Plains, New Jersey, graduated from Scotch Plains-Fanwood High School, and briefly attended the Berklee College of Music. He moved to NYC in 1973, where he participated in the loft jazz scene, and later worked as a cab driver for 14 years in order to focus on his own group concept. In the early 1980s, he returned to Scotch Plains with his wife Setsuko S. Ware.

Ware’s debut album as a leader was recorded in 1977 – together with pianist Gene Ashton (aka Cooper-Moore) and drummer Marc Edwards – and released by HatHut in 1979. He performed and recorded with the groups of pianist Cecil Taylor and drummer Andrew Cyrille in the mid-late 1970s. He formed his own quartet in 1989. The group was originally composed of Ware, pianist Matthew Shipp, bassist William Parker, and drummer Marc Edwards. While Shipp and Parker were members for the group’s entire existence, the drum chair was later occupied by Whit Dickey, Susie Ibarra, and Guillermo E. Brown.

The David S. Ware Quartet performed across the US and Europe and released a series of increasingly acclaimed albums spanning the 1990s on the independent labels Silkheart, DIW, Homestead, and AUM Fidelity. Saxophonist Branford Marsalis signed Ware to Columbia Records in 1998 for a three-album contract. In 2001, jazz critic Gary Giddins described Ware’s quartet as “the best small band in jazz today”. In 2007, after 17 years together, the quartet was disbanded following the release of the album Renunciation and a final European tour that spring. Ware proceeded to perform concerts and record albums with a series of new group configurations: a new quartet featuring guitarist Joe Morris, William Parker, and drummer Warren Smith; a special trio celebrating his 50th year of playing saxophone (in 2009) with Parker and Smith; a 2-volume series of solo saxophone performances; and finally with his last quartet, Planetary Unknown, featuring Cooper-Moore, Parker, and drummer Muhammad Ali. His final concert performance was with Planetary Unknown on August 27, 2011, at Jazzfestival Saalfelden in Austria. The recording of that concert was released in July 2012 on AUM Fidelity.

Ware was first diagnosed with kidney failure in 1999, and, following nearly a decade of undiminished creative activity while on a strict regimen of peritoneal dialysis, Ware underwent a critically necessary and successful kidney transplantation in May 2009. The organ donor was Floridian Laura Mehr, who responded to an urgent email message sent out to nearly 1,000 of Ware’s fans.

Roberta Joan “Joni” Mitchell CC (née Anderson; born November 7, 1943) is a Canadian singer-songwriter. Drawing from folk, pop, rock, and jazz, Mitchell’s songs often reflect social and environmental ideals as well as her feelings about romance, confusion, disillusionment, and joy. She has received many accolades, including nine Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her “one of the greatest songwriters ever”, and AllMusic has stated, “When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century”.

Mitchell began singing in small nightclubs in her hometown of Saskatoon, Saskatchewan, and throughout western Canada, before busking in the streets and nightclubs of Toronto, Ontario. In 1965, she moved to the United States and began touring. Some of her original songs (“Urge for Going”, “Chelsea Morning“, “Both Sides, Now“, “The Circle Game“) were covered by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968. Settling in Southern California, Mitchell, with popular songs like “Big Yellow Taxi” and “Woodstock“, helped define an era and a generation. Her 1971 album Blue is often cited as one of the best albums of all time; it was rated the 30th best album ever made in Rolling Stone‘s list of the “500 Greatest Albums of All Time“. In 2000, The New York Times chose Blue as one of the 25 albums that represented “turning points and pinnacles in 20th-century popular music”.^[6] In 2017, NPR ranked Blue number 1 on a list of Greatest Albums Made By Women. Mitchell’s fifth album, For the Roses, was released in 1972. She then switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974’s Court and Spark, which featured the radio hits “Help Me” and “Free Man in Paris“ and became her best-selling album.

Around 1975, Mitchell’s vocal range began to shift from mezzo-soprano to more of a wide-ranging contralto. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she explored jazz, melding it with influences of rock and roll, R&B, classical music and non-western beats. In the late 1970s, she began working closely with noted jazz musicians, among them Jaco Pastorius, Wayne Shorter, Herbie Hancock, Pat Metheny, as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned again toward pop, embraced electronic music, and engaged in political protest. In 2002, she was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards.

Mitchell is the sole producer credited on most of her albums, including all her work in the 1970s. A blunt critic of the music industry, she quit touring and released her 17th, and reportedly last, album of original songs in 2007. With roots in visual art, Mitchell has designed most of her own album covers. She describes herself as a “painter derailed by circumstance”.

Joe Bushkin (November 7, 1916 – November 3, 2004) was an American jazz pianist.

Born in New York City, Bushkin began his career by playing trumpet and piano with New York City dance bands, including Frank LaMare’s Band at the Roseland Ballroom in Brooklyn. He joined Bunny Berigan‘s band in 1935, played with Eddie Condon from 1936–37, and with Max Kaminsky and Joe Marsala, before rejoining Berigan in 1938. He then left to join Muggsy Spanier‘s Ragtime Band in 1939. From the late 1930s through to the late 1940s he also worked with Tommy Dorsey Eddie Condon on records, radio and television. After service in World War II he worked with Louis Armstrong, Bud Freeman and Benny Goodman.

Bushkin performed with Louis Armstrong and his All Stars with Velma Middleton singing vocals for the famed ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hefflin, Sr. on June 7, 1953. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Shorty Rogers and his Orchestra. He married Francice Netcher, elder sister of socialite Mollie Wilmot. The couple had four children – Nina, Maria, Terasa, and Christina. They lived in Santa Barbara, California, on a ranch. His best-known composition might be “Oh! Look at Me Now“, with John DeVries, written when he worked in Tommy Dorsey‘s band. That song would become Frank Sinatra‘s second hit and one of his most enduring songs right after “Polkadots & Moonbeams.”

Howard Rumsey (November 7, 1917 – July 15, 2015) was an American jazz double-bassist known for his leadership of the Lighthouse All-Stars in the 1950s.

Born in Brawley, California, Rumsey first began playing the piano, followed by the drums and finally the bass. After jobs with Vido Musso and Johnnie Davis, Rumsey became part of Stan Kenton‘s first band. Rumsey soon left Kenton after an argument. He played with Charlie Barnet and Barney Bigard before taking a short hiatus from music. Following this absence from music, Rumsey returned to the Los Angeles jazz scene to form the group the Lighthouse All-Stars. For most of the 1950s this group played each Sunday at the Lighthouse Cafe in Hermosa Beach. During its lifetime, the Lighthouse All-Stars were one of the primary modern jazz institutions on the west coast, providing a home for many Los Angeles musicians.

Rumsey died from complications of pneumonia in Newport Beach, California, at the age of 97. In early 1949, Rumsey was in search of a playing job and came across the Lighthouse Club on Pier Avenue in Hermosa Beach, which he felt would be an ideal place to play music. The Lighthouse was built in 1934 as a restaurant named Verpilates. In 1940, the business changed hands, and under new ownership it was turned into a Polynesian-styled club named the Lighthouse, primarily serving merchant seamen. In 1948 the club was sold to John Levine. After convincing Levine to permit the playing of jazz in the club, Rumsey played his first show on Sunday 29 May 1949, to immediate success.

The first Lighthouse All-Stars was a group made up of Los Angeles musicians who had been a part of the Central Avenue scene in the 1940s, including Teddy Edwards, Sonny Criss, Hampton Hawes, Frank Patchen, Bobby White and Keith Williams. This band lasted for a time before Rumsey changed personnel to feature a new wave of players. The second edition of the Lighthouse All-Stars featured Jimmy Giuffre, Shorty Rogers, and Shelly Manne. The success of this group soon landed them with a recording contract for Les Koenig’s Contemporary Records. Not only were the Lighthouse All-Stars recording for Contemporary, but many of the members of the group were also leading sessions for this same label.

https://www.youtube.com/watch?v=su5oljCO30k

Wilder Community Center for Aging in St Paul. Wednesday November 6th Great Room session 945-1145am & Day Room session 1-230pm. Also November 11th & 13th.

This image of the Pinwheel Galaxy, or M101, combines data in the infrared, visible, ultraviolet and x-rays from four of NASA’s space telescopes. This multi-spectral view shows that both young and old stars are evenly distributed along M101’s tightly-wound spiral arms. Such composite images allow astronomers to see how features in one part of the spectrum match up with those seen in other parts. It is like seeing with a regular camera, an ultraviolet camera, night-vision goggles and X-Ray vision, all at once! The Pinwheel Galaxy is in the constellation of Ursa Major (also known as the Big Dipper). It is about 70% larger than our own Milky Way Galaxy, with a diameter of about 170,000 light years, and sits at a distance of 21 million light years from Earth. This means that the light we’re seeing in this image left the Pinwheel Galaxy about 21 million years ago – many millions of years before humans ever walked the Earth. The red colors in the image show infrared light, as seen by the Spitzer Space Telescope. These areas show the heat emitted by dusty lanes in the galaxy, where stars are forming. The yellow component is visible light, observed by the Hubble Space Telescope. Most of this light comes from stars, and they trace the same spiral structure as the dust lanes seen in the infrared. The blue areas are ultraviolet light, given out by hot, young stars that formed about 1 million years ago. The Galaxy Evolution Explorer (GALEX) captured this component of the image. Finally, the hottest areas are shown in purple, where the Chandra X-ray observatory observed the X-ray emission from exploded stars, million-degree gas, and material colliding around black holes.

Glenn Lewis Frey (/fraɪ/; November 6, 1948 – January 18, 2016) was an American singer, songwriter, actor and founding member of the rock band the Eagles. Frey was the co-lead singer and frontman for the Eagles, roles he came to share with fellow member Don Henley, with whom he wrote most of the Eagles’ material. Frey played guitar and keyboards as well as singing lead vocals on songs such as “Take It Easy“, “Peaceful Easy Feeling“, “Tequila Sunrise“, “Already Gone“, “James Dean“, “Lyin’ Eyes“, “New Kid in Town“, and “Heartache Tonight“.

After the breakup of the Eagles in 1980, Frey embarked on a successful solo career. He released his debut album, No Fun Aloud, in 1982 and went on to record Top 40 hits “The One You Love“, “Smuggler’s Blues“, “Sexy Girl“, “The Heat Is On“, “You Belong to the City“, “True Love“, “Soul Searchin’” and “Livin’ Right“. As a member of the Eagles, Frey won six Grammy Awards, and five American Music Awards. The Eagles were inducted into the Rock and Roll Hall of Fame in 1998, the first year they were nominated. Consolidating his solo recordings and those with the Eagles, Frey had 24 Top 40 singles on the Billboard Hot 100.

Frey was born in Detroit, Michigan. Growing up in Royal Oak, Michigan, he studied piano at age five, later switched to guitar, and became part of the mid-1960s Detroit rock scene. One of his earliest bands was called the Subterraneans, named after Jack Kerouac‘s novel, and included fellow Dondero High School classmates Doug Edwards (later replaced by Lenny Mintz) on drums, Doug Gunsch and Bill Barnes on guitar and Jeff Hodge on bass.

https://www.youtube.com/watch?v=ceO_QpHeLAQ

Arturo Sandoval (born November 6, 1949) is a Cuban-American jazz trumpeter, pianist and composer.

Sandoval, while living in his native Cuba, was influenced by jazz musicians Charlie Parker, Clifford Brown, and Dizzy Gillespie, finally meeting Gillespie later in 1977. Gillespie became a mentor and colleague, playing with Sandoval in concerts in Europe and Cuba and later featuring him in the United Nations Orchestra. Sandoval defected while touring with Gillespie in 1990, and he became an American naturalized citizen in 1998.

His life was the subject of the film For Love or Country: The Arturo Sandoval Story (2000), starring Andy García. Sandoval has won ten Grammy Awards and been nominated nineteen times; he has also received six Billboard Awards and one Emmy Award. Additionally, Sandoval has performed in a Super Bowl Halftime Show (1995), in an Orange Bowl (2009)^[2] at the White House, and at the University of Notre Dame.

On August 8, 2013, President Barack Obama announced that Sandoval would receive the Presidential Medal of Freedom.

Sandoval was born in Artemisa. As a twelve-year-old boy in Cuba, Sandoval played trumpet with street musicians. He helped establish the Orquesta Cubana de Musica Moderna, which became the band Irakere in 1973. He toured worldwide with his own group in 1981. The following year he toured with Dizzy Gillespie, who became his friend and mentor. From 1982 to 1984, Sandoval was voted as Cuba’s Best Instrumentalist and was a guest artist at the BBC and Leningrad Symphony Orchestras. In 1989, Gillespie invited Sandoval to be part of the United Nations Orchestra. During a tour with this group, Sandoval visited the American Embassy in Rome to defect from Cuba. He became an American citizen on December 7, 1998.

Sandoval has performed Latin jazz with Paquito D’Rivera, Tito Puente, and Chico O’Farrill, Cuban music in Miami, and classical music in England and Germany. In the 1990s, he was a member of the GRP All-Star Big Band.

Galaxy UGC 12591 is difficult — it has dark dust lanes like a spiral galaxy but a large diffuse bulge of stars like a lenticular.Surprisingly observations show that UGC 12591 spins at about 480 km/sec, almost twice as fast as our Milky Way, and the fastest rotation rate yet measured. The mass needed to hold together a galaxy spinning this fast is several times the mass of our Milky Way Galaxy. Progenitor scenarios for UGC 12591 include slow growth by accreting ambient matter, or rapid growth through a recent galaxy collision or collisions — future observations may tell. The light we see today from UGC 12591 left about 400 million years ago, when trees were first developing on Earth.