mick laBriola

Carmine Appice (born December 15, 1946 NY,NY) is an American rock drummer. He is best known for his associations with Vanilla Fudge; Cactus; the power trio Beck, Bogert & Appice; Rod Stewart; King Kobra; and Blue Murder. He is also Vinny Appice‘s older brother. Appice was inducted into the Classic Drummer Hall of Fame in 2014 and the Modern Drummer Hall of Fame in 2014. He is also a more than capable (fretless-) bass player, as can be heard on the “Guitar Zeus” albums, for example.

His best-selling drum instruction book The Realistic Rock Drum Method. was first published in 1972 and has since been revised and republished as The Ultimate Realistic Rock Drum Method. It covers the basic subjects of rock rhythms and polyrhythms, linear rudiments and groupings, shuffle rhythms, hi-hat and double bass drum exercises. Appice has claimed that he influenced John Bonham‘s use of bass drum triplets.

Eddie Palmieri (born December 15, 1936) is an American Grammy Award-winning pianist, bandleader, musician, and composer of Corsican and Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.

In 1961, Palmieri founded the band Conjunto La Perfecta, which featured singer Ismael Quintana. Apart from the big bands, at the beginning of the decade the Pachanga was the Latin dance craze. Essential to the Charanga style is the five key wooden flute and at least two violins. Palmieri decided to replace the violins with two trombones for a heavier sound.

Two key elements to the ‘Palmieri’ sound were trombonist Barry Rogers as well as guitarist Bob Bianco with whom Palmieri studied the advanced harmonic concepts of Russian music theoretician Joseph Schillinger. Rogers would also expose Palmieri to the work of then John Coltrane pianist McCoy Tyner whose use of chord voicings in fourths became a signature of Palmieri’s sound. Rogers alongside Brazilian-born José Rodrígues were also responsible for many of the ‘head’ arrangements, mambos and moñas that the band employed in live performances and eventually recorded. George Castro (flute), Manny Oquendo (bongó and timbales), Tommy López (conga) and Dave Pérez (bass) rounded out the group. To this day, the group is known as one of the swingingest, most danceable, innovative and influential groups of that period.^[4]

Palmieri experimented by employing a jazz aesthetic both in live performance and on his recordings based on the Cuban “descarga” (jam session) concept. He “opened up” the arrangements by featuring his band members as soloists. In addition he began incorporating a newly developed post Castro Cuban rhythm known as mozambique. Lo Que Traigo Es Sabroso (What I Bring is Tasty) and Mozambique are just two examples of his use of this rhythm. Discontent among several members and seeking a bigger and punchier sound, Palmieri disbanded the band in 1968 reforming it with legendary Cuban trumpeter Alfredo “Chocolate” Armenteros, timbalero Nicky Marrero, conguero Eladio Perez, bongocero Tomas ‘Choki” Lopez, and bassist Andy Gonzalez.

Golden “Big” Wheeler (December 15, 1929 – July 20, 1998) was an American Chicago blues and electric blues singer, harmonicist and songwriter. He released two albums in his lifetime and is best known for his recordings of the songs “Damn Good Mojo” and “Bone Orchard”. He worked with the Ice Cream Men and Jimmy Johnson. He was the brother of the blues musician James Wheeler.

He was born Golden Wheeler in Baconton, Georgia. He left Georgia in 1941 and settled in Chicago, Illinois, in July 1954, where he befriended Little Walter. His enthusiasm for playing the harmonica began when he was working as a taxicab driver. One of his regular customers was the harmonica player Buster Brown, who later had a hit record with “Fannie Mae“, in 1960. Wheeler fronted his own band by 1956, although he was a part-time musician, working for years as an auto mechanic to supplement his income and provide for his family.

Barry Doyle Harris (December 15, 1929 – December 8, 2021 Detroit, MI) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style.Influenced by Thelonious Monk and Bud Powell, Harris in turn influenced and mentored bebop musicians including Donald Byrd, Paul Chambers, Curtis Fuller, Joe Henderson, Charles McPherson, and Michael Weiss.

Harris performed with Cannonball Adderley‘s quintet and on television with them. After moving to New York City, he worked as an educator and performed with Dexter Gordon, Illinois Jacquet, Yusef Lateef and Hank Mobley. Harris was a sideman on Lee Morgan’s famous album The Sidewinder and returned to recording as leader following his move to New York.

Christopher William Parkening (born December 14, 1947 LA, CA) is an American classical guitarist. He holds the Chair of Classical Guitar at Pepperdine University under the title Distinguished Professor of Music. Parkening has recorded over 20 albums for Angel and EMI Classics. He has been nominated twice for a Grammy Award. Notable recordings include Parkening Plays Vivaldi featuring a selection of Baroque concertos, Pleasures of Their Company with soprano Kathleen Battle, produced by Patti Laursen and nominated for the 1986 Classical Record of the Year Grammy Award as well as the world premiere recording of Peter Warlock‘s Capriol Suite with the Academy of St. Martin in the Fields.

Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazzbaritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespieand Randy Weston, in addition to his solo work as bandleader. Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed on board until 1949, heard performing solos on “Ow!” and “Stay On It”. In the early 1950s, he found himself working with Tadd Dameron, and worked with Illinois Jacquet from 1952 to 1954. He then started freelance work in New York City and frequently performed during this period with Randy Weston, whom Payne worked with until 1960. Payne was still recording regularly for Delmark Records in the 1990s, when he was in his 70s, and indeed on into the new millennium.

Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015 St Louis, MO) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator.

He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on The Tonight Show from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.