mick laBriola

Friday May 10th 2024 6:00 p.m. Erev Shabbat Service Commemorating Yom HaZikaron and Yom HaAtzmaut.

Music with Inbal Sharett-Singer, Jayson Rodvsky, Jeff Bailey, Pete Whitman and mick LaBriola. Erev Shabbat honoring and celebrating 76 years since Israel’s founding. Cantor Sharett-Singer will be joined by two local Israeli musicians, Ben Bitton and Ilan Zeroni, who will showcase a sermon-in-song filled with the duality of our Jewish nation that moves from sadness to joy.

Jimmy Ponder (May 10, 1946 – September 16, 2013) was an American jazz guitarist.

When Ponder’s brother entered the military, he left his guitar, and Ponder picked it up. In his early teens he received lessons from the guitarist in a band for which he sang doo-wop. He was drawn to the jazz guitar he heard on the radio. While playing in a rhythm and blues band, he occasionally inserted a jazz solo. He considered hearing guitarist Thornel Schwartz an important part of his life, when Schwartz was playing with organist Jimmy McGriff. He was impressed by Pat Martino when he saw Martino in the Jack McDuff band. He also cited as influences George Benson, Kenny Burrell, and Rene Thomas, though none surpassed the impact of seeing Wes Montgomery

Melvin Sokoloff (May 10, 1929 – February 2, 1990), known professionally as Mel Lewis, was an American jazz drummer, session musician, professor, and author. He received fourteen Grammy Awardnominations.

Lewis was born in Buffalo, New York, to Russian-Jewish immigrant parents Samuel and Mildred Sokoloff. He started playing professionally as a teen, eventually joining Stan Kenton in 1954. His musical career brought him to Los Angeles in 1957 and New York City in 1963.

In 1966 in New York, he teamed up with Thad Jones to lead the Thad Jones/Mel Lewis Orchestra. The group started as informal jam sessions with the top studio and jazz musicians of the city, but eventually began performing regularly on Monday nights at the famed venue, the Village Vanguard. In 1979, the band won a Grammy for their album Live in Munich.^[2] Like all of the musicians in the band, it was only a sideline. In 1976, he released an album titled Mel Lewis and Friends that featured him leading a smaller sextet that allowed freedom and improvisation.

When Jones moved to Denmark in 1978, the band became known as Mel Lewis and the Jazz Orchestra. Lewis continued to lead the band, recording and performing every Monday night at the Village Vanguard until shortly before his death from cancer at age 60. The band still performs on most Monday nights at the club. Today, it is known as the Vanguard Jazz Orchestra and has released several CDs

“Seguiriya” is one of the oldest flamenco styles. It is one of the most important with the “bulería” and “soleá”. Etymologically, its name is supposed to derive from the “seguidilla”. A phonetic corruption has deformed it in different terms: “seguiriya”, “siguiriya”, “seguirilla” or “siguerilla”. The oldest evidence of this flamenco style is found in the late 18th century, even though its origin is still uncertain. “Seguiriya” derived from primitive “tonás”, being created between Seville and Cadiz, los Puertos, Jerez and Triana neighborhood. “Livianas” and “serranas” belong to the same group as this style. Both styles follow “segiriya” rhythm. Another variety is the “cabales”, which are very similar to “seguiriyas” but in a higher tone. As singing, it has a tragic and gloomy character, enclosing main values of what is known as “cante hondo”. Lyrics are painful, tragic, about human relationships, love and death. “Seguiriya” has few lyrics and many “quejíos”. Musical aesthetic of “seguiriya” is taken from styles such “malagueñas” or a capella (without guitar). The term “Seguiriya” appears in many literary works. Furthermore, music in some “tonadillas”appear as “seguidilla gitana”, which doesn’t match with “seguidilla flamenca”.

It is known today that its metric is based on an order inversion of the “soleá” rhythm (3 × 4 + 6 × 8). Oldest forms of this style were interpreted in the same way as “tonás”, without music accompaniment. Currently, it is accompanied by guitar. In addition, continuous tone changes and nuances make this singing as one of the most difficult to perform. Dance was introduced for the first time thanks to Vicente Escudero in 1940. It is a slow, solemn, ceremonious, unornamented dance, whose structure is composed by four hexasyllabic verses, unless the third which is hendecasyllabic. This syllabic model is related with “jarchas”. The second line rhymes to the fourth, both consonant and assonance. In this flamenco style feeling is more important than structure. It is not strange to find “seguiriya” with other metrics. There are different types of “seguiriyas” which are associated to a particular singer. In Cadiz, El Planeta; in Jerez, La Niña de los Peines; in Triana el de Frasco el Colorao; etc.

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Paul Richard Furay (born May 9, 1944) is an American musician and Rock & Roll Hall of Fame member (with Buffalo Springfield). He is best known for forming the bands Buffalo Springfield with Stephen Stills, Neil Young, Bruce Palmer, and Dewey Martin, and Poco with Jim Messina, Timothy B. Schmit, Rusty Young, George Grantham and Randy Meisner. His best known song (originally written during his tenure in Buffalo Springfield, but eventually performed by Poco as well) was “Kind Woman,” which he wrote for his wife, Nancy. Before joining Buffalo Springfield, Furay performed with Stills in the nine-member group, the Au Go Go Singers (Furay, Roy Michaels, Rick Geiger, Jean Gurney, Michael Scott, Kathy King, Nels Gustafson, Bob Harmelink, and Stills), the house band of the Cafe Au Go Go in New York City.

Sonny Curtis (born May 9, 1937) is an American singer and songwriter. Known for his collaborations with Buddy Holly, he was a member of the Crickets and continued with the band after Holly’s death. Curtis’s best known compositions include “Walk Right Back“, a major hit in 1961 for the Everly Brothers; “I Fought the Law“, notably covered by the Bobby Fuller Four and the Clash; and “Love is All Around,” the theme song for The Mary Tyler Moore Show.

Curtis was born in Meadow, Texas, United States. As a guitarist, he played on some of Buddy Holly’s earlier 1956 Decca sessions, including the minor hit “Blue Days Black Nights” and a song he wrote, “Rock Around With Ollie Vee”. In 1955 and 1956 he, along with Buddy Holly, opened concerts for rising new star Elvis Presley. Although he had gone on the road with other musicians by the time Buddy Holly put together the Crickets in 1957, Curtis joined the Crickets in late 1958, shortly before Holly’s death in 1959, and soon took over the lead vocalist role in addition to lead guitar. The Crickets’ post-Holly recordings were put on hold after Holly’s death, and Curtis was drafted in late 1959. During basic training, he was given a three-day pass and met the Crickets’ drummer, Jerry Allison, who was then playing with the Everly Brothers, in Los Angeles. Curtis played him the song “Walk Right Back“, which Allison had him immediately take to the Everlys; they recorded the song that weekend and were later rewarded with a Billboard top 10 hit. The song was also a hit in 1978 for Anne Murray.

Tania Maria (born May 9, 1948) is a Brazilian artist, singer, composer, bandleader and piano player, singing mostly in Portuguese or English. Her Brazilian-style music is mostly vocal, sometimes pop, often jazzy, and includes samba, bossa, Afro-Latin, pop and jazz fusion.

Born in São Luís, Maranhão, Brazil, Tania Maria began playing the piano at the age of seven, became a leader at the age of 13, when her band of professional musicians, organized by her father, won first prize in a local music contest and went on to play for dances, in clubs and on the radio. Her father, a metal worker and a gifted guitarist and singer, had encouraged her to study piano so that she could play in his weekend jam sessions, where she first absorbed the rhythms and melodies of samba, jazz, pop music and Brazilian chorinho. Since then, she has never worked in anyone else’s group. She has a degree in law, married early and had children.

Nole Floyd “Nokie” Edwards (May 9, 1935 – March 12, 2018) was an American musician and member of the Rock and Roll Hall of Fame. He was primarily a guitarist, best known for his work with The Ventures,and was known in Japan as the ‘King of Guitars’. Edwards was also an actor, who appeared briefly on Deadwood, an American Western drama television series.

Edwards was born in Lahoma, Oklahoma, the son of Elbert Edwards and Nannie Mae Quinton Edwards,an original enrollee of the Western Cherokee. Edwards came from a family of accomplished musicians, so that by age five he began playing a variety of string instruments, including the steel guitar, banjo, mandolin, violin, and bass. His family relocated from Oklahoma to Puyallup, Washington.

During Edwards’ late teen years he joined the United States Army Reserve. After traveling to Texas and California for training, he returned home and began playing regularly for pay in numerous country bands in the area.

Dennis Milton Chambers (born May 9, 1959) is an American jazz fusion and funk drummer. He was inducted into the Modern Drummer Hall of Fame in 2001.

Chambers was born on May 9, 1959, in Baltimore, Maryland, U.S. He began drumming at the age of four years, and was gigging in Baltimore-area nightclubs by the age of six. He was recruited in 1981 by the Sugar Hill Label to be their “house drummer.” Chambers played on many Sugar Hill releases. Contrary to popular belief, he did not play on “Rapper’s Delight” which was revealed in an interview with Drumeo on August 16, 2017.

In an interview by Bonedo in 2011, Chambers was asked who some of his influences and favorite drummers were and he mentioned Clyde Stubblefield, Al Jackson Jr., Steve Gadd, Vinnie Colaiuta, Gary Husband, Jack Dejohnette, Billy Cobham, Buddy Rich, Elvin Jones, Roy Haynes, and Tony Williams.

In 1978 (at 18 years old) he joined Parliament/Funkadelic, and stayed with them until 1985. In 1986 he joined the John Scofield band. Since then he has played with most of the major figures in jazz fusion music.

Mahmoud Ahmed (Amharic: ማሕሙድ አሕመድ; born 8 May 1941) is an Ethiopian singer. He gained great popularity in Ethiopia in the 1970s and among the Ethiopian diaspora in the 1980s, before rising to international fame with African music fans in Europe and the Americas.

Born in Addis Ababa, Mercato district, Mahmoud was enthralled with the music he heard on Ethiopian radio from an early age. Having poorly learned in school, he worked as a shoeshiner before becoming a handyman at the Arizona Club, which was the after hours hangout of Emperor Haile Selassie I‘s Imperial Bodyguard Band. One night in 1962 when the band’s singer didn’t show up, Mahmoud asked to sing a few songs. He soon became part of the band’s regular lineup, where he remained until 1974.