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Philip Upchurch (born July 19, 1941) is an American jazz and blues guitarist and bassist.
Upchurch started his career working with the Kool Gents, the Dells, and the Spaniels, before going on to work with Curtis Mayfield, Otis Rush, and Jimmy Reed. (His association with Kool Gents member Dee Clark would continue, including playing guitar on Clark’s 1961 solo hit “Raindrops“.) He then returned to Chicago to play and record with Woody Herman, Stan Getz, Groove Holmes, B.B. King, and Dizzy Gillespie.
In 1961, his record “You Can’t Sit Down” by the Philip Upchurch Combo, sold over one million copies and was awarded a gold disc. “You Can’t Sit Down, Part 2” peaked at No. 29 on the Billboard charts in the US. And he released his first album. In the 1960s he toured with Oscar Brown, appearing on the 1965 live album, Mr. Oscar Brown, Jr. Goes to Washington. In the mid-1960s he was house guitarist of Chess Records and he played with The Dells, Howlin’ Wolf, Muddy Waters and Gene Chandler. He also played with John Lee Hooker, Grover Washington, Jr. and Cannonball Adderley. Upchurch was part of a group called The Soulful Strings during the 1960s, prior to working with the Rotary Connection on Chess’s Cadet label.
more...Carmell Jones (July 19, 1936 – November 7, 1996) was an American jazz trumpet player.
Jones was born in Kansas City, Kansas, United States. He started piano lessons at age five, and trumpet lessons at age seven. His first professional work was with Kansas City musicians Nathan Davis, Cleanhead Vinson and Frank Smith. He moved to California in 1961, and worked as a studio musician for several years, including in the orchestras for two movie soundtracks, Seven Days In May and The Manchurian Candidate, the latter starring Frank Sinatra. He released two albums as a leader for Pacific Jazz at this time while recording as a sideman with Bud Shank, Onzy Matthews, Curtis Amy, Harold Land, and Gerald Wilson.
more...Dwijendralal Ray (19 July 1863 – 17 May 1913), also known as D. L. Ray, was an Indian poet, playwright, and musician. He was known for his Hindu mythological and nationalist historical plays and songs known as Dwijendrageeti or the Songs of Dwijendralal, which number over 500, create a separate subgenre of Bengali music.
more...Derived from flamenco’s earliest root forms, the tonás, siguiriyas is one of flamenco’s oldest and deepest forms.
Its name is a corruption of the term seguidillas, a group of 18th Century songs and dances. Siguiriyas first emerged in the 18th Century in Cádiz, Sevilla and Jerez de la Frontera.
Slow, majestic and tragic, Siguiriyas is the most jondo of cante jondo forms. Its lyrics focus on tragedy, inconsolable sorrow, and pain.
An important feature of Siguiriyas is its unusual compás which gives the form its unique, uneven pattern and much of its expressive power.
Siguiriyas is a highly personal form and most artists associated with the style, such as El Planeta, La Niña de los Peines, Manuel Molina and Antonio Chacón, created their own extraordinary versions.
more...Charles Messier’s famous catalog of deep sky objects, M24 is not a bright galaxy, star cluster, or nebula. It’s a gap in nearby, obscuring interstellar dust clouds that allows a view of the distant stars in the Sagittarius spiral arm of our Milky Way galaxy. Direct your gaze through this gap with binoculars or small telescope and you are looking through a window over 300 light-years wide at stars some 10,000 light-years or more from Earth. Sometimes called the Small Sagittarius Star Cloud, M24’s luminous stars are left of center in this gorgeous starscape. Covering over 6 degrees or the width of 12 full moons in the constellation Sagittarius, the telescopic field of view includes dark markings B92 and B93 near the center of M24, along with other clouds of dust and glowing nebulae toward the center of the Milky Way.
more...Lonnie McIntosh (July 18, 1941 – April 21, 2016 West Harrison, Indiana), known as Lonnie Mack, was an American singer-songwriter and guitarist. He was influential in the development of blues rock music and rock guitar soloing.
Mack emerged in 1963 with his breakthrough LP, The Wham of that Memphis Man. It earned him lasting renown as both a blue-eyed soul singer and a lead guitarinnovator. The album’s instrumental tracks included two hit singles, “Memphis” and “Wham”. In them, Mack, using “top-quality technique” and “pristine” phrasing, added “edgy, aggressive, loud, and fast” melodies and runs to the predominant chords-and-riffs pattern of early rock guitar. These tracks raised the bar for rock guitar proficiency, helped launch the electric guitar to the top of soloing instruments in rock, and served as prototypes for the lead guitar styles of blues rock and Southern rock that soon followed.
Shortly after the album’s release, however, the British Invasion hit American shores, and Mack’s recording career “withered on the vine”. He regularly toured small venues until 1968, when Rolling Stone magazine rediscovered him, and Elektra Records signed him to a three-album contract. He was soon performing in major venues, but his multi-genre Elektra albums downplayed his lead guitar and blues rock appeal and record sales were modest. During this period, he became increasingly unhappy with the music business. He left Elektra in 1971, and for the next fourteen years he functioned as a low-profile multi-genre recording artist, roadhouse performer, sideman, and music-venue proprietor.
In 1985, Mack resurfaced with a successful blues rock LP, Strike Like Lightning, a promotional tour featuring celebrity guitarist sit-ins, and a Carnegie Hall concert with Roy Buchanan and Albert Collins. In 1986, he went on the Great American Guitar Assault Tour with Buchanan and Dickey Betts. In 1990, he released another well-received blues rock album, Lonnie Mack Live! Attack of the Killer V, then retired from recording. He continued to perform, mostly in small venues, until 2004.
more...Mthutuzeli Dudu Pukwana (18 July 1938 – 30 June 1990) was a South African saxophonist and composer.
Dudu Pukwana was born in Walmer Township, Port Elizabeth, South Africa. He grew up studying piano in his family, but in 1956 he switched to alto saxophone after meeting tenor saxophone player Nikele Moyake. In 1962, Pukwana won first prize at the Johannesburg Jazz Festival with Moyake’s Jazz Giants (1962 Gallo/Teal). In his early days he also played with Kippie Moeketsi. Chris McGregor then invited him to join the pioneering Blue Notes sextet, where he played along with Mongezi Feza, Nikele Moyake, Johnny Dyani and Louis Moholo. Although the Blue Notes are often considered McGregor’s group, Pukwana was initially the principal composer and all the group members had pivotal roles.
As mixed-race groups were illegal under apartheid, the Blue Notes, increasingly harassed by authorities, emigrated to Europe in 1964, playing in France and Zürich, and eventually settling in London. After The Blue Notes split in the late 1960s, Pukwana joined McGregor’s Brotherhood of Breath big band, which again featured his soloing heavily. As a composer Pukwana wrote “Mra,” one of the best-loved tunes by the Brotherhood.
more...Bright-rimmed, flowing shapes gather near the center of this rich starfield toward the borders of the nautical southern constellations Pupis and Vela. Composed of interstellar gas and dust, the grouping of light-year sized cometary globules is about 1300 light-years distant. Energetic ultraviolet light from nearby hot stars has molded the globules and ionized their bright rims. The globules also stream away from the Vela supernova remnant which may have influenced their swept-back shapes. Within them, cores of cold gas and dust are likely collapsing to form low mass stars, whose formation will ultimately cause the globules to disperse. In fact, cometary globule CG 30 (on the upper left) sports a small reddish glow near its head, a telltale sign of energetic jets from a star in the early stages of formation.
more...Chico Freeman (born Earl Lavon Freeman Jr.; July 17, 1949) is a modern jazz tenor saxophonist and trumpeter and son of jazz saxophonist Von Freeman. He began recording as lead musician in 1976 with Morning Prayer, won the New York Jazz Award in 1979 and earned the Stereo Review Record of the Year in 1981 for his album The Outside Within.
He was born in Chicago, Illinois, the son of jazz tenor saxophonist Von Freeman. His uncle George Freeman played the guitar, and his uncle Bruz Freeman played the drums.
more...Benjamin Alexander Riley Jr. (July 17, 1933 – November 18, 2017) was an American jazz drummer known for his work with Thelonious Monk, as well as Alice Coltrane, Stan Getz, Eddie “Lockjaw” Davis, Ahmad Jamal, and as a member of the group Sphere. During the 1970s and 1980s he was a member of the New York Jazz Quartet.
Benjamin Alexander Riley Jr. was born in Savannah, Georgia, on July 17, 1933, and at the age of four moved with his family to New York City.
Riley performed with Randy Weston, Sonny Stitt, Stan Getz, Junior Mance, Kenny Burrell, Eddie “Lockjaw” Davis–Johnny Griffin (1960–1962), Ahmad Jamal, Billy Taylor, and Ray Bryant. He then spent 1964 to 1967 in Thelonious Monk‘s quartet. After Monk, he played with Alice Coltrane (intermittently between 1968 and 1975), Ron Carter(1975–1977), Jim Hall (1981), and the bands the New York Jazz Quartet (1970s and 1980s) and Sphere. He also played frequently with pianist Abdullah Ibrahim.
Riley died of lung disease and complications of diabetes in West Islip, New York on November 18, 2017, aged 84.
more...Joseph Albert Morello (July 17, 1928 – March 12, 2011 Springfield, MA) was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet’s “classic lineup” from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist Eugene Wright. Morello’s facility for playing unusual time signatures and rhythms enabled that group to record a series of albums that explored them. The most notable of these was the first in the series, the 1959 album Time Out, which contained the hit songs “Take Five” and “Blue Rondo à la Turk“. In fact, “Take Five”, the album’s biggest hit (and the first jazz single to sell more than one million copies) was specifically written by Desmond as a way to showcase Morello’s ability to play in 5/4time.
Besides playing with Brubeck, Morello also served as an accompanist for other musicians, including Marian McPartland, Tal Farlow and Gary Burton, and recorded his own albums as well. He received numerous accolades during his life, including being named the best drummer by Down Beat magazine five years in a row.
more...Vincent Anthony Guaraldi ( Dellaglio, July 17, 1928 – February 6, 1976) was an American jazz pianist best known for composing music for animated television adaptations of the Peanuts comic strip. His compositions for this series included their signature melody “Linus and Lucy” and the holiday standard “Christmas Time Is Here“. Guaraldi is also known for his performances on piano as a member of Cal Tjader‘s 1950s ensembles and for his own solo career. Guaraldi’s 1962 composition “Cast Your Fate to the Wind” became a radio hit and won a Grammy Award in 1963 for Best Original Jazz Composition. He died of a heart attack on February 6, 1976, at age 47, moments after concluding a nightclub performance in Menlo Park, California. Guaraldi was born in San Francisco’s North Beach area, a place that became very important to his blossoming musical career. Guaraldi died on February 6, 1976, at age 47 after suffering a massive heart attack. The evening before, he had dined at Mendelson’s home and was reportedly not feeling well, complaining of indigestion-like chest discomfort. “He was about to do his first cruise. He’d be able to play Peanuts music on the ship, and he was excited about that. We talked about the cruise and the Peanutsshows, and I said that I didn’t know what the next one would be yet, but that we wouldn’t start until he got back. But he also said he wasn’t feeling well, and had gone to see the doctor. The doctor thought Vince might have a diaphragmatic hernia, and that they might have to deal with it.
more...based on image data from the Hubble Legacy Archive, distant galaxies form a dramatic backdrop for disrupted spiral galaxy Arp 188, the Tadpole Galaxy. The cosmic tadpole is a mere 420 million light-years distant toward the northern constellation of the Dragon (Draco). Its eye-catching tail is about 280 thousand light-years long and features massive, bright blue star clusters. One storygoes that a more compact intruder galaxy crossed in front of Arp 188 – from right to left in this view – and was slung around behind the Tadpole by their gravitational attraction. During the close encounter, tidal forces drew out the spiral galaxy’s stars, gas, and dust forming the spectacular tail. The intruder galaxy itself, estimated to lie about 300 thousand light-years behind the Tadpole, can be seen through foreground spiral arms at the upper right. Following its terrestrial namesake, the Tadpole Galaxy will likely lose its tail as it grows older, the tail’s star clusters forming smaller satellites of the large spiral galaxy.
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