mick laBriola

Malcolm John Rebennack Jr. (November 20, 1941 – June 6, 2019), better known by his stage name Dr. John, was an American singer and songwriter. His music combined blues, pop, jazz, boogie-woogie, and rock and roll.

Active as a session musician from the late 1950s until his death, he gained a following in the late 1960s after the release of his album Gris-Grisand his appearance at the Bath Festival of Blues and Progressive Music. He typically performed a lively, theatrical stage show inspired by medicine shows, Mardi Gras costumes, and voodoo ceremonies. Rebennack recorded 30 studio albums and 9 live albums, as well as contributing to thousands of other musicians’ recordings. In 1973 he achieved a top-10 hit single with “Right Place, Wrong Time“.

The winner of six Grammy Awards, Rebennack was inducted into the Rock and Roll Hall of Fame by singer John Legend in March 2011. In May 2013, Rebennack received an honorary doctorate of fine arts from Tulane University. Rebennack was born in New Orleans on November 20, 1941. He was the son of Dorothy (Cronin) and Malcolm John Rebennack, and had German, Irish, Spanish, English, and French heritage. His father ran an appliance shop in the East End of New Orleans, fixing radios and televisions and selling records. Growing up in the 3rd Ward of New Orleans, he found early musical inspiration in the minstrel tunes sung by his grandfather and a number of aunts, uncles, sister, and cousins who played piano. He did not take music lessons before his teens and endured only a short stint in choir before getting kicked out. His father exposed him as a young boy to jazz musicians King Oliver and Louis Armstrong, who later inspired his 2014 release, Ske-Dat-De-Dat: The Spirit of Satch. Throughout his adolescence his father’s connections enabled him access to the recording rooms of rock artists, including Little Richard and Guitar Slim. Later he began to perform in New Orleans clubs, mainly on guitar, and played on stage with various local artists. As a young man Rebennack was interested in New Orleans voodoo, and in Los Angeles he developed the idea of the Dr. John persona for his old friend Ronnie Barron, based on the life of Dr. John, a Senegalese prince, conjure man, herb doctor and spiritual healer who came to New Orleans from Haiti. This free man of color lived on Bayou Road and claimed to have 15 wives and over 50 children. He kept an assortment of snakes and lizards, along with embalmed scorpions and animal and human skulls, and sold gris-gris, voodoo amulets which supposedly protect the wearer from harm.

Along with Gris-Gris, Dr. John is perhaps best known for his recordings in the period 1972-74. 1972’s Dr. John’s Gumbo, an album covering several New Orleans R&B standards with only one original, is considered a cornerstone of New Orleans music. In his 1994 autobiography, Under a Hoodoo Moon, Dr. John writes, “In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the late 1940s and 1950s. I tried to keep a lot of little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar.” The lead single from the album, “Iko Iko“, broke into the Billboard Hot 100 singles chart, eventually reaching #71. In 2003, Dr. John’s Gumbo was ranked number 404 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

With Gumbo, Dr. John expanded his career beyond the psychedelic voodoo music and theatrics which had driven his career since he took on the Dr. John persona, although it always remained an integral part of his music and identity. It was not until 1998’s Anutha Zone that he again concentrated on this aspect of his music wholly for a full album. “After we cut the new record”, he wrote, “I decided I’d had enough of the mighty-coo-de-fiyo hoodoo show, so I dumped the Gris-Gris routine we had been touring with since 1967 and worked up a new act—a Mardi Gras revue featuring the New Orleans standards we had covered in Gumbo.”

Westerhout 40 or W40 (also designated Sharpless 64, Sh2-64, or RCW 174) is a star-forming region in our galaxy located in the constellation Serpens Cauda. In this region, interstellar gas forming a diffuse nebula surrounds a cluster of several hundred new-born stars. The distance to W40 is 436±9 pc (1420±30 light-years), making it one of the closest sites of formation of high-mass O- and B-type stars. The Ionizing radiationfrom the massive OB stars has created an H II region, which has an hour-glass morphology.

Dust from the molecular cloud in which W40 formed obscures the nebula, rendering W40 difficult to observe at visible wavelengths of light. Thus, X-ray, infrared, and radio observations have been used to see through the molecular cloud to study the star-formation processes going on within.

W40 appears near to several other star-forming regions in the sky, including an infrared dark cloud designated Serpens South and a young stellar cluster designated the Serpens Main Cluster. Similar distances measured for these three star-forming regions suggests that they are near to each other and part of the same larger-scale collection of clouds known as the Serpens Molecular Cloud.

Bat-Sheva Ofra Haza-Ashkenazi, known professionally as Ofra Haza (Hebrew: עפרה חזה‎; 19 November 1957 – 23 February 2000) was an Israeli singer, actress and Grammy Award-nominee recording artist, commonly known as “The Israeli Madonna“, or “Madonna of the East”. Her voice has been described as a “tender” mezzo-soprano.

Haza’s music is known as a mixture of traditional and commercial singing styles, fusing elements of Eastern and Western instrumentation, orchestration and dance-beat. She became successful in Europe and the Americas; during her singing career, she earned many platinum and gold discs. Bat-Sheva Ofra Haza was born in Tel Aviv, Israel, to Yemeni-Jewish parents who immigrated to Israel. She was the youngest of nine children (six sisters and two brothers) to Yefet and Shoshana Haza. They were raised in a Masorti household in the Hatikva Quarter, then an impoverished neighborhood of Tel Aviv.

At age 12, Haza joined a local theater troupe, and manager Bezalel Aloni noticed her singing talent. He staged many of his productions around her, and later became her manager and mentor. At 19, she was Israel’s foremost pop star, and music journalists retrospectively described her as “the Madonna of the East”.

Haza completed her Israeli military service in 1979.

Kenny Werner (born November 19, 1951) is an American jazz pianist, composer, and author. Born in Brooklyn, New York, on November 19, 1951 and then growing up in Oceanside, Long Island, Werner began playing and performing at a young age, first recording on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio and improvisation was his true calling. In high school and his first years of college he attended the Manhattan School of Music as a classical piano major.

His aptitude for improvisation led him to the Berklee College of Music in 1970, where he met and studied with his first piano/spiritual teacher, Madame Chaloff. From Boston, Werner traveled to Brazil with the saxophonist Victor Assis Brasil. There he met Assis’s twin brother, Brazilian pianist Joao Assis Brasil. His studies with Joao and Madame Chaloff would lead to the writing of the book Effortless Mastery.

José Molina [Quijada], Spanish-born American flamenco dancer, born in Madrid, Spain (d. 2018)

Just as Billy Elliot discovered his love of dance on the way to his boxing lesson, José Molina Quijada, born in Madrid on November 19, 1936, was enrolled in a boxing school which shared space with Spanish dancers. In 1945, the nine year old Molina saw Pilar López and José Greco perform and knew that dance was his future.

His father, Ramón Molina, a Republican who was imprisoned for three years during the Spanish Civil War and then worked in a fish market, was adamantly opposed, but his mother, Carmen Quijada, accepted his ambition on the condition that he pay for his classes by working mornings in the fish market. For six years José earned just enough to pay for classes with Pilar Monterde in neo-Classical Spanish dance, Escuela Bolera, Ballet and Flamenco. Soledad Miralles, dancing in Madrid at the Lope de Vega Theatre, gave Molina his first break. From age sixteen to nineteen, he toured nightclubs throughout Europe and the Middle East as a Flamenco and Classical Spanish dance soloist accompanied by piano and orchestra.

In 1956, he came to New York to audition, successfully, for The Tonight Show, to which he returned as a regular guest and performer, as well as appearances on the Ed Sullivan and Merv Griffin television shows. José Greco presented him as a soloist in his internationally touring company for five years before he formed his own company, José Molina Bailes Españoles, in 1961. Molina’s only sibling Ramón played guitar in his company in the early years.

For more than 30 years his company toured North America annually, performing in 49 states and over 400 cities, including engagements at NYC’s Carnegie Hall and with the Boston Pops. His fame led to featured roles in a commercial for Levi Jeans and a music video for Carly Simon.

Molina’s charisma on stage transferred to the classroom where he drew countless students in NYC as well as in residencies across the US, including Miami, FL and Portland, OR. His classes included many he groomed to be professional dancers as well as others for whom flamenco was simply a personal passion. He welcomed everyone, demanding discipline and technical precision while teaching with a unique warmth, charm, and sense of humor.

In 2012 he became a US citizen and maintained dual citizenship.

Ray Collins (November 19, 1936 – December 24, 2012) was an American musician.

Collins grew up in Pomona, California singing in his school choir, the son of a local police officer. He quit high school to get married. Collins started his musical career singing falsetto backup vocals for various doo-wop groups in the Los Angeles area in the late 1950s and early 1960s, including Little Julian Herrera and the Tigers. In 1964, Collins, drummer Jimmy Carl Black, bassist Roy Estrada, saxophonist Dave Coronado, and guitarist Ray Hunt formed The Soul Giants.^{[citation needed]}

Hunt was eventually replaced by Frank Zappa, and the group evolved into the Mothers of Invention. Ray was the lead vocalist on most songs for their early albums, including Freak Out!, Absolutely Free, Cruising with Ruben & the Jets and Uncle Meat. He additionally provided harmonica on Freak Out!. In 1968 Ray quit The Mothers of Invention and was replaced by Lowell George, but continued to contribute to other Zappa projects through the mid-1970s.

Currently Ray Collins niece/protege Shay Collins has been leading her own mission to carry on the name and memory of Ray Collins, with an American rock duo Mother Legacy. Labeling herself as Ray’s legacy, determined to carry on all of his teachings and steadfast beliefs and desires in music.

Statue of Liberty nebula. Bright stars and interesting molecules are forming and being liberated. The complex nebula resides in the star forming region called RCW 57. This imageshowcases dense knots of dark interstellar dust, bright stars that have formed in the past few million years, fields of glowing hydrogen gas ionized by these stars, and great loops of gas expelled by dying stars. A detailed study of NGC 3576, also known as NGC 3582 and NGC 3584, uncovered at least 33 massive stars in the end stages of formation, and the clear presence of the complex carbon molecules known as polycyclic aromatic hydrocarbons (PAHs). PAHs are thought to be created in the cooling gas of star forming regions, and their development in the Sun’s formation nebula five billion years ago may have been an important step in the development of life on Earth. The featured image was taken at the Cerro Tololo Inter-American Observatory in Chile.

Cindy Blackman Santana (born November 18, 1959), sometimes known as Cindy Blackman, is an American jazz and rock drummer. Blackman has recorded several jazz albums as solo act and has performed with Pharoah Sanders, Sonny Simmons, Ron Carter, Sam Rivers, Cassandra Wilson, Angela Bofill, Buckethead, Bill Laswell, Lenny Kravitz, and Joe Henderson. She was influenced early in her career by seeing Tony Williamsperform. In 1997 she recorded the instructional video Multiplicity. “To me, jazz is the highest form of music that you can play because of the creative requirements”, says Blackman. Blackman is married to rock guitarist Carlos Santana.

Born November 18, 1959 in Yellow Springs, Ohio, Blackman comes from a musical family, both her mother and grandmother were classical musicians and her uncle a vibist. “My mom, when she was younger, played violin in classical orchestras, and her mom, incidentally, was a classical musician. My mom used to take me to see classical concerts”, says Blackman. “My dad was into jazz – Miles Davis, Ahmad Jamal, people like that.”Blackman’s first introduction to the drums happened when she was seven years old in her hometown of Yellow Springs, Ohio and attending a pool party at a friend’s house, she went to use the bathroom and saw a drum set and just hopped onto the set. “Just looking at them struck something in my core, and it was completely right from the second I saw them”, says Blackman. “And then, when I hit them, it was like, wow, that’s me. That’s completely natural for me. It’s like breathing for me. It didn’t feel awkward at all.”

https://www.youtube.com/watch?v=2y9IBQxWQ9I

Claude Berkeley Williamson (November 18, 1926 – July 16, 2016) was an American jazz pianist.

Williamson was born in Brattleboro, Vermont, United States. He studied at the New England Conservatory of Music before moving to jazz, influenced mainly by Teddy Wilson, then by Al Haigand Bud Powell. In 1947, he moved to California, working first with Teddy Edwards, then with Red Norvo in San Francisco, with Charlie Barnet in 1949, and with June Christy for two years. Later he worked with Max Roach, Art Pepper and others. Williamson was a longtime member of the Lighthouse All-Stars (substituting for pianist Russ Freeman), performing with Bud Shank, Stan Levey, Bob Cooper, Conte Candoli and Howard Rumsey. In 1956, he became the piano player in the Bud Shank quartet. In 1968, he started working as a pianist for NBC, first on The Andy Williams Show, then for Sonny and Cher. In 1978, Williamson went back to the jazz world and released many albums, mainly for Japanese labels, often accompanied by Sam Jones and Roy Haynes. In 1995 he made a trio recording for Fresh Sound Records at the Jazz Bakery in Los Angeles.

Hank Ballard (born John Henry Kendricks; November 18, 1927 – March 2, 2003) was a rhythm and blues singer and songwriter, the lead vocalist of The Midnighters and one of the first rock and roll artists to emerge in the early 1950s. He played an integral part in the development of the genre, releasing the hit singles “Work With Me, Annie” and answer songs “Annie Had a Baby” and “Annie’s Aunt Fannie” with his Midnighters. He later wrote and originally recorded (in 1959) “The Twist” which was notably covered a year later by Chubby Checker, this second version spreading the popularity of the dance. He was inducted into the Rock and Roll Hall of Fame in 1990. Born John Henry Kendricks in Detroit, Michigan, he and his brother, Dove Ballard, grew up and attended school in Bessemer, Alabama, after the death of their father. He lived with his paternal aunt and her husband, and began singing in church. His major vocal inspiration during his formative years was the “Singing Cowboy”, Gene Autry, and in particular, his signature song, “Back in the Saddle Again“. Ballard returned to Detroit in his teens and later worked on the assembly line for Ford.

Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an American jazz trumpeter. Cherry had a long association with saxophonist Ornette Coleman, which began in the late 1950s. Cherry was also a pioneer in world fusion music in the 1960s and 1970s.

Cherry was born in Oklahoma City, Oklahoma, to a mother of Choctaw descent through his maternal grandmother, and an African-American father.His mother and grandmother played piano and his father played trumpet. His father owned Oklahoma City’s Cherry Blossom Club, which hosted performances by Charlie Christian and Fletcher Henderson. In 1940, Cherry moved with his family to Los Angeles, California. He lived in the Watts neighborhood, and his father tended bar at the Plantation Club on Central Avenue, which at the time was the center of a vibrant jazz scene. Cherry recalled skipping school at Fremont High School in order to play with the swing band at Jefferson High School. This resulted in his transfer to Jacob Riis High School, a reform school, where he first met drummer Billy Higgins.

Astronomers created this tantalizing false-color composition of dust clouds and embedded newborn stars in infrared wavelengths with WISE, the Wide-field Infrared Survey Explorer. The cosmic canvas features one of the closest star forming regions, part of the Rho Ophiuchi cloud complex some 400 light-years distant near the southern edge of the pronounceable constellationOphiuchus. After forming along a large cloud of cold molecular hydrogen gas, young stars heat the surrounding dust to produce the infrared glow. Stars in the process of formation, called young stellar objects or YSOs, are embedded in the compact pinkish nebulae seen here, but are otherwise hidden from the prying eyes of optical telescopes. An exploration of the region in penetrating infrared light has detected emerging and newly formed stars whose average age is estimated to be a mere 300,000 years. That’s extremely young compared to the Sun’s age of 5 billion years. The prominent reddish nebula at the lower right surrounding the star Sigma Scorpii is a reflection nebula produced by dust scattering starlight. This view from WISE, released in 2012, spans almost 2 degrees and covers about 14 light-years at the estimated distance of the Rho Ophiuchi cloud.

Ben Allison (born November 17, 1966) is an American double bassist, composer, producer, bandleader, educator. In addition to his work as a performer, he co-founded the non-profit Jazz Composers Collective and served as its Artistic Director for twelve years. Allison is an adjunct professor at New School University and serves on the board of the New York chapter of the National Academy of Recording Arts and Sciences, where he serves as President.

Allison was born in New Haven, Connecticut. He began guitar lessons at the age of 9 at the Neighborhood Music School, in New Haven, Connecticut and privately with guitarist George Raccio. From 1983 to 1985, Allison studied West African, Haitian and Cuban drumming traditions with Richard Hill and attended the ACES Educational Center for the Arts (ECA), a performing arts school, and Wilbur Cross High School. In his senior year he studied briefly with bassist Steve Swallow and took classes in 20th-century music and early childhood development at Yale University. Allison entered New York University (NYU) in 1985 as a University Scholar to pursue a degree in jazz performance and bass studies. While at NYU he studied with Joe Lovano, Dennis Irwin, Jim McNeely and Steve LaSpina. Allison graduated from NYU in 1989 with a B.A. in Music Performance.

In 1992, Allison and several colleagues formed the Jazz Composers Collective, a musician-run, non-profit organization dedicated to fostering the creation and performance of new music and building audiences for jazz. The Collective’s annual concert series ran for 12 seasons and featured the work of 50 composers, the participation of more than 250 musicians and the premiere of more than 300 new works. Allison served as the Artistic Director of the Collective from its inception until its dissolution in 2005. Advisory Board members of the Collective included Dave Liebman, Joe Lovano and Andrew Hill.

Harold Eugene “Gene” Clark (November 17, 1944– May 24, 1991) was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds’ principal songwriter between 1964 and early 1966, writing most of the band’s best-known originals from this period, including “I’ll Feel a Whole Lot Better“, “She Don’t Care About Time“, “Eight Miles High” and “Set You Free This Time“. Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country.

Clark was born in Tipton, Missouri, the third of 13 children in a family of Irish, German, and American Indian heritage. His family moved to Kansas City, Missouri, where as a boy he began learning to play the guitar and harmonica from his father. He was soon playing Hank Williams tunes as well as material by early rockers such as Elvis Presley and the Everly Brothers. He began writing songs at the age of 11.

Clark was invited to join an established regional folk group, the Surf Riders, working out of Kansas City at the Castaways Lounge, owned by Hal Harbaum. On August 12, 1963, he was performing with them when he was discovered by the New Christy Minstrels. They hired him, and he recorded two albums with the ensemble before leaving in early 1964. After hearing the Beatles, Clark quit the New Christy Minstrels and moved to Los Angeles, where he met fellow folkie and Beatles convert Jim (later Roger) McGuinn at the Troubadour Club. In early 1964 they began to assemble a band that would become the Byrds.

Clark wrote or co-wrote many of the Byrds’ best-known originals from their first three albums, including “I’ll Feel a Whole Lot Better“, “Set You Free This Time“, “Here Without You”, “You Won’t Have to Cry”, “If You’re Gone”, “The World Turns All Around Her”, “She Don’t Care About Time” and “Eight Miles High“. He initially played rhythm guitar in the band, but relinquished that position to David Crosby and became the tambourine and harmonica player. Bassist Chris Hillman noted years later in an interview remembering Clark, “At one time, he was the power in the Byrds, not McGuinn, not Crosby—it was Gene who would burst through the stage curtain banging on a tambourine, coming on like a young Prince Valiant. A hero, our savior. Few in the audience could take their eyes off this presence. He was the songwriter. He had the ‘gift’ that none of the rest of us had developed yet…. What deep inner part of his soul conjured up songs like ‘Set You Free This Time,’ ‘I’ll Feel A Whole Lot Better,’ ‘I’m Feelin’ Higher,’ ‘Eight Miles High’? So many great songs! We learned a lot of songwriting from him and in the process learned a little bit about ourselves.” A management decision gave McGuinn the lead vocals for their major singles and Bob Dylan songs. This disappointment, combined with Clark’s dislike of traveling (including a chronic fear of flying) and resentment by other band members about the extra income he derived from his songwriting, led to internal squabbling, and he left the group in early 1966.He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Group with Chip Douglas, Joel Larson, and Bill Rhinehart.

Columbia Records (the Byrds’ record label) signed Clark as a solo artist, and in 1967 he released his first solo album, Gene Clark with the Gosdin Brothers. The Gosdin Brothers were selected to back him because they shared the same manager, Jim Dickson, and because Chris Hillman, who played bass on the album, had worked with the Gosdin Brothers in the mid-1960s when he and they were members of the Southern California bluegrass band the Hillmen  The album was a unique mixture of pop, country rock and baroque psychedelic tracks. It received favorable reviews, but unfortunately for Clark it was released almost simultaneously with the Byrds’ Younger Than Yesterday, also on Columbia, and (partly because of his 18-month absence from public attention) was a commercial failure. With the future of his solo career in doubt, Clark briefly rejoined the Byrds in October 1967 as a replacement for the recently departed David Crosby; following an anxiety attack in Minneapolis, he left after only three weeks. During this brief period with the Byrds, he appeared with the band on The Smothers Brothers Comedy Hour, lip-synching the group’s current single, “Goin’ Back“; he also performed “Mr. Spaceman” with the band.^[19] Although there is some disagreement among the band’s biographers, Clark is generally viewed as having contributed background vocals to the songs “Goin’ Back” and “Space Odyssey” for the forthcoming Byrds’ album The Notorious Byrd Brothers and was an uncredited co-author, with McGuinn, of “Get to You”, also from that album.

In 1968, Clark signed with A&M Records and began a collaboration with the banjo player Doug Dillard. Guitarist Bernie Leadon (later with The Flying Burrito Brothers and The Eagles), bassist Dave Jackson and mandolinist Don Beck joined them to form the nucleus of Dillard & Clark; in addition, Michael Clarke briefly drummed for the group before joining The Flying Burrito Brothers.They produced two albums, The Fantastic Expedition of Dillard & Clark (1968) and Through the Morning, Through the Night (1969).