mick laBriola

Cindy Blackman Santana (born November 18, 1959), sometimes known as Cindy Blackman, is an American jazz and rock drummer. Blackman has recorded several jazz albums as solo act and has performed with Pharoah Sanders, Sonny Simmons, Ron Carter, Sam Rivers, Cassandra Wilson, Angela Bofill, Buckethead, Bill Laswell, Lenny Kravitz, and Joe Henderson. She was influenced early in her career by seeing Tony Williamsperform. In 1997 she recorded the instructional video Multiplicity. “To me, jazz is the highest form of music that you can play because of the creative requirements”, says Blackman. Blackman is married to rock guitarist Carlos Santana.

Born November 18, 1959 in Yellow Springs, Ohio, Blackman comes from a musical family, both her mother and grandmother were classical musicians and her uncle a vibist. “My mom, when she was younger, played violin in classical orchestras, and her mom, incidentally, was a classical musician. My mom used to take me to see classical concerts”, says Blackman. “My dad was into jazz – Miles Davis, Ahmad Jamal, people like that.”Blackman’s first introduction to the drums happened when she was seven years old in her hometown of Yellow Springs, Ohio and attending a pool party at a friend’s house, she went to use the bathroom and saw a drum set and just hopped onto the set. “Just looking at them struck something in my core, and it was completely right from the second I saw them”, says Blackman. “And then, when I hit them, it was like, wow, that’s me. That’s completely natural for me. It’s like breathing for me. It didn’t feel awkward at all.”

https://www.youtube.com/watch?v=2y9IBQxWQ9I

Claude Berkeley Williamson (November 18, 1926 – July 16, 2016) was an American jazz pianist.

Williamson was born in Brattleboro, Vermont, United States. He studied at the New England Conservatory of Music before moving to jazz, influenced mainly by Teddy Wilson, then by Al Haigand Bud Powell. In 1947, he moved to California, working first with Teddy Edwards, then with Red Norvo in San Francisco, with Charlie Barnet in 1949, and with June Christy for two years. Later he worked with Max Roach, Art Pepper and others. Williamson was a longtime member of the Lighthouse All-Stars (substituting for pianist Russ Freeman), performing with Bud Shank, Stan Levey, Bob Cooper, Conte Candoli and Howard Rumsey. In 1956, he became the piano player in the Bud Shank quartet. In 1968, he started working as a pianist for NBC, first on The Andy Williams Show, then for Sonny and Cher. In 1978, Williamson went back to the jazz world and released many albums, mainly for Japanese labels, often accompanied by Sam Jones and Roy Haynes. In 1995 he made a trio recording for Fresh Sound Records at the Jazz Bakery in Los Angeles.

Hank Ballard (born John Henry Kendricks; November 18, 1927 – March 2, 2003) was a rhythm and blues singer and songwriter, the lead vocalist of The Midnighters and one of the first rock and roll artists to emerge in the early 1950s. He played an integral part in the development of the genre, releasing the hit singles “Work With Me, Annie” and answer songs “Annie Had a Baby” and “Annie’s Aunt Fannie” with his Midnighters. He later wrote and originally recorded (in 1959) “The Twist” which was notably covered a year later by Chubby Checker, this second version spreading the popularity of the dance. He was inducted into the Rock and Roll Hall of Fame in 1990. Born John Henry Kendricks in Detroit, Michigan, he and his brother, Dove Ballard, grew up and attended school in Bessemer, Alabama, after the death of their father. He lived with his paternal aunt and her husband, and began singing in church. His major vocal inspiration during his formative years was the “Singing Cowboy”, Gene Autry, and in particular, his signature song, “Back in the Saddle Again“. Ballard returned to Detroit in his teens and later worked on the assembly line for Ford.

Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an American jazz trumpeter. Cherry had a long association with saxophonist Ornette Coleman, which began in the late 1950s. Cherry was also a pioneer in world fusion music in the 1960s and 1970s.

Cherry was born in Oklahoma City, Oklahoma, to a mother of Choctaw descent through his maternal grandmother, and an African-American father.His mother and grandmother played piano and his father played trumpet. His father owned Oklahoma City’s Cherry Blossom Club, which hosted performances by Charlie Christian and Fletcher Henderson. In 1940, Cherry moved with his family to Los Angeles, California. He lived in the Watts neighborhood, and his father tended bar at the Plantation Club on Central Avenue, which at the time was the center of a vibrant jazz scene. Cherry recalled skipping school at Fremont High School in order to play with the swing band at Jefferson High School. This resulted in his transfer to Jacob Riis High School, a reform school, where he first met drummer Billy Higgins.

Astronomers created this tantalizing false-color composition of dust clouds and embedded newborn stars in infrared wavelengths with WISE, the Wide-field Infrared Survey Explorer. The cosmic canvas features one of the closest star forming regions, part of the Rho Ophiuchi cloud complex some 400 light-years distant near the southern edge of the pronounceable constellationOphiuchus. After forming along a large cloud of cold molecular hydrogen gas, young stars heat the surrounding dust to produce the infrared glow. Stars in the process of formation, called young stellar objects or YSOs, are embedded in the compact pinkish nebulae seen here, but are otherwise hidden from the prying eyes of optical telescopes. An exploration of the region in penetrating infrared light has detected emerging and newly formed stars whose average age is estimated to be a mere 300,000 years. That’s extremely young compared to the Sun’s age of 5 billion years. The prominent reddish nebula at the lower right surrounding the star Sigma Scorpii is a reflection nebula produced by dust scattering starlight. This view from WISE, released in 2012, spans almost 2 degrees and covers about 14 light-years at the estimated distance of the Rho Ophiuchi cloud.

Ben Allison (born November 17, 1966) is an American double bassist, composer, producer, bandleader, educator. In addition to his work as a performer, he co-founded the non-profit Jazz Composers Collective and served as its Artistic Director for twelve years. Allison is an adjunct professor at New School University and serves on the board of the New York chapter of the National Academy of Recording Arts and Sciences, where he serves as President.

Allison was born in New Haven, Connecticut. He began guitar lessons at the age of 9 at the Neighborhood Music School, in New Haven, Connecticut and privately with guitarist George Raccio. From 1983 to 1985, Allison studied West African, Haitian and Cuban drumming traditions with Richard Hill and attended the ACES Educational Center for the Arts (ECA), a performing arts school, and Wilbur Cross High School. In his senior year he studied briefly with bassist Steve Swallow and took classes in 20th-century music and early childhood development at Yale University. Allison entered New York University (NYU) in 1985 as a University Scholar to pursue a degree in jazz performance and bass studies. While at NYU he studied with Joe Lovano, Dennis Irwin, Jim McNeely and Steve LaSpina. Allison graduated from NYU in 1989 with a B.A. in Music Performance.

In 1992, Allison and several colleagues formed the Jazz Composers Collective, a musician-run, non-profit organization dedicated to fostering the creation and performance of new music and building audiences for jazz. The Collective’s annual concert series ran for 12 seasons and featured the work of 50 composers, the participation of more than 250 musicians and the premiere of more than 300 new works. Allison served as the Artistic Director of the Collective from its inception until its dissolution in 2005. Advisory Board members of the Collective included Dave Liebman, Joe Lovano and Andrew Hill.

Harold Eugene “Gene” Clark (November 17, 1944– May 24, 1991) was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds’ principal songwriter between 1964 and early 1966, writing most of the band’s best-known originals from this period, including “I’ll Feel a Whole Lot Better“, “She Don’t Care About Time“, “Eight Miles High” and “Set You Free This Time“. Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country.

Clark was born in Tipton, Missouri, the third of 13 children in a family of Irish, German, and American Indian heritage. His family moved to Kansas City, Missouri, where as a boy he began learning to play the guitar and harmonica from his father. He was soon playing Hank Williams tunes as well as material by early rockers such as Elvis Presley and the Everly Brothers. He began writing songs at the age of 11.

Clark was invited to join an established regional folk group, the Surf Riders, working out of Kansas City at the Castaways Lounge, owned by Hal Harbaum. On August 12, 1963, he was performing with them when he was discovered by the New Christy Minstrels. They hired him, and he recorded two albums with the ensemble before leaving in early 1964. After hearing the Beatles, Clark quit the New Christy Minstrels and moved to Los Angeles, where he met fellow folkie and Beatles convert Jim (later Roger) McGuinn at the Troubadour Club. In early 1964 they began to assemble a band that would become the Byrds.

Clark wrote or co-wrote many of the Byrds’ best-known originals from their first three albums, including “I’ll Feel a Whole Lot Better“, “Set You Free This Time“, “Here Without You”, “You Won’t Have to Cry”, “If You’re Gone”, “The World Turns All Around Her”, “She Don’t Care About Time” and “Eight Miles High“. He initially played rhythm guitar in the band, but relinquished that position to David Crosby and became the tambourine and harmonica player. Bassist Chris Hillman noted years later in an interview remembering Clark, “At one time, he was the power in the Byrds, not McGuinn, not Crosby—it was Gene who would burst through the stage curtain banging on a tambourine, coming on like a young Prince Valiant. A hero, our savior. Few in the audience could take their eyes off this presence. He was the songwriter. He had the ‘gift’ that none of the rest of us had developed yet…. What deep inner part of his soul conjured up songs like ‘Set You Free This Time,’ ‘I’ll Feel A Whole Lot Better,’ ‘I’m Feelin’ Higher,’ ‘Eight Miles High’? So many great songs! We learned a lot of songwriting from him and in the process learned a little bit about ourselves.” A management decision gave McGuinn the lead vocals for their major singles and Bob Dylan songs. This disappointment, combined with Clark’s dislike of traveling (including a chronic fear of flying) and resentment by other band members about the extra income he derived from his songwriting, led to internal squabbling, and he left the group in early 1966.He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Group with Chip Douglas, Joel Larson, and Bill Rhinehart.

Columbia Records (the Byrds’ record label) signed Clark as a solo artist, and in 1967 he released his first solo album, Gene Clark with the Gosdin Brothers. The Gosdin Brothers were selected to back him because they shared the same manager, Jim Dickson, and because Chris Hillman, who played bass on the album, had worked with the Gosdin Brothers in the mid-1960s when he and they were members of the Southern California bluegrass band the Hillmen  The album was a unique mixture of pop, country rock and baroque psychedelic tracks. It received favorable reviews, but unfortunately for Clark it was released almost simultaneously with the Byrds’ Younger Than Yesterday, also on Columbia, and (partly because of his 18-month absence from public attention) was a commercial failure. With the future of his solo career in doubt, Clark briefly rejoined the Byrds in October 1967 as a replacement for the recently departed David Crosby; following an anxiety attack in Minneapolis, he left after only three weeks. During this brief period with the Byrds, he appeared with the band on The Smothers Brothers Comedy Hour, lip-synching the group’s current single, “Goin’ Back“; he also performed “Mr. Spaceman” with the band.^[19] Although there is some disagreement among the band’s biographers, Clark is generally viewed as having contributed background vocals to the songs “Goin’ Back” and “Space Odyssey” for the forthcoming Byrds’ album The Notorious Byrd Brothers and was an uncredited co-author, with McGuinn, of “Get to You”, also from that album.

In 1968, Clark signed with A&M Records and began a collaboration with the banjo player Doug Dillard. Guitarist Bernie Leadon (later with The Flying Burrito Brothers and The Eagles), bassist Dave Jackson and mandolinist Don Beck joined them to form the nucleus of Dillard & Clark; in addition, Michael Clarke briefly drummed for the group before joining The Flying Burrito Brothers.They produced two albums, The Fantastic Expedition of Dillard & Clark (1968) and Through the Morning, Through the Night (1969).

David Werner Amram III (born November 17, 1930) is a composer of orchestral and chamber works. He has worked with Leonard Bernstein, who chose him as The New York Philharmonic’s first composer-in-residence in 1966.

Some of Amram’s recent orchestral works include Symphonic Variations on a Song by Woody Guthrie, (commissioned by the Woody Guthrie Foundation and premiered in 2007); and Three Songs: A Concerto for Piano and Orchestra (written for and premiered by pianist Jon Nakamatsu in 2009).

Grand tidal streams of stars seem to surround galaxy NGC 5907. The arcing structures form tenuous loops extending more than 150,000 light-years from the narrow, edge-on spiral, also known as the Splinteror Knife Edge Galaxy. Recorded only in very deep exposures, the streams likely represent the ghostly trail of a dwarf galaxy – debris left along the orbit of a smaller satellite galaxy that was gradually torn apart and merged with NGC 5907 over four billion years ago. Ultimately this remarkable discovery image, from a small robotic observatory in New Mexico, supports the cosmological scenario in which large spiral galaxies, including our own Milky Way, were formed by the accretion of smaller ones. NGC 5907 lies about 40 million light-years distant in the northern constellation Draco.

Diana Jean Krall OC OBC (born November 16, 1964) is a Canadian jazz pianist and singer, known for her contralto vocals.^[1] She has sold more than 6 million albums in the US and over 15 million albums worldwide. On December 11, 2009, Billboard magazine named her the second Jazz Artist of the Decade (2000–09), establishing her as one of the best-selling artists of her time.

Krall is the only jazz singer to have had eight albums debuting at the top of the Billboard Jazz Albums. To date, she has won three Grammy Awardsand eight Juno Awards. She has also earned nine gold, three platinum, and seven multi-platinum albums.

Krall was born on November 16, 1964, in Nanaimo, British Columbia, Canada, the daughter of Adella A. (née Wende), an elementary school teacher, and Stephen James “Jim” Krall, an accountant. Krall’s only sibling, Michelle, is a former member of the Royal Canadian Mounted Police (RCMP). Krall’s father played piano at home and her mother sang in a community choir. Krall began studying piano herself at the age of four, and took exams through The Royal Conservatory of Music. In high school she was a member of a student jazz group; at 15, she began playing professionally in local restaurants. Krall won a scholarship to attend the Berklee College of Music in Boston, where she studied from 1981 to 1983, before going to Los Angeles to play jazz. She returned to Canada to release her first album in 1993.

Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, best known for his “wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions” as a member of Howlin’ Wolf‘s band. He was ranked number 43 in Rolling Stone‘s “100 Greatest Guitarists of All Time”.

Sumlin was born in Greenwood, Mississippi, and raised in Hughes, Arkansas. He got his first guitar when he was eight years old. As a boy, he met Howlin’ Wolf by sneaking into a performance.

Wolf relocated from Memphis to Chicago in 1953, but his longtime guitarist Willie Johnson chose not to join him. In Chicago, Wolf hired the guitarist Jody Williams, but in 1954 he invited Sumlin to move to Chicago to play second guitar in his band. Williams left the band in 1955, leaving Sumlin as the primary guitarist, a position he held almost continuously (except for a brief spell playing with Muddy Waters around 1956) for the remainder of Wolf’s career. According to Sumlin, Howlin’ Wolf sent him to a classical guitar instructor at the Chicago Conservatory of Music to learn keyboards and scales. Sumlin played on the album Howlin’ Wolf (called the “rocking chair album”, with reference to its cover illustration), which was named the third greatest guitar album of all time by Mojo magazine in 2004.

Charles Mitchell “Dolo” Coker (November 16, 1927 – April 13, 1983) was a jazz pianist and composer who recorded four albums for Xanadu Records and extensively as a sideman, for artists like Sonny Stitt, Gene Ammons, Lou Donaldson, Art Pepper, Philly Joe Jones, and Dexter Gordon.

Charles Mitchell “Dolo” Coker was born in Hartford, Connecticut on November 16, 1927, raised in both Philadelphia and Florence, South Carolina. The first musical instruments Coker played in childhood were the C-melody and alto saxophones, learning them at a school in Camden, South Carolina. By the age of thirteen he was starting to play piano. Coker moved to Philadelphia, where he studied piano at the Landis School of Music and at Orenstein’s Conservatory. Coker also played some shows on piano for Jimmy Heath while in Philadelphia.

He was also a member of the Frank Morgan Quartet (with Flip Greene on bass and Larance Marable on drums).

Coker did not record his own album as a leader until 1976, when he recorded his debut Dolo! with Blue Mitchell, Harold Land, Leroy Vinnegar and Frank Butler. That following day he recorded California Hard for Xanadu Records, with Art Pepper replacing Harold Land on sax. Following California Hard were Third Down and All Alone. He continued to work as a sideman for other artists until he died of cancer at the age of fifty-five on April 13, 1983.

Coker’s nickname is sometimes misspelt “Dodo” in sleeve notes and books on jazz.

https://www.youtube.com/watch?v=uWrBPd_7aTk

A star cluster around 2 million years young surrounded by natal clouds of dust and glowing gas, M16 is also known as The Eagle Nebula. This beautifully detailed portrait of the region was made with groundbased narrow and broadband image data. It includes cosmic sculptures made famous in Hubble Space Telescope close-ups of the starforming complex. Described as elephant trunks or Pillars of Creation, dense, dusty columns rising near the center are light-years in length but are gravitationally contracting to form stars. Energetic radiation from the cluster stars erodes material near the tips, eventually exposing the embedded new stars. Extending from the ridge of bright emission at lower left is another dusty starforming column known as the Fairy of Eagle Nebula. M16 lies about 7,000 light-years away, an easy target for binoculars or small telescopes in a nebula rich part of the sky toward the split constellation Serpens Cauda (the tail of the snake).