mick laBriola

William Melvin Mitchell (November 3, 1926 – April 18, 2001) was an American jazz tenor saxophonist.

Mitchell was born in Kansas City, Missouri. He and his family moved to Detroit, where he received early music education at Cass Tech. He was known for his close association with trumpeter Thad Jones, who was also from Detroit, and worked in several big bands, including Woody Herman‘s when he replaced Gene Ammons. In 1949 Mitchell recorded with the Milt Buckner band, as well as making several recordings with Thad Jones.

From 1951 to 1954, Mitchell led the house band at the Blue Bird Inn in Detroit. The band operated in different configurations, including with drummer Oliver Jackson and his bassist brother Ali; as a quartet with Terry Pollard, Beans Richardson, and Elvin Jones; as a quintet including Thad Jones; and, for several months in 1953, with Miles Davis as a guest soloist.

From 1956 to 1957 he played with Dizzy Gillespie in his big band. From 1957 until 1961 and from 1966 to 1967 Mitchell played with Count Basie. In the early 1960s he co-led a group with Al Grey, The Al Grey Billy Mitchell Sextet, which won the Down Beat magazine new band award in 1962. Mitchell performed and recorded with the Kenny Clarke/Francy Boland Big Band in Europe in the late 1960s and early 1970s. He was musical director for Stevie Wonder for a short time during this period. He died in Rockville Centre, New York, in 2001.

He is not to be confused with Billy Mitchell the jazz pianist and keyboardist whose career was with Optimism Records in the 1980s.

NGC 2024, the nebula’s suggestive reddish color is due to the glow of hydrogen atoms at the edge of the giant Orion molecular cloud complex some 1,500 light-years away. The hydrogen atoms have been ionized, or stripped of their electrons, and glow as the atoms and electrons recombine. But what ionizes the hydrogen atoms? In this close-up view, the central dark lane of absorbing interstellar dust stands out in silhouette against the hydrogen glow and actually hides the true source of the Flame Nebula’s energy from optical telescopes. Behind the dark lane lies a cluster of hot, young stars, seen at infrared wavelengths through the obscuring dust. A young, massive star in that cluster is the likely source of energetic ultraviolet radiation that ionizes the hydrogen gas in the Flame Nebula.

Ernest Dawkins (born 2 November 1953 in Chicago, IL) is an American jazz saxophonist, principally active in free jazz and post-bop.

Ernest Khabeer Dawkins was a neighbor of Anthony Braxton as a child. He played bass and drums early in life before switching to saxophone in 1973. During that decade he began studying with members of the Association for the Advancement of Creative Musicians, such as Joseph Jarman and Chico Freeman, as well as at the Vandercook College of Music. He worked with Ed Wilkerson and the Ethnic Heritage Ensemble and Douglas Ewartbefore founding his own New Horizons Ensemble, which played regularly in Chicago into the 2000s, as well as at jazz festivals and on tour in Europe.

Keith Noel Emerson (2 November 1944 – 11 March 2016) was an English keyboardist, songwriter, and film composer. He played keyboards in a number of bands before finding his first commercial success with the Nice in the late 1960s. He became internationally famous for his work with the Nice, which included writing rock arrangements of classical music. After leaving the Nice in 1970, he was a founding member of Emerson, Lake & Palmer (ELP), one of the early progressive rock supergroups. Emerson, Lake & Palmer were commercially successful through much of the 1970s, becoming one of the best-known progressive rock groups of the era. Emerson wrote and arranged much of ELP’s music on albums such as Tarkus(1971) and Brain Salad Surgery (1973), combining his own original compositions with classical or traditional pieces adapted into a rock format.

Following ELP’s break-up at the end of the 1970s, Emerson pursued a solo career, composed several film soundtracks, and formed the bands Emerson, Lake & Powell and 3 to carry on in the style of ELP. In the early 1990s, Emerson rejoined ELP, which reunited for two more albums and several tours before breaking up again in the late 1990s. Emerson also reunited the Nice in 2002 for a tour.

During the 2000s, Emerson resumed his solo career, including touring with his own Keith Emerson Band and collaborating with several orchestras. He reunited with ELP bandmate Greg Lake in 2010 for a duo tour, culminating in a one-off ELP reunion show in London to celebrate the band’s 40th anniversary. Emerson’s last album, The Three Fates Project, was released in 2012. Emerson reportedly suffered from depression, and in his later years developed nerve damage that hampered his playing, making him anxious about upcoming performances. He died by suicide on 11 March 2016 at his home in Santa Monica, California.

Emerson was widely regarded as one of the top keyboard players of the progressive rock era. AllMusic describes Emerson as “perhaps the greatest, most technically accomplished keyboardist in rock history”.

https://www.youtube.com/watch?v=89g1P_J40JA

Philip Wells Woods (November 2, 1931 – September 29, 2015) was an American jazz alto saxophonist, clarinetist, bandleader, and composer. Woods was born in Springfield, Massachusetts. He studied music with Lennie Tristano, who influenced him greatly, at the Manhattan School of Musicand at the Juilliard School. His friend, Joe Lopes, coached him on clarinet as there was no saxophone major at Juilliard at the time. Although he did not copy Charlie “Bird” Parker, he was known as the New Bird, a nickname also given to other alto saxophone players such as Sonny Stitt and Cannonball Adderley.

In the 1950s, Woods began to lead his own bands. Quincy Jones invited him to accompany Dizzy Gillespie on a world tour sponsored by the U.S. State Department. A few years later he toured Europe with Jones, and in 1962 he toured Russia with Benny Goodman.

After moving to France in 1968, Woods led the European Rhythm Machine, a group which tended toward avant-garde jazz. He returned to the United States in 1972 and, after an unsuccessful attempt to establish an electronic group, he formed a quintet which was still performing, with some changes of personnel, in 2004. As his theme, Woods used a piece titled “How’s Your Mama?”

Czech Violinist and winner of three Anděl Awards, Jitka Šuranská passed away on Monday, October 28, 2019 after a severe cancer illness.

Jitka Šuranská had been actively involved in music since her childhood. She played traditional folk music for ten years with the Dulcimer ensemble of Stanislav Gabriel. Jitka also devoted herself to classical music. She was a member of the Bohuslav Martinů Philharmonic in Zlín.

The meeting with musician and journalist Jiří Plock was essential for her. Together they recorded “Písňobraní” (i.e. Song-gathering) for which they won the Anděl Award in 2005. In 2012, Jitka Šuranská moved on. She bought a Loop Station and started playing and singing solo. This was followed by cooperation with the Slovak trio Pacora, producer Stan Palúch, and in 2013 the first solo album “Nězachoď slunečko”. She received the second Anděl Award in the World Music category for her album.

C/2013 A1 (Siding Spring) is an Oort cloud comet discovered on 3 January 2013 by Robert H. McNaught at Siding Spring Observatory using the 0.5-meter (20 in) Uppsala Southern Schmidt Telescope.

At the time of discovery it was 7.2 AU from the Sun and located in the constellation Lepus. Comet C/2013 A1 probably took millions of years to come from the Oort cloud. After leaving the planetary region of the Solar System, the post-perihelion orbital period (epoch 2050) is estimated to be roughly 1 million years.

C/2013 A1 passed the planet Mars very closely on 19 October 2014, at a distance of 140,496.6 ± 4.0 km (87,300.5 ± 2.5 mi; 0.000939162 ± 2.7×10⁻⁸ au) . After its discovery, there was thought to be a chance of a collision with Mars, but this possibility was excluded when its orbit was determined more accurately.

Lyle Pearce Lovett (born November 1, 1957) is an American singer, songwriter, actor and record producer. Active since 1980, he has recorded 13 albums and released 25 singles to date, including his highest entry, the number 10 chart hit on the U.S. Billboard Hot Country Songs chart, “Cowboy Man”. Lovett has won four Grammy Awards, including Best Male Country Vocal Performance and Best Country Album. It’s Not Big It’s Large was released in 2007, where it debuted and peaked at number 2 on the Top Country Albums chart. A new studio album, Natural Forces, was released on October 20, 2009 by Lost Highway Records. The last studio album on his Curb Records contract, Release Me, was released in February 2012.

Lovett was born in Houston, Texas, when his family lived in the nearby community of Klein. He is the son of William Pearce and Bernell Louise (née Klein) Lovett, a marketing executive and training specialist, respectively. He was raised in the Lutheran Church–Missouri Synod. Lovett attended Texas A&M University, where he received Bachelor of Arts degrees in both German and Journalism in 1980. In the early 1980s, Lovett often played solo acoustic sets at the small bars just off the A&M campus.

Lou Donaldson (born November 1, 1926) is a jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.

Donaldson was born in Badin, North Carolina. He attended North Carolina Agricultural and Technical State University in Greensboro^[3] in the early 1940s. He enlisted in the U.S. Navy during World War II and was trained at the Great Lakes bases in Chicago where he was introduced to bop music in the lively club scene.

At the war’s conclusion, he returned to Greensboro, where he worked club dates with the Rhythm Vets, a combo composed of A and T students who had served in the U.S. Navy. The band recorded the soundtrack to a musical comedy featurette, Pitch a Boogie Woogie, in Greenville, North Carolina, in the summer of 1947. The movie had a limited run at black audience theatres in 1948 but its production company, Lord-Warner Pictures, folded and never made another film. Pitch a Boogie Woogie was restored by the American Film Institute in 1985 and re-premiered on the campus of East Carolina University in Greenville the following year. Donaldson and the surviving members of the Vets performed a reunion concert after the film’s showing. In the documentary made on Pitch by UNC-TV, Boogie in Black and White, Donaldson and his musical cohorts recall the film’s making—he originally believed that he had played clarinet on the soundtrack. A short piece of concert footage from a gig in Fayetteville, North Carolina, is included in the documentary.

Donaldson’s first jazz recordings were with the Charlie Singleton Orchestra in 1950 and then with bop emissaries Milt Jackson and Thelonious Monkin 1952, and he participated in several small groups with other jazz luminaries such as trumpeter Blue Mitchell, pianist Horace Silver, and drummer Art Blakey.

https://www.youtube.com/watch?v=xCUwOF2jO-M

Sippie Wallace (born Beulah Belle Thomas, November 1, 1898 – November 1, 1986) was an American singer-songwriter. Her early career in tent shows gained her the billing “The Texas Nightingale”. Between 1923 and 1927, she recorded over 40 songs for Okeh Records, many written by her or her brothers, George and Hersal Thomas. Her accompanists included Louis Armstrong, Johnny Dodds, Sidney Bechet, King Oliver, and Clarence Williams. Among the top female blues vocalists of her era, Wallace ranked with Ma Rainey, Ida Cox, Alberta Hunter, and Bessie Smith.

In the 1930s, she left show business to become a church organist, singer, and choir director in Detroit and performed secular music only sporadically until the 1960s, when she resumed her performing career. Wallace was nominated for a Grammy Award in 1982 and was inducted into the Michigan Women’s Hall of Fame in 1993. Wallace was born in the Delta lowlands of Jefferson County, Arkansas, one of 13 children in her family. Wallace came from a musical family: her brother George W. Thomas became a notable pianist, bandleader, composer, and music publisher; another brother, Hersal Thomas, was a pianist and composer; her niece Hociel Thomas (George’s daughter) was a pianist and composer.

Flamenco Fridays with Alegrias.

Alegrías (Spanish pronunciation: [aleˈɣɾi.as]) is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 [3] 4 5 [6] 7 [8]9 [10] 11 [12]. Alegrías originated in Cádiz. Alegrías belongs to the group of palos called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone.

One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (Literally “a tap of the foot”) and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas.

Recommended listenings for this palo include most singers from Cádiz, like Chano Lobato, La Perla de Cádiz, Aurelio Sellé, but also general singers like Manolo Caracol or La Niña de los Peines.

Also, you can listen “Mar Amargo” from Camarón and “La Tarde es Caramelo” from Vicente Amigo.

It is one of the cante chico forms of flamenco. The word Alegrías literally means “joys.”

This is from the makeup artist at the Village of Terror in Chippewa Falls Wi

in 2010 and 2011. I worked with the Bates Motel Orchestra and the Shotgun Wedding Band.

A ghostly visage on a cosmic scale, these remains of shocked, glowing gas haunt planet Earth’s sky toward the constellation of Cygnus and form the Veil Nebula. The nebula itself is a large supernova remnant, an expanding cloud born of the death explosion of a massive star. Light from the original supernova explosion likely reached Earth over 5,000 years ago. Also known as the Cygnus Loop, the Veil Nebula now spans nearly 3 degrees or about 6 times the diameter of the full Moon. That translates to over 70 light-years at its estimated distance of 1,500 light-years. In fact, the Veil is so large its brighter parts are recognized as separate nebulae, including The Witch’s Broom (NGC 6960) below and right of center. At the top left you can find the Spectre of IC 1340. Happy Halloween!

Ali Ibrahim “Ali Farka” Touré (31 October 1939 – 6 March 2006) was a Malian singer and multi-instrumentalist, and one of the African continent’s most internationally renowned musicians. His music is widely regarded as representing a point of intersection of traditional Malian music and its North American cousin, the blues. The belief that the latter is historically derived from the former is reflected in Martin Scorsese‘s often quoted characterization of Touré’s tradition as constituting “the DNA of the blues”. Touré was ranked number 76 on Rolling Stone‘s list of “The 100 Greatest Guitarists of All Time” and number 37 on Spin magazine’s “100 Greatest Guitarists of All Time”.

Touré was born in 1939 in the village of Kanau, on the banks of the Niger River in Gourma-Rharous Cercle in the northwestern Malian region of Tombouctou. His family belonged to the Arma community and moved to the nearby village of Niafunké when he was still an infant. His father died serving in the French Army in 1940. He was the tenth son of his mother but the only one to survive past infancy. “The name I was given was Ali Ibrahim, but it’s a custom in Africa to give a child a strange nickname if you have had other children who have died”,^[7] Touré was quoted as saying in a biography on his Record Label, World Circuit Records. His nickname, “Farka”, chosen by his parents, means “donkey“, an animal admired for its tenacity and stubbornness: “Let me make one thing clear. I’m the donkey that nobody climbs on!” Ethnically, he was part Songhai, part Fula.

As the first African bluesman to achieve widespread popularity on his home continent, Touré was often known as “the African John Lee Hooker“.Musically, the many superpositions of guitars and rhythms in his music were similar to John Lee Hooker’s hypnotic blues style. He usually sang in one of several African languages, mostly Songhay, Fulfulde, Tamasheq or Bambara as on his breakthrough album, Ali Farka Touré, which established his reputation in the world music community.