mick laBriola

The Great Nebula in Orion, an immense, nearby starbirth region, is probably the most famous of all astronomical nebulas. Here, glowing gas surrounds hot young stars at the edge of an immense interstellar molecular cloud only 1500 light-years away. In the featured deep image in assigned colors highlighted by emission in oxygen and hydrogen, wisps and sheets of dust and gas are particularly evident. The Great Nebula in Orion can be found with the unaided eye near the easily identifiable belt of three stars in the popular constellation Orion. In addition to housing a bright open cluster of stars known as the Trapezium, the Orion Nebulacontains many stellar nurseries. These nurseries contain much hydrogen gas, hot young stars, proplyds, and stellar jets spewing material at high speeds. Also known as M42, the Orion Nebula spans about 40 light years and is located in the same spiral arm of our Galaxy as the Sun.

Grace Barnett Wing Slick (born October 30, 1939) is an American singer-songwriter, musician, artist and former model, widely known in rock and roll history for her role in San Francisco‘s burgeoning psychedelic music scene in the mid-1960s. Her music career spanned four decades. She performed with The Great Society, Jefferson Airplane, Jefferson Starship and Starship. She also had a sporadic solo career. Slick provided vocals on a number of well-known songs, including “Somebody to Love,” “White Rabbit,” “We Built This City,” and “Nothing’s Gonna Stop Us Now.”

Grace Barnett Wing was born October 30, 1939, in the Chicago suburb of Highland Park, Illinois, to Ivan Wilford Wing (1907–1987), of Norwegian and Swedish descent, and Virginia Wing (née Barnett; 1910–1984).

In August 1965, Slick read an article in the San Francisco Chronicle about the newly formed Jefferson Airplane. Despite being situated in the growing musical center of San Francisco, Slick only half-heartedly considered music for a profession until she watched the band live at The Matrix. As a result, Slick (vocals, guitar), accompanied by husband Jerry Slick (drums), Jerry’s brother Darby Slick (lead guitar), and David Miner (bass guitar) formed a group called The Great Society. On October 15, 1965, the band made its debut performance at a venue known as the Coffee Gallery, and soon after Slick composed the psychedelic piece “White Rabbit“. The song, which she is purported to have written in an hour, is a reflection on the hallucinatory effects of psychedelic drugs; when performed live, it featured a speedier tempo and was an instant favorite among the band’s followers.^[9] Although Slick was an equal contributor to The Great Society’s original material, Darby Slick pushed the band toward becoming a raga-influenced psychedelic act. By late 1965, they had become a popular attraction in the Bay Area. Between October and December 1965, The Great Society entered Golden State Recorders and recorded several tracks under the supervision of Sylvester Stewart. One single emerged from the demos, the Darby Slick-penned “Someone to Love” b/w “Free Advice” on the locally based Autumn Records subsidiary label “North Beach”. Grace Slick supplied vocals, guitar, piano, and recorder.

Trilok Gurtu (Kashmiri: ترلوک گرٹو, Marathi: त्रिलोक गुर्टू) (born 30 October 1951) is an Indian percussionist and composer, whose work has blended the music of his homeland with jazz fusion, world music and other genres.

He has released his own albums and has collaborated with many artists, including Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Michel Bisceglia, Bill Laswell, Maria João & Mário Laginha, and Robert Miles. Gurtu was born to Hindu Brahmin parents in Mumbai, India; he had a Kashmiri Pandit father and a Marathi mother and attended Don Bosco High School (Matunga) in Mumbai. His mother, singer Shobha Gurtu, encouraged him to learn playing tabla, and he studied playing the instrument under Shah Abdul Karim.

Poncho Sánchez (born Filoberto Sanchez, October 30, 1951) is a Mexican American conguero (conga player), Latin jazz band leader, and salsa singer. In 2000, he and his ensemble won the Grammy Award for Best Latin Jazz Album for their work on the Concord Picante album Latin Soul. Sanchez has performed with artists including Cal Tjader, Mongo Santamaría, Hugh Masekela, Clare Fischer, and Tower of Power. The youngest of eleven children, Poncho Sanchez was born in Laredo, Texas and reared in Norwalk, California. Growing up, he was exposed to and influenced by two different styles of music: Afro-Cuban music (mambo, son, cha-cha, rumba, guaracha, and Changui) by greats such as Tito Puente, and bebop jazz, including the works of Dizzy Gillespie and Charlie Parker.

Originally a guitarist, he discovered his talent for singing during an audition for the R&B band The Halos that rehearsed across the street from his residence. Sanchez became the lead vocalist of The Halos, and would go on to teach himself the flute, the drums, and timbales before finally deciding in high school to pursue conga drumming above all.

Sanchez’s long career includes a vast musical legacy with dozens of LP and CD album releases and many thousands of public appearances. He is a favorite and often-featured artist at regional and national Latin Jazz festivals and concerts.

https://www.youtube.com/watch?v=RTYUe4NgnEk

Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter. He died at the age of 25 in a car accident, leaving behind four years’ worth of recordings. He was also a composer of note: his compositions “Sandu,” “Joy Spring,” and “Daahoud“ have become jazz standards.

Brown won the Down Beat critics’ poll for New Star of the Year in 1954; he was inducted into the DownBeat Jazz Hall of Fame in 1972 in the critics’ poll. He influenced later jazz trumpeters such as Booker Little, Freddie Hubbard, and Lee Morgan.

Brown was born into a musical family in a progressive East-Side neighborhood of Wilmington, Delaware. His father organized his four youngest sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned.

The Lion Nebula (Sharpless 2-132) is a huge emission nebula in the constellation Cepheus the King. For this image, the author used the same filters the Hubble Space Telescope uses to capture its exposures.

Sh2 -132 is an extended emission nebula visible in the constellation of Cepheus .

It is located on the southern edge of the constellation, a short distance from the border with the Lizard , along the plane of the Milky Way; the most suitable period for its observation in the evening sky falls between the months of July and December and is greatly facilitated for observers placed in the regions of the Earth’s northern hemisphere .

Sh2-132 is located at a distance of almost 3200 parsecs (almost 10400 light years ), thus placing itself inside the Perseus Arm , in the Cepheus OB1 region, a large and bright OB association . The stars responsible for the ionization of its gases are very hot and massive; in particular two Wolf-Rayet stars have been identified, known with the letters HD 211564 and HD 211853 (the latter also having the initials WR 153), in addition to a star of spectral class O8.5V and a dozen of class stars B. Around the star of class O and one of the stars of Wolf-Rayet extends a clearly visible bubble in the band of radio waves.

Peter Green (born Peter Allen Greenbaum, 29 October 1946) is an English blues rock singer-songwriter and guitarist. As a co-founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green’s songs, such as “Albatross“, “Black Magic Woman“, “Oh Well“, “The Green Manalishi (With the Two Prong Crown)” and “Man of the World“, appeared on singles charts, and several have been adapted by a variety of musicians.

Green was a major figure in the “second great epoch” of the British blues movement. B.B. King commented, “He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats.” Eric Clapton has praised his guitar playing; he is noted for his use of string bending, vibrato, and economy of style.

Rolling Stone ranked Green at number 58 in its list of the “100 Greatest Guitarists of All Time”. His tone on the instrumental “The Supernatural” was rated as one of the 50 greatest of all time by Guitar Player. In June 1996, Green was voted the third-best guitarist of all time in Mojo magazine. Peter Allen Greenbaum was born in Bethnal Green, London on 29 October 1946, into a Jewish family, the youngest of Joe and Ann Greenbaum’s four children. His brother, Michael, taught him his first guitar chords and by the age of eleven Green was teaching himself. He began playing professionally by the age of fifteen. He first played bass guitar in a band called Bobby Dennis and the Dominoes, which performed pop chart covers and rock ‘n’ roll standards, including Shadows covers. He later stated that Hank Marvin was his guitar hero and he played The Shadows song Midnight on the 1996 tribute album “Twang.” He went on to join a rhythm and blues outfit, the Muskrats, then a band called The Tridents in which he played bass. In 1966, Green played lead guitarin Peter Bardens‘ band “Peter B’s Looners”, where he met drummer Mick Fleetwood. It was with Peter B’s Looners that he made his recording début with the single “If You Wanna Be Happy” with “Jodrell Blues” as a B-side. His recording of “If You Wanna Be Happy” was an instrumental cover of a song by Jimmy Soul.

Willem Bernard “Pim” Jacobs (29 October 1934 – 3 July 1996) was a Dutch jazz pianist, composer and television presenter. Jacobs was born on 29 October 1934 in Hilversum, the Netherlands. His parents were artistic. He started playing the piano at the age of six. His brother, Ruud, was born in 1938 and became a jazz bassist. Pim and Ruud formed a trio with drummer Wessel Ilcken in 1954. The band grew with the addition of guitarist Wim Overgaauw and Ilcken’s wife, Rita Reys. The trio recorded with Herbie Mann in 1956. Following Ilcken’s death in 1957, Pim Jacobs and Reys performed as a duo or trio with Overgaauw, and married in 1960. They often recorded and played jazz festivals in Europe and New Orleans, “their typical program featuring arrangements of vocal music standards as well as bebop material”. He also composed film music.

“Jacobs also worked as a producer of non-jazz radio and television programs from 1964, briefly operated the Go Go Club in Loosdrecht, near Hilversum, from 1967, and recorded with Herbie Mann, Bob Cooper, Louis van Dijk, and his own trio.” For television, he hosted the music show Music for All. In the 1970s and 1980s he presented concerts in schools.

John Haley “Zoot” Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the “Four Brothers” sax section of Woody Herman‘s big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn, and the trombonist Bob Brookmeyer. Sims was born in 1925 in Inglewood, California to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims.

Following in the footsteps of Lester Young, Sims developed into an innovative tenor saxophonist. Throughout his career, he played with big bands, starting with those of Kenny Baker and Bobby Sherwood after dropping out of high school after one year. He played with Benny Goodman‘s band in 1943 and replaced his idol Ben Webster in Sid Catlett‘s Quartet in 1944.

Sims served as a corporal in the United States Army Air Force from 1944 to 1946,^[5] then returned to music in the bands of Artie Shaw, Stan Kenton, and Buddy Rich. He was one of Woody Herman‘s “Four Brothers”. He frequently led his own combos and toured with his friend Gerry Mulligan‘s sextet, and later with Mulligan’s Concert Jazz Band. Sims rejoined Goodman in 1962 for a tour of the Soviet Union.

In the 1950s and ’60s, Sims had a long, successful partnership as co-leader of a quintet with Al Cohn, which recorded under the name “Al and Zoot”. The group was a favorite at New York City’s Half Note Club. Always fond of the higher register of the tenor sax, he also played alto and late in his career added soprano saxophone to his performances, while recording a series of albums for the Pablo Records label of the impresario Norman Granz. He also played on some of Jack Kerouac‘s recording.

Richard Bona (born 28 October 1967 in Minta, Cameroon) is a virtuoso Cameroonian Grammy Award-winning jazz bassist.

Bona Pinder Yayumayalolo was born in Minta, Cameroon, into a family of musicians, which enabled him to start learning music from a young age. His grandfather was a griot – a West African singer of praise and storyteller – and percussionist, as his mother was a singer. When he was four years old, Bona started to play the balafon. At the age of five, he began performing at his village church. Not being wealthy, Bona made many of his own instruments: including flutes and guitars (with cords strung over an old motorcycle tank).

His talent was quickly noticed, and he was often invited to perform at festivals and ceremonies. Bona began learning to play the guitar at the age of 11, and in 1980, aged just 13, he assembled his first ensemble for a French jazz club in Douala. The owner befriended him and helped him discover jazz music, in particular that of Jaco Pastorius, which inspired Bona to switch his focus to the electric bass. Bona emigrated to Germany at the age of 22 to study music in Düsseldorf, soon relocating to France, where he furthered his studies in music.

While in France, he regularly played in various jazz clubs, sometimes with players such as Manu Dibango, Salif Keita, Jacques Higelin and Didier Lockwood.

In 1995, Bona left France and established himself in New York, where he still lives and works. In New York he played bass guitar with artists including Joe Zawinul, Larry Coryell, Michael and Randy Brecker, Mike Stern, George Benson, Branford Marsalis, Chaka Khan, Bobby McFerrin, and Steve Gadd.

In 1998, Bona was the Musical Director on Harry Belafonte‘s European Tour.

Glen Moore (born October 28, 1941 in Portland, Oregon) is a jazz bassist who occasionally performs on piano, flute and violin.

His performing career began at age 14 with the Young Oregonians in Portland, Oregon where he met and played with Native American saxophonist, Jim Pepper. He graduated with a degree in History and Literature from the University of Oregon. His formal bass instruction started after college with Jerome Magil in Portland, James Harnett in Seattle, Gary Karr in New York, Plough Christenson in Copenhagen, Ludwig Streicher in Vienna and Francois Rabbath in Hawaii. For the past 30 years, Glen has played a Klotz bass fiddle crafted in Tyrol circa 1715 on which he has made extensive use of a unique tuning with both a low and high C string.

Moore is a founding member of Oregon, but worked also regularly with Rabih Abou-Khalil, Vasant Rai, Nancy King and Larry Karush.

Charles Edward Daniels (born October 28, 1936) is an American singer, songwriter and multi-instrumentalist known for his contributions to Southern rock, country, and bluegrass music. He is best known for his number-one country hit “The Devil Went Down to Georgia“. Daniels has been active as a singer and musician since the 1950s. He was inducted into the Cheyenne Frontier Days Hall of Fame in 2002, the Grand Ole Opry in 2008, the Musicians Hall of Fame and Museum in 2009, and the Country Music Hall of Fame in 2016. Daniels was born October 28, 1936, in Wilmington, North Carolina, and raised on a musical diet that included Pentecostal gospel, local bluegrass bands, and the rhythm & blues and country music from Nashville’s 50,000-watt radio stations WLAC and WSM (AM). In 2016, he shared memories of his youth and baseball in Wilmington when he wrote the foreword for a book on the Tobacco State League. As a teenager, Daniels moved to the small town of Gulf, Chatham County, North Carolina. He graduated from high school in 1955. Already skilled on guitar, fiddle, banjo, and mandolin, he formed a rock ‘n’ roll band and hit the road. In 1964, Daniels co-wrote “It Hurts Me” (a song which Elvis Presley recorded) with his friend, producer Bob Johnston, under Bob’s wife’s name, Joy Byers. He worked as a Nashville session musician, often for Johnston, including playing guitar and electric bass on three Bob Dylan albums during 1969 and 1970, and on recordings by Leonard Cohen. Daniels recorded his first solo album, Charlie Daniels, in 1971 (see 1971 in country music). He also produced the 1969 album by the Youngbloods, Elephant Mountain.

Andrew W. Bey (born October 28, 1939 in Newark, New Jersey) is an American jazz singer and pianist. Bey has a wide vocal range, with a four-octave baritone voice.

He worked on the 1959/1960 television show Startime with Connie Francis, and sang for Louis Jordan. At age 17, he formed a trio with his siblings Salome Bey and Geraldine Bey (de Haas) called Andy and the Bey Sisters. The trio went on a 16-month tour of Europe. The jazz trumpeter Chet Baker 1988 documentary Let’s Get Lost includes footage of Bey and his sisters delighting a Parisian audience. The trio recorded three albums (one for RCA Victor in 1961 and two for Prestige in 1964 and 1965) before breaking up in 1967. Bey also worked with Horace Silver and Gary Bartz.

In 1973, Bey and Dee Dee Bridgewater were the featured vocalists on Stanley Clarke‘s album Children of Forever. Later, Bey recorded the album Experience and Judgment (1974), which was influenced by Indian music.^[1] He then returned to hard bop, and recorded covers of music by non-jazz musicians, such as Nick Drake.

In 1976, Bey performed in a theatre production of Adrienne Kennedy‘s A Rat’s Mass directed by Cecil Taylor at La MaMa Experimental Theatre Club in the East Village of Manhattan. Musicians Rashid Bakr, Jimmy Lyons, Karen Borca, David S. Ware, and Raphe Malik also performed in the production. Taylor’s production combined the original script with a chorus of orchestrated voices used as instruments.