mick laBriola

Albert Luandrew (September 5, 1906 – March 17, 1995), known as Sunnyland Slim, was an American blues pianist who was born in the Mississippi Delta and moved to Chicago, helping to make that city a center of postwar blues. The Chicago broadcaster and writer Studs Terkel said Sunnyland Slim was “a living piece of our folk history, gallantly and eloquently carrying on in the old tradition.” Sunnyland Slim was born on a farm in Quitman County, near Vance, Mississippi. He moved to Memphis, Tennessee, in 1925, where he performed with many of the popular blues musicians of the day. His stage name came from the song “Sunnyland Train”, about a railroad line between Memphis and St. Louis, Missouri. In 1942 he moved to Chicago, in the great migration of southern workers to the industrial north.

At that time the electric blues was taking shape in Chicago, and through the years Sunnyland Slim played with such musicians as Muddy Waters, Howlin’ Wolf, Robert Lockwood, Jr., and Little Walter. His piano style is characterised by heavy basses or vamping chords with the left hand and tremolos with the right. His voice was loud, and he sang in a declamatory style.

Sunnyland Slim’s first recording was as a singer with Jump Jackson’s band for Specialty Records in September 1946. His first recordings as a leader were for Hy-Tone Records and Aristocrat Records in late 1947. He continued performing until his death, in 1995.

https://www.youtube.com/watch?v=QeP8qBCOc20

Performing with King Ras John at Ethnic Fest 2019 in Walker MN Saturday September 7th 3-445pm

Illuminated by ultraviolet radiation from young, massive stars on the right side of this photograph, M17, also known as the Omega Nebula or Swan Nebula, is one of the largest star-forming regions in the Milky Way galaxy. Hubble’s stunning image of a central portion of the nebula has been colorized to highlight certain wavelengths of light. Green represents oxygen while red reveals hydrogen and infrared light. The Omega Nebula was discovered in 1745 by the Swiss astronomer Jean-Philippe Loys de Chéseaux. It is located 5,500 light-years from Earth in the constellation Sagittarius. The nebula has an apparent magnitude of 6 and can be seen with a pair of binoculars. M17, which appears near M16 and M18 in the sky, is best viewed on clear nights in August.

M17 contains one of our galaxy’s youngest star clusters, at only 1 million years old. However, many of the young stars in this cluster are impossible to see because of the gas and dust that surrounds them. The powerful radiation from the young stars evaporates and erodes the dense clouds of cold gas in which new stars form. One such pocket of gas is seen at the center of the brightest region of the nebula (near the bottom of this image) and is about 10 times larger than our solar system. Other dense pockets of gas have formed the remarkable dark features jutting inward from the bottom left corner of the image.

Biréli Lagrène (born 4 September 1966) is a French Manouche jazz guitar virtuoso who came to prominence in the 1980s for his Django Reinhardt-influenced style. He often performs in swing, jazz fusion and post-bop styles. Lagrène was born on 4 September 1966 in Saverne, Alsace, France, into a Romani family and community. His father and grandfather were guitarists, and he was raised in the gypsy guitar tradition. He started playing at age four or five, and by seven was improvising jazz in a style similar to Django Reinhardt‘s, whom his father admired and wanted his sons to emulate. In 1980, while still in his early teens, he recorded his first album, Routes to Django: Live at the Krokodil (Jazz Point, 1981).

During the next few years, Lagrène toured with Al Di Meola, Paco de Lucía, and John McLaughlin, all of them guitarists, and played with Benny Carter, Benny Goodman, and Stéphane Grappellii. He joined Larry Coryell and Vic Juris in New York City for a tribute to Reinhardt in 1984, and went on tour with Coryell and Philip Catherine. He also performed with Jaco Pastorius, Stanley Clarke, the Gil Evans Orchestra, Christian Escoudé, and Charlie Haden. In 1989 he performed in a duo with Stanley Jordan.

Gerald Stanley Wilson (September 4, 1918 – September 8, 2014) was an American jazz trumpeter, big band bandleader, composer/arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson. Wilson was born in Shelby, Mississippi, and at the age of 16 moved to Detroit, where he graduated from Cass Technical High School (one of his classmates was saxophonist Wardell Gray). He joined the Jimmie Lunceford orchestra in 1939, replacing its trumpeter and arranger, Sy Oliver. While with Lunceford, Wilson contributed numbers to the band’s book, including “Hi Spook” and “Yard-dog Mazurka”, the first influenced by Ellington’srecording of “Caravan” and the latter an influence on Stan Kenton‘s “Intermission Riff”.

During World War II, Wilson also performed for a brief time with the U.S. Navy, with musicians including Clark Terry, Willie Smith and Jimmy Nottingham, among others. Around 2005, many of the members of the band reunited as “The Great Lakes Experience Big Band,” with Wilson conducting and Ernie Andrews making a guest appearance at the invitation of Clark Terry. Wilson also played and arranged for the bands of Benny Carter, Duke Ellington, Count Basie and Dizzy Gillespie.

Anderson Meade Lewis (September 4, 1905 – June 7, 1964), known as Meade Lux Lewis, was an American pianist and composer, noted for his playing in the boogie-woogie style. His best-known work, “Honky Tonk Train Blues”, has been recorded by many artists. Lewis was born in Chicago, though some sources state Louisville, Kentucky, on September 4, 1905 (September 3 and 13 have also been cited as his date of birth in various sources). In his youth he was influenced by the pianist Jimmy Yancey. His father, a guitarist who made two recordings of his own, introduced Meade to music and arranged for him to have violin lessons. He gave up the violin at age 16, shortly after his father’s death, and switched to the piano. The nickname “Lux” was given to him by his boyhood friends. He would imitate a couple of characters from a popular comic strip in Chicago, Alphonse and Gaston, and stroke an imaginary beard as part of the routine. His friends started calling him the Duke of Luxembourgbecause of this, and the name stuck for the rest of his life. He became friends with Albert Ammons during childhood, a friendship that would last throughout their lives. They went to the same school together briefly, and they practiced and learned the piano together on the Ammons family piano.

PSR B1509−58 is a pulsar approximately 17,000 light-years away in the constellation of Circinus discovered by the Einstein X-Ray Observatory in 1982. It appears approximately 1,700 years old, and it sits in a nebula that spans about 150 light years. NASA described the star as “a rapidly spinning neutron star which is spewing energy out into the space around it to create complex and intriguing structures, including one that resembles a large cosmic hand.” Which is also known by name “Hand of God”. The spin rate is “almost 7 times per second”.

Dorothy Masuka (3 September 1935, Bulawayo, Southern Rhodesia (now Zimbabwe) – 23 February 2019, Johannesburg, South Africa) was a Zimbabwe-born South African jazz singer. She was born in Bulawayo, the fourth of seven children, and her mother was Zulu while her father was a Zambian hotel chef. Still, she attended a Catholic school deemed good by the standards of education allowed blacks. Her family moved to South Africa when she was 12 due to her health. By the time she was 19 she was touring in South Africa with singers she had admired as a girl. Masuka’s music was popular in South Africa throughout the 1950s, but when her songs became more serious, the government began questioning her. Her song “Dr. Malan,” mentioning difficult laws, was banned and in 1961 she sang a song for Patrice Lumumba, which led to her exile. This exile lasted 31 years in total during which she lived in Zambia and worked as a flight attendant. She returned to Zimbabwe in 1980 after independence. Many of her songs are in the Ndebele language or Sindebele languages.

https://www.youtube.com/watch?v=TV3n4rt26LA

Freddie King (September 3, 1934 – December 28, 1976) was an American blues guitarist and singer. He recorded several hits for Federal Records in the early 1960s. His soulful and powerful voice and distinctive guitar style inspired many musicians, particularly guitarists. He was inducted into the Rock and Roll Hall of Fame in 2012.

King based his guitar style on Texas blues and Chicago blues influences. His best-known recordings include the early instrumentals “Hide Away” (1961), “San-Ho-Zay,” (1961) and “The Stumble” (1962). The album Freddy King Sings showcased his singing talents and included the record chart hits “You’ve Got to Love Her with a Feeling” and “I’m Tore Down”. He later became involved with more rhythm and blues– and rock-oriented producers and was one of the first bluesmen to have a multiracial backing band at live performances. According to his birth certificate he was named Fred King, and his parents were Ella Mae King and J. T. Christian. When Freddie was six years old, his mother and his uncle began teaching him to play the guitar. In autumn 1949, he and his family moved from Dallas to the South Side of Chicago.

Shoista Mullojonova (Tajik: Шоиста Муллоҷонова, Persian: شایسته ملاجان‌آوا‎, Russian: Шоиста Рубиновна Муллоджанова; September 3, 1925 – June 26, 2010), born Shushana Rubinovna Mullodzhanova, was a renowned Tajik-born Bukharian Jewish Shashmakom singer. She was born in Dushanbe, Tajik ASSR to a religious Bukharian Jewish family. Her mother, Sivyo Davydova, was from Samarkand and her father, Rubin Mullodzhanov, originally came from Bukhara. Her family traces its ancestry to an artistocratic Levite tribe that has been into performing and entertaining since the time of the First and Second Temple in Jerusalem. At some point as an adult, she changed her surname from Mullodzhanova to Mullojonova in Soviet Tajikistan.

Memphis Slim (September 3, 1915 – February 24, 1988) was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, “Every Day I Have the Blues“, has become a blues standard, recorded by many other artists. He made over 500 recordings.

Memphis Slim was born John Len Chatman, in Memphis, Tennessee. For his first recordings, for Okeh Records in 1940, he used the name of his father, Peter Chatman (who sang, played piano and guitar, and operated juke joints); it is commonly believed that he did so to honor his father. He started performing under the name “Memphis Slim” later that year but continued to publish songs under the name Peter Chatman.

He spent most of the 1930s performing in honky-tonks, dance halls, and gambling joints in West Memphis, Arkansas, and southeast Missouri. He settled in Chicago in 1939 and began teaming with the guitarist and singer Big Bill Broonzy in clubs soon afterwards. In 1940 and 1941 he recorded two songs for Bluebird Records that became part of his repertoire for decades, “Beer Drinking Woman” and “Grinder Man Blues”. These were released under the name “Memphis Slim,” given to him by Bluebird’s producer, Lester Melrose. Slim became a regular session musician for Bluebird, and his piano talents supported established stars such as John Lee “Sonny Boy” Williamson, Washboard Sam, and Jazz Gillum. Many of Slim’s recordings and performances until the mid-1940s were with Broonzy, who had recruited Slim to be his piano player after the death of his accompanist Joshua Altheimer in 1940.

The Necklace Nebula (PN G054.2-03.4) is a 19-trillion-kilometre-wide (2.0 light-year-wide) planetary nebula located about 15,000 light-years away in the northern constellation Sagitta. It was discovered in 2005 from the Isaac Newton Telescope Photometric H-alpha Survey (IPHAS), a ground-based H-alphaplanetary nebula study of the North Galactic Plane.

The Necklace Nebula is the exploded aftermath of a giant star that came too close to its Sun-like binary companion. The two stars that produced the Necklace Nebula are in a relatively small orbit about each other. They have a period of 1.2 days and a separation on the order of 5 times the radius of the Sun.

About 10,000 years ago one of the aging stars ballooned to the point where it engulfed its companion star. The smaller star continued orbiting inside its larger companion, increasing the giant’s rotation rate.

The bloated companion star spun so fast that a large part of its gaseous envelope expanded into space. Due to centrifugal force, most of the gas escaped along the star’s equator, producing a ring. The embedded bright knots are dense gas clumps in the ring.

Clifford Laconia Jordan (September 2, 1931 – March 27, 1993) was an American jazz tenor saxophone player. While in Chicago, he performed with Max Roach, Sonny Stitt, and some rhythm and blues groups. He moved to New York City in 1957, after which he recorded three albums for Blue Note. He recorded with Horace Silver, J.J. Johnson, and Kenny Dorham, among others. He was part of the Charles Mingus Sextet, with Eric Dolphy, during its 1964 European tour.

Jordan toured Africa with Randy Weston, and performed in Paris while living in Belgium. In later years, he led his own groups, performed with Cedar Walton‘s quartet Eastern Rebellion, and led a big band.

Jordan was married to Shirley Jordan, a designer and former owner of Clothing Manufacturing Corporation in New York. He later married Sandy Jordan (née Williams), a graphic artist and Honorary Founders Board member of the Jazz Foundation of America.

Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014 Norwalk, CT) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.

After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their Horace Silver and the Jazz Messengers album contained Silver’s first hit, “The Preacher“. After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver’s popularity, even through changes of personnel. His most successful album was Song for My Father, made with two iterations of the quintet in 1963 and 1964.

Several changes occurred in the early 1970s: Silver disbanded his group to spend more time with his wife and to concentrate on composing; he included lyrics in his recordings; and his interest in spiritualism developed. The last two of these were often combined, resulting in commercially unsuccessful releases such as The United States of Mind series. Silver left Blue Note after 28 years, founded his own record label, and scaled back his touring in the 1980s, relying in part on royalties from his compositions for income. In 1993, he returned to major record labels, releasing five albums before gradually withdrawing from public view because of health problems.

As a player, Silver transitioned from bebop to hard bop by stressing melody rather than complex harmony, and combined clean and often humorous right-hand lines with darker notes and chords in a near-perpetual left-hand rumble. His compositions similarly emphasized catchy melodies, but often also contained dissonant harmonies. Many of his varied repertoire of songs, including “Doodlin’“, “Peace“, and “Sister Sadie“, became jazz standardsthat are still widely played. His considerable legacy encompasses his influence on other pianists and composers, and the development of young jazz talents who appeared in his bands over the course of four decades.