World marks 30 years since Tiananmen massacre as China censors all mention

When to see the Moon and Mercury: June 4, 2019 

Look to the northwest just after sunset tonight, Tuesday, June 4, 2019, and you’ll see a 2% illuminated Crescent Moon appear in the dusk close to the horizon. That in itself will be a grand sight, and for this month only, it’s a sighting that sees the Islamic month of Ramadan officially cease. As well as the delicate crescent of light on the Moon, you should be able to make out Earthshine on the rest of our satellite. That’s sunlight reflected from Earth onto the Moon. It’s always there, but it’s only possible to detect with the human eye when the moon is very young.

Anthony Braxton (born June 4, 1945 Chicago) is an American composer and multi-instrumentalist who is known in the genre of free jazz.

Since the 1960s, he has released more than 100 albums. He plays many types of saxophone (soprano, alto, tenor, baritone, bass, contrabass, sopranino, C-melody, mezzo-soprano) and clarinet (E-flat, B-flat, contrabass), in addition to flute, alto flute, and piano.

Braxton studied philosophy at Roosevelt University. He taught at Mills College in the 1980s, and was Professor of Music at Wesleyan University from the 1990s until his retirement at the end of 2013. He taught music composition and music history, with a concentration on the avant-garde, as well as leading ensembles in performances of his compositions. In 1994, he was given a genius grant by the MacArthur Foundation. In 2013, he was named a 2014 National Endowment for the Arts Jazz Master.

Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. He is perhaps best remembered for his 1961 Impulse! album The Blues and the Abstract Truth (1960), often regarded as being among the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson’s composition, “Stolen Moments“. Other important recordings from the early 1960s are More Blues and the Abstract Truth and Sound Pieces, both also on Impulse!. Oliver Nelson was born into a musical family. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in “territory” bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto saxophone and arranging.

August 26, 1949, Cyprus. May 30, 2019, New Hope, PA

Singer-songwriter Leon Redbone, who specialized in old-school vaudeville and Tin Pan Alley-style music, died Thursday, his family confirmed. No cause of death was given for the notoriously private performer. He was 69, although, in characteristically deadpan fashion, the official statement announcing his death gave his age as 127.

Although Redbone’s pop-defying predilection for seemingly antiquated musical styles of the ’20s and ’30s made him the unlikeliest of stars, he became one anyway, appearing several times as the musical guest on “Saturday Night Live” — including two spots in the inaugural 1975-76 season alone — and landing frequent appearances with Johnny Carson on “The Tonight Show” into the 1980s. Later popular successes had him singing the themes for TV’s “Mr. Beledevere” and “Harry and the Hendersons,” along with contributing a duet of “Baby, It’s Cold Outside” with Zooey Deschanel to the soundtrack of “Elf,” for which he also voiced the animated character of Leon the Snowman.

In a galaxy hosting a structure nicknamed the “Teacup,” a galactic storm is raging.

The source of the cosmic squall is a supermassive black hole buried at the center of the galaxy, officially known as SDSS 1430+1339. As matter in the central regions of the galaxy is pulled toward the black hole, it is energized by the strong gravity and magnetic fields near the black hole. The infalling material produces more radiationthan all the stars in the host galaxy. This kind of actively growing black hole is known as a quasar.

Located about 1.1 billion light years from Earth, the Teacup’s host galaxy was originally discovered in visible light images by citizen scientists in 2007 as part of the Galaxy Zoo project, using data from the Sloan Digital Sky Survey. Since then, professional astronomers using space-based telescopes have gathered clues about the history of this galaxy with an eye toward forecasting how stormy it will be in the future. This new composite image contains X-ray data from Chandra (blue) along with an optical view from NASA’s Hubble Space Telescope (red and green).

The “handle” of the Teacup is a ring of optical and X-ray light surrounding a giant bubble. This handle-shaped feature, which is located about 30,000 light-years from the supermassive black hole, was likely formed by one or more eruptions powered by the black hole. Radio emission — shown in a separate composite image with the optical data — also outlines this bubble, and a bubble about the same size on the other side of the black hole.

Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music. He first achieved success and recognition with The Impressions during the civil rights movement of the late 1950s and 1960s, and later worked as a solo artist.

Born in Chicago, Illinois, Mayfield started his musical career in a gospel choir. Moving to the North Side, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for the Impressions, which displayed his more politically charged songwriting. Ranked at no. 24 on Rolling Stone‘s list of the 500 Greatest Songs of All Time, the song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998.

After leaving the Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitationfilm Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone’s list of 500 Greatest Albums of All Time.

Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes in 1999 at the age of 57.

Grachan Moncur III (born June 3, 1937) is an American jazz trombonist. He is the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper. Born in New York City (his father’s father was from the Bahamas) and raised in Newark, New Jersey, Grachan Moncur III began playing the cello at the age of nine, and switched to the trombonewhen he was 11.^[1] In high school he attended the Laurinburg Institute in North Carolina, the private school where Dizzy Gillespie had studied. While still at school he began sitting in with touring jazz musicians on their way through town, including Art Blakey and Jackie McLean, with whom he formed a lasting friendship.

Josephine Baker (born Freda Josephine McDonald, naturalised French Joséphine Baker; 3 June 1906 – 12 April 1975 St Louis, MO) was an American-born French entertainer, activist, and French Resistance agent. Her career was centered primarily in Europe, mostly in her adopted France. During her early career she was renowned as a dancer, and was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in the revue Un vent de folie in 1927 caused a sensation in Paris. Her costume, consisting of only a girdle of artificial bananas, became her most iconic image and a symbol of the Jazz Age and the 1920s.

Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the “Black Venus”, the “Black Pearl”, the “Bronze Venus”, and the “Creole Goddess”. Born in St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937. She raised her children in France. “I have two loves, my country and Paris.” the artist once said, and sang: «J’ai deux amours, mon pays et Paris».

Baker was the first African-American to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

Baker refused to perform for segregated audiences in the United States and is noted for her contributions to the Civil Rights Movement. In 1968 she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King Jr.‘s assassination. After thinking it over, Baker declined the offer out of concern for the welfare of her children.

She was also known for aiding the French Resistance during World War II. After the war, she was awarded the Croix de guerre by the French military, and was named a Chevalier of the Légion d’honneur by General Charles de Gaulle.

https://www.youtube.com/watch?v=LdIGlWD9ScQ

Lizzie Douglas (June 3, 1897 – August 6, 1973), known as Memphis Minnie, was a blues guitarist, vocalist, and songwriter whose recording career lasted from the 1920s to the 1950s. She recorded around 200 songs, some of the best known being “Bumble Bee”, “Nothing in Rambling”, and “Me and My Chauffeur Blues“. Douglas was born on June 3, 1897, in Algiers, Louisiana. She was the eldest of 13 siblings. Her parents, Abe and Gertrude Douglas, nicknamed her Kid when she was young, and her family called her that throughout her childhood. It is reported that she disliked the name Lizzie. When she first began performing, she played under the name Kid Douglas.

UGC 1382 is a spiral galaxy of the low surface brightness type (LSB galaxy), located in the constellation of the Whale at a distance of about 250 million light years from the Earth.

Considered to its discovery an elliptical galaxy , thanks to the instruments of the Galaxy Evolution Explorer (GALEX) space telescope , combining the data obtained in the region of the optic and ultraviolet have been identified before the typical arms of spiral galaxies and then its enormous dimensions, such as to excel with Malin 1 .

About 250 million light-years away, there’s a neighborhood of our universe that astronomers had considered quiet and unremarkable. But now, scientists have uncovered an enormous, bizarre galaxy possibly formed from the parts of other galaxies.

A new study to be published in the Astrophysical Journal reveals the secret of UGC 1382, a galaxy that had originally been thought to be old, small and typical. Instead, scientists using data from NASA telescopes and other observatories have discovered that the galaxy is 10 times bigger than previously thought and, unlike most galaxies, its insides are younger than its outsides, almost as if it had been built using spare parts.

“This rare, ‘Frankenstein’ galaxy formed and is able to survive because it lies in a quiet little suburban neighborhood of the universe, where none of the hubbub of the more crowded parts can bother it,” said study co-author Mark Seibert of the Observatories of the Carnegie Institution for Science, Pasadena, California. “It is so delicate that a slight nudge from a neighbor would cause it to disintegrate.”

Seibert and Lea Hagen, a graduate student at Pennsylvania State University, University Park, came upon this galaxy by accident. They had been looking for stars forming in run-of-the-mill elliptical galaxies, which do not spin and are more three-dimensional and football-shaped than flat disks. Astronomers originally thought that UGC 1382 was one of those.

But while looking at images of galaxies in ultraviolet light through data from NASA’s Galaxy Evolution Explorer (GALEX), a behemoth began to emerge from the darkness.

“We saw spiral arms extending far outside this galaxy, which no one had noticed before, and which elliptical galaxies should not have,” said Hagen, who led the study. “That put us on an expedition to find out what this galaxy is and how it formed.”

Charles Robert Watts (born 2 June 1941) is an English drummer, best known as a member of the Rolling Stones since 1963. Originally trained as a graphic artist, he started playing drums in London’s rhythm and blues clubs, where he met Brian Jones, Mick Jagger, and Keith Richards. In January 1963, he joined their fledgling group, the Rolling Stones, as drummer, while doubling as designer of their record sleeves and tour stages. He has also toured with his own group, the Charlie Watts Quintet, and appeared in London at Ronnie Scott’s Jazz Club with the Charlie Watts Tentet.

In 2006, Watts was elected into the Modern Drummer Hall of Fame; in the same year, Vanity Fair elected him into the International Best Dressed List Hall of Fame. In the estimation of noted music critic Robert Christgau, Watts is “rock’s greatest drummer.” In 2016, he was ranked 12th on Rolling Stone‘s “100 Greatest Drummers of All Time” list.

Valaida Snow (June 2, 1904 – May 30, 1956) was an African-American jazz musician and entertainer. She was born in Chattanooga, Tennessee. Raised on the road in a show-business family, she learned to play cello, bass, banjo, violin, mandolin, harp, accordion, clarinet, trumpet, and saxophone by the time she was 15. She also sang and danced. After focusing on the trumpet, she quickly became so famous at the instrument that she was named “Little Louis” after Louis Armstrong, who called her the world’s second best jazz trumpet player besides himself. Contemporary critics Krin Gabbard and Will Friedwald have commented on her approach to playing like Armstrong. Gabbard said she developed a “distinctly Armstrongian style” and Friedwald said she “mimicked” Armstrong. In a 1928 performance in Chicago at the Sunset Café, Snow played the trumpet, sang. Then seven pairs of shoes were placed in a row at the front of the stage, and she danced in each pair for one chorus. The dances and shoes to match were: soft-shoe, adagio shoes, tap shoes, Dutch clogs, Chinese straw sandals, Turkish slippers, and the last pair, Russian boots. “When Louis Armstrong saw the show one night, he continued clapping after others had stopped and remarked, ‘Boy I never saw anything that great’.” She played concerts throughout the US, Europe, and China. From 1926 to 1929 she toured with Jack Carter’s Serenaders in Shanghai, Singapore, Calcutta, and Jakarta.

Her most successful period was in the 1930s when she became the toast of London and Paris. Around this time she recorded her hit song “High Hat, Trumpet, and Rhythm”. She performed in the Ethel Waters show Rhapsody in Black, in New York. In the mid-1930s she made films with her husband, Ananias Berry, of the Berry Brothers dancing troupe. After playing the Apollo Theater in New York City, she revisited Europe and the Far East for more shows and films.

Sir Edward William Elgar, 1st Baronet OM GCVO (/ˈɛlɡɑːr/; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King’s Musick in 1924.

Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglicanestablishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory.

In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras. Elgar’s music came, in his later years, to be seen as appealing chiefly to British audiences. His stock remained low for a generation after his death. It began to revive significantly in the 1960s, helped by new recordings of his works. Some of his works have, in recent years, been taken up again internationally, but the music continues to be played more in Britain than elsewhere.

Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the moving-coil microphone in 1923 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from The Dream of Gerontius.