mick laBriola

Edward Kennedy “Duke” Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life.

Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra’s appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol‘s “Caravan“, which brought a Spanish tinge to big band jazz.

At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multiple extended compositions, or suites, as well as many short pieces. For a few years at the beginning of Strayhorn’s involvement, Ellington’s orchestra featured bassist Jimmy Blanton and tenor saxophonist Ben Webster and reached a creative peak. Some years later following a low-profile period, an appearance by Ellington and his orchestra at the Newport Jazz Festival in July 1956 led to a major revival and regular world tours. Ellington recorded for most American record companies of his era, performed in and scored several films, and composed a handful of stage musicals.

Although a pivotal figure in the history of jazz, in the opinion of Gunther Schuller and Barry Kernfeld, “the most significant composer of the genre”, Ellington himself embraced the phrase “beyond category”, considering it a liberating principle, and referring to his music as part of the more general category of American Music. Ellington was known for his inventive use of the orchestra, or big band, as well as for his eloquence and charisma. He was awarded a posthumous Pulitzer Prize Special Award for music in 1999.

The Ring Nebula (M57) is more complicated than it appears through a small telescope. The easily visible central ring is about one light-year across, but this remarkably deep exposure – a collaborative effort combining data from three different large telescopes –explores the looping filaments of glowing gas extending much farther from the nebula‘s central star. This composite image includes red light emitted by hydrogen as well as visible and infrared light. The Ring Nebula is an elongated planetary nebula, a type of nebula created when a Sun-like star evolves to throw off its outer atmosphere and become a white dwarf star. The Ring Nebula is about 2,500 light-years away toward the musical constellation Lyra.

Steve Khan (born Steven Harris Cahn; April 28, 1947) is an American jazz guitarist.

Steven Harris Cahn was born in Los Angeles. His father, lyricist Sammy Cahn, “loved to hear any and all versions of his songs”. He took piano lessons as a child and played drums for the surf rock band the Chantays. The band’s guitarist exposed him to the albums Tough Talk by The Crusaders and Movin’ Wesby Wes Montgomery. In his late teens he quit the drums and started playing guitar. He was a member of the R&B band Friends of Distinction, recorded with keyboardist Phil Moore, then played on the album Bullittby Wilton Felder (“one of my heroes”). Despite his father’s advice to avoid a career in the music business, he graduated from UCLA with a degree in music composition and theory.

In the early 1970s, he performed in an acoustic guitar duo with Larry Coryell and was a member of the Brecker Brothers band. As a session musician, he appeared on albums by Ashford & Simpson, Rupert Holmes, Billy Joel, and Steely Dan. He was signed to Columbia Records through the efforts of Bobby Colomby and Bob James. On his first three albums Tightrope (1977), The Blue Man (1978), and Arrows(1979), he was trying “to single-handledly keep alive the sound of the original Brecker Brothers band.”His next album was Evidence (1980), which contained an eighteen-minute medley of songs by Thelonious Monk.

Oliver Jackson (April 28, 1933 – May 29, 1994), also known as Bops Junior, was an American jazz drummer.

Jackson was born in Detroit, Michigan, United States, where he played in the 1940s with Thad Jones, Tommy Flanagan, and Wardell Gray, and had a variety show with Eddie Locke called Bop & Locke. After working with Yusef Lateef from 1954 until 1956, he moved to New York, where he played regularly at the Metropole in 1957 and 1958. Following this he worked with Teddy Wilson, Charlie Shavers (1959–61), Buck Clayton, Benny Goodman(1962), Lionel Hampton (1962–64), Kenny Burrell, Earl Hines (1964–70 intermittently) and the JPJ Quartet with Budd Johnson. Later in life he played with Sy Oliver (1975–80), Oscar Peterson, and George Wein‘s Newport All-Stars. As a bandleader, Jackson led a 1961 date in Switzerland, and recorded at least five albums for Black & Blue Records between 1977 and 1984.

His brother, bassist Ali Jackson, performed with him both at the beginning and towards the end of their careers. His nephew, Ali Jackson Jr., is a jazz drummer.

Jackson died from heart failure in New York City at the age of 61.

Conrad Henry Kirnon (April 27, 1927 – November 30, 1994) known professionally as Connie Kay, was an American jazz and R&B drummer, who was a member of the Modern Jazz Quartet.

Self-taught on drums, Kay began performing in Los Angeles in the mid-1940s. His drumming is recorded in The Hunt, the recording of a famous Los Angeles jam session featuring the dueling tenors of Dexter Gordon and Wardell Gray on July 6, 1947. He recorded with Lester Young‘s quintet from 1949 to 1955 and with Stan Getz, Coleman Hawkins, Charlie Parker, and Miles Davis.

Kay did R&B sessions for Atlantic Records in the early to mid-1950s, and he was featured on hit records such as Shake, Rattle and Roll by Big Joe Turner and Ruth Brown‘s (Mama) He Treats Your Daughter Mean.

Kay joined the Modern Jazz Quartet in 1955, replacing original drummer Kenny Clarke. He remained through the group’s dissolution in 1974 and occasional reunions into the 1990s. In addition to his MJQ compatriots, he had an enduring partnership with cool jazz altoist Paul Desmond through the first half of the 1960s. He played drums on several of Irish singer-songwriter Van Morrison‘s albums: Astral Weeks, one song on Saint Dominic’s Preview, and four songs on Tupelo Honey.

Friday April 26th 6pm. Accompanying the Shabbat Service with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick laBriola.

Shankar Lakshminarayana (born 26 April 1950), better known as L. Shankar, is an Indian violinist, singer and composer who also goes by the stage name Shenkar. Known for his innovative contributions to world music, he is often regarded as one of the pioneers of East- West fusion, blending the rich traditions of Indian classical with Western genres such as jazz, rock, and electronic music. His world music albums with the band Shakti during the mid-70s became the ‘standard to gauge the playing and composing abilities of any world musician following in Shakti’s expansive wake”. He is credited with inventing the stereophonic double violin (known as the LSD – L.Shankar Double Violin), which covers the orchestral string family’s range. In 1990, Shankar’s talam-bending (time cycles of 9 3/4 & 6 3/4 beats) Pancha Nadai Pallavi’ album was on the Billboard top ten world music chart for three months becoming the first traditional Indian record to reach those heights. His 1995 Raga Abheri album was nominated for a Grammy Award, in the Best World Music Album category.With Peter Gabriel, he worked on the Grammy winning album Passion(1989), the soundtrack album for Martin Scorsese’s The Last Temptation of Christ(1988), and wrote and performed vocals on Mel Gibson’s ‘The Passion of the Christ’ (2004) which won a Dove Award for Instrumental Album of the Year at the 36th GMA Dove Awards. He also worked on the soundtrack for the 2002 film Queen of the Damned with Jonathan Davis and Richard Gibbs and recorded eight songs of which five were picked for the movie. Additionally, he collaborated on the original score for NBC’s hit TV series Heroes with Wendy & Lisa. As an acclaimed musician, Shankar is ranked as one of the top famous male violinists  by Ranker and one amongst the greatest violinists of popular music  by Digital Dream Door. His extensive body of work spans a wide spectrum of genres, encompassing vocal and instrumental compositions.

Theodore Marcus “Teddy” Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist.

Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet.

His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the “Club Alabam” on Central Avenue in Los Angeles, which later became his city of residence.

John Ned Shines (April 26, 1915 – April 20, 1992) was an American blues singer and guitarist.

Shines was born in Frayser, Tennessee, today a neighborhood of Memphis. He was taught to play the guitar by his mother and spent most of his childhood in Memphis, playing slide guitar at an early age in juke joints and on the street. He moved to Hughes, Arkansas, in 1932 and worked on farms for three years, putting aside his music career. A chance meeting with Robert Johnson, his greatest influence, gave him the inspiration to return to music. In 1935, Shines began traveling with Johnson, touring in the United States and Canada.^[1] They parted in 1937, one year before Johnson’s death.

Shines played throughout the southern United States until 1941, when he settled in Chicago. There he found work in the construction industry but continued to play in local bars.

He made his first recording in 1946 for Columbia Records, but the takes were never released. He recorded for Chess Records in 1950, but again no records were released. He kept playing with blues musicians in the Chicago area for several more years. In 1952, Shines recorded what is considered his best work, for J.O.B. Records. The recordings were a commercial failure, and Shines, frustrated with the music industry, sold his equipment and returned to working in construction.