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NGC 2798 is a barred spiral galaxy in the constellation Lynx. NGC 2798 and NGC 2799 are listed under the Arp Catalogue as Arp 283 and noted as an “interacting galaxy pair”. Distance 79 M light years.

Charles McPherson (born July 24, 1939) is an American jazz alto saxophonist born in Joplin, Missouri, and raised in Detroit, Michigan, who worked intermittently with Charles Mingus from 1960 to 1974, and as a performer leading his own groups.

McPherson also was commissioned to help record ensemble renditions of pieces from Charlie Parker on the 1988 soundtrack for the film Bird.

Billy Taylor (July 24, 1921 – December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America’s elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador. Critic Leonard Featheronce said, “It is almost indisputable that Dr. Billy Taylor is the world’s foremost spokesman for jazz.” Taylor was born in Greenville, North Carolina, but moved to Washington, D.C., when he was five years old. He grew up in a musical family and learned to play different instruments as a child, including guitar, drums and saxophone. He was most successful at the piano, and had classical piano lessons with Henry Grant, who had educated Duke Ellington a generation earlier. Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar.

Taylor moved to New York City after graduation and started playing piano professionally from 1944, first with Ben Webster‘s Quartet on New York’s 52nd Street. The same night he joined Webster’s Quartet, he met Art Tatum, who became his mentor. Among the other musicians Taylor worked with was Machito and his mambo band, from whom he developed a love for Latin music. After an eight-month tour with the Don Redman Orchestra in Europe, Taylor stayed there with his wife, Theodora, and in Paris and the Netherlands. Taylor returned to New York later that year and cooperated with Bob Wyatt and Sylvia Syms at the Royal Roost jazz club and Billie Holiday in a successful show called Holiday on Broadway. A year later, he became the house pianist at Birdland and performed with Charlie Parker, J.J. Johnson, Stan Getz, Dizzy Gillespie and Miles Davis. Taylor played at Birdland longer than any other pianist in the history of the club.^[6] In 1949, Taylor published his first book, a textbook about bebop piano styles.

https://www.youtube.com/watch?v=AfyHYijQczk

Alison Maria Krauss (born July 23, 1971) is an American bluegrass–country singer and musician. She entered the music industry at an early age, winning local contests by the age of 10 and recording for the first time at 14. She signed with Rounder Records in 1985 and released her first solo album in 1987. She was invited to join the band with which she still performs, Alison Krauss and Union Station, and later released her first album with them as a group in 1989.

She has released fourteen albums, appeared on numerous soundtracks, and helped renew interest in bluegrass music in the United States. Her soundtrack performances have led to further popularity, including the O Brother, Where Art Thou? soundtrack, an album also credited with raising American interest in bluegrass, and the Cold Mountain soundtrack, which led to her performance at the 2004 Academy Awards.

As of 2018, she has won 27 Grammy Awards from 42 nominations, ranking her third behind Quincy Jones and classical conductor Georg Solti for most Grammy Award wins. She is the most awarded singer and the most awarded female artist in Grammy history.

At the time of her first, the 1991 Grammy Awards, she was the second-youngest winner (currently tied as the ninth-youngest). Alison Maria Krauss was born in Decatur, Illinois, to Fred and Louise Krauss. Her father was a German immigrant who came to the United States in 1952 and taught his native language. Her mother, of German and Italian descent, is the daughter of artists. Her older brother, Viktor, is also a musician. Krauss grew up in the college town of Champaign, home to the University of Illinois at Urbana–Champaign where she lived from 1971 to around 1990. She began studying classical violin at age 5 but soon switched to bluegrass. Krauss said she first became involved with music because “[my] mother tried to find interesting things for me to do” and “wanted to get me involved in music, in addition to art and sports”.

Steve Lacy (July 23, 1934 – June 4, 2004), born Steven Norman Lackritz in New York City, was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy’s music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.

The music of Thelonious Monk became a permanent part of Lacy’s repertoire after a stint in the pianist’s band, with Monk’s songs appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk’s work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlike many jazz musicians he rarely played standard popular or show tunes.

Lacy began his career at sixteen playing Dixieland music with much older musicians such as Henry “Red” Allen, Pee Wee Russell, George “Pops” Foster and Zutty Singleton and then with Kansas City jazz players like Buck Clayton, Dicky Wells, and Jimmy Rushing. He then became involved with the avant-garde, performing on Jazz Advance (1956), the debut album of Cecil Taylor,^[2]:55 and appearing with Taylor’s groundbreaking quartet at the 1957 Newport Jazz Festival; he also made a notable appearance on an early Gil Evans album. His most enduring relationship, however, was with the music of Thelonious Monk: he recorded the first album to feature only Monk compositions (Reflections, Prestige, 1958) and briefly played in Monk’s band in 1960^[3]:241 and later on Monk’s Big Band and Quartet in Concert album (Columbia, 1963).

William Thomas “Champion Jack” Dupree (July 23, 1909 or July 4, 1910 – January 21, 1992) was an American blues and boogie-woogie pianist and singer. His nickname was derived from his early career as a boxer. Dupree was a New Orleans blues and boogie-woogie pianist, a barrelhouse “professor”. His father was from the Belgian Congo and his mother was part African American and Cherokee. His birth date has been given as July 4, July 10, and July 23, 1908, 1909, or 1910; the researchers Bob Eagle and Eric LeBlanc give July 4, 1910.

He was orphaned at the age of eight and was sent to the Colored Waifs Home in New Orleans, an institution for orphaned or delinquent boys (about the same time, Louis Armstrong was also sent there as a child, after being arrested as a “dangerous and suspicious character”). Dupree taught himself to play the piano there and later apprenticed with Tuts Washington and Willie Hall, whom he called his father and from whom he learned “Junker’s Blues“. He was also a “spy boy” for the Yellow Pocahontas tribe of the Mardi Gras Indians. He soon began playing in barrelhouses and other drinking establishments.

He began a life of travelling, living in Chicago, where he worked with Georgia Tom, and in Indianapolis, Indiana, where he met Scrapper Blackwell and Leroy Carr. He also worked as a cook. In Detroit, after Joe Louis encouraged him to become a boxer, he fought 107 bouts, winning Golden Gloves and other championships and picking up the nickname Champion Jack, which he used the rest of his life.

He returned to Chicago at the age of 30 and joined a circle of recording artists, including Big Bill Broonzy and Tampa Red, who introduced him to the record producer Lester Melrose. Many of Dupree’s songs were later credited to Melrose as composer, and Melrose claimed publishing rights to them.

Dupree’s career was interrupted by military service in World War II. He was a cook in the United States Navy and was held by the Japanese for two years as a prisoner of war.

After the war, his biggest commercial success was “Walkin’ the Blues”, which he recorded as a duet with Teddy McRae. This led to several national tours and eventually a European tour. In 1959 he played an unofficial (and unpaid) duo gig with Alexis Korner at the London School of Economics.

https://www.youtube.com/watch?v=F9OVRxMeP14

The source of the cosmic squall is a supermassive black hole buried at the center of the galaxy, officially known as SDSS 1430+1339. As matter in the central regions of the galaxy is pulled toward the black hole, it is energized by the strong gravity and magnetic fields near the black hole. The infalling material produces more radiation than all the stars in the host galaxy. This kind of actively growing black hole is known as a quasar.

Located about 1.1 billion light years from Earth, the Teacup’s host galaxy was originally discovered in visible light images by citizen scientists in 2007 as part of the Galaxy Zoo project, using data from the Sloan Digital Sky Survey. Since then, professional astronomers using space-based telescopes have gathered clues about the history of this galaxy with an eye toward forecasting how stormy it will be in the future. This new composite image contains X-ray data from Chandra (blue) along with an optical view from NASA’s Hubble Space Telescope (red and green).

The “handle” of the Teacup is a ring of optical and X-ray light surrounding a giant bubble. This handle-shaped feature, which is located about 30,000 light-years from the supermassive black hole, was likely formed by one or more eruptions powered by the black hole. Radio emission — shown in a separate composite image with the optical data — also outlines this bubble, and a bubble about the same size on the other side of the black hole.

Al Laurence Di Meola (born July 22, 1954) is an American guitarist. Known for his works in jazz fusion and world music, he began his career as a guitarist of the group Return to Forever in 1974. Between the 1970s and 1980s, albums such as Elegant Gypsy and Friday Night in San Franciscoearned him both critical and commercial success.

Born in Jersey City, New Jersey, into an Italian family with roots in Cerreto Sannita, a small town northeast of Naples, Di Meola grew up in Bergenfield, where he attended Bergenfield High School. He has been a resident of Old Tappan, New Jersey.

When he was eight years old, he was inspired by Elvis Presley and the Ventures to start playing guitar. His teacher directed him toward jazz standards. He cites as influences jazz guitarists George Benson and Kenny Burrell and bluegrass and country guitarists Clarence White and Doc Watson. He attended Berklee College of Music in the early 1970s. At nineteen, he was hired by Chick Corea to replace Bill Connors in the pioneering jazz fusion band Return to Forever with Stanley Clarke and Lenny White. He recorded three albums with Return to Forever, helping the quartet earn its greatest commercial success as all three albums cracked the Top 40 on the U.S. Billboard pop albums chart. He could play so fast, that he was sometimes criticized for playing too many notes.

As Return to Forever was disbanding around 1976, Di Meola began recording solo albums on which he demonstrated mastery of jazz fusion, flamenco, and Mediterranean music.^[7] His album Elegant Gypsy (1977) received a gold certification. In 1980 he recorded the acoustic live album Friday Night in San Francisco with Paco de Lucía and John McLaughlin.

George Edward Clinton (born July 22, 1941) is an American singer, songwriter, bandleader, and record producer. His Parliament-Funkadeliccollective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk musicduring the 1970s that drew on science-fiction, outlandish fashion, psychedelic culture, and surreal humor. He launched a solo career with the 1982 album Computer Games, and would go on to influence 1990s hip-hop and G-funk. He is regarded, along with James Brown and Sly Stone, as one of the foremost innovators of funk music. He was inducted into the Rock and Roll Hall of Fame in 1997, alongside 15 other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic will be given Grammy Lifetime Achievement Awards.

Clinton was born in Kannapolis, North Carolina, grew up in Plainfield, New Jersey, and currently resides in Tallahassee, Florida. During his teen years Clinton formed a doo-wop group inspired by Frankie Lymon & the Teenagers called The Parliaments, while straightening hair at a barber salon in Plainfield.

The West End of Plainfield, New Jersey was once home to the Silk Palace, a barbershop at 216 Plainfield Avenue owned in part by Clinton, staffed by various members of Parliament-Funkadelic and known as the “hangout for all the local singers and musicians” in Plainfield’s 1950s and 1960s doo-wop, soul, rock and proto-funk music scene.

Herman “Junior” Cook (July 22, 1934 – February 3, 1992) was a hard bop tenor saxophone player.

Cook was born in Pensacola, Florida. After playing with Dizzy Gillespie in 1958, Cook gained some fame for his longtime membership in the Horace Silver Quintet (1958–1964); when Silver left the group in the hands of Blue Mitchell Cook stayed in the quintet for five more years (1964–1969). Later associations included Freddie Hubbard, Elvin Jones, George Coleman, Louis Hayes (1975–1976), Bill Hardman (1979–1989), and the McCoy Tynerbig band.

In addition to many appearances as a sideman, Junior Cook recorded as a leader for Jazzland (1961), Catalyst (1977), Muse, and SteepleChase.

He also taught at Berklee School of Music for a year during the 1970s.

In the early 1990s Cook was playing with Clifford Jordan and also leading his own group. He died in his apartment in New York City.