mick laBriola

To all of you Fathers that are real Muther’s.

Stephen Lawrence Winwood (born 12 May 1948) is an English singer and musician whose genres include progressive rock, blue-eyed soul, rhythm and blues, blues rock, pop rock, and jazz. Though primarily a vocalist and keyboardist, Winwood also plays a wide variety of other instruments; on several of his solo albums he recorded all instrumentation including drums, guitars, and keyboards.

Winwood was a key member of The Spencer Davis Group, Traffic, Blind Faith and Go. He also had a successful solo career with hits including “While You See a Chance“, “Valerie“, “Back in the High Life Again” and two US Billboard Hot 100 number ones, “Higher Love” and “Roll with It“. He was inducted into the Rock and Roll Hall of Fame as a member of Traffic in 2004.

In 2005, Winwood was honoured as a BMI Icon at the annual BMI London Awards for his “enduring influence on generations of music makers”. In 2008, Rolling Stone ranked Winwood No. 33 in its 100 Greatest Singers of All Time. Winwood has won two Grammy Awards. He was nominated twice for a Brit Award for Best British Male Artist: 1988 and 1989. In 2011 he received the Ivor Novello Award from the British Academy of Songwriters, Composers and Authors for Outstanding Song Collection.

Gary Peacock (born May 12, 1935, in Burley, Idaho, United States) is an American jazz double-bassist.

Peacock spent time in Japan in the late 1960s, abandoning music temporarily and studying Zen philosophy. After returning to the United States in 1972, he studied Biology at the University of Washington in Seattle and taught music theory at Cornish College of the Arts from 1976 to 1983.

In 1983, he joined Keith Jarrett‘s “Standards Trio” with Jack DeJohnette (the three musicians had previously recorded Tales of Another in 1977 for ECM Records, under Peacock’s leadership). Among the trio’s albums are Standards, Vol. 1 and Standards, Vol. 2 and Standards Live.

Dror & Yair performance at Carlton College in Kracom Performance Hall in Northfield, MN 7pm

NGC 2903 is located about 30 million light-years away in the constellation of Leo (The Lion), and was studied as part of a Hubble survey of the central regions of roughly 145 nearby disc galaxies. This study aimed to help astronomers better understand the relationship between the black holes that lurk at the cores of galaxies like these, and the rugby-ball-shaped bulge of stars, gas, and dust at the galaxy’s centre — such as that seen in this image.

NGC 2903 is a field barred spiral galaxy about 30 million light-years away in the constellation Leo. It was discovered by William Herschel who cataloged it on November 16, 1784. NGC 2903 has a very high rate of star formation in its central region. NGC 2905 is a bright star cloud within this galaxy. NGC 2903 is part of the Virgo Supercluster.

Eric Victor Burdon (born 11 May 1941) is an English singer-songwriter and actor. He was previously the vocalist of rock band The Animals and funk band War. He is regarded as one of the British Invasion‘s most distinctive singers with his deep, powerful blues-rock voice. He is also known for his aggressive stage performances.

In 2008, he was ranked 57th in Rolling Stone‘s list The 100 Greatest Singers of All Time. Burdon was lead singer of the Animals, formed during 1962 in Newcastle upon Tyne. The original band was the Alan Price Rhythm and Blues Combo, which formed in 1958;^[10] they became the Animals shortly after Burdon joined the band. The Animals combined electric blues with rock and in the USA were one of the leading bands of the British Invasion.^[11] Along with the Beatles, the Rolling Stones, the Who, the Hollies, the Dave Clark Five, and the Kinks, the group introduced British music and fashion. Burdon’s powerful voice can be heard on the Animals’ singles “The House of the Rising Sun“, “Baby Let Me Take You Home“, “I’m Crying“, “Boom Boom“, “Don’t Let Me Be Misunderstood“, “Bring It On Home to Me“, “We Gotta Get out of This Place“, “It’s My Life“, “Don’t Bring Me Down“, “See See Rider“, “Monterey“, and “Sky Pilot“.

Carla Bley (born Lovella May Borg, May 11, 1936) is an American jazz composer, pianist, organist and bandleader. An important figure in the free jazz movement of the 1960s, she is perhaps best known for her jazz opera Escalator over the Hill (released as a triple LP set), as well as a book of compositions that have been performed by many other artists, including Gary Burton, Jimmy Giuffre, George Russell, Art Farmer, John Scofield and her ex-husband Paul Bley.

Bley was born in Oakland, California to Emil Borg (1899–1990), a piano teacher and church choirmaster, who encouraged her to sing and to learn to play the piano, and Arline Anderson (1907–1944), who died when Bley was eight years old. After giving up the church to immerse herself in roller skating at the age of fourteen, she moved to New York at seventeen and became a cigarette girl at Birdland, where she met jazz pianist Paul Bley.

Born 5-11-1916 Died march 21 2016

After serving in the U.S. Air Force, he became a musician. He was a studio musician and played with many famous artists such as Connie Smith, Pee Wee King and the Osborne Brothers. He also produced many of his own recordings. He won the Champion of Champions Thumb Picking Contest in Central City Kentucky and was inducted into the Kentucky Music Hall of Fame, and performed regularly at The Ozark Folk Center in Mountain View, Ark. with Sassafras Moon.

He is survived by his wife, Theda Mullins of Vicksburg; son, Mark Mullins of North Carolina; five brothers; five sisters; and one grandchild. In 1985, he won the National Merle Travis Tribute thumbpicking contest at the Ozark Folk Center in Arkansas.
He captured top honors in 1991 at the International Thumbpicking Contest in Central City, Ky.
Then, in a special 1996 contest allowing only the former international champions to compete, Mullins won first place as the “Champion of Champions.”
On a recent morning, Mullins scoots a kitchen chair into the living room and grabs his favorite guitar, made by master builder Dumitru Manea of Nashville, Tenn.
“I won this in a contest, by the way, and it’s an incredible instrument,” Mullins says.
He soon inserts his right thumb into a pick and launches into “Hello, My Baby,” which has a simple ragtime quality to it.
His thumb beats out the bass rhythm, and those fingers with the fake nails seem to make a sound of several instruments in harmony.

The spiral galaxy D100, on the far right of this Hubble Space Telescope image, is being stripped of its gas as it plunges toward the center of the giant Coma galaxy cluster.

The dark brown streaks near D100’s central region are silhouettes of dust escaping from the galaxy. The dust is part of a long, thin tail, also composed of hydrogen gas, that stretches like taffy from the galaxy’s core. Hubble, however, sees only the dust. The telescope’s sharp vision also uncovered the blue glow of clumps of young stars in the tail. The brightest clump in the middle of the tail (the blue feature) contains at least 200,000 stars, fueled by the ongoing loss of hydrogen gas from D100.

The gas-loss process occurs when D100, due to the pull of gravity, begins falling toward the dense center of the massive Coma cluster, consisting of thousands of galaxies. During its plunge, D100 plows through intergalactic material like a boat plowing through water. This material pushes gas and dust out of the galaxy. Once D100 loses all of its hydrogen gas, its star-making fuel, it can no longer create new stars. The gas-stripping process in the beleaguered galaxy began roughly 300 million years ago.

The reddish galaxies in the image contain older stars between the ages of 500 million to 13 billion years old. One of those galaxies is D99, just below and to the left of D100. It was stripped of its gas by the same process as the one that is siphoning gas from D100. The blue galaxies contain a mixture of young and old stars. Some of the stars are less than 500 million years old. The Coma cluster is located 330 million light-years from Earth.

David Thomas Mason (born 10 May 1946) is an English singer-songwriter and guitarist from Worcester, who first found fame with the rock band Traffic. Over the course of his career, Mason has played and recorded with many notable pop and rock musicians, including Paul McCartney, George Harrison, the Rolling Stones, Jimi Hendrix, Eric Clapton, Michael Jackson, David Crosby, Graham Nash, Steve Winwood, Fleetwood Mac, Delaney & Bonnie, Leon Russell and Cass Elliot. One of Mason’s best known songs is “Feelin’ Alright“, recorded by Traffic in 1968 and later by many other performers, including Joe Cocker, whose version of the song was a hit in 1969. For Traffic, he also wrote “Hole in My Shoe“, a psychedelic pop song that became a hit in its own right. “We Just Disagree“, Mason’s 1977 solo US hit, written by Jim Krueger, has become a staple of US classic hits and adult contemporary radio playlists.

In 2004, Mason was inducted into the Rock and Roll Hall of Fame as a founding member of Traffic.

Jimmy Ponder (May 10, 1946 – September 16, 2013) was an American jazz guitarist.

When Ponder’s brother entered the military, he left his guitar, and Ponder picked it up. In his early teens he received lessons from the guitarist in a band for which he sang doo-wop. He was drawn to the jazz guitar he heard on the radio. While playing in a rhythm and blues band, he occasionally inserted a jazz solo. He considers hearing guitarist Thornel Schwartz an important part of his life, when Schwartz was playing with organist Jimmy McGriff. He was impressed by Pat Martino when he saw Martino in the Jack McDuff band. He also cites as influences George Benson, Kenny Burrell, and Rene Thomas, though none surpassed the impact of seeing Wes Montgomery.

He learned the guitar solo from “Daily Double” (Choice), the only 45 rpm single released by Charles Earland. When Earland performed in Pittsburgh, he invited Ponder to sit-in with the band and liked what he heard. Earland promised Ponder he could become a member of the band after he finished high school. Six months after graduating, he was hired by Earland.

He began playing with Earland at 17 and in the following years with Lou Donaldson, Houston Person, Donald Byrd, Stanley Turrentine, and Jimmy McGriff. He moved to Philadelphia and later New York City in the 1970s and recorded extensively as a leader. Since the late 1980s, he frequently returned to his hometown to perform with his trio of two other Pittsburgh musicians, Gene Ludwig and Roger Humphries. Ponder’s highest charting release was Somebody’s Child, which reached No. 3 on the JazzWeek airplay chart in 2007.

Melvin Sokoloff (May 10, 1929 – February 2, 1990), known professionally as Mel Lewis, was an American jazz drummer, session musician, professor, and author. He received fourteen Grammy Award nominations.

https://www.youtube.com/watch?v=VstVan4XhyE

Flamenco Fridays with Rumba.

Rumba flamenca was primarily influenced by guaracha, an uptempo style of vocal music which originated in Havana‘s musical theatre. Some elements from Cuban rumba were also incorporated, although minor, despite the name. Although unlikely, both guaracha and Cuban rumba might have been influenced by flamenco earlier in the 19th century. Guarachas can be traced back to the Spanish jácaras, thus justifying the classification of rumba flamenca as a cante de ida y vuelta.

The first rumba flamenca recordings were made by La Niña de los Peines in the 1910s. During the late 20th century, Paco de Lucía, together with percussionist Rubem Dantas, incorporated Afro-Peruvian musical elements such as the cajón (wooden box) and certain rhythms.