mick laBriola

The Coma Cluster (Abell 1656) is a large cluster of galaxies that contains over 1,000 identified galaxies. Along with the Leo Cluster (Abell 1367), it is one of the two major clusters comprising the Coma Supercluster. It is located in and takes its name from the constellation Coma Berenices.

The cluster’s mean distance from Earth is 99 Mpc (321 million light years). Its ten brightest spiral galaxies have apparent magnitudes of 12–14 that are observable with amateur telescopes larger than 20 cm. The central region is dominated by two supergiant elliptical galaxies: NGC 4874 and NGC 4889. The cluster is within a few degrees of the north galactic pole on the sky. Most of the galaxies that inhabit the central portion of the Coma Cluster are ellipticals. Both dwarf and giant ellipticals are found in abundance in the Coma Cluster.

Percy Heath (April 30, 1923 – April 28, 2005) was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.

Heath was born in Wilmington, North Carolina, and spent his childhood in Philadelphia. His father played the clarinet and his mother sang in the church choir. He started playing violin at the age of eight and also sang locally. He was drafted into the Army in 1944, becoming a member of the Tuskegee Airmen, but saw no combat.

Deciding after the war to go into music, he bought a stand-up bass and enrolled in the Granoff School of Music in Philadelphia. Soon he was playing in the city’s jazz clubs with leading artists. In Chicago in 1948, he recorded with his brother on a Milt Jackson album as members of the Howard McGhee Sextet. After moving to New York in the late 1940s, Percy and Jimmy Heath found work with Dizzy Gillespie‘s groups. Around this time, he was also a member of Joe Morris‘s band, together with Johnny Griffin.

Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972), was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. His fingerpicking guitar style influenced many other artists. His students include Stefan Grossman, David Bromberg, Steve Katz, Roy Book Binder, Larry Johnson, Nick Katzman, Dave Van Ronk, Rory Block, Ernie Hawkins, Larry Campbell, Bob Weir, Woody Mann, and Tom Winslow. He influenced Bob Dylan, the Grateful Dead, Wizz Jones, Jorma Kaukonen, Keb’ Mo’, Ollabelle, Resurrection Band, and John Sebastian (of the Lovin’ Spoonful). Davis was born in Laurens, South Carolina, in the Piedmont region. Of the eight children his mother bore, he was the only one who survived to adulthood. He became blind as an infant. He recalled being poorly treated by his mother and that his father placed him in the care of his paternal grandmother. Davis reported that when he was 10 years old his father was killed in Birmingham, Alabama; he later said that he had been told that his father was shot by the Birmingham sheriff.

Ray Barretto (April 29, 1929 – February 17, 2006) was a Puerto Rican conga drummer and bandleader born in New York. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, “El Watusi”, was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto’s recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as “Cocinando” and “Indestructible”. His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.

https://www.youtube.com/watch?v=iEFloE3H3bc

Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was known for his harmonica playing, as well as his guitar, whistling skills, and composing. According to jazz historian Ted Gioia, his most important contribution was in “championing the humble harmonica”, which Thielemans made into a “legitimate voice in jazz”. He eventually became the “preeminent” jazz harmonica player.

His first professional performances were with Benny Goodman‘s band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe. In 1961 he recorded and performed live one of his own compositions, “Bluesette”, which featured him playing guitar and whistling. In the 1970s and 1980s, he continued touring and recording, appearing with musicians such as Oscar Peterson, Bill Evans, Dizzy Gillespie, Kenny Werner, Pat Metheny, Jaco Pastorius, Elis Regina and Paquito D’Rivera.

Among the film soundtracks that Thielemans recorded are The Pawnbroker (1964), Midnight Cowboy (1969), Cinderella Liberty (1973), The Sugarland Express (1974) and Looking for Mr. Goodbar (1977). His harmonica theme song for the popular Sesame Street TV show was heard for 40 years. He often performed and recorded with Quincy Jones, who once called him “one of the greatest musicians of our time.” In 2009 he was designated a Jazz Master by The National Endowment for the Arts, the highest honor for a jazz musician in the United States.

https://www.youtube.com/watch?v=dU5CB2XBDQQ

Edward Kennedy “Duke” Ellington (April 29, 1899 – May 24, 1974 Washington, DC) was an American composer, pianist, and leader of a jazz orchestra, which he led from 1923 until his death over a career spanning more than fifty years.

Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward and gained a national profile through his orchestra’s appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured in Europe. Although widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase “beyond category” as a liberating principle and referred to his music as part of the more general category of American Music rather than to a musical genre such as jazz.

Some of the jazz musicians who were members of Ellington’s orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in the idiom. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, with many of his pieces having become standards. Ellington also recorded songs written by his bandsmen, for example Juan Tizol‘s “Caravan“, and “Perdido“, which brought a Spanish tinge to big band jazz. In the early 1940s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions, or suites, as well as additional short pieces. Following an appearance at the Newport Jazz Festival, in July 1956, Ellington and his orchestra enjoyed a major revival and embarked on world tours. Ellington recorded for most American record companies of his era, performed in several films, scored several, and composed a handful of stage musicals.

Ellington was noted for his inventive use of the orchestra, or big band, and for his eloquence and charisma. His reputation continued to rise after he died, and he was awarded a posthumous Pulitzer Prize Special Award for music in 1999.

Dumbeck teaching arsenal! Cleaned, greased, 2 reheaded & ready to go! Including Riqq’s.

“One of the lesser appreciated treasures in the Messier catalogue is the spiral galaxy M96. Its spiral arms are punctuated with the red glow of hydrogen gas concentrated in emission nebulae and HII regions, the birthplaces of new stars. Many dust lanes swirl around its core with the distribution of its gas and dust being asymmetrical as well as the core region being placed off-center.

The entire galaxy spans 100,000 light years making it about the same size as the Milky Way at a close distance of 35 million light years. The surrounding region is filled with a wide variety of background galaxies much further away. The most striking of these is the edge on galaxy 2MFGC 8391, which is perfectly positioned to share the line of sight to create the illusion it is part of the structure of M96.”

“Stellar Winds Observatory” a/k/a Stan Watson Observatory at Dark Sky New Mexico

Mickey Tucker (born April 28, 1941, in Durham, North Carolina) is an American jazz pianist and organist.

When he was six, he started on piano, eventually playing in church. He performed in the 1960s with Little Anthony and the Imperials and Damita Jo, and also accompanied comedian Timmy Rogers. He entered the jazz world in 1969, working for the next several years with Eric Kloss, Rahsaan Roland Kirk, James Moody, the Thad Jones/Mel Lewis Orchestra, Eddie Jefferson, and George Benson. He was music director for Art Blakey and the Jazz Messengers. During the 1980s, he appeared on albums by Phil Woods, Art Farmer, Richie Cole, and Benny Golson.

https://www.youtube.com/watch?v=IV6hbY–7pc

John Martin Tchicai (April 28, 1936 – October 8, 2012) was a Danish free jazz saxophonist and composer.

After moving to New York City in 1963, Tchicai joined Archie Shepp‘s New York Contemporary Five and the New York Art Quartet. He played on John Coltrane‘s Ascension, and Albert Ayler’s New York Eye and Ear Control, both influential free jazz recordings.

Tchicai was born in Copenhagen, Denmark, to a Danish mother and a Congolese father. The family moved to Aarhus, where he studied violin in his youth, and in his mid-teens began playing clarinet and alto saxophone, focusing on the latter. By the late 1950s he was travelling around northern Europe, playing with many musicians.

Following his work in New York, Tchicai returned to Denmark in 1966, and shortly thereafter focused most of his time on music education. He formed the small orchestra Cadentia Nova Danica with Danish and other European musicians; this group collaborated with Musica Elettronica Viva and performed in multi-media events. Tchicai was a founding member of Amsterdam‘s Instant Composers Pool in 1968, and in 1969 took part in the recording of John Lennon and Yoko Ono‘s Unfinished Music No.2: Life with the Lions.

Oliver Jackson (April 28, 1933 – May 29, 1994), also known as Bops Junior, was an American jazz drummer.

https://www.youtube.com/watch?v=l54ENp5pXw0

Centaurus A or NGC 5128 is a galaxy in the constellation of Centaurus. It was discovered in 1826 by Scottish astronomer James Dunlop from his home in Parramatta, in New South Wales, Australia. There is considerable debate in the literature regarding the galaxy’s fundamental properties such as its Hubble type (lenticular galaxy or a giant elliptical galaxy)and distance (10–16 million light-years). NGC 5128 is one of the closest radio galaxies to Earth, so its active galactic nucleus has been extensively studied by professional astronomers. The galaxy is also the fifth-brightest in the sky,making it an ideal amateur astronomy target, although the galaxy is only visible from low northern latitudes and the southern hemisphere.

Frederick “Freddie” Douglas Waits (April 27, 1943 – November 18, 1989) was a hard bop and post-bop drummer.

Waits never officially recorded as leader, however he was a prominent member and composer in Max Roach‘s M’Boom percussion ensemble.

He worked as sideman with a number of influential pianists, including McCoy Tyner, Kenny Barron, Andrew Hill, Gene Harris, Billy Taylor and Joe Zawinul.

In the late 1970s, Waits formed Colloquium III with fellow drummers Horace Arnold and Billy Hart. In the 1980s he became a music faculty member of Rutgers University. He died of pneumonia and kidney failure in New York in 1989.

His son is the drummer Nasheet Waits.