Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer.

Recording prolifically and mainly for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, “A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar … Green’s playing is immediately recognizable – perhaps more than any other guitarist.” Critic Dave Hunter described his sound as “lithe, loose, slightly bluesy and righteously groovy”. He often performed in an organ trio, a small group with an organ and drummer.

Apart from guitarist Charlie Christian, Green’s primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicians. The simplicity and immediacy of Green’s playing, which tended to avoid chromaticism, derived from his early work playing rhythm and blues and, although at his best he achieved a synthesis of this style with bop, he was essentially a blues guitarist and returned almost exclusively to this style in his later career.

Green was born in St. Louis, Missouri. He first performed in a professional setting at the age of 13 as a member of a gospel music ensemble. His influences were Charlie Christian, Charlie Parker, Lester Young, and Jimmy Raney, he first played boogie-woogie before moving on to jazz. His first recordings in St. Louis were with tenor saxophonist Jimmy Forrest for the United label. The drummer in the band was Elvin Jones, later the powerhouse behind sax player John Coltrane. Green recorded with Elvin again in the early 1960s. Lou Donaldson discovered him playing in a bar in St. Louis. After touring together with Donaldson, Green arrived in New York around 1959–60.

Diego’s Memorial Site 9pm looks like a few folks came by. Thank You

Some people said on this Diego Remembrance Day, it brings a tear to their eye every year. Crying nourishes our Mother Earth and all of its inhabitants! So thank you all for your tears and deep feelings of concern. It is warmly appreciated and very important to all life and all spirit.

3932 Cedar Ave So tree side 10am-10pm
born 9-23-95 died 6-5-02
Please stop by Vigil or visit Diegos web site today. Flowers, candles & incense welcome! Brief Visit is sufficient and helpful.
https://diego-labriola.virtual-memorials.com/main.php….
On June 2nd of 2002 Diego LaBriola was struck by a vehicle in front of 3932 Cedar Ave in south Minneapolis, Minnesota; and died on June 5th. Diego was an organ donor. Diego was a radiant beam of pure Love and inexhaustible energy. His excitement for life was as contagious as his beautiful smile.

Peter Erskine (born June 5, 1954) is an American jazz drummer who was a member of the jazz fusion groups Weather Report and Steps Ahead.

Erskine was born in Somers Point, New Jersey, U.S. He began playing the drums at the age of four. He graduated from the Interlochen Arts Academy^[2] in Michigan, then studied percussion at Indiana University.

His professional career started in 1972 when he joined the Stan Kenton Orchestra. After three years with Kenton he joined Maynard Ferguson for two years. In 1978 he joined Weather Report, joining Jaco Pastorius in the rhythm section. After four years and five albums with Weather Report and the Jaco Pastorius big band Word of Mouth, he joined Steps Ahead.

He was featured on Kate Bush‘s 2005 album Aerial, where Erskine teamed with bass player Eberhard Weber. Diana Krall, Eliane Elias, Queen Latifah and Linda Ronstadt, as well as Scottish and Finnish classical orchestras, have had Erskine perform as a featured musician.

In 1983, he performed on the Antilles Records release Swingrass ’83.

In 2011, he appeared on stage at the Royal Opera House, London in the new opera Anna Nicole.

Erskine splits his time as a musician and a professor at the Thornton School of Music at the University of Southern California. In 1992, he was awarded an Honorary Doctorate of Music from Berklee College of Music.

https://www.youtube.com/watch?v=Apb0eg4AdBg

Jerry González (June 5, 1949 – October 1, 2018) was an American bandleader, trumpeter and percussionist of Puerto Rican descent. Together with his brother, bassist Andy González, he played an important role in the development of Latin jazz during the late 20th century. During the 1970s, both played alongside Eddie Palmieri and in Manny Oquendo‘s Conjunto Libre, and from 1980 to 2018 they directed The Fort Apache Band. From 2000 to 2018, Jerry González resided in Madrid, where he fronted Los Piratas del Flamenco and El Comando de la Clave. In October 2018, he died of a heart attack after a fire in his home in Madrid.

Jerry González was born in 1949 in Manhattan, on 158th Street and 3rd Avenue, and moved to the Edenwald Houses in the Eastchester section of the Bronx at the age of 4. He was raised in a strong musical atmosphere, with the strains of Latin, Afro-Cuban and jazz music always in his ear, establishing his musical appreciation and molding his future work as an artist. His father, Jerry González, Sr., was a master of ceremonies and lead singer for bands during the Palladium era and sang with musicians like Claudio Ferrer. In junior high school he began playing trumpet and congas and jamming with local bands. After deciding this was his calling, González completed his formal studies at New York College of Musicand New York University. He started his professional career playing with Lewellyn Mathews in the 1964 New York World’s Fair. In 1970 he started playing congas with Dizzy Gillespie. With Gillespie’s support and encouragement, González was able to fuse the African-based rhythms onto jazz elements without compromising the essence of either.

Saga Dawa, or the fourth month of the Tibetan calendar, starts June 4th and ends on July 2nd in 2019. This holy month includes days celebrating the Buddha’s birth, enlightenment, and passing away into parinirvana.
https://wondersoftibet.com/about-tibet/festivals/saga-dawa/

World marks 30 years since Tiananmen massacre as China censors all mention

When to see the Moon and Mercury: June 4, 2019 

Look to the northwest just after sunset tonight, Tuesday, June 4, 2019, and you’ll see a 2% illuminated Crescent Moon appear in the dusk close to the horizon. That in itself will be a grand sight, and for this month only, it’s a sighting that sees the Islamic month of Ramadan officially cease. As well as the delicate crescent of light on the Moon, you should be able to make out Earthshine on the rest of our satellite. That’s sunlight reflected from Earth onto the Moon. It’s always there, but it’s only possible to detect with the human eye when the moon is very young.

Anthony Braxton (born June 4, 1945 Chicago) is an American composer and multi-instrumentalist who is known in the genre of free jazz.

Since the 1960s, he has released more than 100 albums. He plays many types of saxophone (soprano, alto, tenor, baritone, bass, contrabass, sopranino, C-melody, mezzo-soprano) and clarinet (E-flat, B-flat, contrabass), in addition to flute, alto flute, and piano.

Braxton studied philosophy at Roosevelt University. He taught at Mills College in the 1980s, and was Professor of Music at Wesleyan University from the 1990s until his retirement at the end of 2013. He taught music composition and music history, with a concentration on the avant-garde, as well as leading ensembles in performances of his compositions. In 1994, he was given a genius grant by the MacArthur Foundation. In 2013, he was named a 2014 National Endowment for the Arts Jazz Master.

Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. He is perhaps best remembered for his 1961 Impulse! album The Blues and the Abstract Truth (1960), often regarded as being among the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson’s composition, “Stolen Moments“. Other important recordings from the early 1960s are More Blues and the Abstract Truth and Sound Pieces, both also on Impulse!. Oliver Nelson was born into a musical family. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in “territory” bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto saxophone and arranging.

August 26, 1949, Cyprus. May 30, 2019, New Hope, PA

Singer-songwriter Leon Redbone, who specialized in old-school vaudeville and Tin Pan Alley-style music, died Thursday, his family confirmed. No cause of death was given for the notoriously private performer. He was 69, although, in characteristically deadpan fashion, the official statement announcing his death gave his age as 127.

Although Redbone’s pop-defying predilection for seemingly antiquated musical styles of the ’20s and ’30s made him the unlikeliest of stars, he became one anyway, appearing several times as the musical guest on “Saturday Night Live” — including two spots in the inaugural 1975-76 season alone — and landing frequent appearances with Johnny Carson on “The Tonight Show” into the 1980s. Later popular successes had him singing the themes for TV’s “Mr. Beledevere” and “Harry and the Hendersons,” along with contributing a duet of “Baby, It’s Cold Outside” with Zooey Deschanel to the soundtrack of “Elf,” for which he also voiced the animated character of Leon the Snowman.

In a galaxy hosting a structure nicknamed the “Teacup,” a galactic storm is raging.

The source of the cosmic squall is a supermassive black hole buried at the center of the galaxy, officially known as SDSS 1430+1339. As matter in the central regions of the galaxy is pulled toward the black hole, it is energized by the strong gravity and magnetic fields near the black hole. The infalling material produces more radiationthan all the stars in the host galaxy. This kind of actively growing black hole is known as a quasar.

Located about 1.1 billion light years from Earth, the Teacup’s host galaxy was originally discovered in visible light images by citizen scientists in 2007 as part of the Galaxy Zoo project, using data from the Sloan Digital Sky Survey. Since then, professional astronomers using space-based telescopes have gathered clues about the history of this galaxy with an eye toward forecasting how stormy it will be in the future. This new composite image contains X-ray data from Chandra (blue) along with an optical view from NASA’s Hubble Space Telescope (red and green).

The “handle” of the Teacup is a ring of optical and X-ray light surrounding a giant bubble. This handle-shaped feature, which is located about 30,000 light-years from the supermassive black hole, was likely formed by one or more eruptions powered by the black hole. Radio emission — shown in a separate composite image with the optical data — also outlines this bubble, and a bubble about the same size on the other side of the black hole.