mick laBriola

Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, composer, bandleader, pianist, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,^[1] with a career spanning three decades and collaborations with other jazz greats such as Duke Ellington, Charlie Parker, Max Roach, and Eric Dolphy. Mingus’ work ranged from advanced bebop and avant-garde jazz with small and midsize ensembles, to pioneering the post-bop style on seminal recordings like Pithecanthropus Erectus (1956) and Mingus Ah Um (1959), and progressive big band experiments such as The Black Saint and the Sinner Lady (1963).

Mingus’ compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus’ collected papers—including scores, sound recordings, correspondence and photos—in what they described as “the most important acquisition of a manuscript collection relating to jazz in the Library’s history”.

Charles Mingus was born in Nogales, Arizona. His father, Charles Mingus Sr., was a sergeant in the U.S. Army. Mingus Jr. was largely raised in the Watts area of Los Angeles. By the mid-1970s, Mingus was feeling the effects of motor neuron disease. His once formidable bass technique declined until he could no longer play the instrument. He continued composing, however, and supervised a number of recordings before his death. Mingus died on January 5, 1979, aged 56, in Cuernavaca, Mexico, where he had traveled for treatment and convalescence. His ashes were scattered in the Ganges River.

The Little Ghost Nebula (NGC 6369) is a relatively faint planetary nebula that lies between 2,000 and 5,000 light-years away from Earth in the constellation of Ophiuchus (the Serpent-bearer). Its doughnut-shaped blue-green ring is about a light-year across, while the fainter outer regions cover about twice that distance. The nebula is expanding at roughly 24 kilometers per second and it is approaching us at approximately 106 kilometers per second. It is nicknamed the “Little Ghost Nebula,” because it appears as a small, ghostly cloud surrounding the faint, dying central star.

Despite their name, planetary nebulae have nothing to do with planets. The name was coined by Sir William Herschel because when he first viewed a planetary nebula through a telescope, he could only identify a hazy smoky sphere, similar to gaseous planets such as Uranus. The name has stuck even though modern telescopes make it obvious that these objects are not planets at all, but the glowing gassy outer layers thrown off by a hot dying star.

When a star with a mass up to eight times that of the Sun runs out of fuel at the end of its life, it blows off its outer shells and begins to lose mass. This allows the hot, inner core of the star (collapsing from a red giant to a white dwarf) to radiate strongly, causing this outward-moving cocoon of gas to glow brightly.

This image reveals remarkable details of the star’s last gasps, when it expels its outer layers into space, producing the faintly glowing nebula. Many of the details of ejection process are not visible from ground-based telescopes because of the blurring produced by the Earth’s atmosphere.

The central white dwarf star appears slightly off-center, and is on the side away from the brightest part of the nebula. It is now relatively cool, about 58,000 Kelvin, but it is still sending out a flood of ultraviolet light into the surrounding gas and powers the expanding nebula’s glow. The prominent blue-green ring marks the location where the energetic ultraviolet light has stripped electrons off of atoms in the gas. This process is called ionization.

In the redder gas at larger distances from the star, where the ultraviolet light is less intense, the ionization process is less advanced. Even farther outside the main body of the nebula, one can see fainter wisps of gas that were lost from the star at the beginning of the ejection process.

Over the next several thousand years, the Little Ghost Nebula will gradually disperse into space, and its central white dwarf will gradually cool off for billions of years, and eventually wink out. Our own Sun is expected to undergo a similar fate, but fortunately this will not occur until some 5 billion years from now.

This image is taken in February 2002 with the Wide Field Planetary Camera 2 onboard the Hubble Space Telescope. It has been produced by combining pictures taken through filters that isolate light emitted by three different chemical elements with different degrees of ionization. The blue-green ring represents light from ionized oxygen atoms that have lost two electrons (blue) and from hydrogen atoms that have lost their single electrons (green). Red marks emission from nitrogen atoms that have lost only one electron.

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Locksley Wellington Hampton (April 21, 1932 – November 18, 2021) was an American jazz trombonist, composer and arranger. As his nickname implies, Hampton’s main instrument was slide trombone, but he also occasionally played tuba and flugelhorn. Locksley Wellington Hampton was born on April 21, 1932, in Jeannette, Pennsylvania. Laura and Clarke “Deacon” Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938. The Hamptons were a very musical family in which mother, father, eight brothers, and four sisters, all played instruments. His sisters included Dawn Hampton and Virtue Hampton Whitted. Slide Hampton is one of the few left-handed trombone players. As a child, Hampton was given the trombone set up to play left-handed, or backwards; and as no one ever dissuaded him, he continued to play this way.

At the age of 12, Slide played in his family’s Indianapolis jazz band, The Duke Hampton Band. By 1952, at the age of 20, he was performing at Carnegie Hall with the Lionel Hampton Band. He played with the Buddy Johnson‘s R&B band from 1955 to 1956, then became a member of Maynard Ferguson‘s band (1957–1959), where he played and arranged, providing excitement on such popular tunes as “The Fugue,” “Three Little Foxes” and “Slide’s Derangement.” While with the Ferguson band he composed and arranged memorable charts such as “Frame For the Blues,” “Go East Young Man,” “Newport,” Sometimes I Feel Lika A Motherless Child,” “Ole” and “‘Round Midnight.” In 1958, he recorded with trombone masters on the classic release of Melba Liston, Melba Liston and Her ‘Bones. As his reputation grew, he soon began working with bands led by Art Blakey, Tadd Dameron, Barry Harris, Thad Jones, Mel Lewis, and Max Roach, contributing both original compositions and arrangements. In 1962, he formed the Slide Hampton Octet, with horn players Freddie Hubbard, and George Coleman. The band toured the U.S. and Europe and recorded on several labels.

the Great Carina Nebula is more modestly known as NGC 3372. One of our Galaxy’s largest star forming regions, it spans over 300 light-years. Like the smaller, more northerly Great Orion Nebula, the Carina Nebula is easily visible to the unaided eye. But at a distance of 7,500 light-years it lies some 5 times farther away. This stunning telescopic view reveals remarkable details of the region’s glowing filaments of interstellar gas and obscuring cosmic dust clouds. The Carina Nebula is home to young, extremely massive stars, including the still enigmatic variable Eta Carinae, a star with well over 100 times the mass of the Sun. Eta Carinae is the bright star above the central dark notch in this field and left of the dusty Keyhole Nebula (NGC 3324).