Huey Pierce Smith, known as Huey “Piano” Smith (born January 26, 1934, New Orleans, Louisiana), is an American rhythm-and-blues pianist whose sound was influential in the development of rock and roll.

His piano playing incorporated the boogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino.AllMusic journalist Steve Huey noted that “At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, ‘Don’t You Just Know It.'”

Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players.

Smith wrote his first song on the piano, “Robertson Street Boogie” (named after the street where he lived), when he was eight years old. He performed the tune with a friend; they billed themselves as Slick and Dark. Smith attended McDowell High School and Xavier University of Louisiana in New Orleans.

When Smith was fifteen, he began working in clubs and recording with his flamboyant partner, Eddie Jones, who rose to fame as Guitar Slim. When Smith was eighteen, in 1952, he signed a recording contract with Savoy Records, which released his first known single, “You Made Me Cry”. In 1953 Smith recorded with Earl King.

In 1955, Smith became the piano player with Little Richard‘s first band in sessions for Specialty Records. The same year he also played piano on several studio sessions for other artists, such as Lloyd Price. Two of the sessions resulted in hits for Earl King (“Those Lonely Lonely Nights”) and Smiley Lewis (“I Hear You Knocking“).

Clement Seymour “Sir Coxsone” Dodd CD (26 January 1932 – 5 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond.

He was nicknamed “Coxsone” at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team). The Kingston-born Dodd used to play records to the customers in his parents’ shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleansand Miami.

Stéphane Grappelli (French pronunciation: ​[stefan ɡʁapɛli]; 26 January 1908 – 1 December 1997) was a French jazz violinist who founded the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called “the grandfather of jazz violinists” and continued playing concerts around the world well into his 80s.

For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to Grappelli in 1969. The latter, Italian spelling, is now used almost universally when referring to the violinist, including reissues of his early work.

Grappelli was born at Hôpital Lariboisière in Paris, France, and christened with the name Stéfano. His father, an Italian Marchese, Ernesto Grappelli, was born in Alatri, Lazio, and his French mother, Anna Emilie Hanoque, was from St-Omer. His father was a scholar who taught Italian, sold translations, and wrote articles for local journals. His mother died when he was five, leaving his father to care for him.

“You only are free when you realize you belong no place — you belong every place — no place at all.”

These two spiral galaxies make a photogenic pair, found within the boundaries of the northern constellation Draco. Contrasting in color and orientation, NGC 5965 is nearly edge-on to our line of sight and dominated by yellow hues, while bluish NGC 5963 is closer to face-on. Of course, even in this well-framed cosmic snapshot the scene is invaded by other galaxies, including small elliptical NGC 5969 at the lower left. Brighter, spiky stars in our own Milky Way are scattered through the foreground. Though they seem to be close and of similar size, galaxies NGC 5965 and NGC 5963 are far apart and unrelated, by chance appearing close on the sky. NGC 5965 is about 150 million light-years distant and over 200,000 light-years across. Much smaller, NGC 5963 is a mere 40 million light-years away and so is not associated with the edge-on spiral. Difficult to follow, NGC 5963’s extraordinarily faint blue spiral arms mark it as a low surface brightness galaxy.

Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hamptonand Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer reformed the Jazztet in 1982. Several of Golson’s songs have become jazz standards, including “Blues March“, “Whisper Not“, “I Remember Clifford“, and “Killer Joe”.

While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson‘s rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson’s pianist at the time.

From 1953 to 1959 Golson played with Dameron’s band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengerswith whom he recorded the classic Moanin’ in 1958.

Golson was working with the Lionel Hampton band at the Apollo Theater in Harlem in 1956 when he learned that Clifford Brown, a noted and well-liked jazz trumpeter who had done a stint with him in Dameron’s band, had died in a car accident. Golson was so moved by the event that he composed the threnody “I Remember Clifford“, as a tribute to a fellow musician and friend.

Antônio Carlos Brasileiro de Almeida Jobim (January 25, 1927 – December 8, 1994), also known as Tom Jobim (Portuguese pronunciation: [tõ ʒoˈbĩ]), was a Brazilian composer, pianist, songwriter, arranger and singer. Widely considered as one of the great exponents of Brazilian music, Jobim is the artist who internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound with remarkable popular success.

He was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists within Brazil and internationally.

In 1965 his album Getz/Gilberto was the first jazz album to win the Grammy Award for Album of the Year. It also won for Best Jazz Instrumental Album – Individual or Group and for Best Engineered Album, Non-Classical. The album’s single “Garota de Ipanema” (“The Girl from Ipanema”), one of the most recorded songs of all time, won the Record of the Year. Jobim has left a large number of songs that are now included in jazz and pop standard repertoires. The song “Garota de Ipanema” has been recorded over 240 times by other artists. His 1967 album with Frank Sinatra, Francis Albert Sinatra & Antônio Carlos Jobim, was nominated for Album of the Year in 1968.

Antônio Carlos Jobim was born in the middle-class district of Tijuca in Rio de Janeiro. His father, Jorge de Oliveira Jobim (São Gabriel, Rio Grande do Sul, April 23, 1889 – July 19, 1935), was a writer, diplomat, professor and journalist. He came from a prominent family, being the great nephew of José Martins da Cruz Jobim, senator, privy councillor and physician of Emperor Dom Pedro II. While studying medicine in Europe, José Martins added Jobim to his last name, paying homage to the village where his family came from in Portugal, the parish of Santa Cruz de Jovim, Porto.

https://www.youtube.com/watch?v=fz80O5FZrho

John Adams Estes (January 25, 1899 or 1900  – June 5, 1977), known as Sleepy John Estes, was an American blues guitarist, songwriter and vocalist. Estes was born in Ripley, Lauderdale County, Tennessee, either in 1899 (the date on his gravestone) or 1900 (the date on his World War I draft card). In 1915, his father, a sharecropperwho played guitar, moved the family to Brownsville, Tennessee. Not long after, Estes lost the sight in his right eye when a friend threw a rock at him. At the age of 19, while working as a field hand, he began to perform professionally, mostly at parties and picnics, with the accompaniment of Hammie Nixon, a harmonica player, and James “Yank” Rachell, a guitarist and mandolin player. Estes continued to work on and off with both musicians for more than fifty years. He also performed in medicine shows with Willie Newbern.

At the suggestion of Jim Jackson, Estes made his debut as a recording artist in Memphis, Tennessee, in 1929, at a session organized by Ralph Peer for Victor Records. He recorded the tracks “Drop Down Mama” and “Someday Baby Blues” with Nixon in 1935. He later worked with Son Bonds and Charlie Pickett. He later recorded for Decca Records and Bluebird Records, with his last prewar recording session taking place in 1941. He made a brief return to recording at Sun Studio in Memphis in 1952, recording “Runnin’ Around” and “Rats in My Kitchen”, but otherwise was out of the public eye in the 1940s and 1950s.

The Whirlpool Galaxy, also known as Messier 51a, M51a, and NGC 5194, is an interacting grand-design spiral galaxy with a Seyfert 2 active galactic nucleus. It lies in the constellation Canes Venatici, and was the first galaxy to be classified as a spiral galaxy. Its distance is estimated to be between 15 and 35 million light-years.

The galaxy and its companion, NGC 5195,are easily observed by amateur astronomers, and the two galaxies may be seen with binoculars. The Whirlpool Galaxy has been extensively observed by professional astronomers, who study it to understand galaxy structure (particularly structure associated with the spiral arms) and galaxy interactions.

What later became known as the Whirlpool Galaxy was discovered on October 13, 1773, by Charles Messier while hunting for objects that could confuse comet hunters, and was designated in Messier’s catalogue as M51. Its companion galaxy, NGC 5195, was discovered in 1781 by Pierre Méchain, although it was not known whether it was interacting or merely another galaxy passing at a distance. In 1845, William Parsons, 3rd Earl of Rosse, employing a 72-inch (1.8 m) reflecting telescope at Birr Castle, Ireland, found the Whirlpool possessed a spiral structure, the first “nebula” to be known to have one. These “spiral nebulae” were not recognized as galaxies until Edwin Hubble was able to observe Cepheid variables in some of these spiral nebulae, which provided evidence that they were so far away that they must be entirely separate galaxies even though they are seen close together.

Joe Albany (born Joseph Albani; January 24, 1924 – January 12, 1988) was an American modern jazz pianist who played bebop with Charlie Parker as well as being a leader on his own recordings.

James Robert Forrest Jr. (January 24, 1920 – August 26, 1980) was an American jazz musician, who played tenor saxophone throughout his career.

Forrest is known for his first solo recording of “Night Train“. It reached No. 1 on the Billboard R&B chart in March 1952, and stayed at the top for seven weeks. “Hey Mrs. Jones” (No. 3 R&B) and “Bolo Blues” were his other hits. All were made for United Records, which recorded Forrest between 1951 and 1953. He recorded frequently as both a sideman and a bandleader.

Born in St. Louis, Missouri, United States, Forrest played alongside Fate Marable as a young man. He was with Jay McShann in 1940-42 and with Andy Kirk from 1942 until 1948 when he joined Duke Ellington. During the early 1950s, Forrest led his own combos. He also played with Miles Davis, in early 1952 at The Barrel Club. After his solo career, he played in small combos with Harry “Sweets” Edison and Al Grey, as well as appearing with Count Basie.

Late in life Forrest married Betty Tardy, and settled in Grand Rapids, Michigan, where he died in August 1980, aged 60, from heart failure.

James Avery Parrish (January 24, 1917 – December 10, 1959) was an American jazz pianist, composer and arranger. He wrote and recorded “After Hours“. Injuries from a bar fight in 1943 ended his career as a pianist.

Parrish was born in Birmingham, Alabama. His parents were Curley and Fannie G Parrish. Avery had at least one brother, who became an educator.

Parrish graduated from Parker High School in Birmingham. According to a gossip columnist in 1935, Parrish was at that time married to singer Velma Middleton.

Parrish studied at the Alabama State Teachers College, where he played in the Bama State Collegians, an ensemble led by Erskine Hawkins. He remained in Hawkins’s employ until 1942, and recorded with him extensively. Parrish wrote the music to “After Hours“, and a 1940 recording of the tune with Hawkins’s orchestra resulted in its becoming a jazz standard. He also wrote arrangements for Hawkins.

In August 1942 Parrish was injured in a car crash that killed Marcellus Green, one of Hawkins’s trumpeters. They were in a group of five in the vehicle, driving between Pittsburgh and Chattanooga to gigs when it overturned.Parrish left Hawkins later that year.